Re: \applyContext and \override in a layout block: override value not visible at the score beginning

Thank you all very much, especially David for the explanation how the contexts work. Indeed I didn't know what I was doing. Forcing a particular context with \context for the first \applyContext call then solved my issue. Jakub

Re: \applyContext and \override in a layout block: override value not visible at the score beginning

ers, and definitely an edge > case. > It is essentially a case of `\applyContext` silently behaving differently > when > the Voice context was not created yet. And even you are getting this > wrong: > > > That's because at the point of the first call, you haven't yet descen

Re: \applyContext and \override in a layout block: override value not visible at the score beginning

ce context was not created yet. And even you are getting this wrong: > >> That's because at the point of the first call, you haven't yet descended >> into a Voice or even Staff context from the surrounding Score context. >> So \applyContext prints the Stem.length set

Re: \applyContext and \override in a layout block: override value not visible at the score beginning

ong: > That's because at the point of the first call, you haven't yet descended > into a Voice or even Staff context from the surrounding Score context. > So \applyContext prints the Stem.length setting for the Score context > which has not been changed (you only changed the default f

Re: \applyContext and \override in a layout block: override value not visible at the score beginning

Jakub Pavlík writes: > I've run into a surprising edge case with \applyContext. Neither surprising nor an edge case. > The example score below has Stem.length overridden in the layout > block. Are you sure you know what you are doing there? This does not look like anything y

\applyContext and \override in a layout block: override value not visible at the score beginning

Hi, I've run into a surprising edge case with \applyContext. The example score below has Stem.length overridden in the layout block. \applyContext is called before and after the first note, logging the value of Stem.length to the standard output. I would expect both instances to print the

Re: Error in latest lilypond git HEAD with complex score

args `("divide" "Numerical overflow" #f #f)'. Any hints as to where to start looking? As I said, it's a rather large score and it'd be helpful to know where to start narrowing down the problem. T -- Artillery puns go off really well, you should sea mine.

Re: Error in latest lilypond git HEAD with complex score

he following > > >> commit, 6c1081a82, appears to be the change that broke this, > > >> though I've no idea why it should, and what my score has to do > > >> with it (nowhere in my score do I reference ly:duration-length > > >> direc

Re: Error in latest lilypond git HEAD with complex score

roke this, > >> though I've no idea why it should, and what my score has to do > >> with it (nowhere in my score do I reference ly:duration-length > >> directly). > > Actually, I take that back. I'm using a helper Scheme function I got >

Re: Error in latest lilypond git HEAD with complex score

u.org> wrote: [...] >> The last good version AFAIK is commit f1ad21caa. The following >> commit, 6c1081a82, appears to be the change that broke this, >> though I've no idea why it should, and what my score has to do >> with it (nowhere in my score do I

Re: Error in latest lilypond git HEAD with complex score

Did you run convert-ly from HEAD? On Tue, Dec 31, 2024, 1:53 PM H. S. Teoh via LilyPond user discussion < lilypond-user@gnu.org> wrote: > Hi, > > I'm testing out the latest git HEAD version of lilypond with an > orchestral score, and I'm getting this error: > &g

Error in latest lilypond git HEAD with complex score

Hi, I'm testing out the latest git HEAD version of lilypond with an orchestral score, and I'm getting this error: - Parsing...ERROR: In procedure %resolve-variable: Unbound variable: ly:duration-length ice-9/eval.scm:159:9: Throw to key `numerical-overflow' with

Re: how to modify `afterGraceFraction` mid-score?

Werner LEMBERG writes: (Of course, the current implementation of afterGrace makes this comparatively hard to achieve, since the fraction is used for determining the length of a skip IIRC.) >>> >>> ...and came to the conclusion that a global variable is the easiest >>> solution :-)

Re: how to modify `afterGraceFraction` mid-score?

>>> (Of course, the current implementation of afterGrace makes this >>> comparatively hard to achieve, since the fraction is used for >>> determining the length of a skip IIRC.) >> >> ...and came to the conclusion that a global variable is the easiest >> solution :-) > > I refuse that honor. :-

Re: how to modify `afterGraceFraction` mid-score?

On Thu, Dec 19, 2024 at 4:10 PM David Kastrup wrote: > Werner LEMBERG writes: > > >>> you can use `set!`: > > > > Thanks! > > > >>> But note that this may cause race conditions, [...] > > > > Please explain and/or give an example. > > > >> The global variable afterGraceFraction has bothered me f

Re: how to modify `afterGraceFraction` mid-score?

