Re: musicxml2ly problems

-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 Am Sonntag, 17. Februar 2008 schrieb Han-Wen Nienhuys: > 2008/2/9, Reinhold Kainhofer <[EMAIL PROTECTED]>: > > The "set" data type is new in Python 2.3, and is needed in musicxml2ly to > > prevent duplicate definitions (i.e. I store all needed addition

Re: ANN: LilyKDE, tool to work with LilyPond in KDE

-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 Am Sonntag, 17. Februar 2008 schrieb Wilbert Berendsen: > Op vrijdag 15 februari 2008, schreef Andrew Black: > > Does this work with Gnome (Kate does). > > Yes, I think so. It works with Kate and KPDF, and those can certainly be > run from within GNOME

TimeSignature as fraction: gap between numerator and denominator

Hello, I used 4/4 instead of C via \override Staff.TimeSignature #'style = #'() but the cyphers were huge. So I added \override Staff.TimeSignature #'font-size = #-2 But while the cyphers now are smaller, the numerator-4 stands still very close on the top of the denominator-4 without any gap, bo

Re: Image Attachments

2008/2/16, Philip <[EMAIL PROTECTED]>: > Is it possible to mail a message to this list that has image attachments? > I have two questions I need images to be understood. Hi Philip, yes, it is possible but only for very small images (32KB would be a maximum). Otherwise, the best solution is often

Re: GDP: What term do you use?

2008/2/17, David Fedoruk <[EMAIL PROTECTED]>: > Octave transposition seems a confusing, since transposition in music > usually implies that the passage is to be played in a different key. > Octave displacement does not change the key. Yes, I'd prefer to avoid "transposition" as well. In French,

Re: Image Attachments

-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 Am Sonntag, 17. Februar 2008 schrieb Valentin Villenave: > yes, it is possible but only for very small images (32KB would be a > maximum). The limit seems to be 64kB for the whole mail... > Otherwise, the best solution is often to post your images

Re: GDP: What term do you use? (redux)

On Feb 16, 2008 11:25 PM, Kurt Kroon <[EMAIL PROTECTED]> wrote: > Oh, yeah ... I was also wondering: > > What the Dutch, Danish, Finnish and Swedish words for 128th- and 256th-notes > and -rests? In Dutch: 128e noot, 256e noot, 128e rust, 256e rust. In the unlikely case someone would prefer to wri

Re: GDP: What term do you use?

On Feb 16, 2008 9:48 PM, Kurt Kroon <[EMAIL PROTECTED]> wrote: > You've written a composition with a passage that needs to be played in a > different octave. When you describe it (this passage) to another musician, > what term do you use? And do you use the same term or a different one for >

Grid lines, GDP- need some help

I'm working on section 1.7 for GDP, and nearly done with 1st pass. I've come to the grid lines section 1.7.2.2 and need help understanding the code so I can explain it because there's too much there that is not explained. Does anyone have an example with %here's why this is here annotations tha

How to do a Barré in guitar music?

Dear list, First of all, does anyone of you know the English word for the Dutch word Barré? I could not find it in the Music Glossary. Second of all, does anyone of you how to draw it in lilypond? I've attached an example of what I'm looking for. I'm looking for a way to draw the vertical b

is \applyOutput buggy wrt context, or am I being dumb?

still battling... from the example at http://lsr.dsi.unimi.it/LSR/Item?id=236 i do understand the scheme function here but i don't seem able to make both chords print as emc2 - only the first is changed \version "2.11.38" #(define (mc-squared grob org cur) (let* ( (ifs (ly:grob-i

Re: How to do a Barré in guitar music?

just a tweak... \version "2.11.39" Guitar = \context Staff \relative c' << \time 6/8 \override Staff.NoteCollision #'merge-differently-dotted = ##t \override Staff.NoteCollision #'merge-differently-headed = ##t \context Voice=uno { \stemUp \override Fingering #'padding = #2.0

Re: GDP: What term do you use? (redux)

When I went to music school (in México) the notes up to 128th went like this: whole = redonda 1/2 = blanca 1/4 = negra 1/8 = corchea 1/16 = semicorchea 1/32 = fusa 1/64 = semifusa 1/128 = garrapatea (i always thought this was hilarious because it sounds like garrapata which is an

Re: How to do a Barré in guitar music?

