in an unscaled typewriter font)
of the piece but no notes.
[The problem shows up in Debian GNU/Linux on AMD64, while on the
other machine, also Debian but on i386, it's OK.]
Does someone has a hint on what's going wrong?
Thanks,
Gilles
___
>
> And the "clarinet.ps" file contains the title (in an unscaled typewriter
> font)
> of the piece but no notes.
>
Slight correction: The notes are there but all graphical symbols are packed
into
a single line, at the top of the seco
tput.
Which, unfortunately, is not the case here :-{.
Thanks for your help,
Gilles
GNU LilyPond 2.4.5
LILYPOND_DATADIR="/usr/share/lilypond"
LOCAL_LILYPOND_DATADIR="/usr/share/lilypond/2.4.5"
LOCALEDIR="/usr/share/locale"
LILYPONDPREFIX=""
Processing `clari
> Maybe, the information at
> http://lists.gnu.org/archive/html/lilypond-user/2005-05/msg00207.html
> can provide some help.
>
I installed the "ec-fonts-mftraced_1.0.12-1_all.deb" provided on the
Lilypond site. No improvement.
Could it be an architecture-rel
archive.
What am I supposed to do now?
Gilles
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on to upgrade to 2.6.0 ? I would be glad to, but the
"autopackage" couldn't install it (see the post "I miss Lily")...
Best regards,
Gilles
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rations...]
I'd really like to try out the latest and brightest Lilypond.
Thanks and best regards,
Gilles
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r just ignores it. Afterall, the main purpose (from the user's viewpoint) of a
distribution is to install software.
Best,
Gilles
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Hi.
> >
> > > I've downloaded 2.6.0 in its new packaging style.
> > > Right now, all I can say is: It doesn't work (TM).
>
> Gilles, it works on AMD64 but you must have 32 bit compatibility
> packages installed. Debian is not bi-arch currently du
Hi.
> > See http://lists.gnu.org/archive/html/lilypond-user/2005-05/msg00207.html
>
> I already have these fonts, that is not the problem.
>
Try "dpkg-reconfigure tetex-bin" and, maybe, reinstall those fonts.
[I had th
ld/lilypond-2.6.3'
make: *** [build-doc-stamp] Error 2
debuild: fatal error at line 765:
dpkg-buildpackage failed!
It seems that the documentation is causing the problem...
Does someone still maintain the debian packages?
I would be willing to help if necessa
is welcome :)
As stated in a previous post, I'm willing to help with this.
I followed the instructions on the "packaging" page, but it didn't
work through, even without trying to build the documentation.
Best,
Gilles
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I have two questions:
>
> 1) Does anyone with any knowledge of the internals of Lilypond deb and
> RPM packages have any idea where alien might introduce any subtle problems?
>
(See above.)
Did you try and test the resulting package with "lintian"?
Best regards,
Gil
ian.org/cgi-bin/bugreport.cgi?bug=335678
Best,
Gilles
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NG
\transpose c c {
\recorderNotes }
all_allegro.ly:5:7: error: errors found, ignoring music expression
\score
{
all_allegro.ly:16:2: error: errors found, ignoring music expression
\unfoldRepeats \staves
all.ly:24:0: error: syntax error, unexpected '}'
}
error: failed files: "all.ly"
Could you explain why it doesn't work?
Thanks,
Gilles
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inside of
> book):
>
Indeed, this seems to be the same problem I posted a couple of
hours ago (subject was: "\book usage")
Gilles
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n also be defined in \header, \midi and
\layout blocks.
Is there some inherent impossibility to being able to do the same for
\book?
Or, is there another "recommended" way to build documents from reusable
elements, as was asked in another post today?
Thanks,
Gilles
__
x27;s clarification would be valuable
additions to section 10.1.12 of the manual.
Best,
Gilles
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ble to insert
text between the different movements (as is the purpose of \book).
Right?
> --- 1allegro/score.ly
> \incude "parts.ly"
> \book{
> \score{ \new Grandstaff<<
> \violin
> \piano
> >>
> }
> }
>
According to Han-Wen
>
> [...] But I know that OSX and windows have built-in software
> character map, and I'm certain that many exist for linux and windows.
