On 25.06.25 13:15, Federico Bruni wrote:
You probably need this one:
sudo apt install libxcb-cursor0
Only now did I think: should ‘we’ add that to the installation
instructions as a dependency?
Best, Simon
Hi Federico,
On 30.06.25 18:12, Federico Bruni wrote:
What's the output of:
ls -l /usr/local/share/alsa/alsa.conf
You should probably add your user to a group which can read that file.
Why /usr/local?
Don't you have the same file in /usr?
well…
>> ~$ frescobaldi
>> ALSA lib conf.c:4580:(sn
Hi Federico,
On 25.06.25 13:15, Federico Bruni wrote:
You probably need this one:
sudo apt install libxcb-cursor0
thanks a lot, that fixed most of it! I can now run Fresco, and I’m very
grateful for the developments and developers!
Here’s the terminal output I now get, in case it were inte
Hi everyone,
I’m sorry to come with what seems to me a recurring issue and uncommon
(?) at the same time.
A few months ago I fixed up the Frescobaldi installation on my laptop,
also on Mint, and it still works even after a `git pull` (running
Frescobaldi from source).
Now I wanted to start
On 09.04.25 16:34, Federico Bruni wrote:
It seems that you are running it from source, even if you call
`frescobaldi` and not `python -m frescobaldi` (in the git dir).
Maybe you have more than one frescobaldi in your PATH?
I do. Here’s their respective outputs:
~$ bin/frescobaldi
Traceback (m
Tremendous news, wonderful to hear!
Being clueless however how to deal with any python issues on updating…
I had a working install, on Linux Mint, and after git pull-ing both the
main app and python-ly, I get this on the console:
~$ frescobaldi
Traceback (most recent call last):
File "/usr/l
Hi everyone,
in the example below, why does overriding font-name work, but not
overriding font-series? The way Frescobaldi displays the available
fonts, it seems like the Black font weight is right there with the other
weights (bold and [medium]).
Best, Simon
\version "2.25.23"
\paper {
Hi Federico, Knute and everyone,
On 16.01.25 11:04, Federico Bruni wrote:
The target release date is 20th of January
this is awesome news, thank you so much for working on it!
Best, Simon
Hi Janek,
I think I’ll be there for the funeral, though I’m having immense trouble
planning ahead for myself. Hope to meet you there.
Best, Simon
On 03.01.25 20:51, Janek Warchoł wrote:
Hello,
It's been almost a decade since I've been active in the LilyPond community,
so I'm not sure who ca
Hi Lukas,
thanks already for helping!
On 06.01.25 15:33, Lukas-Fabian Moser wrote:
This is possible, but
The issue of “de-whiting” everything that’s supposed to be white outside
of whiteout immediately popped up when applying this to my example file
for LSR…
Let’s keep in touch with regar
Hi Harm, hello list,
unfortunately Yoshiaki-san’s “issue report” regarding whiteout has me
coming back to you for help, since I don’t understand the mechanisms of
your implementation well enough to start addressing the issue myself.
Are we at the limits of what can sensibly be addressed on LS
Hi Yoshi,
On 03.01.25 19:34, Yoshiaki Onishi wrote:
\whiteout \use-color #black
that’s a really important issue, and has me realise that I neglected
testing the snippet on any real-world scores…
However, it’s not that simple to implement whiteout automatically
referring to the background-c
“Final” version of the file as submitted to LSR.\version "2.24.0"
% page-post-process implementation thanks to Thomas Morley:
% https://lists.gnu.org/archive/html/lilypond-user/2025-01/msg00018.html
\paper {
background-color = #(x11-color "gray20")
print-color = "ivory"
#(define (page-post
Hi Harm,
On 02.01.25 22:41, Thomas Morley wrote:
Please add it to LSR, if you want. I've too much on my lily-todo-list
and my winter-breaks ends soon...
the last thing I’d want is disrupt work on that list :) Many thanks for
the implementation!
Uploaded as no. 1194, pending approval.
Best,
On 02.01.25 22:41, Thomas Morley wrote:
page-color = "navajowhite"
page-background-color = #'(0.7 0.7 0.7)
What is your reasoning to stick with page-color for the “foreground”,
i.e. printed elements? I’d love to avoid confusion and have shorter
names by just using
print-color and
backgro
, I’ll probably add it to the LSR.
Best, Simon
On 02.01.25 16:47, Ya Gloops wrote:
Hello and Happy New Year!
Is it possible to change the background color?
For example
background-color = #red
Le jeudi 2 janvier 2025 à 16:32:17 UTC+1, Simon Albrecht
a écrit :
Hi Harm,
On 01.01.25 14:00, Thomas
Hi Harm,
On 01.01.25 14:00, Thomas Morley wrote:
This should always give a black background, all other objects should
be colored with `page-color`, apart from objects which already have a
color.
this is great! How about the attached file for an LSR snippet? Do you
want to upload it yourself?
