Not that this solves your particular problem, but it seems pretty
consistent to me: when the upper note falls on a line, it's to the
left, when it's on a space, to the right. Probably because of the
dot. Actually, it is because of the dot placement. If you change d8.
to d8~ d16, they are all always on the left.
El 11.02.2009, a las 09:24, nick.pa...@internode.on.net escribió:
If I have the following:
%=============================
\version "2.12.2"
\relative c'' {
<< {
d8. e16 c8. d16 b8. c16 a8. b16
} \\ {
c8[ b] b a a[ g] g f
}
>>
}
%=============================
Lilypond is alternately placing the dotted eighth notes in the
upper voice to the left and then the right of the colliding eighth
notes in the lower voice, rather than consistently placing them on
one side. Its much easier to read if the offset is consistently to
one side.
I tried using \override NoteCollision #'prefer-dotted-right = ##t
but this made no difference. Is there any fix short of using a
whole lot of manual \override NoteColumn #'force-hshift = #value
(there a quite a number of bars like this in the piece).
Nick
<test.png>
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