>
For Linux: "gucharmap"
Best,
Gilles
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ug.
The only way out is to upgrade to 2.6.x.
Best,
Gilles
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you know why the space after the colon doesn't show up in the
output?
%-
\version "2.6.3"
emdash = #(ly:export (ly:wide-char->utf-8 #x2014))
\header {
title = \markup { "This is an em dash: " \emdash }
}
\score {
{ a' }
}
%-
Best,
Gilles
_
rt (ly:parser-output-name parser)) }
}
\score {
{ a' }
}
%---
gives an error:
$ lilypond test3.ly
GNU LilyPond 2.6.3
Processing `test3.ly'
Parsing...test3.ly:1:12: In expression (ly:parser-output-name parser):
test3.ly:1:12: Unbound variable: ly:pars
acs and have
it display them correctly?
As a workaround, I wrote the title of the piece using the "katoob"
bidirectional editor (which displays the characters correctly); but
after running lilypond, the postscript file displayed blank spaces
inste
g2. \set Timing.measurePosition = #1
|
type check for `measurePosition' failed; value `1' must be of type `moment'[24]
Thanks,
Gilles
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27;t show up.
[The Hebrew fonts are installed, and I can use them e.g. in Gimp.]
Thanks,
Gilles
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thing obvious about how to set this properly (?)
as the construct (please see above post) is so common. What's the right
way to obtain it?
Gilles
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breaks... [3][6][9][10]
Interpreting music...
one.ly:8:17: warning: barcheck failed at: 1
g4 b8 a g4 f
|
two.ly:8:17: warning: barcheck failed at: 1
g4 b8 a g4 f
|
MIDI output to `all.midi'...
Track...
Calculating page breaks...
Layout output to `all.ps
ulting postscript, the Bulgarian and Portuguese are fine.
But not the Japanese nor the Hebrew. No Japanese fonts are installed,
but Hebrew fonts are!
Could someone point me to maybe some command to be run to make lilypond
aware of these fonts? (I'm on De
> > warnings show up:
>
> That's becaue you don't end the cadenza within the repeat. Repeat unfolding
> works in principle by copy&paste, so you will have two \cadenzaOn:s followed
> by two cadenzaOff:s in your example; this may give unexpected results.
>
layout file, and a midibut isn´t
> it possible to do it in one file?
>
Yes, it is:
%---
\version "2.6.0"
themusic = \new Staff
\relative c'' {
\repeat volta 20 {
a b c d |
}
}
\score {
\themusic
\layout {}
}
\score {
\unfoldRepeats \
revert NoteHead #'style
c d
}
\score {
\themusic
\layout {}
}
%--
> c4 d
> \override NoteHead #’style = #’cross
> e f
> \revert NoteHead #’style
>
But... When I copy-pasted the above, the quotes seemed "unusual",
which might be th
ing things to the above
and figure out why yours didn't work. [To start: I think
that having several contexts with the same name is not
good...].
Regards,
Gilles
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w font is accessible
since it shows up here
- the pdf output of lilypond, with no Hebrew characters :-{
Results of compiling this file on another Debian system would help...
Gilles
\version "2.6.3"
sha = #(ly:export (ly:wide-char->utf-8 #x05e9))
l = #(ly:export (ly:wide-char->ut
")
will be necessary both for the layout and the midi.
Gilles
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mode {
\stemUp
\repeat volta 4 {
16 hh hh hh hh hh hh hh hh hh hh hh hh
}
}
drumNotes = \new DrumStaff {
\new DrumVoice {
\override Beam #'positions = #'(5 . 5)
\intro
\chorus
}
}
\score {
\drumNotes
\layout {}
}
\score {
\unfoldRepeats \drumNotes
\mid
t; - chord-name interferes w/ tempo mark
Adjust the "padding" property, e.g.:
\override Score.MetronomeMark #'padding = #5.0
> - i really do not need that blank space under 3rd line, do i?
No ;-)
[But I don't know where it comes from...]
