Dear list,
I am having a problem with using a custom pango font tree and
set-global-staff-size at the same time.
If I set the staff size before the \paper block only the staff lines change,
the feta glyphs and text don't.
But if I set the staff-size after the \paper block it resets the pango fon
Hi all,
I am using 2.13.39 on Windows 7.
I have a PianoStaff but I want only occasionally display both staves.
I tried \Staff \RemoveEmptyStaves but this doesn't remove empty staves from
PianoStaff and when I put \PianoStaff \RemoveEmptyStaves LilyPond crashes when
compiling.
I am pretty sure t
> Nice work! Here's one way to simplify it.
> - Mark
>
> (define super-ref
> (list
> (cons #\A "Ø")
> ))
>
> (define (char->special x)
> (assoc-ref super-ref x))
>
> (define (super-string str)
> (let ((new ""))
> (string-for-each
> (lambda (x) (set! new (string-append new (
> Perhaps I'm not understanding the remaining issue to be solved if
> there is one. Clear me up if that's the case.
Well, it's a little complex, but what I basically need is a function which
replaces every char from a string to its counterpart specified in an alist. And
these counterparts are al
> This is also an option:
>
> (define (display-unicode x)
> (display (integer->char x)))
>
> (display-unicode #xa9)
>
> (for-each display-unicode
> (list #x66 #x6f #x6f #x62 #x61 #x72 #xa9))
Thanks. That looks interesting.
Unfortunately I still get errors. There seems to be a problem of th
> \char ##x00a9
Thanks. It didn't work right away but I figured it out.
(display #x00a9) -> 169
(display (char? #x00a9)) -> #f
(display (number? #x00a9)) -> #t
(display (integer->char #x00a9)) -> ©
I still wish there was a direct way but this will do.
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Hello,
what is the correct way of using scheme unicode chars in LilyPond?
(display #\©) or (display #\u00a9) don't work (both do in DrScheme).
It can't be the file encoding because (display "©") works.
Regards,
Tao
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> One question to the community:
> When I compile this file I get the message:
> :3:1: error: syntax error, unexpected '}'
> I don't know why!
Your music functions have a '}' too much.
Your structure is like this:
\context Voice << $x { ... } >> }
The last bracket generates the error.
Actually y
> I think it's great that you did this. Have you put this on LSR?
Thanks. I haven't put this on LSR yet because the function hasn't been much
tested yet. Maybe I should have done anyway.
When the function is updated I will upload it there.
> Perhaps we should consider adding this to the distrib
> But as I said before, if anybody wants to create a chordname input mode
> that
> takes a root, and arbitrary name string, and an optional added bass,
> they're
> welcome to do so.
http://lists.gnu.org/archive/html/lilypond-user/2009-02/msg00293.html
The input-mode is a little constructed but it
Actually it would be nice to have fixed glyphs for scoops, falls and doits,
handled as articulation maybe.
This bendAfter thing will always be trial and error, even for falls and doits.
Lewis, if you have printed examples of the three cases you could make a
high-resolution scan and make a featur
The list on Dolmetsch isn't too bad but it's a little confusing in my opinion.
I think it'd be better to categorize the ways in which a single chord note is
affected (or a set of notes) rather than naming all variations for each chord.
For example it lists three variations for a minor triad (m, m
Original-Nachricht
> Datum: Fri, 29 May 2009 16:21:21 +0200
> Von: Grammostola Rosea
> An: "Carl D. Sorensen"
> CC: lilypond-user
> Betreff: Re: Lilypond and Jazz chords
> Do we have an Jazz/pop chord expert on the list (I'm sure he/she exist)?
> And who wants to help with th
Take a look at this threads, there are several slightly different versions of
modal and diatonic transpose functions.
http://lists.gnu.org/archive/html/lilypond-user/2008-12/msg00805.html
http://lists.gnu.org/archive/html/lilypond-user/2008-12/msg00815.html
Original-Nachricht
>
Hi Thomas,
I don't know why LilyPond actually does this, I find it annoying too.
