Am 28.12.2008 um 20:31 schrieb Wilbert Berendsen:
Op zaterdag 27 december 2008, schreef james:
What exactly is the difference between \lyricsto and \set
associatedVoice?
I think \lyricsto is a shorthand for \lyricmode { \set
assosiatedVoice ... }
so:
text = \lyricsto "alto" {
bla bla
Am 29.12.2008 um 00:17 schrieb Werner LEMBERG:
Once I learned about outside staff-priority, everything was good.
Which for me is the usual situation: I get unexpected output, and
then learn that there's a perfectly acceptable reason for that
output. In this case: outside-staff-priority takes p
Am 29.12.2008 um 06:26 schrieb Werner LEMBERG:
However, there are situations where you don't have access to the
mailing list, and then you have to find it in the docs. Can you
suggest where improvements shall be added so that your specific
problem is covered?
Well then I'd have to say that t
Am 29.12.2008 um 11:58 schrieb sdfgsdhdshd:
Is there a way to get in the pdf only the simple 4?
I don't understand how it works, but I got this from Mark Polesky (I
think) and it worked for me.
\version "2.11.64"
myChordDefinitions = {
-\markup \super{–9}
-\markup \super{4
Am 29.12.2008 um 12:23 schrieb sdfgsdhdshd:
James E. Bailey-3 wrote:
Am 29.12.2008 um 11:58 schrieb sdfgsdhdshd:
Is there a way to get in the pdf only the simple 4?
I don't understand how it works, but I got this from Mark Polesky (I
think) and it worked for me.
\version &qu
Am 29.12.2008 um 16:11 schrieb Carl D. Sorensen:
BTW, James, do you want german note names for your chords (h
instead of bes,
IIRC)? Your init file includes a line that sets german note
names. You may
want to eliminate that line.
Yes, and like the other german speaking people, I lament
Also, the command index.
Am 30.12.2008 um 20:47 schrieb Francisco Vila:
2008/12/30 kristof :
is there somewhere a list of all predefined commands?
/usr/local/lilypond/usr/share/lilypond/current/ly/property-init.ly
contains many, and possibly all of them.
--
Francisco Vila. Badajoz (Spain)
htt
Am 01.01.2009 um 10:48 schrieb Nick Payne:
The slurs on the acciaccaturas in my score are all defaulting to
above the
stems of the grace notes, even when the grace notes are on or above
the
middle of the stave and their stems are up. How can I move the
slurs to
appear beneath. I tried usi
Am 01.01.2009 um 10:48 schrieb Nick Payne:
The slurs on the acciaccaturas in my score are all defaulting to
above the
stems of the grace notes, even when the grace notes are on or above
the
middle of the stave and their stems are up. How can I move the
slurs to
appear beneath. I tried usi
want to re-read NR 1.5.2 Explicitly instantiating voices.
Nick
-Original Message-
From: James E. Bailey [mailto:derhindem...@googlemail.com]
Sent: Thursday, 1 January 2009 21:16
To: Nick Payne
Cc: lilypond-user@gnu.org
Subject: Re: Move slur for acciaccatura
Am 01.01.2009 um 10:48 schr
Apparently lilypond is a little too smart with delayed ties. You have
a ~ in the first measure which isn't completed until the third
measure. Get rid of it, and you should have what you want.
Am 02.01.2009 um 21:12 schrieb Nikolay Kirov:
Hi!
Can anybody answer me, why there is no text corre
Am 02.01.2009 um 23:46 schrieb Mats Bengtsson:
James E. Bailey wrote:
Apparently lilypond is a little too smart with delayed ties.
Is this perhaps even worth a bug report?
The one thing I've learned with lilypond is that I don't know what
You may also want to look at the section in text on writing text, if
the text needs to be at the end of a line, or at the end of the piece.
Am 02.01.2009 um 23:34 schrieb Ole Schmidt:
maybe like this?
ole
%%
\version "2.12.0"
\new Staff {
\time 4/4
\
Am 04.01.2009 um 15:43 schrieb Francois Planiol:
Hello!
I need for a kind of Summary of "Different way to harmonize a
melodie" a
command of markup, I suppose. If it does exist, i dont find it or
how and be
very pleased for having help
My idea would be something like
\markup \floating {
Am 04.01.2009 um 11:11 schrieb fa070232:
How to make an easy installation on vista ? I have very little it
background.