Best,
Gilles
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E.g:
\paper {
raggedbottom = ##t
raggedlastbottom = ##t
}
Gilles
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" {
<<
\new Voice { \voiceOne \upper }
\new Voice { \voiceTwo \lower }
>>
}
\score {
\guitarStaff
\layout {}
}
%-
Thanks,
Gilles
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27; {
e1\arpeggio |
}
guitarStaffTwo = \context Staff \with { \consists Span_arpeggio_engraver } =
"Guitar" {
\set Staff.connectArpeggios = ##t
<<
\new Voice { \voiceOne \upper }
\new Voice { \voiceTwo \lower }
>>
}
\score {
\guitarStaffTwo
\layout {}
}
%-
n the non-working version of "culmus", the fonts
have names like "NachlieliCLM-Bold.pfa" instead of "Nachlieli-Bold.pfa".
What does that mean? I've not much knowledge of how fonts are looked for and
found on the system (Debian) but does that indicate a bug
>
> is there a way to remove certain types of events
> from an existing music expression?
Maybe the follwing can be of help:
http://lilypond.org/doc/v2.6/Documentation/user/lilypond/Different-editions-from-one-source.html
Gilles
___
>
> \set Staff.minimumVerticalExtent = #'(-3 . 3)
>
> Of course it doesn't make sense to put that line into the style file.
Then you could write that line in another file, and \include that file
at the proper place in t
lobal" variable inside the respective staff
- Changed the setup in the \score block to achieve your goal
- Added a Voice context where the lyrics can be directed to
Also, I suggest that you look in the manual about \chordmode
before you start to use text markup to that effect.
Best,
Gille
book isn't enough for your purpose, maybe you'll have to
include the output of lilypond into other softwares for further
processing. I think that "scribus" and "inkscape" were mentioned on
this ML.
Best,
Gilles
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lilyp
emove a couple blank lines. If you put the lyrics in
> place, everything lines up perfectly.
>
> So, I think this is a bug, but if you're seeing this behaviour, the
> workaround seems to be just to not store your lyrics in variables.
>
I think that the problem is because you defi
\theMusic
\layout {}
}
%-
Best,
Gilles
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Hi.
[You didn't specify which version of LilyPond you use.]
>
> So, could someone please give me a code snippet on how to raise or
> lower the vertical placement of a slur relative to the notes (or if
> possible, relative to the fingering, which it collides with).
>
You can try playing with:
st2.ps'...
Converting to `test2.pdf'...
and the resulting score doesn't display the grace note (and its slur) correctly.
[Moving the \key inside the "theMusic" variable seems to work around the
problem, but I prefer the other way...]
Regards,
Gilles
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lem is with grace notes at the start of a piece...
Gilles
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ccatura a16 g4 \acciaccatura a16 g4 }
g2 |[2]
Preprocessing graphical objects...
Calculating line breaks...
Calculating page breaks...
Layout output to `test2.ps'...
Converting to `test2.pdf'...
Gilles
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lilyp
size, the time signature object defined
with the above hack doesn't follow the change, resulting in the
number symbols being too big.
How to modify the code to include a size setting?
3. Will these compound signatures become part of the "user" syntax?
[Which wil
Hi.
> [...] If it's a single note, there's no
> problem, but if the precedent is a chord how does Lily
> figure out the pitch of the following note.
AFAIK, it's the fundamental of the chord that's taken into
account to determine the following pitc
re the problematic code, so that the piece
does not begin with it, and it still doesn't work...
Some hints about how to work around the problem will be welcome.
Thanks,
Gilles
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try (after performing
> convert-ly).
Anyway, I think that A4 is the default paper size.
Best,
Gilles
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n the \paper block.
To have it done automatically for every score seems not to be an easy task.
>
> The attached pic is the bootom of a score - complete page width and till the
> bottom. I hope this can mak it clearer.
>
Not really; I
> over notes but if the gap is several lines of music, that is not practical.
> I cannot use another \new Lyric as there would appear to be a gap between
> the stanzas. Is there a way to make the second stanza "other" appear at bar
> 3?
Hmm, your design is a bit co
//lists.gnu.org/archive/html/lilypond-user/2005-11/msg00277.html
but I didn't get any reply to confirm the bug.
Best,
Gilles
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ng. The LilyPond interface with the user is
the text file describing the music to be typeset.