Werner LEMBERG writes: >>> you can use `set!`: > > Thanks! > >>> But note that this may cause race conditions, [...] > > Please explain and/or give an example. > >> The global variable afterGraceFraction has bothered me for some time >> now. Shouldn't this be a context property? [...] > > I gue

Re: how to modify `afterGraceFraction` mid-score?

>> you can use `set!`: Thanks! >> But note that this may cause race conditions, [...] Please explain and/or give an example. > The global variable afterGraceFraction has bothered me for some time > now. Shouldn't this be a context property? [...] I guess that David has thought about that.

Re: how to modify `afterGraceFraction` mid-score?

Hi Valentin, hi Werner, > you can use `set!`: > > { > \afterGrace c' c' \break > #(set! afterGraceFraction 999/1000) > \afterGrace c' c' \break > s1 > } > > But note that this may cause race conditions, and `afterGrace` allows > specifying the ratio as optional first argument. In this sens

Re: how to modify `afterGraceFraction` mid-score?

tation. How can I > change this value mid-score? > > > Werner you can use `set!`: { \afterGrace c' c' \break #(set! afterGraceFraction 999/1000) \afterGrace c' c' \break s1 } But note that this may cause race conditions, and `afterGrace` allows speci

how to modify `afterGraceFraction` mid-score?

In full scores it is sometimes necessary to adjust the value of `afterGraceFraction` so that it harmonizes with other notes and rhythms. However, saying ``` afterGraceFraction = ``` only works at top-level according to the documentation. How can I change this value mid-score? Werner

Re: Translate any grob in a score without side effect in LilyPond

ct the position of any other item on the score, which is like > editing an SVG image in softwares like InkScape. > Paolo Prete has developed the Spontini editor for LilyPond. It allows drag and drop on a web browser, but creates compilable LilyPond code in the file (so you don't nee

Re: Translate any grob in a score without side effect in LilyPond

. Since you're engraving an ensemble piece, this is especially likely to happen when you make the parts, because both line-breaking and the horizontal spacing of music are likely to differ from the full score. There is a way to properly position rehearsal marks, however, and I think it is one of

Re: Doing layout for an entire score with certain constraints

On Tue, 17 Dec 2024 at 14:45, tran li wrote: > > After I completed a score, I found that the default layout created by LilyPond is not satisfactory. I would like to modify some aspects of my layout, but doing that all manually can be extremely exhausting and create even weirder layout e

Doing layout for an entire score with certain constraints

After I completed a score, I found that the default layout created by LilyPond is not satisfactory. I would like to modify some aspects of my layout, but doing that all manually can be extremely exhausting and create even weirder layout effects while adjusting. My requirement is as follows

Re: Translate any grob in a score without side effect in LilyPond

Got it. Thanks a lot. I didn't realize that it is such a simple task in LilyPond. F. X. P. On 2024/12/16 18:56, Werner LEMBERG wrote: Most GUI-based scorewriter applications allow users to drag items to arbitrary positions and presumably, creates no side effect. [...] However, when searchi

Re: Translate any grob in a score without side effect in LilyPond

> Most GUI-based scorewriter applications allow users to drag items to > arbitrary positions and presumably, creates no side effect. [...] > > However, when searching for a method to do the same in LilyPond, I > cannot find a method that is working in general. [...] Try `extra-offset`.

Translate any grob in a score without side effect in LilyPond

Most GUI-based scorewriter applications allow users to drag items to arbitrary positions and presumably, creates no side effect. Here, by "no side effect", I mean the positional alteration of desired items does not affect the position of any other item on the score, which is like

RE: Re[4]: Start of Score Grace Note Spacing

Welcome so much Mark From: Steph Phillips Sent: Sunday, December 8, 2024 2:49 PM To: carsonm...@ca.rr.com; Paul Scott ; Lilypond-User Mailing List Subject: Re[4]: Start of Score Grace Note Spacing Ah yeah, this did it. Thank you so much! ~Steph -- Original Message

Re[4]: Start of Score Grace Note Spacing

Ah yeah, this did it. Thank you so much! ~Steph -- Original Message -- From carsonm...@ca.rr.com To "Steph Phillips" ; "Paul Scott" ; "Lilypond-User Mailing List" Date 12/8/2024 10:28:09 AM Subject RE: Re[2]: Start of Score Grace Note Spacing Steph,