Best regards
Edmond.
I don't have any experience with windows vista, but the lilypond wiki
may help
http://lilypondwiki.tuxfamily.org/index.php?title=Where_is_the_app%
Am 04.01.2009 um 20:22 schrieb Arjan Bos:
On 4 jan 2009, at 19:31, Hasi wrote:
Do any of you know how I can use Umlaute?
I'd like to do the following:
_\markup { \italic hartnäckig }
it just comes out as "hartnckig"
Hasi,
Please save the file with UTF-8 encoding. Most editors offer this
Am 05.01.2009 um 10:26 schrieb Hasi:
How can I move the accidentals apart? They are layed over each
other...
Search the LSR for bartók accidentals. I'm pretty sure that's what
it's labeled under.
___
lilypond-user mailing list
lilypond-user@g
Am 05.01.2009 um 11:24 schrieb Gyula P. Szokoly:
Hi,
GNU LilyPond 2.10.33, input is at the end. The tie between the
two 'a's
works, but not between a and b. The problem seems to be related to the
orientation of the stem (i.e. tie between opposite stems) but forcing
the stem (\stemUp) does
Am 05.01.2009 um 10:50 schrieb Hasi:
Is there a way that I can name sheet music samples the same way as
images
(figure)? And can I make an index of all the sheet music samples at
the end?
It sounds like what you want is lilypond-book.
___
lily
enter}
\includegraphics[height=1cm]{images/1}
\caption[1]{1}
\end{center}
\end{figure}
and in the end:
\listoffigures
I hope this is clear.
--- On Mon, 1/5/09, James E. Bailey
wrote:
From: James E. Bailey
Subject: Re: Music figures like images
To: "Hasi"
Cc: lilypond-user@gnu.o
Moved to user-list because it's not appropriate on the bug list.
On the lilypond website, go to the documentation for version 2.12 and
start with the Learning Manual. There are instructions there on how
to use lilypond.
Am 05.01.2009 um 20:13 schrieb andy:
Hi. I downloaded version 2.12 for
I think an easier way would either be to use \mark \markup \center-
column or to define another context for the \mark. Search the mailing
list archives, I had a similar question a few weeks ago, but with two
marks, one above, and one below the system. I think the solutions
would be similar.
The problem with stopping and restarting a staff(group) is the fact
that
restarting the staff will not restart the entire score.
The documentation didn´t help me, but the suggestion to put the
scores in a
markup did help me.
I find that a lot of problems with lilypond output require
imagi
Am 06.01.2009 um 21:23 schrieb Mats Bengtsson:
James E. Bailey wrote:
The problem I have is that when I switch between voices in my
melody, the lyrics don't pick up when the voice comes back. Is
that a bug?
You may have to make sure that the same context survives.
If you do, say,
Am 07.01.2009 um 11:06 schrieb Graham Percival:
On Tue, Jan 06, 2009 at 10:18:02PM +0100, James E. Bailey wrote:
Thanks. I remember seeing that in the choral template, but I never
understood that contexts "die" after they're no longer in use. That
explains a lot.
Can I req
Am 08.01.2009 um 04:42 schrieb T. Kiriyama:
Hi,all,
I just find another problems with part cobination.
The slur for partone, bar number between 2 and 3 and drawing of
partone, bar number 5 to 6 were forgotten.
Is this a bug or is there any kind of solution?
Best Regards,
%%
%% lilypond source
Am 07.01.2009 um 23:11 schrieb chip:
I just tried to register on the LSR, got to the registration page,
entered my info, but the cursor never changes from the timer to the
arrow. Pressing the go button does nothing. Using Firefox on Linux.
I also tried on my XP box in both Firefox and IE7
Am 08.01.2009 um 12:03 schrieb T. Kiriyama:
Yes, It's my mistake.
Does anyone know how to find such kind of easy mistake like gcc's -
Wall option ?
