I was just wondering if it's possible to get lilypond to print 2-up.
So I get two A4 sheets on one A3 sheet? I know I can do it in acrobat,
but I like to use acrobat as infrequently as possible, and I've
actually never used ghostscript directly.
Is it possible to get lilypond to use two clefs? I'm looking at some
music wherein two clefs are used. I see the documentation on adding
clefs as a markup, but then I don't get the key signature doubled,
which I kinda need. Or is there a way to print my own key signature
independently, and
Am 21.05.2008 um 17:03 schrieb Mats Bengtsson:
James E. Bailey wrote:
Is it possible to get lilypond to use two clefs? I'm looking at
some music wherein two clefs are used. I see the documentation on
adding clefs as a markup, but then I don't get the key signature
double
Am 24.05.2008 um 23:26 schrieb Neil Puttock:
Hi Stefan,
2008/5/24 Stefan Thomas <[EMAIL PROTECTED]>:
Dear lilypond-users,
I have another strange problem:
in the below quoted example, I can't have the notes in the
quintuplet under
one beam.
How can I solve the problem?
\version "2.11.43"
\r
8.5x11 is US-ANSI letter size. booklet sized sheets that when folded
will be 8.5x11 are tabloid (and are 11x17).
Normal music scores (in the US) are 9x12, US ARCH B size. Booklet
sized sheets that when folded will be 9x12 are US ARCH C size (and are
12x18)
Am 28.05.2008 um 22:23 schrieb Gar
u know what
that's called?
On Wed, May 28, 2008 at 4:48 PM, James E. Bailey
<[EMAIL PROTECTED]> wrote:
8.5x11 is US-ANSI letter size. booklet sized sheets that when folded
will be 8.5x11 are tabloid (and are 11x17).
Normal music scores (in the US) are 9x12, US ARCH B size. Booklet
I'm using bash, but on OSX. And I don't really get the results that I
was looking for with this. I still get my errors in stdout.
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page and not to itself. Can I get the markups to be
where they are normally, but to have two lines that are centered to
each other. I'm trying \markup {\center-align {"James E. Bailey"
\smaller "2008"}}. Nothing fancy.
I'm using the 2.11 branch of lilypond, and I notice that the forced-
distance used in the piano centered dynamics isn't there (lilypond
tells me, and there's no mention that I can see in the 2.11
documentation). It's in the 2.10 branch (lilypond doesn't tell me it's
a typo and I see it in th
I think the forced-distance might be a bug, everything else in the
align-interface between the two branches (2.10 and 2.11) are the same,
just the user-settable forced-distance is missing :(
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After further inquest, I find that I can center-align only the
composer in the header block, attempting to center-align the poet gets
those not-so-desirable results. Again, is there a way to fix this?
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Am 31.05.2008 um 11:55 schrieb Neil Puttock:
Hi James,
2008/5/31 James E. Bailey <[EMAIL PROTECTED]>:
I think the forced-distance might be a bug, everything else in the
align-interface between the two branches (2.10 and 2.11) are the
same, just
the user-settable forced-distance is m
Am 31.05.2008 um 11:55 schrieb Neil Puttock:
Hi James,
2008/5/31 James E. Bailey <[EMAIL PROTECTED]>:
I think the forced-distance might be a bug, everything else in the
align-interface between the two branches (2.10 and 2.11) are the
same, just
the user-settable forced-distance is m
Am 31.05.2008 um 18:34 schrieb Valentin Villenave:
2008/5/31 James E. Bailey <[EMAIL PROTECTED]>:
I was having some difficulty yesterday, and I'm sure that it's only
because
I'm in a rush and can't think well, but this just isn't working for
me.
Hi James,
Am 01.06.2008 um 21:09 schrieb Jesse Engle:
Hello,
I'm having trouble understanding context creation using \new and
\context, *especially* when the context is given a name. The manual
offers just one explicit example of how this is used, but I can't make
sense of it. Could anyone here please e
I'm really tring here, there should be online classes to figure this
out, it just doesn't make sense to me. If anyone would be willing to
help, I've posted a sample of what the music looks like, and it can be
seen here.