Re: Start of Score Grace Note Spacing

to a month or two ago. Basically, in every part that doesn't have the same grace notes, you need to insert spacer grace notes. For example: \score { << \new Staff {% part with grace notes

Re: Start of Score Grace Note Spacing

er 8, 2024 9:59 AM *To:* Paul Scott ; carsonm...@ca.rr.com; Lilypond-User Mailing List *Subject:* Re[2]: Start of Score Grace Note Spacing Well, adding a spacer rest in the beginning of the acciaccaturas seemed to help a little, but now we're back to the original issue of the time/k

RE: Re[2]: Start of Score Grace Note Spacing

Subject: Re[2]: Start of Score Grace Note Spacing Well, adding a spacer rest in the beginning of the acciaccaturas seemed to help a little, but now we're back to the original issue of the time/key sigs and clefs not being engraved until after the grace notes ~Steph -- Ori

Re: Start of Score Grace Note Spacing

Hey all, Isn’t this just https://sourceforge.net/p/testlilyissues/issues/34/? Kieren > On Dec 8, 2024, at 12:40 PM, Steph Phillips wrote: > Hmm, I set everything to 16's and it seems more confused now. > > ~Steph __ My work day may look different th

RE: Re[2]: Start of Score Grace Note Spacing

Steph,, A dummy grace/acciaccatura must appear in all voices, e.g., \grace s8. Mark From: Steph Phillips Sent: Sunday, December 8, 2024 9:40 AM To: carsonm...@ca.rr.com; Lilypond-User Mailing List Subject: Re[2]: Start of Score Grace Note Spacing Hmm, I set everything to 16&#

Re[2]: Start of Score Grace Note Spacing

"Steph Phillips" ; carsonm...@ca.rr.com; "Lilypond-User Mailing List" Date 12/8/2024 9:45:08 AM Subject Re: Start of Score Grace Note Spacing It looks to me that you should have chosen eighths. HTH, Paul On 12/8/24 10:40 AM, Steph Phillips wrote: Hmm, I set everything to

Re: Start of Score Grace Note Spacing

ailing List" Date 12/8/2024 9:29:06 AM Subject RE: Start of Score Grace Note Spacing Steph, Make the grace and the acciaccatura the same duration. Either both 8 or both 16. Mark *From:*lilypond-user-bounces+carsonmark=ca.rr@gnu.org *On Behalf Of *Steph Phillips *Sent:* Sunday,

Re[2]: Start of Score Grace Note Spacing

Hmm, I set everything to 16's and it seems more confused now. ~Steph -- Original Message -- From carsonm...@ca.rr.com To "Steph Phillips" ; "Lilypond-User Mailing List" Date 12/8/2024 9:29:06 AM Subject RE: Start of Score Grace Note Spacing Steph,

RE: Start of Score Grace Note Spacing

: Start of Score Grace Note Spacing Edit: Here's the code I'm using for the percussion and violin staves Percussion: \NumberOneSetup \clef bass \key c \major \InstrumentChange "Timpani" #-0.5 \grace { a16 a } a2-> \ff r | -and- Violin: \NumberOneSetup \cle

Re: Start of Score Grace Note Spacing

a^^) \sfz r r4 c''2 \ff | -- Original Message -- From "Steph Phillips" To "Lilypond-User Mailing List" Date 12/8/2024 8:59:41 AM Subject Start of Score Grace Note Spacing Hi all! I've got some parts that have grace notes at the very beginning. The gra

Start of Score Grace Note Spacing

Hi all! I've got some parts that have grace notes at the very beginning. The grace notes are appearing before the initial clefs, time sigs, and key sigs. It's hard to describe, please check out the attached image. I'm sure there's some setting I'm missing, but I could use some help on this o

Re: FYI: Nested Markuplist-Score-Midi Block Behavior

Christopher Heckman writes: > In \markuplist, there's a command that does something similar but has > a different name (\score-lines). If I'm understanding correctly (a > dangerous assumption 8-) ), \score-lines works like TeX's horizontal > mode, and \score works