I don't know what editor you use, but if it has a syntax hilighting,
you can use that to easily hilight ( and end the hilight with ). I
Am 08.01.2009 um 12:20 schrieb Nick Payne:
How can I specify that a bar containing only a single tied note be
a certain
minimum width? Because the note is tied, I tried using
\once\override Slur #'minimum-length = #16
That works if the bar is in the middle of a line, but it doesn't
work a
Am 08.01.2009 um 23:15 schrieb chip:
I've been reading all the messages in this thread and haven't quite
understood all of it, but I believe you are referring to the
content section as the section where all the notes are. That being
the wrong place to put
\set short.instrumentname. I finall
It's crude, and there's probably a better parenthesis glyph, but it's
a quick and dirty solution. And perhaps a different way to think.
\version "2.11.65"
\markup \vcenter {
\fontsize #12 { ( }
\column {
\line {a}
\line {b}
\line {c}
}
\fontsize #12 { ) }
}
Am 09.
ixed the layout problem.
Nick
-Original Message-
From: Mark Polesky [mailto:markpole...@yahoo.com]
Sent: Saturday, 10 January 2009 18:15
To: Nick Payne; Andrew Hawryluk; James E. Bailey
Cc: lilypond-user@gnu.org
Subject: Re: Minimum width for a bar
\once\override Slur #'minimum-length
Am 11.01.2009 um 04:46 schrieb Miklos Vajna:
Hi,
I'm trying to use lilypond to digitalize some of my guitar chords,
and I
seem to hit a problem.
So in guitar chords it's a common to have something like
\arpeggioArrowDown next to a chord.
…
and I would like to add something like a \arpegg
Am 11.01.2009 um 15:11 schrieb Miklos Vajna:
On Sun, Jan 11, 2009 at 05:53:20AM +0100, Miklos Vajna
wrote:
and I would like to add something like a \arpeggioArrowDown next
to e1:m.
Here is a picture about the original chord, just in case the
description would be hard to parse:
http://fru
Am 12.01.2009 um 00:05 schrieb Miklos Vajna:
On Sun, Jan 11, 2009 at 06:08:40PM +0100, "James E. Bailey"
wrote:
Here is a picture about the original chord, just in case the
description would be hard to parse:
http://frugalware.org/~vmiklos/pics/photo/P1000146.JPG
Ah, well
Am 12.01.2009 um 00:19 schrieb Miklos Vajna:
On Mon, Jan 12, 2009 at 12:13:59AM +0100, "James E. Bailey"
wrote:
Second, this does exactly what I want, but how do I use this next
to a
chord?
\chords {\germanChords e2:m b:m e1:m^\arpeggioGuitar e2:m e:m b:m
b:m e:m e:m}
I
Am 12.01.2009 um 00:54 schrieb Miklos Vajna:
On Mon, Jan 12, 2009 at 12:30:11AM +0100, "James E. Bailey"
wrote:
The problem with this workaround is that the arpeggio is simply a
markup attached to the note, rather than being a part of the chord
name, which is a markup. Perh
You could try putting the slur in a completely different voice
altogether.
<<{b'4\rest e,2}\\{a,2.}\\{\hideNotes a4_( e2)}>>
Am 12.01.2009 um 21:56 schrieb Nick Payne:
In this example, excerpted from a score, how can I get a slur
between the
two notes? The snippets repository shows slurs ac
You can also put the notes for the stanza and the notes for the
chorus in differently named contexts, so that you don't have to use
\skip. It can make it easier if you add or remove measures in a
section. And you can just use the required associatedVoice.
Am 13.01.2009 um 08:55 schrieb Mats
Am 13.01.2009 um 15:18 schrieb Julio:
Hi
I am just a new comer. I installed the last version 2.12 (also
2.10) for intel.
I have mac os x leopard.
The appication does not work. It does not show any option in the
menu. Is there
anyway to fix it?
Yes and no. Yes it is possible to use the
proceed?
Julio
E-mail: julio.casa...@me.com
On 13.01.2009, at 16:19, "James E. Bailey"
wrote:
Am 13.01.2009 um 15:18 schrieb Julio:
Hi
I am just a new comer. I installed the last version 2.12 (also
2.10) for intel.
I have mac os x leopard.
The appication does not work. It d
Am 13.01.2009 um 20:43 schrieb Ivo Bouwmans:
Hallo all,
James E. Bailey schreef / wrote / skribis:
Someone can correct me if I'm wrong, but I think you'll need to
build lilypond from source.