You can remove the accidental at the line break by setting the break-visibility
property:
\once \override Accidental #'break-visibility = #all-invisible
You can read more about this property in 'NR 5.4.6 Visibilit
Thanks for this tip Kieren.
This looks like it could work.
When I get time I'll see if I can modify the example.
Regards,
Tao
Original-Nachricht
> Datum: Thu, 23 Apr 2009 15:23:38 -0400
> Von: Kieren MacMillan
> An: lucifree
> CC: Herman , lilypond-user@gnu.org
> Betreff: Re
Hi,
I wrote a function some time ago which solves the first problem but
unfortunately not the second. Still the function is more a dirty workaround and
involves modifying it on your own so that it works with your own drumStyle
tables.
But it's a start and maybe some more experienced schemer ca
> Actually, isn't this the normal case for pretty much every European
> language except English?
I think it's true only for German and Scandinavian languages.
Maybe they also use it in Poland, etc., not sure though.
In Dutch it's definitely not used, although they name their notes the same as
Ge
Hi,
just a minor suggestion. 'h' is already a taken name in deutsch.ly, so everyone
who uses German note names couldn't use your function.
I also learned this just recently.
Regards,
Tao
Original-Nachricht
> Datum: Tue, 24 Mar 2009 14:40:55 -0700
> Von: Kees van den Doel
> A
Actually your snippet works for me.
The only thing that I noticed is that you specified two layout-blocks and only
the second of the two is used.
You need to put both your variables into the same layoutblock to make them both
apply for the same score, but beware, if you put both variables on the
Hi all,
I wrote a small function which makes it possible to use custom stencils for
NoteHeads in a costum drumstyle-table.
This issue has come up a few times in the past:
http://www.mail-archive.com/lilypond-user@gnu.org/msg44108.html
http://www.mail-archive.com/lilypond-user@gnu.org/msg45133.htm
LP syntax can always be expressed in Scheme.
\displayMusic { a'4 } will show you how the LP expression a'4 is written in
Scheme.
I haven't tried it but I suppose that's the way to go.
Regards,
Tao
Original-Nachricht
> Datum: Mon, 23 Feb 2009 01:01:23 +0100
> Von: "Michael Kä
Hi,
a few weeks ago I started an attempt to make chord symbols more independent
from actual < c e g > constructs, which makes it easier to display exactly the
chord you want.
Maybe that's an option for you.
http://lists.gnu.org/archive/html/lilypond-user/2009-02/msg00293.html
Regards,
Tao
-
Original-Nachricht
> Datum: Mon, 9 Feb 2009 14:27:28 -0700
> Von: "Carl D. Sorensen"
> An: Tao Cumplido , "lilypond-user@gnu.org"
>
> Betreff: Re: custom drumstyle-tables with custom noteheads?
Uh, it's me again.
Actually I made it
Hi all,
I have a clef change at a line break and would like to make the smaller
changing clef, that is shown just before the break, invisible.
I tried to ovverride the 'break-visibility property for the Clef object but the
only way that'd make sense to me is already the standard setting.
Setting
Hi,
you have several errors in your code.
Your basic rhythmic error is this one:
\times 2/3 { sn8. toml16 }
This wil print a dotted eighth and a sixteenth but only with 2/3rds of its
original duration, which means that in total you only have two units of an
eighth note triplet.
In your example
Original-Nachricht
> Datum: Tue, 10 Feb 2009 14:21:17 -0500
> Von: David Raleigh Arnold
> An: lilypond-user@gnu.org
> Betreff: Re: new chord symbol (for me, at least)
> Quick recognition is the whole purpose of chord names of this type.
True.
> C/e is much better than C/E, fo
Original-Nachricht
> Datum: Mon, 9 Feb 2009 11:26:19 -0700
> Von: "Carl D. Sorensen"
> An: Tao Cumplido , "lilypond-user@gnu.org"
>
> Betreff: Re: custom drumstyle-tables with custom noteheads?
> Let me just address what is going in o
on't think there are too many people who write D# and mean D#7.