Re: FYI: Nested Markuplist-Score-Midi Block Behavior

On Fri, Nov 15, 2024 at 10:58 PM Werner LEMBERG wrote: > > [Sending this e-mail again to the 'lilypond-user' list, which we > forgot to include in our conversation.] > > >> Maybe you are mixing up the the `\score` *markup* command (to be > >> used wit

Re: FYI: Nested Markuplist-Score-Midi Block Behavior

>> If you compile that you can see that the `\score` markup command >> suppresses page turns because they don't make sense in markup. > > And I suspect that that's why \score-lines isn't called \score as > well. Contrary to `\score` (the markup function), wh

Re: FYI: Nested Markuplist-Score-Midi Block Behavior

[Sending this e-mail again to the 'lilypond-user' list, which we forgot to include in our conversation.] >> Maybe you are mixing up the the `\score` *markup* command (to be >> used within `\markup` or `\markuplist`) with the 'normal', >> top-level `\score

Re: Underline Lyrics once and for a whole score

s wrongly) that this applied to the User Group and bug reports. In this case, for clarity and maybe assist others, I've included the complete source code and a screenshot of the output below. I'm writing a drum score for a song called "Come Together" by "The Beatles".

Re: FYI: Nested Markuplist-Score-Midi Block Behavior

> I don't know whether this is a bug or not, but if you put a score > block inside of a markuplist, you cannot export MIDI from it. If > it's not fixed, it should be documented at the website. > > Minimal(?) example: > > \markuplist { > \score {

FYI: Nested Markuplist-Score-Midi Block Behavior

I don't know whether this is a bug or not, but if you put a score block inside of a markuplist, you cannot export MIDI from it. If it's not fixed, it should be documented at the website. Minimal(?) example: \markuplist { \score { { c1 } \layout { }

Re: Underline Lyrics once and for a whole score

Am So., 10. Nov. 2024 um 00:13 Uhr schrieb Stu McKenzie via LilyPond User List : > > > > On 2024-11-09 14:21, Thomas Morley wrote: > > Am Sa., 9. Nov. 2024 um 21:10 Uhr schrieb Stu McKenzie via LilyPond > > User List : > > > >> The second bar loses the '\skip 8'. > > Nope. Use bar-checks ;) > > > >

Re: Underline Lyrics once and for a whole score

On Sat 09 Nov 2024 at 15:13:02 (-0800), Stu McKenzie wrote: > On 2024-11-09 14:21, Thomas Morley wrote: > > Am Sa., 9. Nov. 2024 um 21:10 Uhr schrieb Stu McKenzie: > > > > > The second bar loses the '\skip 8'. > > Nope. Use bar-checks ;) > > > > Cheers, > >Harm > > > > I must be missing som

Re: Underline Lyrics once and for a whole score

On 2024-11-09 14:21, Thomas Morley wrote: Am Sa., 9. Nov. 2024 um 21:10 Uhr schrieb Stu McKenzie via LilyPond User List : The second bar loses the '\skip 8'. Nope. Use bar-checks ;) Cheers, Harm I must be missing something here! The first bar of the 'eighthNotes' has durations: 8 x 8

Re: Underline Lyrics once and for a whole score

Am Sa., 9. Nov. 2024 um 21:10 Uhr schrieb Stu McKenzie via LilyPond User List : > The second bar loses the '\skip 8'. Nope. Use bar-checks ;) Cheers, Harm

Re: Underline Lyrics once and for a whole score

On 2024-11-09 11:25, Kieren MacMillan wrote: Hi Stu, I managed to underline a single word using the LilyPond '\underline', but would like to underline phrases without spaces and durations appended. Surround them in quotes, not braces. The output shows: The 'skip' at the beginning appears

Re: Underline Lyrics once and for a whole score

Hi Stu, > I managed to underline a single word using the LilyPond '\underline', but > would like to underline phrases without spaces and durations appended. Surround them in quotes, not braces. > The output shows: > The 'skip' at the beginning appears to be ignored; No, the lyrics are simply c

Underline Lyrics once and for a whole score

I've been searching for a solution to this for a while, and can't find an answer. I usually use durations in my lyrics so that I can easily modify timing of the music versus the lyrics. I want to underline individual words and phrases, using 'skip' where appropriate. I managed to underli

Re: Advice on (within one score) adding new pedal markings

same frets (partly because it’s restrictive and partly due to the complexity) so that is left to the person writing the score. What you can do/is implemented now: - define your own copedent for an arbitrary set of strings and pedals/knee levers - define stopped knee levers or pedals with two