There's no need to do that to use LP on Mac OS X Leopard.
Ah, but he wants to,
ys be preferred by the average user over a program like
lilypond or LaTeX, where, in order to use the program, you have to
read the manual, and learn how the program works. I try to always
remember, just because something is good, doesn't make it successful.
On 13.01.2009, at 2
You know, with the addition of the \voiceOne, this looks oddly
similar to my original proposal. ;-)
Am 14.01.2009 um 00:06 schrieb Bertalan Fodor:
Well, I think this is the ideal solution.
\relative c' {
\time 3/4
\mergeDifferentlyDottedOn
\merg
he nano editor and it
seems to be pretty straightforward. It would then be nice to run
the app. from the terminal. Can it be done? Sorry for asking but I
am completely new comer to the terminal in mac osx.
Thanks
Julio
Julio Casares
On Tuesday, January 13, 2009, at 07:59PM, "James E
It was probably me. And I gladly accept any regex improvements. I
learned regex for the sole purpose of having syntax hilighting for
lilypond, so I'm certain someone who knows something about it could
do a far better job than I.
And again, thanks. sometimes I just don't bother with trying t
I tried, asked around, and basically got the impression that I'd need
a text parser in order to figure that stuff out, so I didn't bother
with it.
Am 15.01.2009 um 20:49 schrieb Francois Planiol:
Thank you thank you thank you,
I never had the idea to look deeply in the man page of nano. Na
Am 17.01.2009 um 01:08 schrieb Lasse Rempe:
Hi Kieran,
Why should it look like the scan?
That is, what engraving reference (e.g., Gardner Read) do you have
which indicates that the tremolo should be inside the staff?
I do not have any engraving reference; however I am going by 20+
years o
Wow, I just had that same problem this morning. I was trying to do:
{
\clef bass
c d e f
\override NoteHead #'stencil = #ly:text-interface::print
\override Voice.NoteHead #'text = \markup { \override #'(font-
name . "Palatino Bold " ) { d } }
c d e f
}
Where did you add the 0?
Am
-name 0)))
James E. Bailey wrote:
Wow, I just had that same problem this morning. I was trying to do:
{
\clef bass
c d e f
\override NoteHead #'stencil = #ly:text-interface::print
\override Voice.NoteHead #'text = \markup { \override #'(font-
name . "Palatino Bold &qu
I don't usually use \addlyrics, but it should be the same as in the
section on entering lyrics.
Am 18.01.2009 um 00:33 schrieb Jay Hamilton:
I can't find in the doc where/if you can italicize a single word in
lyrics using \addlyrics or is there a different thing to do?
Yours-
Jay
Jay Ham
Am 19.01.2009 um 20:27 schrieb J. Van Thuyne:
As the subjoined code obviously isn't working, how exactly would
you code this
in a correct manner?
\tempo "Grave, solemn." 2 = 54-56
I presume this property will only accept numbers, not a minus sign.
How can it
be overridden?
Best regar
M-f toggles between reading the file into a new buffer, or inserting
it at that point in the current one.
Am 20.01.2009 um 19:44 schrieb Martin Tarenskeen:
I was experimenting editing a small Lilypond score using the nano
editor. That's why I'm asking this slighly-off-topic-question here :-)
M-f toggles between reading the file into a new buffer, or inserting
it at that point in the current one.
Also, it may be turned off in a config file, or your build may have
the -x flag called by default, but there should be a two line help at
the bottom of the screen, also, you can show he
Am 20.01.2009 um 22:42 schrieb Roi Redondo Garcia:
Ei:
Itś posible to download the program, I not sure about how it works,
but needs to
send this message
Thankyou
Yes, please use the download link on the lilypond.org website.
___
lily
I won't attempt to answer all of this, but, the easiest beginning to
a solution is to have two separate \score blocks, one with a \layout
and one with a \midi. That way, you can structure your midi output
the way it should be, and structure the pdf the way it should be.
Very simplified examp
Am 21.01.2009 um 12:28 schrieb Gilles Sadowski:
Hi.
My problem is that when combining the top parts as separate
voices, it
looks rather messy and confusing. I can combine two parts with
\partcombine, and that does give a much better copy, but it still
leaves
the third part. I know that
Ah, the learning Manual, section 3 would probably be a good place to
start for these things. It explains why one uses \new Voice or
\voiceOne, exactly what \voiceOne does, and the different ways of
aligning lyrics to notes using \lyricsto.