Regards,
Tao
Original-Nachricht
> Datum: Mon, 09 Feb 2009 15:41:58 +0100
> Von: "Bertalan Fodor (LilyPondTool)"
> An: Tao Cumplido
> CC: derhindem...@googlemail.com, lilypond-user@gn
Original-Nachricht
> Datum: Mon, 9 Feb 2009 07:40:38 -0700
> Von: "Carl D. Sorensen"
> An: Tao Cumplido , "lilypond-user@gnu.org"
>
> Betreff: Re: custom drumstyle-tables with custom noteheads?
> Have you tried using 'pa
In a jazz context it can also symbolize a full-diminished chord, in this case
D# F# A C
Original-Nachricht
> Datum: Mon, 09 Feb 2009 13:54:45 +0100
> Von: "Bertalan Fodor (LilyPondTool)"
> An: "James E. Bailey"
> CC: lilypond-user Mailinglist
> Betreff: Re: new chord symbol (
Hi All,
some time ago Neil Puttock helped me out to create a function that returns
different notehead-stencils depending on the duration-log.
http://www.mail-archive.com/lilypond-user@gnu.org/msg42720.html
Now I was wondering if this procedure could be somehow integrated in a custom
drumstyle-t
Original-Nachricht
> Datum: Mon, 26 Jan 2009 06:09:08 -0700
> Von: "Carl D. Sorensen"
> You may want to use a different name from cs. cs is C sharp in english,
> so
> this code would run into the same problem as you had before with c if
> somebody wants to use english note nam
Yes, that helped a lot. Thanks!
That's how I made the first step work now, in case of interest.
#(define (root-name music)
(let* ((e (car (ly:music-property music 'elements)))
(p (ly:music-property e 'pitch)))
(if (ly:pitch? p)
(let ((n (ly:pitch-notename p)))
Original-Nachricht
> Datum: Sat, 24 Jan 2009 08:10:15 -0700
> Von: "Carl D. Sorensen"
>Not quite. I want to make a facility that makes it easy for everyone to
>create their favorite way, if one of the defaults isn't what is wanted. And
>dolmetsch.com just provides a list of t
I never use fret diagrams so I don't know how this predefined exceptions work.
If I understand it right you want to make a list of all possibillities named on
dolmetsch.com so that everyone can pick his/her favourite way?!
Generally I think it's a good idea to improve the chord symbols in LP, or
Hi,
you can define a named voice context here:
upper = { << \new Voice = "melody" \upperA \\ \upper B >> }
for whatever reason the \voiceOne property gets lost though, so you have to
assign it explicitly to upperA like this:
upperA = { \voiceOne ..music.. }
to place the lyrics above the staff y
Hi,
the Bezier Tool for tweaking slurs doesn't seem to be very accurate.
I attached a PNG where you can see an overriden slur with the same values as
marked by the handles.
Regards,
Tao
Original-Nachricht
> Datum: Wed, 31 Dec 2008 01:22:24 +0100
> Von: Bertalan Fodor
> An: l
As far as I understand it it works independent from a key signature so it
doesn't matter if the key is in C or not.
The function says taht you transpose a pattern in a given key for X steps, so
in your example you transpose a pattern in a-minor one step up, and from C one
step is D.
Now to you
Hi,
I solved this for by using scheme in the header, like this:
poet = #(markup lyricist)
I don't know if you have to use scheme there but it works.
Hope that helps.
Regards,
Tao
Original-Nachricht
> Datum: Sun, 14 Dec 2008 14:00:25 +0700
> Von: "Simon J Mackenzie"
> An: "L
and half notes.
Well, Scheme is still too complex for me.
Original-Nachricht
> Datum: Sat, 29 Nov 2008 16:17:30 +
> Von: "Neil Puttock" <[EMAIL PROTECTED]>
> An: "Tao Cumplido" <[EMAIL PROTECTED]>
> CC: lilypond-user@gnu.org
>
illed
notes.
I hope that makes sense. I just don't know how to do this in lily.
Hopefully someone can help me here to understand the connection scheme<->lily a
little better.
regards,
Tao
Original-Nachricht
> Datum: Fri, 28 Nov 2008 14:00:29 +0100
> Von: "
hi list,
I came across ths snippet from the lsr:
http://lsr.dsi.unimi.it/LSR/Item?id=516
Now I was thinking if it is possible to assign such custom heads to different
duratiosn, e.g. that half notes look different than quarter and eigths, etc.
