2008/4/8 Graham Percival <[EMAIL PROTECTED]>:
> On Tue, 8 Apr 2008 17:37:16 +0200
> "Valentin Villenave" <[EMAIL PROTECTED]> wrote:
>
> > Thank you very much for these comments. I do think we need to talk
> > more about this issue.
>
> No, we most certainly do *not* need to bloody talk about th
Hi Levi
You have taken this example from a section of the manual which has not been
updated recently, and I can see why it might be confusing - if you remove
the two statements which create the Voice contexts the example still works
perfectly in the more recent versions of the LilyPond. If yo
Thanks again, Mats.
Actually, I did try it myself, and was fooled into thinking it worked by not
reading the error messages and just looking at the pdf output. I'd
carelessly left the pdf open from the previous run with the \new DrumVoice
statements in, so it wasn't changed and when I opened
Trevor Daniels wrote:
Hi Levi
You have taken this example from a section of the manual which has not
been updated recently, and I can see why it might be confusing - if
you remove the two statements which create the Voice contexts the
example still works perfectly in the more recent version
Trevor Daniels wrote:
Tim Reeves wrote
Well, it helps some, but why do I get an error when I try the same
thing with hairpins?
error: syntax error, unexpected EVENT_IDENTIFIER
r4 d4 \p d d | \repeat "unfold" 4 {d1~} | d1 \once
\override Hairpin #'color = #blue \cr | d1 |
Tim Reeves wrote
Well, it helps some, but why do I get an error when I try the same thing
with hairpins?
error: syntax error, unexpected EVENT_IDENTIFIER
r4 d4 \p d d | \repeat "unfold" 4 {d1~} | d1 \once
\override Hairpin #'color = #blue \cr | d1 | d1 \f
The error is due
Graham Percival wrote:
On Wed, 09 Apr 2008 00:21:36 +0200
Mats Bengtsson <[EMAIL PROTECTED]> wrote:
Quoting Graham Percival <[EMAIL PROTECTED]>:
2) it would of course be nice to automate this. At the moment, I
can't see why this would take more than five hours. Maybe 15
hours if t
Till Rettig wrote
I don't know, what these slurs mean, I came up with the following
editiorial items:
1. annotational accidentals
2. ligature brackets [I think they should be here, and not together
with the ligatures]
3. Barock rhythm indication
1 is the same as 6.1, maybe 2 is the same as 6.
Is it possible to combine four parts into two voices on one staff,
ideally with one voice stems up and the other voice stems down? I've
gotten as far as two voices combined into one voice with stems in the
direction I want, but every time I add the other voice, I either lose
the two voice c
Hi, all:
My objective is to use .abc text file with Chinese character lyrics as input so
that I can obtain music sheet with Chinese lyrics printed / displayed. I search
the internet, theere is a chinese.tcl a TCL script. I do not know TCL. I read
from Lilypond web page that it is able to to di
Hi Matthias,
see the snippet below, there is also a snippet in the lsr, but I
can't find it...
\version "2.10.15"
\new Staff {
\time 4/4 \override Staff.TimeSignature #'style = #'()
\relative c'{
c4^\markup { { \score {\new Staff \with {
\remove "Time_signature_engraver"
\remove "Clef_e
Am 2008-04-08 um 20:28 schrieb Graham Percival:
You're talking about the old LaTeX accents -> utf-8 ?
Manual conversion is necessary with current convert-ly. I can
think of three ways to automate it. They're all kind-of hackish,
but they'd work in theory. It just needs somebody to translate
t
Salutations, y'all!
I have two questions.
How do I put parentheses around a ChordName grob generated from a
\new ChordNames { } staff? I'm typesetting some of my cousin's
compositions for her and she insists this is very important. The
only thing that I've found that comes close to doi
The simplest solution is
ErsteStimme = { c''8 b' b' a' g' g' f' e' }
ZweiteStimme = { a'8 a' g' f' f' e' d' c' }
DritteStimme = { e'8 f' c' d' e' e' b a }
VierteStimme = { c'8 d' a b c' b g f }
\score {
\new Staff <<
\new Voice <<\voiceOne \ErsteStimme \ZweiteStimme>>
\new Voice <<\voiceTw
Hello
I've been using lilypond for a while now, but I do have some problems with my
mac version. Everything was just fine until I install and uninstall apple
developper utilities. Now, when I launch lilypond, an error message pops up
telling me that lilypond finds no module named "os". I thought t
Trevor:
...