Re: Advice on (within one score) adding new pedal markings

I'm willing to be a guinea pig for any work you do.  I had been thinking about tackling this topic myself but was a bit hesitant to dive in since pedal steel has it it's own idiosyncrasies for tabbing. I think these can all be dealt with by Lilypond but may be a challenge to get working well t

Re: Advice on (within one score) adding new pedal markings

k > > At 18:42 on 04 Nov 2024, Alex Harker wrote: >> Hello, > >> I’m working on a score where I likely need to be able to >> notate multiple pedals (sometimes simultaneously) for a >> pedal steel part. I’d like these to look somewhat like the >> piano sustain mi

Re: Advice on (within one score) adding new pedal markings

nippets/contexts-and-engravers, and also at the scm/scheme-engravers.scm file. Cheers, Mark At 18:42 on 04 Nov 2024, Alex Harker wrote: > Hello, > I’m working on a score where I likely need to be able to > notate multiple pedals (sometimes simultaneously) for a > pedal steel part. I’d

Re: Advice on (within one score) adding new pedal markings

correct, but it’s likely easier to change the music going into the tab >> system than to mess with that - I will look at that as an option though. The >> thread above shows how to put pedals in the tab next to frets, but I think >> I’ll end up with them under the stave, partl

Re: Advice on (within one score) adding new pedal markings

partly due to the details I’d like to add to > them. > > I’m not a pedal steel player at all, and my usage is pretty esoteric > (musically and likely in terms of the look of the score), so I’m just in a > notation research phase to figure it out. I’ve got a lot of experience as a &

Re: Advice on (within one score) adding new pedal markings

, and my usage is pretty esoteric (musically and likely in terms of the look of the score), so I’m just in a notation research phase to figure it out. I’ve got a lot of experience as a programmer in general, but my lilypond knowledge is more limited, so I’m hoping (as in the past) that my

Advice on (within one score) adding new pedal markings

I don't have an answer to your question but I am curious how are you handling the varying string pitch changes related to pedal usage.  I assume you are using TabStaff with custom turnings.  Do you switch back and forth between custom turnings when pedals are pressed or released?  Just a genera

Advice on (within one score) adding new pedal markings

Hello, I’m working on a score where I likely need to be able to notate multiple pedals (sometimes simultaneously) for a pedal steel part. I’d like these to look somewhat like the piano sustain mixed notation (and eventually have the possibility of more complex graphical shapes) I can easily

Re: Changing transposition during a score

d to use \transposition, but I can't > > get > > this to work. > > > > For instance, with the following code, Lilypond throws out a > > "Spurious > > expression in \score" error message when it meets the 2nd > > \transposition line: >

Re: Changing transposition during a score

with the following code, Lilypond throws out a "Spurious > expression in \score" error message when it meets the 2nd > \transposition line: > > \version "2.24.3" > \language "english" > > \score { >   \transpose c df { >     \relative c'

Changing transposition during a score

t;Spurious expression in \score" error message when it meets the 2nd \transposition line: \version "2.24.3" \language "english" \score {   \transpose c df {     \relative c'' {       \key c \major       c     }   }   \transpose c cs {     \relative c'' {  

Re: add automatically the file name in score

On Wed, Oct 30, 2024 at 10:45 AM Jp Achard wrote: > Merci beaucoup Xavier. C’est exactement ce que je voulais. Jp > Envoyé de mon iPad > > Le 30 oct. 2024 à 11:06, Xavier Scheuer a écrit : > >  > On Wed, 30 Oct 2024 at 10:34, Achard Jean Pierre > wrote: > > > > Hello . > > My question is in th

Re: add automatically the file name in score

Merci beaucoup Xavier. C’est exactement ce que je voulais. JpEnvoyé de mon iPadLe 30 oct. 2024 à 11:06, Xavier Scheuer a écrit :On Wed, 30 Oct 2024 at 10:34, Achard Jean Pierre wrote:>> Hello .> My question is in the topic. I can add the date automatically but what about the f

Re: add automatically the file name in score

On Wed, 30 Oct 2024 at 10:34, Achard Jean Pierre wrote: > > Hello . > My question is in the topic. I can add the date automatically but what about the file name? > Is it possible? > Does anyone have an idea? Hello, I guess the following thread could help. https://lists.gnu.org/archive/html/lilyp

add automatically the file name in score

Hello . My question is in the topic.I can add the date automatically but what about the file name? Is it possible? Does anyone have an idea? Thanks in advance Jean-Pierre.