Also if it is possible to use them in a custom drum
Hi list,
I need to put a segno mark on top of one rehearsal mark but lily doesn't allow
two marks at the same spot so I searched LSR and came across this
http://lsr.dsi.unimi.it/LSR/Item?id=202
unfortunately it doesn't work with 2.11.62 and I am not really good at scheme
so I can't figure out w
Dear lilyponders,
the Beam positions can be tweaked by
\override Beam #'positions = #'(a . b)
Is it possible to tell LilyPond that the difference between a and b should
automatically not be greater than 1.
For my taste LilyPond spreads the ends to far away from each other but I don't
want to fi
It's true that LP needs a chord for an arpeggio but you don't need to hide
notes or something because you can create single-note 'chords' in LP.
\arpeggio
for example.
If this is the only note the arpeggio is attached to it won't appear but if it
is expanded by connectArpeggios it will print a
Hi,
for this example you have to create both a Staff and a Voice context and use
associatedVoice instead of lyricsto. I don't if there is another way.
\new Staff = "s" \new Voice = "v" { .your music. }
\new Lyrics \with { alignAboveContext = "s" }
{
\set associatedVoice = "v"
.y
want to increase the distance in those systems where the
distance between staves isn't already higher than default (caused by dynamics
for example).
regards,
Tao
Original-Nachricht
> Datum: Mon, 15 Sep 2008 08:52:17 -0400
> Von: Kieren MacMillan <[EMAIL PR
Hi,
is there a way to increase the minimal distance between two staves of a
PianoStaff?
I didn't find something about it in the manual and on LSR there was only a way
to force a fixed distance.
regards,
Tao
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ht
Hi,
it's probably not the best solution but as a workaround you could define a
lyrics-context above the staff with the chord font and just write what you want
to be displayed.
The problem is of course that lyrics won't transpose.
regards,
Tao
Original-Nachricht
> Datum: Sun,
Hi,
I have no experience in creating new contexts but maybe you can achieve what
you want just using the Lyrics context.
I just made this small snippet, not sure though if it's what you're looking for.
One thing I noticed is that markup in lyricmode seems to need something to be
attached to, be
I can not help you with your special problem since I use my own font for chords
and let them display as lyrics, but this way I get every chord displayed
exactly as I want and writing out tranposed parts instead of using a special
function doesn't take that much extra time.
Another point is that
wow, thanks for the quick fix.
now it works perfect for me.
Original-Nachricht
> Datum: Sat, 31 May 2008 06:23:37 + (UTC)
> Von: Jay Anderson <[EMAIL PROTECTED]>
> An: lilypond-user@gnu.org
> Betreff: Re: LSR octavation function
> Tao Cumplido gmx
Hi,
the function of the following snippet crashes when using the \times command.
i.e. \octaves { \times 2/3 { c'4 c' c' } }
results in a crash.
it would be nice to have this fixed if possible since it's really a useful
function. thanks.
http://lsr.dsi.unimi.it/LSR/Snippet?id=445
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Hi,
I solved this for me to define my own drumcontext.
There's a part in the docs where it is described but it didn't work for me to
define a new drumcontext directly in my ly-file, so I looked into the file
drumpitch-init.ly (which is part of the LilyPond installation) to see how
drumcontexts
Hi,
I don't know about LP's chordmode since I use my own chord font but a minor
chord is a minor chord and a sus chord a sus chord, a chord can't be both at a
time since sus stands for suspended and in this case it means that the third is
suspended by the second anf if there's no third it can't
try any of your suggestions but be
sure to hear from me when I am back. ;)
regards,
Tao
Original-Nachricht
> Datum: 21 Nov 2007 09:56:54 +0100
> Von: [EMAIL PROTECTED]
> An: lilypond-user@gnu.org
> Betreff: Re: graphics in scheme?
> "Tao Cumplido" <
hi,
in this snippet http://lsr.dsi.unimi.it/LSR/Snippet?id=335
stencils are created with commands like make-circle-stencil.
are these part of scheme or of lilypond and is there a list of all possible
commands available?
also is this similar to the postscript command inside a markup-block and if
If only the notes given are taken into account the first chord can only be
C.