> OK, draft 8 will say:
>
>.6 Editorial markings
> .1 Annotational accidentals (was Musica ficta accidentals)
> (2.8.4)
> .2 Ligature brackets (was Ligatures)
> (2.8.2.4)
I don't regard ligature brackets as an editorial thing, since it
is just the modern
My gosh, thank you. You have no idea how long I tried to get that to
work. And I'm perfectly happy with \remove Rest_engraver.
On 09.04.2008, at 15:23, Mats Bengtsson wrote:
The simplest solution is
ErsteStimme = { c''8 b' b' a' g' g' f' e' }
ZweiteStimme = { a'8 a' g' f' f' e' d' c' }
DritteS
Christopher Johnson wrote:
Salutations, y'all!
I have two questions.
How do I put parentheses around a ChordName grob generated from a \new
ChordNames { } staff? I'm typesetting some of my cousin's
compositions for her and she insists this is very important. The only
thing that I've fo
In a percent repeat, can I get the number of measures to be repeated over the
double percent sign?
\time 4/4
\repeat percent 2 { d8 f4 d8 e4 e | d2 csharp }
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It's the second example in the 2.11 docs.
Cheers,
- Graham
On Wed, 9 Apr 2008 14:36:06 + (UTC)
Stan Mulder <[EMAIL PROTECTED]> wrote:
> In a percent repeat, can I get the number of measures to be repeated
> over the double percent sign?
>
> \time 4/4
> \repeat percent 2 { d8 f4 d8 e4 e | d2
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Am Mittwoch, 9. April 2008 schrieb Mats Bengtsson:
> Christopher Johnson wrote:
> > Salutations, y'all!
> >
> > I have two questions.
> >
> > How do I put parentheses around a ChordName grob generated from a \new
> > ChordNames { } staff? I'm typese
Graham Percival wrote:
It's the second example in the 2.11 docs.
As I interpreted the question, Stan wants to typeset a "2" over the
double percent in
\repeat percent 2 { d8 f4 d8 e4 e | d2 csharp }
and a "4" in
\repeat percent 2 { c1 | d | e | f | }
/Mats
Cheers,
- Graham
On Wed, 9 A
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Am Mittwoch, 9. April 2008 schrieb James E. Bailey:
> My gosh, thank you. You have no idea how long I tried to get that to
> work. And I'm perfectly happy with \remove Rest_engraver.
Doesn't the rest collision work in this case, too?
http://lsr.dsi
Am Mittwoch, 9. April 2008 schrieb Graham Percival:
> Stan Mulder <[EMAIL PROTECTED]> wrote:
> > In a percent repeat, can I get the number of measures to be repeated
> > over the double percent sign?
> It's the second example in the 2.11 docs.
While we are at it: Is there something similar for lon
2008/4/8, Laura Conrad <[EMAIL PROTECTED]>:
> Graham> - a certain grumpy doc writer points out that if you read the
> Graham> instructions in
> Graham> LM 5.1 Suggestions for writing LilyPond files
> Graham> then you can avoid almost all these problems.
>
> The grumpy doc wr
Reinhold Kainhofer wrote:
However, note that with the upcoming LilyPond version 2.11.44, you will
be able to use
\parenthesize f:sus4
Yes, but notice that the parenthesis is way too small for my taste. The
parenthesis is the right size for note heads and accidentals, but not for
o
Trevor Daniels schrieb:
OK, draft 8 will say:
.6 Editorial markings
.1 Annotational accidentals (was Musica ficta accidentals)
(2.8.4)
.2 Ligature brackets (was Ligatures)
(2.8.2.4)
.3 Baroque rhythmic notation (new)
(new - KH)
Ok, so as I understand in 8.
Reinhold Kainhofer wrote:
Am Mittwoch, 9. April 2008 schrieb Graham Percival:
Stan Mulder <[EMAIL PROTECTED]> wrote:
In a percent repeat, can I get the number of measures to be repeated
over the double percent sign?
It's the second example in the 2.11 docs.
While we are
Trevor Daniels schrieb:
OK, draft 8 will say:
.6 Editorial markings
.1 Annotational accidentals (was Musica ficta accidentals)
(2.8.4)
.2 Ligature brackets (was Ligatures)
(2.8.2.4)
.3 Baroque rhythmic notation (new)
Karl:
We don't have lilypond examples of this
Am Mittwoch, 9. April 2008 schrieben Sie:
> Reinhold Kainhofer wrote:
> > Am Mittwoch, 9. April 2008 schrieb Graham Percival:
> >> Stan Mulder <[EMAIL PROTECTED]> wrote:
> >>> In a percent repeat, can I get the number of measures to be repeated
> >>> over the double percent sign?