You're absolutely right, I forgot about the accidentals, but they should also be transparent. :) 2008/2/17, Damian leGassick <[EMAIL PROTECTED]>: > > just a tweak... > > \version "2.11.39" > > Guitar = \context Staff \relative c' << > \time 6/8 > \override Staff.NoteCollision #'merge-different

Re: How to do a Barré in guitar music?

For the barre in the music this is how I normally do it: Create a different voice context for the bar and use the arpeggioBracket.applied to a chord, here's the code that would display the image you attached. % \version "2.11.39" Guitar = \context Staff \relative c' << \time 6/8

Re: Doing \score { <<...>... } and \context Staff << .... >> in scheme?

2008/2/13, Reinhold Kainhofer <[EMAIL PROTECTED]>: > Hi all, > > In the large vocal and orchestral piece that I'm currently typesetting, I have > lots of score and staff definitions, which look exactly the same, except for > the variable names. Thus it would make tremendous sense to not hard-code >

Re: How to do a Barré in guitar music?

2008/2/17, Daniel Tonda <[EMAIL PROTECTED]>: > > You're absolutely right, I forgot about the accidentals, but they should > also be transparent. > :) Even better, remove the accidental and the barre will be a bit closer to the notes. 2008/2/17, Damian leGassick <[EMAIL PROTECTED]>: > > > > just

Re: GDP: What term do you use? (redux)

2008/2/17, Daniel Tonda <[EMAIL PROTECTED]>: > When I went to music school (in México) the notes up to 128th went like > this: > > whole = redonda > 1/2 = blanca > 1/4 = negra > 1/8 = corchea > 1/16 = semicorchea > 1/32 = fusa > 1/64 = semifusa > 1/128 = garrapatea (i always thou

shift accidental in chord

hi all how do i shift the flat so that it doesn't overwrite the natural here: \version "2.11.38" {} cheers d ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: GDP: What term do you use? (redux)

>> ... >> >> What the Dutch, Danish, Finnish and Swedish words for 128th- and 256th-notes >> and -rests? I was able to get the note names for English (both flavors), French, Spanish, Italian and German elsewhere. That's why I only asked for the names in Dutch, Danish, Finnish and Swedish only.

Re: shift accidental in chord

hi werner the output from \version "2.11.38" {} is what i want except for the flat needs to be moved to the left i was hoping for something like: \once \override Accidental #'extra-offset = #'(-2.0 . 0) -- but referencing the note within the chord i can fake it by making an extra voice,

Marks under the staff

Hello, is there a proper way to place a given \mark such as "segue coro", "DS.al fine" etc under the staff, and right-aligned to the final barline? \score{} \markup {} does not work very well for this. I'd like to place a true \mark in that position. Thank you! -- Francisco Vila. Badajoz (Spai

Re: GDP: What term do you use? (redux)

Dear Kurt, On 17/02/2008, Kurt Kroon wrote: > Oh, yeah ... I was also wondering: > > What the ... Finnish words for 128th note 128-osanuotti (1/128-osanuotti) (yksi)sadaskahdeskymmeneskahdeksasosanuotti Breakup: sadas = 100th, kahdeskymmenes = 20th (2th (deliberate), 10th), kahdeksas = 8th, osa =

Re: Marks under the staff

2008/2/17, Graham Percival <[EMAIL PROTECTED]>: > On Sun, 17 Feb 2008 21:08:53 +0100 > "Francisco Vila" <[EMAIL PROTECTED]> wrote: > > > is there a proper way to place a given \mark such as "segue coro", > > "DS.al fine" etc under the staff, and right-aligned to the final > > barline? > > Doesn't i

Re: Marks under the staff

On Sun, 17 Feb 2008 21:08:53 +0100 "Francisco Vila" <[EMAIL PROTECTED]> wrote: > is there a proper way to place a given \mark such as "segue coro", > "DS.al fine" etc under the staff, and right-aligned to the final > barline? Doesn't it work if you just \override the direction property? Cheers,

Re: shift accidental in chord

Damian leGassick mac.com> writes: > how do i shift the flat so that it doesn't overwrite the natural here: > > {} Could you provide a link to an example how that can be done (just take pencil and paper, make a drawing, scan it and put it to the web)? (I cannot imagine any solution than except f

Re: shift accidental in chord

hi all how do i shift the flat so that it doesn't overwrite the natural here: \version "2.11.38" {} cheers d This seems to be a known limitation of lilypond. You can see whether the solution provided by Mats to a similar question of mine a while ago: http://www.opensubscriber.com/messag