Really, all I would like is to have the dynamics centered between the
t
Am 02.06.2008 um 09:57 schrieb Valentin Villenave:
2008/6/1 James E. Bailey <[EMAIL PROTECTED]>:
How coincidental. I've been wondering myself about the difference
between
\new and \context. I kinda just use them interchangably and see if
anything
new happens.
The only diffe
Am 02.06.2008 um 12:30 schrieb Mats Bengtsson:
James E. Bailey wrote:
Am 02.06.2008 um 09:57 schrieb Valentin Villenave:
2008/6/1 James E. Bailey <[EMAIL PROTECTED]>:
How coincidental. I've been wondering myself about the difference
between
\new and \context. I kinda ju
Am 02.06.2008 um 18:29 schrieb Neil Puttock:
2008/6/2 Valentin Villenave <[EMAIL PROTECTED]>:
Try:
\override VerticalAxisGroup #'minimum-Y-extent =
#'(0 . 3)
instead of (-1 . 1 )
It's ugly, but it (kind of) works.
...or use the template for 2.11, which is slightly differen
Am 02.06.2008 um 22:04 schrieb Graham Percival:
On Mon, 02 Jun 2008 21:36:35 +0200
"James E. Bailey" <[EMAIL PROTECTED]> wrote:
Am 02.06.2008 um 18:29 schrieb Neil Puttock:
...or use the template for 2.11, which is slightly different; it
doesn't need the hackish e
Am 04.06.2008 um 13:42 schrieb Jonathan Kulp:
Well, it's not very elegant but it works o.k. I just override the
dynamics positioning each time I need it. I just experimented to
find the right values. To make life easier I define the override as
a variable:
nuj = \once \override Dynami
I'm trying some things and I expected a flat symbol on the bottom line
but got nothing.
{
\override Staff.Clef #'stencil = #ly:text-interface::print
\override Staff.Clef #'text = \markup \musicglyph #"clefs.C"
\override Staff.KeySignature #'stencil = #ly:text-interface::print
\override Staff.Key
ere should be no need to typeset it
manually using markups.
/Mats
James E. Bailey wrote:
I'm trying some things and I expected a flat symbol on the bottom
line but got nothing.
{
\override Staff.Clef #'stencil = #ly:text-interface::print
\override Staff.Clef #'text = \markup \
Am 06.06.2008 um 00:25 schrieb Kieren MacMillan:
Hi James,
Oh, thanks, I actually solved my problem.
When Mats said
I hope you know about the built-in capabilities in LilyPond to
handle non-standard
key signatures. As long as you only want to have normal flat and
sharp symbols
in your
Am 06.06.2008 um 00:25 schrieb Kieren MacMillan:
Hi James,
Oh, thanks, I actually solved my problem.
When Mats said
I hope you know about the built-in capabilities in LilyPond to
handle non-standard
key signatures. As long as you only want to have normal flat and
sharp symbols
in your
You might take a look at
http://lists.gnu.org/archive/html/lilypond-user/2008-05/msg00481.html
Am 09.06.2008 um 04:24 schrieb luis jure:
hello list,
sorry, i guess this must be in the docs somewhere, perhaps it has been
discussed in the list before, but i can't really find a solution...
wh
I'm wondering about how I can change the default horizontal spacing,
at least for dynamics, so that rather than adjust them up/down,
lilypond adjusts the measure width.here was my generic input file:
\header{ title = "A scale in LilyPond"}
\relative {\time 3/4 c\ppp d\pp e\p f\mp g\mf a\f b
Am 12.06.2008 um 00:16 schrieb Victor Eijkhout:
Meaning, not lyrics, but the notes. Suppose I want to shrink a whole
score by a few percent so that it takes one page less?
Or in piano + solo instrument, it's customary to print the solo
slightly smaller in the score. How do I do that?
Vic
-score.ly'
Parsing...
queen-score-separate.ly:29:30: error: GUILE signaled an error for
the expression beginning here
\new Staff \with {fontSize = #
-2} = "Alto" {
Unbound variable: -2}
On Jun 11, 2008, at 5:33 PM, James E. Bailey wrote:
or more lik
Am 13.06.2008 um 18:15 schrieb Carl D. Sorensen:
My question: Should the default value of stacking-dir result in
<4 6>
producing
6
4
Dear God, please no.