Other projects (e.g. editors and GUI) propose tools which you can
choose from in order to fulfill particular wishes (not needs!).
Best,
Gilles
___
lily
bar" }
>
Yes, I knew about the "\hspace" command, but I still find it strange that
blank space is *completely* trimmed. I agree that a typesetting program
should decide what's the best size for a blank space (and hence compress
several consecutive spaces
empty
bar appears (after the second, transposed, part).
- When removing only "\cadenzaOff", the second part disappears
altogether!
Thanks,
Gilles
\version "2.6.3"
theNotes = \relative c' {
\key d \aeolian
\cadenzaOn
d4 e f g a bes cis d
c bes a g f ees d
\ba
e trimmed.
>
> Sorry for not replying. I don't consider this a bug; that behaviour is
> intended.
>
Then, maybe could you explain the rationale behind the intention?
I.e for outputting the opposite of the user's input:
1. Add a space where there was none
2. Remove a
>
> Where can I find the Regression Test Document,
http://lilypond.org/doc/v2.6/input/regression/collated-files.html
> and the Mailing List
> Archives?
>
http://lilypond.org/web/documentation
Gilles
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Hi.
>
> But, the quality of my pdf files is very poor. Notes and staff lines
> etc look ugly. Probably this is a font problem, but I do not know how
> to proceed.
>
Try to install the font package from there:
http://lilypond.org/download/f
figure out how to slightly change the structure to make
it work :-{
I tried with "\addlyrics" but it shows only one line of the "caption"
instead of one for each transposed part...
Several "\addlyrics" produce the same problem as "\lyricsto".
Any hint?
Be
ot; \new Lyrics { \text }
>>
}
\score {
\theMusic
\layout {}
}
%---cut---
It works, but is a real pain because one has to had as many lines of exactly
the same "text" as there are going to be transposed parts.
Furthermore, in the original file setup, the notes
Hi.
> If you want to concatenate two strings, one method is to
> set the word-space property to zero:
> \markup{\override #'(word-space . 0) \line {1\super st } clarinet }
>
Fine! It was the "\line" which I was
ike Rosegarden or Noteedit et
> al. I just key the Lilypond source straight into the file using
> xemacs and then browse the score and listen to the midi, before doing
> corrections.
>
Best,
Gilles
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he common music either alone in a file, or grouping it
with other tunes in a file with multiple "\score" sections.
Best,
Gilles
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length) the non-empty ones.
[I hope that was clear...]
Version 2.6.3 (on Debian).
Thanks,
Gilles
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e first set ("assignment").
How can I achieve that?
Best regards,
Gilles
\version "2.6.0"
soprano = \relative c'' {
\time 4/4
%
f4
%
\bar "|."
}
alto = \relative c'' {
%
a4
}
tenor = \relative c {
%
d'4
}
basse = \relative
Hi.
>
> 1. I have a big continuing slur all over the upper piano staff, across the
> page.
>
Just before the "% Lyrics Section", there is a beginning phrasing slur
for which there is no end.
Gilles
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agick graphical tools suite.
Best,
Gilles
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Hi.
> But if all of the staves in one system only contain rests, the whole system
> disappears. It would be nice to leave at least one staff visible.
>
Maybe it is:
\set Score.skipBars = ##t
that you really want.
Best,
Gilles
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entation/user/lilypond/Overview-of-text-markup-commands.html#Overview-of-text-markup-commands
Best,
Gilles
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dd
those to the second piano I get 4 lines below the second piano.]
I'm probably missing something obvious :-{
Thanks,
Gilles
\version "2.6.0"
soprano = \relative c'' {
\time 4/4
%
e4
%
\bar "|."
}
alto = \relative c'' {
%
g4
}
tenor = \
; }
>
> pianoStaff = \context PianoStaff = "Piano" <<
> \upper
> \lower
% This alternative does produce the right behaviour
\lyricsto "Basse" \new Lyrics \degrees
\new FiguredBass { \realizationFigures }
> >>
>
At first, I
ons.
>
Please insert a small example of what you tried.
Gilles
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note |
offset in units of quarter-tone
Best,
Gilles
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> I would like to have only piano staves in an intro, then add staves
> for vocals and lyrics.