> >>
> >> It's the
On 09.04.2008, at 16:53, Reinhold Kainhofer wrote:
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Am Mittwoch, 9. April 2008 schrieb James E. Bailey:
My gosh, thank you. You have no idea how long I tried to get that to
work. And I'm perfectly happy with \remove Rest_engraver.
Doesn't the res
is there anything similar to \partcombine but at the voice level? I
think that would give me an acceptable solution. Or can I move
\partcombine to a voice context?
On 09.04.2008, at 15:23, Mats Bengtsson wrote:
The simplest solution is
ErsteStimme = { c''8 b' b' a' g' g' f' e' }
ZweiteStimme
The latest draft for the revision of the headings to NR 2 is attached.
There are relatively few changes since Draft 7, and these are all at the end
of the Ancient notation section, so this is (hopefully) the final draft, as
I shall close off discussion at the end of today (Wed 9 Apr).
I deci
In constructing a small combo piece, I'm not sure how to modularize individual
parts.
For example, notes are specific to a certain instrument whereas a segno
or coda is common to all parts.
I'm confused as to where these things get inserted.
For example, Do I put the coda symbol in each of the
Stan Mulder wrote:
In constructing a small combo piece, I'm not sure how to modularize individual
parts.
For example, notes are specific to a certain instrument whereas a segno
or coda is common to all parts.
I'm confused as to where these things get inserted.
For example, Do I put the cod
Mats Bengtsson ee.kth.se> writes:
> As I interpreted the question, Stan wants to typeset a "2" over the
> double percent in
> \repeat percent 2 { d8 f4 d8 e4 e | d2 csharp }
> and a "4" in
> \repeat percent 2 { c1 | d | e | f | }
Exactly. Is this possible?
___
David Bobroff centrum.is> writes:
> What I do is to put road-map stuff (key changes, time changes, repeats,
> segnos etc.) in a 'global' block. Then I combine that with parts for
> the individual part scores, and with the top staff in the main score.
David,
Is there an example somewhere?
St
Stan Mulder wrote:
David Bobroff centrum.is> writes:
What I do is to put road-map stuff (key changes, time changes, repeats,
segnos etc.) in a 'global' block. Then I combine that with parts for
the individual part scores, and with the top staff in the main score.
David,
Is there an exampl
Thanks all,
I figured out last night where to put the overrides to make them work.
r4 d4 \p d d \repeat "unfold" 3 {d1~} \once \override Hairpin #'color =
#blue d1 \< d1 d1 d1
\once \override DynamicText #'color = #blue d4 \f d d d \p
d \once \override DynamicTextSpanner
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Stan Mulder wrote:
| In constructing a small combo piece, I'm not sure how to modularize
individual
| parts.
|
| For example, notes are specific to a certain instrument whereas a segno
| or coda is common to all parts.
I've been wondering this myself
David Bobroff centrum.is> writes:
> You can put all sorts of things in the 'global' block like rehearsal
> marks, too.
I get it now. Thanks.
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Hi all,
I was wondering if there is a way to make my customized chord list take
over by simply including the external .ly file--the same way you can
override the default note names by including the appropriate file. As it
is now, I have to explicitly
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Thanks for that David. I've been doing this to separate out dynamic
markings, but I didn't know you could do the same with voltas and the like.
/me goes off to try it
- -- Shamus
David Bobroff wrote:
| Don't know if there's a simple example in the
This has been on the list before (or maybe the LSR) since I know I didn't
come up with it myself, but here's how I do it:
<<
{
\repeat volta 5 { c1 ~ }
c1
}
\new Voice
{
\set countPercentRepeats = ##t
\
\partcombine will indeed produce Voice contexts. The reason that you
get problems is that the names of these Voice contexts is
hard-coded, which means that the results of your two
\partcombine commands end up in one and the same Voice
context (since the name is the same).
This is just one of many
Yeah, I got as far as:
ErsteStimme = { r2 c''4 d'' g'8 g' g'4 fis' g'4}
ZweiteStimme = { g'4 a' r2 e'8 e' d'2 c'4 }
DritteStimme = { r2 fis''4 g'' g'8 g' g'4 fis' g'4 }
VierteStimme = {c'4 c' r2 e'8 e' d'2 c'4 }
\score {
\new Staff << \set Staff.printPartCombineTexts = ##f
\new Voice \w
On Wed, 09 Apr 2008 18:47:58 +0300
Till Rettig <[EMAIL PROTECTED]> wrote:
> Actually Graham has pronounced that we should not have a
> task-orientated structure, but just tell about the issues not
> referring to the context they are used to. But maybe it is still ok
> in this case.
