The latest draft for the revision of the headings to NR 2 is attached. There are relatively few changes since Draft 7, and these are all at the end of the Ancient notation section, so this is (hopefully) the final draft, as I shall close off discussion at the end of today (Wed 9 Apr).

I decided to resolve the discussion re Editorial markings in the new Transcribing ancient music subsection of Ancient notation as follows:

* I've left in Annotational accidentals. This will contain essentially what was Musica ficta accidentals. This seems to be agreed.

* Ligature brackets I've returned whence it came. As there is no agreement over whether these are editorial or not I decided to leave things as they were, on the grounds this is easiest and that was the original author's view.

* Baroque rhythmic notation is left in, in the expectation that Till will find suitable LilyPond examples.

There will be opportunities for further discussion after the organisational changes have been made and text has been reassigned. For now the discussion on Ancient notation is Closed, with thanks again to Karl and Till.

Trevor D


DRAFT 8

If changes to headings are proposed the old heading is in brackets.

The proposed content is indicated in brackets under the heading.
The numbers are the sections in the NR for 2.11.43

2 Specialist notation

.1 Vocal music
  .1 Common notation for vocals (was Simple lyrics)
    .1 References for vocal music (new)
       (@refs)
    .2 Setting simple songs
       (2.1.1.1)
    .3 Entering lyrics
       (2.1.1.2)
    .4 Working with lyrics and identifiers
       (2.1.3.1)
  .2 Aligning lyrics to a melody
    .1 Automatic syllable durations
       (2.1.2.1)
    .2 Manual syllable durations (was Another way of entering lyrics)
       (2.1.2.2)
    .3 Multiple syllables to one note (was Assigning more than one syllable to 
a single note)
       (2.1.2.3)
    .4 Multiple notes to one syllable (was More than one note on a single 
syllable)
       (2.1.2.4)
    .5 Skipping notes (new)
       (2.1.4.1 - 2nd part)
    .6 Extenders and hyphens
       (2.1.2.5)
    .7 Lyrics and repeats (new)
       (new - ?)
  .3 Placement of lyrics (was Flexibility in placement)
    .1 Divisi lyrics
       (2.1.4.2)
    .2 Lyrics independent of notes
       (2.1.4.4)
    .3 Chants (new)
       (from lsr and/or -user)
    .4 Spacing out syllables (was Spacing lyrics)
       (2.1.5.1)
    .5 Centering lyrics between staves (new)
       (from -user)
  .4 Stanzas (was More about stanzas)
    .1 Adding stanza numbers
       (2.1.6.1)
    .2 Adding dynamics marks to stanzas (was Adding dynamic marks)
       (2.1.6.2)
    .3 Adding singers' names to stanzas (was Adding singer names)
       (2.1.6.3)
    .4 Stanzas with different rhythms (new)
       # Ignoring melismata (was Lyrics to multiple notes of a melisma)
       (2.1.4.1 1st part)
       # Switching to an alternative melody (Switching the melody associated 
with a lyrics line)
       (2.1.4.3)
    .5 Printing stanzas at the end
       (2.1.6.4)
    .6 Printing stanzas at the end in multiple columns
       (2.1.6.5)

.2 Keyboard instruments (was Piano music)
  .1 Common notation for keyboards (was Piano sections)
    .1 References for keyboards (new)
       (@refs)
    .2 The piano staff (new)
       (2.3.1)
    .3 Changing staff manually (was Manual staff changes)
       (2.3.1.2)
    .4 Changing staff automatically (was Automatic staff changes)
       (2.3.1.1)
    .5 Staff-change lines (was Staff switch lines)
       (2.3.1.4)
    .6 Cross-staff stems (was Cross staff stems)
       (2.3.1.5)
  .2 Piano (new)
    .1 Pedals
       (2.3.1.3)
  .3 Accordion (new)
    .1 Discant symbols (new)
       (from -user and lsr 194)