Am 21.01.2009 um 20:54 schrieb Grateful Frog:
Tha
Am 22.01.2009 um 13:01 schrieb Jonathan Kulp:
Johan Vromans wrote:
Francisco Vila writes:
It looks _very_ interesting and I'll try it as soon as I can.
I look forward to your feedback.
Maybe the IDE could trigger the printing on M-x something by issuing
the lpr command. Sounds feasible?
S
Am 22.01.2009 um 13:21 schrieb Jonathan Kulp:
James E. Bailey wrote:
Am 22.01.2009 um 13:01 schrieb Jonathan Kulp:
Johan Vromans wrote:
Francisco Vila writes:
It looks _very_ interesting and I'll try it as soon as I can.
I look forward to your feedback.
Maybe the IDE could trigge
Wow, that took me a minute to figure out. The quotes around 33" are
the problem. That makes it separate text. Putting the quotes around
the entire time fixes it.
{
\mark \markup \rounded-box {
\small {
"4'33\""
}
} c'2
}
Am 23.01.2009 um 22:39 schrieb Tom Hall:
Hel
There may be an easier way. In osx, you have utf-8 on by default. So
you don't need to use the lilypond special of inserting utf-8
characters. Which, by the way, mark's way I don't understand, it uses
scheme. The easier way is to just use \markup \concat { 4/char ##x2032 }
But, since on osx,
#x27;am on Mac OS 10.5.6 using the latest Lilypond...
ole
Am 23.01.2009 um 23:59 schrieb Mark Polesky:
James E. Bailey wrote:
Wow, that took me a minute to figure out. The quotes around 33" are
the problem. That makes it separate text. Putting the quotes around
the entire time fixes
Am 24.01.2009 um 11:44 schrieb Tom Hall:
James E. Bailey googlemail.com> writes:
{
\mark \markup \rounded-box {
\small {
4′33″
}
} c'2
}
Hmm, trying the code directly above, gives me the following error
Oh yeah, that's a problem. Apparently it's been fixed, it's just not
in the distributed binary. There's a thread on the list that shows
how to fix it.
Am 24.01.2009 um 12:26 schrieb Tom Hall:
James E. Bailey googlemail.com> writes:
Hello James
I also get an error
k \markup { \rounded-box
\small \concat { 4′33″}
} c'2
}
ole
Am 24.01.2009 um 11:31 schrieb James E. Bailey:
That's odd, there are extra spaces in there too. What if you try just
copying and pasting in the ′ and ″ characters? Or what about
using
\char ##x2032? Does
-WARNING error I've mentioned in the utf-8
characters thread.
tom
{
\mark \markup { \rounded-box
\small \concat { 4′33″}
} c'2
}
ole
Am 24.01.2009 um 11:31 schrieb James E. Bailey:
That's odd, there are extra spaces in there too. What if you try just
copying and pastin
See, that's just amazing. personally, I think \markup \concat {4\char
##x2032 " 33"\char##x2033 } is a little shorter, but it's kind of
awesome that that can be done with all that stuff that apparently
means something.
Am 24.01.2009 um 21:49 schrieb Mark Polesky:
Don't forget you can stor
I just noticed that the link to fontconfig in the documentation again
points to fontforge. Wasn't that fixed a while ago?
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Am 25.01.2009 um 10:38 schrieb Hans Aberg:
On 24 Jan 2009, at 12:35, Ole Schmidt wrote:
when I choose in the preferences "show invisible characters", my
file look like this:
it seems like a copy & paste promblem from my mail-client (Apple
"Mail"). Does anyone know how to fix this?
Wh
While I'm fine just renaming my files after they are created or
passing the output filename in my command-line options (I'm on
2.11.35-2 Mac OSX), I was just wondering if there's a way to
explictly set the filename in my lilypond file. Something akin to the
point-and-click option.