Em6 should have a C# in it.
But I agree, the following chords result in really strange chord names
although they are just inversions.
If the root (and the root in a chord doesn't need to be the lowest note)
was clear
Hello,
when I use percent repeat and RemoveEmptyStaffContext, lilypond considers the
measures with the percent sign empty and removes them so that there's not staff
left at all, only the bar number stays.
is there a way to tell lilypond to keep at least one staff?
regards,
Tao
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Hi,
I am in e-flat minor and I want to print a g-sharp and lilypond puts by default
a natural and a sharp sign before the g.
now I want the natural sign to disappear but can't figure out which
accidental-style I have to use.
regards,
Tao
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Original-Nachricht
> Datum: Thu, 25 Oct 2007 13:47:21 + (UTC)
> Von: Michael Lauer <[EMAIL PROTECTED]>
> An: lilypond-user@gnu.org
> Betreff: Re: kerning in lyrics?
> Tao Cumplido gmx.net> writes:
>
> >
> > Hi,
> >
> &
Hi,
is it possible to activate kerning in lyricmode?
regards,
Tao
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lilypond-user@gnu
;[EMAIL PROTECTED]>
> An: "Neil Puttock" <[EMAIL PROTECTED]>
> CC: "Tao Cumplido" <[EMAIL PROTECTED]>, lilypond-user@gnu.org
> Betreff: Re: problem with slur across voices
> Hi Tao, Hi Neil,
>
> Nice snippet...
>
> Now let's sing toget
hello all,
I have a problem with slurring across voices in the following snippet.
the output is actually exactly what I want but I get lots of warnings when
compiling, so I was wondering if anyone can come up with a better solution.
when I had the slur attached to the lower voice it collided with
hi,
doesn't this snippet already cover the topic?
http://lsr.dsi.unimi.it/LSR/Item?id=204
regards,
Tao
Original-Nachricht
> Datum: Thu, 6 Sep 2007 08:03:37 +0200
> Von: "Valentin Villenave" <[EMAIL PROTECTED]>
> An: "Trevor Bača" <[EMAIL PROTECTED]>
> CC: lilypond-user
> Betr
I think it works fine as it is right now.
I guess in classical music it's typical not to reduce the piano part to a
single staff, but in modern music it is.
For example in Jazz scores if you have only a chord progression with nothing
specific to play a single staff is sufficient for the pianist.
I think the manual is a bit unclear on this topic.
I tried \set Staff.midiMaximumVolume = #0 but it didn't work.
regards,
Tao
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lily
Maybe it would be really better than to have a single font for chords.
I created my font with letters and numbers from CentureySchL and sharp and flat
from emmentaler and I can type G4 to get G4.
If I type GS4 the output will be Gsus4 or if I just type GS i get just Gsus
(which is the way I prefe
Hello,
I use lilypond 2.10.25 and jEdit with lilypondtool under WinXP sp2 and when I
have larger scores the point-and-click links are not available in jEdits pdf
viewer anymore.
They are still present though when I open it with Acrobat.
I attached a file where the problem occurs.
It's not reall
Ok, sorry, I misunderstood your problem.
The thing here is that you split your parts and in the score block you create
two piano staves whereas one is completely sufficient.
the time signature appears because the staff with the melody line begins after
the line break.
you have to add rests like
It's all explained in chapter 8.3.2.
You have to add \override Score.VerticalAxisGroup #'remove-first = ##t
somewhere in your score so that RemoveEmptyStaffContext also removes empty
staves frome the first system.
regards,
Tao
Original-Nachricht
Datum: Thu, 26 Jul 2007 22:34:
ROTECTED]>
An: Tao Cumplido <[EMAIL PROTECTED]>
CC: [EMAIL PROTECTED], lilypond-user@gnu.org
Betreff: Re: Can I have my own custom LilyPond?