When you think of a chord, you name it in that order, c-e-g.
When you think of a figured bass
8
5
3
you name it as you read it,
Am 13.06.2008 um 18:05 schrieb Carl D. Sorensen:
Dear LilyPond users,
I'm rewriting the section on chords for the GDP. I'm getting close
to releasing it to
-user for your review, but before I do, I need some music examples.
1) I'd like an "Inspirational Headword" for the section on chords
Am 13.06.2008 um 23:17 schrieb Graham Percival:
On Fri, 13 Jun 2008 22:46:57 +0200
Reinhold Kainhofer <[EMAIL PROTECTED]> wrote:
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Donnerstag, 12. Juni 2008 schrieb Graham Percival:
On Wed, 11 Jun 2008 06:22:44 -0600
"Carl D. Sorensen" <[EMAIL
Am 14.06.2008 um 10:21 schrieb Bill Mooney:
Greetings All,
I am a newcomer to the list, and to Lilypond. Notwithstanding this I
am finding LP very satisfying to use and am currently setting some
hand-notation music for a friend - from which activity rises my query.
Would it be worthwhile to
I'm sure there is, and I just can't think my way around it, but I'm
having a problem with a trillspan that starts in a one-voice context
and ends in a two-voice context.
Like this:
\relative c'{
\pitchedTrill 1\startTrillSpan a |
<<\relative g'{g1\stopTrillSpan}\\\relative c'{
Am 15.06.2008 um 18:57 schrieb Kieren MacMillan:
Hi James,
I'm wondering if there's a way to do without the spacer notes.
See attached modifications.
Be sure to read the docs, especially the section on "relative mode"
and "explicitly instantiating voices" (or whatever they're called
now
the tilde should be before the \melisma
Am 16.06.2008 um 00:21 schrieb Patrick Horgan:
\set Staff.melismaBusyProperties = #'(melismaBusy)
a4 bes2 a4 bes1 \melisma ~ bes ~ bes ~ \melismaEnd bes
Lilypond complains about the ~ after the \melisma, but I want the
tie there.
Help!!!
I don't quite understand what the difference between score and Score
are. I'm sure this is discussed in some documentation somewhere, but I
just don't know where to look. Can someone point me in the right
direction?
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tactical construct, which internally
creates a Score context (among others).
It is also possible to explicitly instantiate a Score context, but I
don't really see the added value of
doing it (even though I seem to recall that there was some specific
reason to introduce this possibility).
/M
I'm trying the fingerings for the first time, and I'm getting it, but
I don't know if there's a way to get a little slur over an
articulation. I see how to use the \finger in a markup, but I'm
wondering specifically about the little slur. Is there an easy way to
get that?
<>
http://img2.fre
I'm transcribing some chopin, and I get a very strange midi error,
Going back in time. Usually I don't worry about these kinds of things,
but this one wasn't translated, and the MIDI sounds like it's played
by a rather bad pianist.
GNU LilyPond 2.11.49
»Valse in cis moll.ly« wird verarbeite
I'm trying to figure out how to move fingerings so that they are
inside a slur. Currently, I get notes, then the slur, then the
fingerings on top of the slur, I'd like to have the notes, then the
fingerings, then the slur.
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I don't tweak very often, but somehow I'm missing something here.
\override PhrasingSlur #'height-limit = #1
the phrasing slur that follows is generating an error and I just don't
understand.
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So, uh, I've got music running literally off the bottom of the page,
colliding with the footer and the tagline and the only modification
I've made to the paper is \paper {between-system-padding = #0.1} Is
there something I should change that I don't know about?
When it rains, it pours, This is the most minimal example I could
extract. The output has the cross staff beams horribly, horribly
wrong. I've never seen this kind of problem before, and unlike most of
my problems, I really can't just ignore this one.
\include "deutsch.ly"
#(ly:set-option 'p
Am 27.06.2008 um 22:55 schrieb Kieren MacMillan:
Hi James,
The output has the cross staff beams horribly, horribly wrong.