Re: Odd behaviour when score begins with grace notes

om/lilypond/lilypond/-/issues/4391 If you compile the MRE below, you can see that not only are warnings issued, but the MIDI output is thrown off. In my mind, this makes the issue more than a warning; it's a defect. %%% \version "2.25.21" \include "articulate.ly" ri

Re: Odd behaviour when score begins with grace notes

tally forgot I was using articulate.ly (I copied the template from another project and overlooked this). I guess the way articulate.ly handles grace notes is by stealing time from the preceding notes, but since there are none, it tries to do it with the following note instead and somewhere alon

Re: Odd behaviour when score begins with grace notes

> > > I'm noticing some odd behaviour with the latest version of >>> > > Lilypond (git master, nominally 2.25.21). I have a piano >>> > > score (GrandStaff with two Staff's underneath), and when one >>> > > staff contains grace not

Re: Odd behaviour when score begins with grace notes

"H. S. Teoh" via LilyPond user discussion <[2]lilypond-user@gnu.org> >> > writes: >> > >> > > Hi all, >> > > >> > > I'm noticing some odd behaviour with the latest version of >> > > Lilypond (g

Re: Odd behaviour when score begins with grace notes

t; > > > > > I'm noticing some odd behaviour with the latest version of Lilypond > (git > > > master, nominally 2.25.21). I have a piano score (GrandStaff with two > > > Staff's underneath), and when one staff contains grace notes right at > > >

Re: Odd behaviour when score begins with grace notes

On Tue, Oct 22, 2024 at 07:27:48PM +0200, David Kastrup wrote: > "H. S. Teoh" via LilyPond user discussion > writes: > > > Hi all, > > > > I'm noticing some odd behaviour with the latest version of Lilypond (git > > master, nominally 2.2

Re: Odd behaviour when score begins with grace notes

"H. S. Teoh" via LilyPond user discussion writes: > Hi all, > > I'm noticing some odd behaviour with the latest version of Lilypond (git > master, nominally 2.25.21). I have a piano score (GrandStaff with two > Staff's underneath), and when one staff contains g

Re: Odd behaviour when score begins with grace notes

Dear Teoh, I don't actually know, but try this workaround: -William % --- \version "2.25.20" \score { \new GrandStaff << \new Staff { \clef treble \time 4/4

Odd behaviour when score begins with grace notes

Hi all, I'm noticing some odd behaviour with the latest version of Lilypond (git master, nominally 2.25.21). I have a piano score (GrandStaff with two Staff's underneath), and when one staff contains grace notes right at the beginning, it throws off alignment of the key/time signatures

Re: Creating score with unfolded repeats in scheme

Hi David, Thank you for the swift and precise response. That was exactly it. When I am in search of new functionality, I usually search this page for keywords: https://lilypond.org/doc/v2.23/Documentation/internals/scheme-functions That was how I found the ly:make-score. Is there some way of

Re: Creating score with unfolded repeats in scheme

t; I am experimenting with a system to create choir rehearsal midi files. A > part of that is to unfold repeats. I have a function that accepts a score > and creates a new score. The steps are: > 1. Extract the music from the score > 2. Unfold the repeats > 3. Make a new score > >

Re: Creating score with unfolded repeats in scheme

> On 9 Sep 2024, at 23:10, Morten Lemvigh wrote: > > Hi, > > I am experimenting with a system to create choir rehearsal midi files. A part > of that is to unfold repeats. I have a function that accepts a score and > creates a new score. The steps are: > 1. Extract

Re: Creating score with unfolded repeats in scheme

Morten Lemvigh writes: > So the question is: what have I misunderstood? :-) > > Best regards, > Morten > > \version "2.24.2" > > choirScore = \score { > \new Staff { > \relative c' { >

Creating score with unfolded repeats in scheme

Hi, I am experimenting with a system to create choir rehearsal midi files. A part of that is to unfold repeats. I have a function that accepts a score and creates a new score. The steps are: 1. Extract the music from the score 2. Unfold the repeats 3. Make a new score For some reason only the

Re: How can I reuse an outline in a score

Sebastian Menge writes: > I used an "\outline" consisting of silence and the time signatures and > marks and put it in parallel inside the staff but then the layout gets > wrong, because the "silence" somehow influences the layout algorithm. (see > below) It doesn't. > Is there a more clever wa

How can I reuse an outline in a score

Hi I am writing arrangements for accordion and create the score and the individual voices using \book. To save effort and give some structure / consistency I want to reuse certain things like - time signatures - \marks I used an "\outline" consisting of silence and the time signatures

Re: Is there a clever way to reverse a score?