> Quoting Tao Cumplido <[EMAIL PROTECTED]>:
>
> > Hello,
> >
> > I also use my own font. I am no programmer,
hi Vasil,
what you want to use is called 'key signature' in english.
in this case you have the key of a major or f-sharp minor, so your code needs
the following at the beginning of your piece:
\key a \major
or
\key fis \minor
the transpose command will only transpose the key signature if it is
hi,
try the fill-line command instead of right-align:
\header {
title = "Old dance"
subtitle = \markup \tiny \italic { \fill-line { "From \"Jane Pickerings
lute book\" " "" } }
}
you just have to add an empty string which will be on the left edge of the page.
regards,
Tao
Original-N
Hello,
I also use my own font. I am no programmer, so I use skips with the chords
attached as TextScript.
Maybe it would really be nice to have different Chord symbol solutions
available since there's not standardised way to do it.
For example a major 7 chord can be written the following ways:
C
Hello all,
I have a problem with a repeat barline in a StaffGroup and a PianoStaff.
It looks more or less like this:
|:
|:
|:
So there is this double dot also between the staves.
It only happens two times in my score but I have no idea why.
In the attachment I extracted the horns from
At the LSR there is a list.
http://lsr.dsi.unimi.it/LSR/Item?id=102
I for myself don't like LilyPonds chordsymbols that's why I use a chord symbol
font.
Original-Nachricht
Datum: Thu, 19 Jul 2007 14:33:58 -0300
Von: "PabloZum" <[EMAIL PROTECTED]>
An: lilypond-user@gnu.org
Betr
I also have my own chord font and to get it work in LilyPond I use a voice
consisting of skips only with the attached chord names as simple TextScript.
I do this because if you just attach them to the notes of your melody (or
whatever) the horizontal baseline for TextScript will move for each not
I am not sure if I got your question correct but I think chapter 7.1.2 "Manual
staff switches" is what you're looking for.
If you want to have a kneed beam you have to specify the stem-direction for
each note.
regards,
Tao
Original-Nachricht
Datum: 13 Jul 2007 17:04:50 -0700
Maybe you can post the problematic code.
I use such shorthands a lot. If they don't work the way I expect them to do I
try to put them somewhere else or changing the context.
regards,
Tao
Original-Nachricht
Datum: Wed, 11 Jul 2007 13:30:37 -0700
Von: "David Fedoruk" <[EMAIL PR
I never tried to write my own markup commands, so I can't say for certain, but
I guess you can only use them within a \markup block, i.e. \markup { \segue
"string" } }.
regards,
Tao
Original-Nachricht
Datum: Fri, 13 Jul 2007 00:33:54 +1000
Von: "Romel Anthony S. Bismonte" <[
Hi,
did you so far just try to use the lilytool midi player in a floating (or
docked) window?
When I first used it I also had a problem with the midi player, sometimes it
worked sometimes not until I realized that the button 'play' didn't do anything
when the midi was played once until I moved
Well, in this example from the Regression tests it does.
http://lilypond.org/doc/v2.10/input/regression/lily-dd43efc1a7.ly
And so it did in my score, which I actually have never seen before, so I found
it quite strange not to have an accidental style which solves this.
Actually I solved the prob
ng to turn that behavior off but nothing I tried
worked.
Hope you (or someone else) know what to do in this case.
regards,
Tao
Original-Nachricht
Datum: Thu, 28 Jun 2007 13:14:56 +0200
Von: Mats Bengtsson <[EMAIL PROTECTED]>
An: Tao Cumplido <[EMAIL PROTECTED]>
thanks Mats.
I got it tow work now when I put the \override directly before the 'R1' but it
doesn't work when it is at the top.
I'll post my code, maybe you can see better what I do wrong.
regards,
Tao
%%%
\version "2.10.23"
\header
{
title = "Aqui Se Puede"
composer = "C. Cu
yes, I tried that but the double-barline needs to be there and when I remove it
the second ending bracket is closed which shouldn't be.
thanks for the reply.
regards,
Tao
Original-Nachricht
Datum: Tue, 26 Jun 2007 18:21:33 +0200 (MZT)
Von: [EMAIL PROTECTED]
An: [EMAIL PROTEC
aining.