I'm not sure exactly what you're looking for, but maybe the
following modified code will get you going in the right direction:
Well, I had a guess, and it came up r
Am 30.06.2008 um 02:40 schrieb plasmacarwash:
Hi People
Tonite at approx. 8:30 PM and 8:35PM EST USA. I tried twice to
search the
online manual but got a "The server at lsr.dsi.unimi.it is taking
too long
to respond" firefox message. :teeth:
Is there a sticky somewhere about this?
Sinc
Am 30.06.2008 um 14:50 schrieb josephHarfouch:
http://www.nabble.com/file/p18194950/arabic.tex arabic.tex
http://www.nabble.com/file/p18194950/arabic.pdf arabic.pdf
http://www.nabble.com/file/p18194950/arabic.ly arabic.ly
Hello,
Some time ago, I put a question on the forum regarding using Ar
Am 01.07.2008 um 02:40 schrieb Frederick Dennis:
Dear All,
in version 2.10.33, how do you move lyrics down a bit? Just two words.
Thank you for your attention. I have looked at the docs. Adding a
blank lyricline would move them down too much.
___
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Am 02.07.2008 um 22:50 schrieb Carl D. Sorensen:
On 7/2/08 2:41 PM, "Eric Knapp" <[EMAIL PROTECTED]> wrote:
It works! I have a modified applescript that will open the hyperlink
into TextMate. The TextMate command line utility only has the ability
to go to a specified line in the file but t
I'm trying to make lyrics italicised, I can see that the text-
interface is a part of the lyrictext, I just don't know how to access
teh text markup commands so I can italic. Can anyone help?
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Am 03.07.2008 um 04:17 schrieb Jonathan Kulp:
Hi everyone,
I just installed the latest build and when I ran the file I'm
working on, it came back with this error, which I think has to do
with a macro included near the top of the document.
[EMAIL PROTECTED]:~/Desktop$ tarantella
running
I've just got an error on something that I've used before and after
(in the same file!) and I don't understand it
GNU LilyPond 2.11.49
»Scene_1.2.ly« wird verarbeitet
Analysieren...
Scene_1.2.ly:170:35: Fehler: keine gültige Dauer: 47
mei4. -- de!8 \skip4|
Am 03.07.2008 um 14:28 schrieb Kieren MacMillan:
Hi James,
it's processing the % as a word.
Are you on MacOS?
Regardless, it might be a carriage-return/line-feed issue (like the
one I fight with in the MacOS Lilypond editor) -- see what happens
if you surround the offending code/line w
Am 03.07.2008 um 14:28 schrieb Kieren MacMillan:
Hi James,
it's processing the % as a word.
Are you on MacOS?
Regardless, it might be a carriage-return/line-feed issue (like the
one I fight with in the MacOS Lilypond editor) -- see what happens
if you surround the offending code/line w
Am 28.06.2008 um 19:14 schrieb Andrew Hawryluk:
It looks like a bug to me. Here's a reduced snippet for the bug
tracker:
% Slur and fingering interfere with cross-staff beaming.
% If either the fingering or the slur are removed, the
% correct beaming is used.
\version "2.11.49"
\new PianoSta
Am 03.07.2008 um 15:47 schrieb Kieren MacMillan:
Hi James,
So is this a bug?
Looks like it...
or is there some way around this?
Did my solution (posted earlier) not work for you?
Kieren.
not with the cross-staff slur
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Am 06.07.2008 um 19:13 schrieb Jonathan Kulp:
After reading this post I downloaded 2.11.50 and installed on my
eMac G4 running OSX 10.4 and ran a lilypond file without errors. Is
it only an issue on Intel macs or on Leopard, perhaps?
Jon
Mark Pim wrote:
Thanks, that seems to have solved
Am 07.07.2008 um 00:44 schrieb Eluze Weehaeli:
2008/7/1, Neil Puttock <[EMAIL PROTECTED]>:
I've approved the snippet using the first example
(http://lsr.dsi.unimi.it/LSR/Item?u=1&id=490).
This works perfectly.