I think that wat you are looking for is
\context {
\RemoveEmptyStaffContext
}
(to be added in the "\layout" block
27;' b''
\set Staff.keySignature = #'( (4 . 2) (1 . 2) )
b4 c' dis' e' f' gis' a' b'
c'' dis'' e'' f'' gis'' a'' b''
}
You can read all the settings there:
> [...] In
> other words, can we have
> eighth-tones?
I don't think that it is currently possible.
Then, you might ask it to become a sponsored feature.
And, if so, maybe a 1/12 tone base might be a better choice:
http://www.mindspring.com/~tmook/micro.html
R
> a. make the rest of the soprano and alto voice collide
\oneVoice
(see the Fine Manual)
Regards,
Gilles
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be missing something important.
>
Two missing bits: Angle brackets and "\new Lyrics", as in
\score {
\new Staff {
<<
\context Voice = "mezzo" { c'1 }
\lyricsto "mezzo" \new Lyrics { lah }
>>
}
}
Regards,
Gilles
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ibing from).
If I want to override the default setting, what would be the
invocation in "#(override-auto-beam-setting ...)"?
Thanks,
Gilles
test2.pdf
Description: Adobe PDF document
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7;t understand. Please include a small working excerpt of your input,
possibly with comment indicating which part you'd like to produce a different
output.
Gilles
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ivery
from the ML (e.g. I've just received a message posted about 36 hours ago).
Am I the only one? [In the past, I received message within ten minutes
of their posting.]
Thanks,
Gilles
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http:
ather long, isn't it?
Are the maintainers of the machines/softwares involved aware of the
problem? Is this going to be fixed, or should we be getting used to
the situation?
Best regards,
Gilles
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An example:
%-
\version "2.6.3"
\markup {
"Some text before" "the notes"
}
\score {
\relative c' {
\clef F
a b c
}
\header { piece = "Some notes" }
\layout { indent = 0\cm }
}
\markup {
\column { "
2 ~ f'4 d'' c'' \break
ees'' g'2 ees''4 d'' c'' bes'2 aes'4 g'2 f'4 g' 2. ~ g'2 r4
\bar "||"
\override Score.RehearsalMark #'break-visibility = #begin-o
\context Staff = lower \lower
>>
\layout { }
}
%-
Note: I had to add
\relative c'' { ... }
to avoid warnings ("ignoring too many clashing note columns").
Best,
Gilles
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2006 05:18:11 -0500
--- Copy 6 ---
Has anyone a clue about what is going on?
Thanks,
Gilles
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Score.RehearsalMark #'font-size = #1 #'self-alignment-X
> #RIGHT
> \mark \markup { \musicglyph #"scripts.coda" }
> g'2 b'4 c''2. ~ c''2. ~ \bar "||." c''2. ~c''2. \break
> r2. r2. r2. r2. r2. r2. \b
s to this
> list.
Have a look there:
http://www.rosegardenmusic.com/support/lists/
Regards,
Gilles
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olume = #0.2
\set Staff.midiMaximumVolume = #0.8
Regards,
Gilles
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>
text = \lyricmode {
\markup { \box "1." twinkle } twinkle \markup { \box "2." little } star
}
HTH,
Gilles
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> How can I have french letters, such as é, à or ç, in the Lyrics, as well as in
> the header, the staff name... ?
> By the way, thanks for the answer about Xemacs and lilypond, it worked :)
You have to use the UTF-8 encoding for saving the .ly files
my.php?image=untitled7et2.jpg
>
If you are going to transcribe pieces with multiple voices, I would
recommend to use explicit "Voice" contexts.
You'll find here attached files showing how I organize the code.
I've entered the first bar of your example. And you'll quite
Hello.
Thank you very much for the ever nicer software.
I'm eager to try it out. Has anyone already informed
the Debian maintainer of the brand-new stable version?
Or shall I file a "wishlist" bug report?
Best,
Gilles
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rride NoteHead #'font-size = #-4
> \override Accidental #'font-size = #-4
> \stemDown
> \times 3/42 { fis8[( g gis a bes b c cis d dis e f fis g gis a bes! b c cis
> d]) }
> \revert NoteHead #'font-size
>
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