Ancient music
Am 2008-04-08 um 23:24 schrieb Graham Percival:
You're talking about the old LaTeX accents -> utf-8 ?
Manual conversion is necessary with current convert-ly. I can
think of three ways to automate it. They're all kind-of hackish,
but they'd work in theory. It just needs somebody to translate
t
Tim Reeves wrote
My last question is where to put the variable definition
blueDyn = \once \override Hairpin #'color = #blue
When I put it at the top of the file, it gives errors:
Parsing...
c:/Program Files/LilyPond/usr/share/lilypond/current/ly/english.ly:15:0:
error: syntax error, unexpecte
Till:
> Trevor Daniels schrieb:
...
> > .3 Baroque rhythmic notation (new)
> Karl:
>
> We don't have lilypond examples of this. I have seen this in a Novello
> score for Purcells Dido. So I suggest we drop this for the moment.
> (Though an ossia section might show what the editor want.)
>
>
Trevor:
> The latest draft for the revision of the headings to NR 2 is attached.
...
> changes have been made and text has been reassigned. For now the discussion
> on Ancient notation is Closed, with thanks again to Karl and Till.
Ok with me.
Regards,
/Karl
___
Dear Graham,
thanks for your reply and sorry for the delay.
On Apr 3, 2008, at 7:17 PM, Graham Percival wrote:
On Thu, 3 Apr 2008 19:08:06 +0100
Torsten Anders <[EMAIL PROTECTED]> wrote:
thank you for your kind reply and sorry for my late response. The
example you provided does indeed work ni
That was it. I had braces around the variable definition that caused the
errors.
So that means that "{" means music input to Lilypond...
I learn most of this stuff by examples and by trial and error.
Sometimes the errors are so many that the trials are plentiful and still
not sufficient!
Than
> "Stan" == Stan Mulder <[EMAIL PROTECTED]> writes:
Stan> David Bobroff centrum.is> writes:
>> What I do is to put road-map stuff (key changes, time changes,
>> repeats, segnos etc.) in a 'global' block. Then I combine that
>> with parts for the individual part scores, and with the top staff
I'm want my score to have short instrument names. What I've got is not working.
Apparently I need to separate the trumpet and clarinet contexts but I'm not sure
how to do that.
\book {
\score {
<<
\new StaffGroup = "horns"
<<
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Shamus wrote:
| Thanks for that David. I've been doing this to separate out dynamic
| markings, but I didn't know you could do the same with voltas and the
like.
|
| /me goes off to try it
Wow! Works like a charm! This is not only going to save me lo
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Hi all,
I like the fretboard diagram functionality, but I was thinking instead
of putting them into the score that I could put them all at the
beginning of the score as a sort of chord dictionary that I could then
refer to in the actual score using a
Hi,
Stan Mulder a écrit :
I'm want my score to have short instrument names. What I've got is not working.
Apparently I need to separate the trumpet and clarinet contexts but I'm not sure
how to do that.
\book {
\score {
<<
\new StaffGroup = "horns"
<<
Quoting Shamus <[EMAIL PROTECTED]>:
| Thanks for that David. I've been doing this to separate out dynamic
| markings, but I didn't know you could do the same with voltas and the
like.
|
| /me goes off to try it
Wow! Works like a charm! This is not only going to save me lots of time,
but what's
You have to tell LilyPond what belongs together, using curly brackets.
One way to think of it is that within each Staff, you first specify the
instrument name, then typeset the music:
\new Staff = "trumpet" \transpose c c {
\set Staff.shortInstrumentName = "Tpt "
\trumpet
}
/Mats
Quoting
On 2008/04/09 3:45 PM, "Karl Hammar" <[EMAIL PROTECTED]> wrote:
>> Trevor Daniels schrieb:
> ...
>>> .3 Baroque rhythmic notation (new)
>> Karl:
>>
>> We don't have lilypond examples of this. I have seen this in a Novello
>> score for Purcells Dido. So I suggest we drop this for the moment.
>
Op dinsdag 8 april 2008, schreef Timothy C Litwiller:
> How would I go about laying this out. I have the notes and a lyrics line
> defined for each line of lyrics liuke they are six verses but every
> other line doesn't have a set stanza with a number in it.
Try putting the brace in the stanza nu
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