Using http://lsr.dsi.unimi.it/ you can search - e.g. for upbeat or
repeat - the
On Tue, Jun 3, 2008 at 10:20 AM, v!ictor [EMAIL PROTECTED] <[EMAIL PROTECTED]>
wrote:
Hello Brian,
There are two things you need to do to create arbitrary noteheads
from
within lilypond:
1. change the NoteHead stencil to the text interface:
\once \override NoteHead #'stencil = #ly:text-
On Mon, Jul 7, 2008 at 12:09 PM, James E. Bailey
<[EMAIL PROTECTED]> wrote:
On Tue, Jun 3, 2008 at 10:20 AM, v!ictor [EMAIL PROTECTED] <[EMAIL PROTECTED]>
wrote:
Hello Brian,
There are two things you need to do to create arbitrary noteheads
from
within lilypond:
1
Am 07.07.2008 um 22:14 schrieb Uri Sala:
It is a bit more convoluted than that. I will try to make myself
clearer:
I want to write 3 against 5. In this case, since 3 is smaller than
5, it has to use a rhythmic unit twice longer than the unit
associated with 5. Let's be over-explicit and ca
ke to avoid if possible. Sorry to be so
demanding, but isn't this what lilypond should be about? To output
exactly what you want?
Cheers,
Uri
On MondayJul 7, at MonJul 7|23:44 , James E. Bailey wrote:
Am 07.07.2008 um 22:14 schrieb Uri Sala:
It is a bit more convoluted than that. I w
ke to avoid if possible. Sorry to be so
demanding, but isn't this what lilypond should be about? To output
exactly what you want?
Cheers,
Uri
On MondayJul 7, at MonJul 7|23:44 , James E. Bailey wrote:
Am 07.07.2008 um 22:14 schrieb Uri Sala:
It is a bit more convoluted than that. I w
See, this is why I should subscribe to the development list…
While changing sustainDown/sustainUp to sustainOn/sustainOff makes
sense in the lilypond internals, it really doesn't make sense
musically. No one is going to confuse placing a sustain marking above
the staff. They don't go there,
Am 09.07.2008 um 09:00 schrieb hhpmusic:
Hi,
I downloaded 2.11.51, and there are two problems:
1) some syntaxes are changed such as \sustainOn and \sustainOff. I
have no time to re-read the manuals, but the news page has no
indication of it at the top. So \setTextCresc and \setHairpinCresc
I spoke too soon, I think. Would this work as an acceptable changelog?
http://lists.gnu.org/archive/html/lilypond-devel/2008-06/msg00266.html
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I've not understood this for a while, and I figure I should probably
ask about it. When I have dynamics in a variable, the text spanner
shows up and I can't get rid of it.
\version "2.11.51"
\layout {
\context {
\type "Engraver_group"
\name VocalDynamics
\alias Voice
Also, the \crescTextCresc and \dimTextDim work like there's a \once in
front of them when they're in the variable.
\version "2.11.51"
\layout {
\context {
\type "Engraver_group"
\name VocalDynamics
\alias Voice
\consists Text_engraver
\consists "Dynamic_engraver"
Am 09.07.2008 um 12:46 schrieb Francesco Spiga:
I have a problem which was also reported by Franz-Rudolf Kuhnen some
times ago.
Lilypond places by default articulation symbols below the slurs.
So, if I try to mark a trill by a "+" (like in ancient French
music), and above the note with tri
Am 08.07.2008 um 21:09 schrieb Graham Percival:
On Tue, 8 Jul 2008 21:01:03 +0200
Wilbert Berendsen <[EMAIL PROTECTED]> wrote:
Op dinsdag 8 juli 2008, schreef Stan Sanderson:
...is not my friend.
Mac OS 10.4.11, PPC, Lilypond 2.11.51
Are you using Python 2.4 or newer? I thought configure
Am 09.07.2008 um 23:34 schrieb Patrick McCarty:
Hi James,
On Wed, Jul 9, 2008 at 9:35 AM, James E. Bailey
<[EMAIL PROTECTED]> wrote:
On Wed, Jul 9, 2008 at 8:25 AM, James E. Bailey
<[EMAIL PROTECTED]> wrote:
I've not understood this for a while, and I figure I shou
Am 09.07.2008 um 17:07 schrieb Francesco Spiga:
I'm sorry for my telegraph-style question: is it possible to start a
piece with, e.g. 3 staves ad add one more some measures later?
Thank you
F.