Hi all, >> It does indeed! My musical vocabulary is lacking. I had no idea what to call >> "reversing the score". Thanks, Kieren! >> (And I see "inversion" on the same page, which I may fool around with as >> well, once I get the fu

Re: Is there a clever way to reverse a score?

e's already come up with a relatively simple way to reverse the order of the notes in a score. https://lilypond.org/doc/v2.24/Documentation/notation/changing-multiple-pitches#retrograde ? <https://lilypond.org/doc/v2.24/Documentation/notation/changing-multiple-pitches#r

Re: Is there a clever way to reverse a score?

e way to reverse the order of the notes in a score. > > > https://lilypond.org/doc/v2.24/Documentation/notation/changing-multiple-pitches#retrograde > ? > <https://lilypond.org/doc/v2.24/Documentation/notation/changing-multiple-pitches#retrograde?> > ? > > Hope that

Re: Is there a clever way to reverse a score?

Hi Kevin, > As I experiment, I've thought about playing my wee and few compositions > backwards. I'm wondering if someone's already come up with a relatively > simple way to reverse the order of the notes in a score. https://lilypond.org/doc/v2.24/Documentation/no

Is there a clever way to reverse a score?

As I experiment, I've thought about playing my wee and few compositions backwards. I'm wondering if someone's already come up with a relatively simple way to reverse the order of the notes in a score.

Re: vertical spacing between systems for only part of a score

Hi Werner, everyone else... Oops, sorry...i didn't click "reply all"! I also apologize for not searching the archive more thoroughly. Googgle searches arent always the best thing... Here are two examples from the score i'm working on now. The first one is confusing

Re: vertical spacing between systems for only part of a score

On 2024-05-21 18:45, Werner LEMBERG wrote: Here, I want to make 7 lines spread out to fill the entire last page, but leave the other pages alone. Ah, I missed 'last page'. Perhaps all you need is ``` \

Re: vertical spacing between systems for only part of a score

[Please always use 'reply to all'; I've now CCed the mailing list again.] > >>> Here, I want to make 7 lines spread out to fill the entire last > >>> page, but leave the other pages alone. > > > > Ah, I missed 'last page'. Perhaps all you need is > > > > ``` > > \paper { > > ragged-last-botto

Re: vertical spacing between systems for only part of a score

>> Here, I want to make 7 lines spread out to fill the entire last >> page, but leave the other pages alone. Ah, I missed 'last page'. Perhaps all you need is ``` \paper { ragged-last-bottom = ##f } ``` Werner

Re: vertical spacing between systems for only part of a score

> I would like to increase the vertical distance between systems for a > specific area in a score. > > I know how to change vertical distance by using the \paper > {system-system etc... route, but that governs the entire score. Here, > I want to make 7 lines spread out to fi

vertical spacing between systems for only part of a score

dear Lilypond I would like to increase the vertical distance between systems for a specific area in a score. I know how to change vertical distance by using the \paper {system-system etc... route, but that governs the entire score. Here, I want to make 7 lines spread out to fill the entire

Re: vertical spacing per score

> Le 19 mai 2024 à 02:53, Walt North a écrit : > > David, thanks, this did indeed accomplish my goal - so I'm happy. Well, \bookpart will work *if* you are happy with having a page break between the two scores.

Re: vertical spacing per score

> Le 19 mai 2024 à 01:56, David Wright a écrit : > > Perhaps > > https://lists.gnu.org/archive/html/lilypond-user/2024-04/msg00247.html Indeed, but there was a more technical one, with Lukas I think.

Re: vertical spacing per score

David, thanks, this did indeed accomplish my goal - so I'm happy.  It sounds like my original approach was the right idea but apparently this is a known issue. On 5/18/2024 4:56 PM, David Wright wrote: On Sun 19 May 2024 at 01:24:44 (+0200), Jean Abou Samra wrote: Hi.  I have a case where I w

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