Re: GDP: What term do you use? (redux)

Oh yes. Forgot the rests. On 17/02/2008, Risto Vääräniemi wrote: > On 17/02/2008, Kurt Kroon wrote: > > Oh, yeah ... I was also wondering: > > > > What the ... Finnish words for 128th note The rest names are formed like this. 128th rest: 1/128-osatauko (128-osatauko). 256th rest: 1/256-osatauko

Bracket Around a Single Staff

How can I surround a single staff with a square bracket? Also, is it possible to type-set the old bass clef? Here is a link to an image of the old bass clef on Wikipedia: http://upload.wikimedia.org/wikipedia/commons/8/87/Oldbassclef.svg ___ lilypo

Lyric Text position

I don't find the way to position lyrics above a staff instead of below it, is there a way to do this? -- Daniel Tonda C. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

10.5?

Just to be clear, lilypond does not work, command-line, PPC, or anything with apple's latest update? I've been using it in 10.5.1 with TextMate and TeXShop just fine, but now I get absolutely nothing. Should I bother trying to build it myself to see if I can it working? ___

Re: 10.5?

works fine here with 10.5.2 - but command-line only i installed ppc version under 10.5.1 which works fine on intel (10.4 intel version does not work under 10.5.x)-> then software updated to 10.5.2 and lilypond still works ok with textmate and texshop d On 17 Feb 2008, at 22:03, James E. B

Re: GDP: What term do you use? (redux)

On 2/17/08 1:09 PM, "Risto Vääräniemi" <[EMAIL PROTECTED]> wrote: > ... > More stuff: > Quarter notes and rests seem to be named as neljännesosanuotti and > neljännesosatauko in the glossary. They are understandable but more > common words are neljäsosanuotti and neljäsosatauko. Common as in: * "

Re: Bracket Around a Single Staff

-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 Am Sonntag, 17. Februar 2008 schrieb Philip: > How can I surround a single staff with a square bracket? By "square bracket" do you mean the staff bracket of staff groups, only that you also want it for just one single staff? If so, then the LSR can h

Re: GDP: What term do you use? (redux)

On 2/17/08 12:15 PM, "Risto Vääräniemi" <[EMAIL PROTECTED]> wrote: > Dear Kurt, >> What the ... Finnish words for 128th note > 128-osanuotti (1/128-osanuotti) > (yksi)sadaskahdeskymmeneskahdeksasosanuotti > > Breakup: > sadas = 100th, > kahdeskymmenes = 20th (2th (deliberate), 10th), > kahdeksas

Re: Lyric Text position

Am Sonntag, 17. Februar 2008 schrieb Daniel Tonda: > I don't find the way to position lyrics above a staff instead of below it, > is there a way to do this? In the LSR there are templates for vocal (SATB) music, which also show this as one of their features. However, I now created a specialized s

Re: Bracket Around a Single Staff

Reinhold Kainhofer wrote: -BEGIN PGP SIGNED MESSAGE- Hash: SHA1 Am Sonntag, 17. Februar 2008 schrieb Philip: How can I surround a single staff with a square bracket? By "square bracket" do you mean the staff bracket of staff groups, only that you also want it for just one sin

Re: GDP: What term do you use? (redux)

Am Sonntag, 17. Februar 2008 schrieb Simon Dahlbacka: > FWIW, it seems that Finnish is the only? language that includes the > "note/rest" part. Ahm, no, in German we also say "ganze Note" (whole) "halbe Note" (half) "Viertelnote" (quarter) "Achtelnote" (eighth) "Sechzehntelnote" or "16tel-Note" (

Re: GDP: What term do you use? (redux)

FWIW, it seems that Finnish is the only? language that includes the "note/rest" part. ( http://kainhofer.com/~lilypond/Documentation/user/music-glossary/Duration-names-notes-and-rests.html#Duration-names-notes-and-rests ) And the swedish name for 128th would be hundratjugoåttondel and 256th tvåhun

Re: Bracket Around a Single Staff

-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 Am Sonntag, 17. Februar 2008 schrieb Philip: > I tried the line suggested on that page, but I got an error message: > > error: syntax error, unexpected '[', expecting LYRICS_STRING or STRING > or STRING_IDENTIFIER: \override [staffcontext].SystemStartB

Re: Bracket Around a Single Staff

Reinhold Kainhofer wrote: Please have a look at the code of the snippet (click on the image, maybe that's too hidden in the LSR???), not only the description. Basically, you need a StaffGroup and put the override in there... Cheers, Reinhold That worked! Now, how to type-set the old bas

Re: Doing \score { <<...>... } and \context Staff << .... >> in scheme?