There are several ways, you can use \stopStaff and \startStaff or
search the manuals for french
Is it possible to have staff switches in a separate variable? I was
thinking somthing along the lines of
voiceA = \relative {
c4 d e g,
f e e' d
}
voiceAswitches = {
s2. \change Staff = "LH" s4
s2 \change Staff = "RH" s2
}
\score {
\new PianoStaff
<<
\new Staff = "RH" \v
Am 13.07.2008 um 05:52 schrieb Kieren MacMillan:
Hi James,
Here's a perfect reason to use \context Voice instead of — or
rather, in addition to — \new Voice:
Once the Voice context has been created and populated with the
notes, you are then able to "cram the staff switch information"
I actually needed to look into the documentation to turn off point-and-
click 'cause I accidentally deleted my global file that has it, and I
see various options.
in section 6.2.1,
#(define (nopc)
(ly:set-option 'point-and-click #f))
...
#(nopc)
{ c'4 }
and
in 6.1.5
noPointAndClick =
#(def
Am 14.07.2008 um 04:21 schrieb Carl Sorensen:
Mats Bengtsson ee.kth.se> writes:
James E. Bailey wrote:
in 3.1.3
#(ly:set-option 'point-and-click #f)
The last one is apparently deprecated.
Why? The first two are only interesting if you have your own standard
include file with
b Bertalan Fodor (LilyPondTool):
Yeah, it was very difficult. Exactly 3 clicks in LilyPondTool since
years. (LilyPond > Source editing > Toggle point-and-click)
I don't think we should crowd the LilyPond command namespace with
editor features.
Bert
James E. Bailey wrote:
Am 14.07.
with the editor.
Bert
James E. Bailey wrote:
I don't know if this is really crowding the LilyPond namespace with
a feature that as far as I know is in one tool attached to a
specific editor. I mean, if that's the case, why have any editor
features as predefined command
Am 14.07.2008 um 12:28 schrieb Carl D. Sorensen:
On 7/14/08 3:24 AM, "Nicolas Sceaux" <[EMAIL PROTECTED]> wrote:
Le 14 juil. 08 à 04:21, Carl Sorensen a écrit :
I propose some new predefined functions:
\pointAndClickOn
pointAndClickOn = #(ly:set-option 'point-and-click #t)
and
\point
Am 16.07.2008 um 13:35 schrieb Francisco Vila:
Hello all,
Attached is what I want and what I get; in a single note we have:
- last letter of a previous word
- an italic apostrophe
- first letter of the next word, also italic
Not only I cannot join all of this onto a single note, I also obtai
Am 16.07.2008 um 16:45 schrieb Francisco Vila:
Thank you, James and Roman, the concat solves the undesired space
problem.
Now, if several words are in italics, I'm sure there is a better form
than to repeat \markup{\italic...} for each syllable. Do you know of
any?
--
Francisco Vila. Badajoz
Am 16.07.2008 um 21:20 schrieb Patrick Horgan:
I believe the truth is more along the lines of duckling imprinting--
you know that ducklings imprint on whatever moves first and think
that that thing, duck, dog or person, is mommy. We do the same
with whatever editor we learned well enough
Am 17.07.2008 um 07:10 schrieb George_:
hi guys
I was wondering if there were a way to make articulation 'stick' to a
notehead, no matter where it is? I use 2.11.49 on XP, and I have a
two-part
melody, the lower voice is to be played staccato, like so:
http://www.nabble.com/file/p18501666
Am 17.07.2008 um 07:10 schrieb George_:
hi guys
I was wondering if there were a way to make articulation 'stick' to a
notehead, no matter where it is? I use 2.11.49 on XP, and I have a
two-part
melody, the lower voice is to be played staccato, like so:
http://www.nabble.com/file/p18501666
Am 17.07.2008 um 00:28 schrieb Graham Percival:
I'm happy to announce the first draft of NR 1.3 Expressive!
Thanks go to Patrick. Please proofread this carefully; if you
find any mistakes, omissions, or anything that's unclear, please
post it here!
GDP website:
http://web.uvic.ca/~gperciva/
Just out of curiousity, is there way to do either the clef or the time
signature for real?