Thanks
Hello, I was wondering if anyone here uses TexShop with the lilypond plugin. So
far it's working well, but I'm having some issues with the UTF-8. Namely, my
umlauts and ß show up as ASCII code rather than the characters. TexShop
displays the special characters in the input file correctly, but if
>Date: Sun, 30 Dec 2007 17:24:28 +0100
>From: "Patrick Schmidt" <[EMAIL PROTECTED]>
>Subject: Re: Layout integrating LaTeX and music
>To: lilypond-user@gnu.org
>
>Hi Tobias,
>
>>I don't use lilypond-book, but call
>>lilypond from within latex. This approach has some advantages and some
>>drawback
Date: Thu, 03 Jan 2008 22:10:07 +
From: Alberto Sim?es <[EMAIL PROTECTED]>
Subject: Is lilypond working on Leopard?
To: lilypond
Message-ID: <[EMAIL PROTECTED]>
Content-Type: text/plain; charset=ISO-8859-1; format=flowed
Hi
I remember seeing emails on this list complaining that Lilypond was
I'm new to LaTeX, but not lilypond. I'm using TeXShop, and I'm
getting some not really desired output.
\begin{document}
\begin{lilypond}
\version "2.11.36"
\include "deutsch.ly"
\header { title = "Beauty—be not caused—It Is—" instrument =
"Querflöte" }
{c'2
e for your LaTeX files.
/Mats
James E. Bailey wrote:
I'm new to LaTeX, but not lilypond. I'm using TeXShop, and I'm
getting some not really desired output.
\begin{document}
\begin{lilypond}
\version "2.11.36"
\include "deutsch.ly"
Having tried all of the options suggested, I've come to something,
first, in TeXShop, using Lilypond-LaTeX mode, on a file saved in UTF8
encoding, this code parses and translates correctly, with the errors
stated
%!TEX TS-program = Lilypond-LaTeX
%!TEX encoding = UTF8
\documentclass[a4pape
>Message: 7
>Date: Sat, 19 Jan 2008 06:34:49 -0500
>From: Kieren MacMillan <[EMAIL PROTECTED]>
>Subject: Re: different tempos
>To: Kostia Rapoport <[EMAIL PROTECTED]>
>Cc: Lilypondusers Group
>Message-ID: <[EMAIL PROTECTED]>
>Content-Type: text/plain; charset=US-ASCII; delsp=yes; format=flowed
>
On Sunday, January 20, 2008, at 05:27PM, "Kieren MacMillan" <[EMAIL PROTECTED]>
wrote:
>Hi James,
>
>> Since lilypond can only have a line break where there is a measure,
>> essentially,
>> I just inserted a blank bar line in the repeat command. That solved
>> everything for me.
>
>Except it
On Sunday, January 20, 2008, at 05:27PM, "Kieren MacMillan" <[EMAIL PROTECTED]>
wrote:
>Hi James,
>
>> Since lilypond can only have a line break where there is a measure,
>> essentially,
>> I just inserted a blank bar line in the repeat command. That solved
>> everything for me.
>
>Except it
On Monday, January 21, 2008, at 04:13AM, "Kieren MacMillan" <[EMAIL PROTECTED]>
wrote:
>Hi James,
>
>> forbid_line_engraver did the trick
>
>Yeah!! I didn't even know about this one...
>Thanks!
>
>Kostia: I've attached my reformatted version of the shortened version
>of your code, applying Jam
Date: Thu, 31 Jan 2008 17:23:42 +0100
From: Christian Braumann <[EMAIL PROTECTED]>
Subject: german translation
To: lilypond-user Mailinglist
Message-ID: <[EMAIL PROTECTED]>
Content-Type: text/plain; charset=ISO-8859-1; format=flowed
Hi all,
I'd like to help with a german translation of the ma
Hello, I'm finding some old(er) files on my computer that I'd like to
work with again, but this time in Lilypond. I'm converting them from
Finale using musicxml. Unfortunately, the files don't convert and
this is what I get:
James-TiGERmac:/Applications/LilyPond.app/Contents/Resources/bin/
m
Message: 5
Date: Sat, 9 Feb 2008 23:38:58 + (UTC)
From: Reinhold Kainhofer <[EMAIL PROTECTED]>
Subject: Re: musicxml2ly problems
To: lilypond-user@gnu.org
Message-ID: <[EMAIL PROTECTED]>
Content-Type: text/plain; charset=us-ascii
File "/Applications/LilyPond.app/Contents/Resources/bin/
mus
you can use an external editor (Textmate, TeXShop) to edit and compile
lilypond files in osx 10.5
Am 11.02.2008 um 14:52 schrieb Roberto:
Dear Geniuses,
There isn't a OSX 10.5 version available yet, right?