Am Sonntag, 17. Februar 2008 schrieb Han-Wen Nienhuys: > 2008/2/13, Reinhold Kainhofer <[EMAIL PROTECTED]>: > > In particular, what is the scheme equivalent, producing the same as the > > following lilypond code? > > > > IChorObIScore = \score { > > << \IChorObIStaff >> > > \header { piece = \I

Re: GDP: What term do you use? (redux)

2008/2/18, Reinhold Kainhofer <[EMAIL PROTECTED]>: > > Am Sonntag, 17. Februar 2008 schrieb Simon Dahlbacka: > > FWIW, it seems that Finnish is the only? language that includes the > > "note/rest" part. >Ahm, no, in German we also say ... actually, what I meant (but failed to explicitly spell ou

Re: Showing instrument name and correct clef with cue notes

hi reinhold, On Feb 17, 2008 12:42 AM, Reinhold Kainhofer <[EMAIL PROTECTED]> wrote: > Okay, this works in most cases, but when there is a line break immediately > before the cue notes, the clef for the cue notes is already shown on the > previous line and also as the clef for the whole staff (of

Re: GDP: What term do you use? (redux)

On 2/17/08 2:44 PM, "Reinhold Kainhofer" <[EMAIL PROTECTED]> wrote: > Ahm, no, in German we also say > "ganze Note" (whole) > "halbe Note" (half) > "Viertelnote" (quarter) > "Achtelnote" (eighth) > "Sechzehntelnote" or "16tel-Note" (sixteenth) > "Zweiunddreißigstelnote" or "32tel-Note" (32th) > "Vi

Re: GDP: What term do you use? (redux)

On 2/17/08 3:01 PM, "Simon Dahlbacka" <[EMAIL PROTECTED]> wrote: > 2008/2/18, Reinhold Kainhofer <[EMAIL PROTECTED]>: >> Am Sonntag, 17. Februar 2008 schrieb Simon Dahlbacka: >>> > FWIW, it seems that Finnish is the only? language that includes the >>> > "note/rest" part. > >> >Ahm, no, in German

Re: GDP: What term do you use? (redux)

-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 Am Montag, 18. Februar 2008 schrieben Sie: > I never said that I was (completely) sane. Also, should that be > Hundertachtundzwanzigstelnote (with a t after Hunder- and g after > -zwanzi-)? Yes! Now you see why no sane person would write that out in

Re: GDP: What term do you use? (redux)

Hi Kurt, On 17/02/2008, Kurt Kroon wrote: > So, does the preferred hyphenation follow this parsing? If so, I'll have to > change the entries for 32osanuotti and 64osanuotti, from > > * kolmaskymme-neskahdesosa-nuotti > * kuudeskymme-nesneljäsosa-nuotti > > to something like this > > * kolmas-kymm

Re: Showing instrument name and correct clef with cue notes

-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 Hello Simon, Am Montag, 18. Februar 2008 schrieb Simon Bailey: > On Feb 17, 2008 12:42 AM, Reinhold Kainhofer <[EMAIL PROTECTED]> wrote: > > Okay, this works in most cases, but when there is a line break > > immediately before the cue notes, the clef

Old Bass Clef

Is it possible to type-set the old bass clef? In case you do not know what I am talking about, here is a sample I found on the Internet. (Do I annoy you with all these questions?) __

Re: Old Bass Clef

I looked at this last year some time. Unless something changed and I missed it, the answer is, "No." It would be nice to have, but I don't have the graphic designer skills to produce a good-looking glyph. ___ lilypond-user mailing list lilypond-user@gnu

Re: Old Bass Clef

Hi, By the way...what are these skills precisely? What are the steps to produce a glyph from beginning to usable numeric file? Is the first step a hand drafted sketch? At which dimensionnal scale ? etc... Is there a numerisation of the ilage afterwards? Or the image must be encoded pixel by pix

Re: How to do a Barré in guitar music?

On 17 feb 2008, at 19:24, Daniel Tonda wrote: 2008/2/17, Daniel Tonda <[EMAIL PROTECTED]>: You're absolutely right, I forgot about the accidentals, but they should also be transparent. :) Even better, remove the accidental and the barre will be a bit closer to the notes. Thanks a l