\version "2.11.52"
{
\override Staff.Clef #'stencil = #ly:text-interface::print
\override Staff.Clef #'text = \markup {\musicglyph #"clefs.G"
\hspace #-1.7 \musicglyph #"clefs.G"}
\override Sta
Am 17.07.2008 um 18:54 schrieb Marco Caliari:
Hi all.
Finally (and here I need your help), I would like to move the accent
articulation in the second last bar close to the c notehead (as in
the fourth
last bar), but \override Script #'Y-offset does not seem to work.
You need to set the av
Am 17.07.2008 um 22:35 schrieb Patrick Horgan:
I see many examples with \context, or \new used in the same place.
I've read LM 3.1.1 for example which tells me that if I don't create
explicitly a \new Staff or \new Voice, they will be created
automatically, and goes on to refer to that as
I'm just curious if it's possible to add a location to my lilypond
path. I've managed to build lilypond from source (and it's much
faster), and I'm just wondering if there's an easy way to add folder
with some \include files that I occasionally or frequently use.
Something simple like ~/lil
Am 18.07.2008 um 20:05 schrieb Alberto Simões:
Hi, Folks
No, I am not asking how to install Lilypond in Leopard. I know there
are at least two options:
- to compile it from the source, using a set of instructions and
macports (that installs/reinstalls almost everything)
- and another optio
Yeah, the broken macports just got me to the concludsion that I should
build everything myself (which worked except for netpbm), and the
resulting application is *much* faster.
Am 19.07.2008 um 14:51 schrieb Eric Knapp:
I have successfully compiled lilypond 2.11.50 and 2.11.52 on my mac.
It
So you know, I can't build the documenation, and I have to turn that
off in the configure flags --without-documentation or else my build
would fail.
Also, see nicolas' excellent directions here
http://nicolas.sceaux.free.fr/index.php/2008/04/10/26
Am 19.07.2008 um 18:17 schrieb Alberto Simões
I'm wondering if anyone here uses emacs on macintosh and how they go
about it. I have currently installed the default OSX cli emacs,
version 22.11, Emacs.app (version 23.0.0) and Aquamacs Emacs.app
(version 22.2.50.2) each gets some things well, and others not so well.
First, I have edited my
On 23.07.2008, at 10:02, Arno Rog wrote:
L.S.
or a large orchestral score I need to repeat the short instrument
names on all
but the first page. They print fine, but I need some more space to
print.
Unfortunately, it looks like short-indent
(http://lilypond.org/doc/v2.11/Documentation/us
I've almost got all of my errors sorted out. Making the documentation
fails for me with:
dyld: lazy symbol binding failed: Symbol not found:
_hebrew_shaper_get_next_cluster
Referenced from: /usr/local/lib/pango/1.6.0/modules/pango-hebrew-
fc.so
Expected in: flat namespace
dyld: Symbol no
\oneVoice is still your friend, though.
Am 26.07.2008 um 11:14 schrieb Jordan Eldredge:
Thank you.
Firstly, I understand why my method does not work. I guess what I am
asking for is a different method.
Secondly, thanks!
Here is updated example code.
\version "2.10.25"
aVoice = \relative
I don't have much time to respond, but he easy way is to download the
PPC version, and run it using the command line options. Directions are
in the Application Usage for command line usage specific to Mac OSX.
Am 25.07.2008 um 03:52 schrieb Carol Viera:
Hi,
I'm on Mac OS X version 10.5.4 L
I would also add that lilypondtool with jedit is probably the easiest
method.
Am 25.07.2008 um 03:52 schrieb Carol Viera:
Hi,
I'm on Mac OS X version 10.5.4 Leopard (Intel processor) and the
menu for the Lilypond app has nothing on it but the Lilypond item.
Yes, I downloaded the script
7.2008 um 23:24 schrieb Carl Sorensen:
James E. Bailey mac.com> writes:
I would also add that lilypondtool with jedit is probably the easiest
method.
Can you give me a hint or two about getting lilypondtool to work
with OSX?
I'm an OSX newbie, and I haven't been able to get l
Looks like I was mistaken, lilypondtool is for windows.
Am 26.07.2008 um 23:24 schrieb Carl Sorensen:
James E. Bailey mac.com> writes:
I would also add that lilypondtool with jedit is probably the easiest
method.
Can you give me a hint or two about getting lilypondtool to work
w
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