Good luck,
Tao
Original-Nachricht
Datum: Mon, 18 Jun 2007 23:16:04 +0200
Von: "Germain G. Ivanoff-Trinadtzaty" <[EMAIL PROTECTED]>
An: "Tao Cumplido" <[EMAIL PROTECTED]>
CC: "Lilypond users"
Betreff: Re:
what you want.
If it is, I will show you how to do it.
regards,
Tao
Original-Nachricht
Datum: Mon, 18 Jun 2007 21:05:30 +0200
Von: "Germain G. Ivanoff-Trinadtzaty" <[EMAIL PROTECTED]>
An: "Tao Cumplido" <[EMAIL PROTECTED]>
CC: "Lilypond us
hi,
I had the same problem recently and also tried to tweak in the header directly.
But what you actually have to do is, to create your own header.
In the manual it's explained in chapter '10.2.2. Custom Titles'.
You'll have to define the bookTitleMarkup variable in the \paper block to make
the h
hey Adam,
just add a \center-align in the \column block.
regards,
Tao
%
% create 32/4
tsMarkup =\markup { \override #'(baseline-skip . 2) \number { \column
{ \center-align { "32" "4" } } } }
\relative a' {
\override Staff.TimeSignature #'stencil = #ly:text-interface::print
\ove
Use this in the second voice instead: a2 s8. a16
The 's' will produce an invisible rest.
In suppose that in your code lilypond wrote a dotted eigth beamed to a
sixteenth and then hid the eigth and the beam, so that the sixteenth looked
like a quarter note.
regards,
Tao
Original-Nachr
Hey Jonas,
with \break you can force linebreaks.
Similarly \noBreak prevents an automatic linebreak.
Hope this helps,
regards,
Tao
Original-Nachricht
Datum: Sat, 16 Jun 2007 14:47:32 +0200
Von: "Jonas Nyström" <[EMAIL PROTECTED]>
An: lilypond-user@gnu.org
Betreff: Problem: r
yes, that's what I mean. and actually I need it in C Major but if it's
different for other keys it'd be nice to know also.
thanks.
regards,
Tao
Original-Nachricht
Datum: Mon, 11 Jun 2007 19:47:09 +0200
Von: Rune Zedeler <[EMAIL PROTECTED]>
An: [EMAIL PROTECTED]
CC: lilypond-us
Hey Mats,
of course I know that if two notes are a second apart one is moved a little to
keep readability (that's what you mean right?).
But in my example in the second voice, both notes are moved a little to the
right (still being a readable second) in comparison to the melody and the notes
in
Hello Neil,
thanks, it works now.
But how comes it's still the second voice moving when I use the command in the
first voice?
regards,
Tao
Original-Nachricht
Datum: Thu, 7 Jun 2007 20:40:20 +0100
Von: "Neil Puttock" <[EMAIL PROTECTED]>
An: "Tao C
hey neil,
I tried your option but it moved the notes to far to the left and increasing
the number didn't change anything.
regards,
Tao
Original-Nachricht
Datum: Thu, 7 Jun 2007 15:07:11 +0100
Von: "Neil Puttock" <[EMAIL PROTECTED]>
An: "[EMAIL PROTECTED]" <[EMAIL PROTECTED]>
ROTECTED]>
An: Tao Cumplido <[EMAIL PROTECTED]>
CC: lilypond-user@gnu.org
Betreff: Re: problem with volta bracket
> Hi Tao:
>
> > I tried to implement your example but nothing happened.
>
> Hmmm... the code below outputs two scores, one without the fix and
> one w
Thanks for the fast reply.
I tried to implement your example but nothing happened.
Anyway, that's the code:
\repeat volta 2
{
16 8 16 4 |
16 8 16 4 |
16 8 16 8 16 |
16 8 16 4 |
r16 g8 a16 b fis'8 e16 |
d16( cis8) fis,16 a( g8) dis16 |
fis16(
And yet another problem.
In the following code bar 23 is only 7 instead of 8 16ths long.
I marked the part in the code.
I can't figure out what's wrong, maybe someone can help me here.
Thanks in advance.
Tao
{
\time 2/4
\key d \minor
\partial4
\relative c''
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