.3 Unfretted string instruments
  .1 Common notation for unfretted strings
    .1 References for unfretted strings (new)
       (@refs to fingerings, \thumb, bowings, harmonics)
.2 Plucked instruments .1 Harp [new section to be added?] (?)
.4 Fretted string instruments (was Guitar)
  .1 Common notation for fretted strings (was Guitar sections)
    .1 References for fretted strings (new)
       (@refs)
    .2 String number indications
       (2.5.1.1)
    .3 Default tablatures (was Tablatures basic)
       (2.5.1.2)
    .4 Custom tablatures (was Non-guitar tablatures)
       (2.5.1.3)
    .5 Fret diagrams
       (2.5.1.5)
    .6 Right hand fingerings
       (2.5.1.6)
  .2 Guitar (new)
    .1 Guitar tablatures (new)
       (new)
    .2 Indicating position and barring (was Other guitar issues)
       (2.5.1.7)
  .3 Banjo (new)
    .1 Banjo tablatures
       (2.5.1.4)

.5 Percussion
  .1 Common notation for percussion (was Percussion Sections)
    .1 References for percussion (new)
       (@refs)
    .2 Basic percussion notation (was Entering percussion)
       (2.4.1.2)
    .3 Percussion staves
       (2.4.1.3)
    .4 Ghost notes
       (2.4.1.4)

    [Old Section 2.4.1.1 Showing melody rhythms should be moved to 1.2.3 
Displaying rhythms]

.6 Wind instruments (was Bagpipes)
  .1 Common notation for wind instruments (new)
    .1 References for wind instruments (new)
       (@refs)
    .2 Half-holes [new - wasn't there something recently about this?]
     (new)
  .2 Bagpipes (was Bagpipes sections)
    .1 Bagpipe definitions
       (2.7.1.1)
    .2 Bagpipe example
       (2.7.1.2)

.7 Chord notation (was Chords)
  .1 Modern chords (was Chords sections)
    .1 Chord modes  (new)
       (extract \chords and \chordmode from 2.2.1.1 and 2.2.1.3)
    .2 Entering chord names (was Introducing chord names)
       (2.2.1.2)
    .3 Building chords (new)
       (remainder of 2.2.1.3)
    .4 Lead sheets (was A lead sheet)
       (remainder of 2.2.1.1)
    .5 Printing chord names
       (2.2.1.4)
  .2 Figured bass
    .1 Introduction (new)
       (penultimate and pre-penultimate paras of 2.8.5)
    .2 Entering figures
       (extracted from 2.8.5)
    .3 Repeated figures
       (extracted from 2.8.5)

.8 Ancient notation [Knowing nothing of this, the proposed changes are minimal]
  .1 Introduction to ancient notation  (new)
    .1 Ancient notation supported  (new)
       (2.8)
  .2 Alternative note signs (was Alternative note signs for ancient music)
    .1 Ancient note heads
       (2.8.1.1)
    .2 Ancient accidentals
       (2.8.1.2)
    .3 Ancient rests
       (2.8.1.3)
    .4 Ancient clefs
       (2.8.1.4)
    .5 Ancient flags
       (2.8.1.5)
    .6 Ancient time signatures
       (2.8.1.6)
  .3 Additional note signs (was Additional note signs for ancient music)
    .1 Ancient articulations
       (2.8.2.1)
    .2 Custodes
       (2.8.2.2)
    .3 Divisiones
       (2.8.2.3)
    .4 Ligatures
       (2.8.2.4)
    .5 White mensural ligatures
       (2.8.2.5)
    .6 Gregorian square neumes ligatures
       (2.8.2.6)
  .4 Pre-defined contexts
    .1 Gregorian Chant contexts
       (2.8.3.1)
    .2 Mensural contexts
       (2.8.3.2)
  .5 Transcribing ancient music (new)
.1 Ancient and modern from one source [Here among others the snippets about reducing note length] .2 Incipits (new)
       (clefs, mensuration signs etc from lsr and -user)
    .3 Mensurstriche layout (new)
       (lsr and -user)
    .4 Transcribing Gregorian chant (new)
       (extract from 1.6.1.1)
  .6 Editorial markings
    .1 Annotational accidentals (was Musica ficta accidentals)
       (2.8.4)
    .2 Baroque rhythmic notation (new)
       (new - Till Rettig)


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