Any idea when is there going to be on?
All the best,
Roberto.
___
Just to be clear, lilypond does not work, command-line, PPC, or
anything with apple's latest update? I've been using it in 10.5.1 with
TextMate and TeXShop just fine, but now I get absolutely nothing.
Should I bother trying to build it myself to see if I can it working?
___
Hello, I'm trying out the lilypond bundle in TextMate, and there are a
couple of things that don't really show logically. I don't know a
thing about TextMate, and I was wondering if whoever created the
bundle could give me a couple of tips on how to make some changes.
_
Am 24.02.2008 um 14:29 schrieb till:
Andrew Hawryluk-2 wrote:
OK. maybe this isn't advertising, but as a recovering Finale user I
have been taking notes about what it was like to try LilyPond for the
first time. The first three installments of those writings are now
posted on my site and,
On 24.02.2008, at 16:36, Kieren MacMillan wrote:
Hi James,
for just getting something quick, that doesn't really have to look
good,
finale is definitely faster
Several years ago, I would have called myself a Finale expert: in
addition to over a decade of use (typesetting well over a hun
On 27.02.2008, at 18:21, Reinhold Kainhofer wrote:
Am Mittwoch, 27. Februar 2008 schrieb eagle136:
Processing `wart.ly'
Parsing...
wart.ly:61:23: error: syntax error, unexpected STRING
g4 \times 2/3 {
gis g g} r4 |
Without the actual file to look at, it's hard to
On 27.02.2008, at 18:44, Graham Percival wrote:
On Wed, 27 Feb 2008 18:29:32 +0100
"James E. Bailey" <[EMAIL PROTECTED]> wrote:
Another way of answering that is, lilypond uses "english.ly" by
default, so unless you specify \include "deutsch.ly", you'
I've got a minor problem. It's incredibly difficult to reproduce
because of how it occurs, but I've got a little screenshot to show it.
http://img3.freeimagehosting.net/uploads/569c91276e.jpg
Basically, the double-sharp is a bit too close to the time signature
for my tastes, and I'm wondering
okay, I'm a little confused. This doesn't work
{\clef bass #(set-time-signature 9 8 '(2 3 2 2)) gis8^\<([ fis] [gis a
h\!] [a fis] [e d)] }
___
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lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
oh wow, nvm. I should sleep.
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Maybe I'm still sleepy (it's early), but I'm not finding the section
on comments in the new documentation. Specifically, something that
deals with
http://lilypond.org/doc/v2.10/Documentation/user/lilypond/Working-on-text-files#Working-on-text-files
but in the documentation for 2.11. I realise
On 28.02.2008, at 11:07, Mats Bengtsson wrote:
Did you search for "Comment" in the index of the Tutorial?
However, you are right that it seems to be missing in the NR,
where it also should be included for completeness.
/Mats
James E. Bailey wrote:
Maybe I'm still sleepy (i
I'm wondering how difficult it will be to have a slur change direction.
I can get http://img3.freeimagehosting.net/image.php?1a4ef0a831.jpg in
finale (I know, horrible considering the current discussions), and I'm
just wondering if there's an easy way to do that in lilypond.___
I'm currently having some difficulties with polyphony. I don't
understand what I've missed in the statement:
{\time 5/4 <<{\voiceOne fis2 e4}\\{\voiceTwo s2 e4~
e8[ d] cis4}\\{\voiceThree cis4 h h8[ a] h2}>>}
But it fails, and it fails pretty hard.
_
I'm trying to get headless notes that I can attach a glissando to.
I've gotten as far as \once \override Voice.NoteHead #'stencil = ##f
dis2.\fermata but that doesn't really work and gives errors. Is there
another way to set the note head to invisible?
_
Wow, thanks, I've liked the concept of the searchable LSR for a while,
but because of this apparent "ancient" bug, it was largely useless for
me. I don't use google much, but I'll certainly try this.
On 03.03.2008, at 14:26, Nicholas WASTELL wrote:
Hello,
After suffering the 'ancient' bug
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