On 28.12.24 15:42, Hans Aikema wrote:
Only done in the context of 'sheet music on powerpoint slides' by
means of transparent-background' PNG output with all objects' colors
overridden to white and putting them on black-background powerpoint
slides.
But I presume you intend to have a PDF outpu
. 2024 um 19:01 Uhr schrieb Christ van Willegen
:
Hello Simon,
On Sat, Dec 28, 2024 at 3:25 PM Simon Albrecht wrote:
I would like to obtain LilyPond output with black and white inverted
(black background, white music and text) for on-screen use and
projections. Does someone know how to achieve
Hello,
I would like to obtain LilyPond output with black and white inverted
(black background, white music and text) for on-screen use and
projections. Does someone know how to achieve that through LilyPond
code, or has it been done before? Should absolutely be an LSR snippet IMO.
I could pr
On 07.12.24 16:08, Frédéric wrote:
gruppetto = \after 8 \turn \etc
should do it.
The \etc acts as a pacifier.
To clarify what’s actually happening: The \etc makes LilyPond create a
music function without you having to delve into the internals.
You need a music function instead of a simple va
On 02.12.24 09:22, Federico Bruni wrote:
Which version of Frecobaldi you want to run?
If you want to run it from git master, you need PyQt6. The updated
instructions have not been merged yet:
https://github.com/frescobaldi/frescobaldi/pull/1827
Please note that the new qpageview which works wi
Hello everyone, trying to install frescobaldi on a work laptop I got this:
pip seemed to fail to build package:
qpageview Some possibly relevant errors from pip install:
error: subprocess-exited-with-error
ModuleNotFoundError: No module named 'PyQt5' The full log file is attached.
How coul
gridLY, part of the OpenLilyLib ecosystem, is one way to deal with that,
although a very involved way that’s only going to be worthwhile for very
large collaborative projects.
Personally, I am entirely dependent on Frescobaldi point-and-click for
this kind of issue.
Best, Simon
Hi,
to add to Steven’s answer, which gives the main solution:
If you don’t want all the tuplet brackets/numbers displayed, there are
various ways to achieve that:
%%% First way %%%
{ \tuplet 3/2 4 { f8 g f \omit TupletBracket g f g f g f g f g } }
%%% Second way %%%
{ \tuplet 3/
Hi Werner,
On 13.07.24 06:36, Werner LEMBERG wrote:
I came across LSR #304https://lsr.di.unimi.it/LSR/Item?id=304 and I
think we should suggest a coding with variables there, like this:
[...]
Yes, LilyPond should be both more supportive and more 'user friendly'
here; this is tracked as
htt
Hello,
I came across LSR #304 https://lsr.di.unimi.it/LSR/Item?id=304 and I
think we should suggest a coding with variables there, like this:
%%
startTrillSpanSharp =
-\tweak bound-details.left.text
\markup { \musicglyph "scripts.trill" \raise #0.65 \teeny \sharp }
On 04.07.24 19:00, Carl Sorensen wrote:
The Alain and Rachmaninov only have one fewer beam, so the beam count
between the groups is not appropriate for the lengths of the
subdivided groups, according to the Gould rules. Personally, I think
the Gould rules are correct, but two of the music publ
On 04.07.24 11:14, N. Andrew Walsh wrote:
I suppose it'd be also possible if you're wrapping your .ly file
inside some latex-ly .tex file to use LaTeX's syntax for accented
characters
Certainly the reason why #(include-special-characters) was developed,
see my other reply in the thread.
Bes
On 04.07.24 09:09, Raphael Mankin wrote:
https://lilypond.org/doc/v2.25/Documentation/notation/ascii-aliases
https://lilypond.org/doc/v2.25/Documentation/notation/list-of-special-characters
I already use these, but they are incomplete.
Assuming that you are referring to French characters w
Hi Valentin,
On 03.07.24 14:31, Valentin Petzel wrote:
I’ve taken some time to create a function for decoding html-style entities.
wow, that’s a great bit of initiative! I’m really sorry that only upon
seeing this I remembered the text-replacements function already in
LilyPond which does pre
On 01.07.24 21:32, Paul Scott wrote:
Sometimes the scope of functions? is not always clear.
I’m not sure what you mean by that. \afterGrace takes two arguments,
both of which are a single music expression each. {} or <<>> are used to
combine multiple things into a single music expression (seq
Hi Dimitri,
On 29.06.24 22:16, Dmitri Volkov wrote:
Hello,
Is there a way to get Lilypond to output a file with variables and
functions applied?
No, there isn’t. Depending on your setup, the best tool for this purpose
may be within the editor (Frescobaldi or other?), possibly using the
pyt
On 20.06.24 19:31, Kieren MacMillan wrote:
turning a melody in a minor key into a major key.
There’s a function out there somewhere to do that — search the LSR, etc.
Depending on what you’re trying to do it might be worth using tags for
this as well. Unless of course you’re going to need this
On 20.06.24 14:41, Jean Abou Samra wrote:
Done
Thanks!
Hello everyone,
I’m hoping to address someone with the necessary privileges to edit the
title of LSR snippet 1017: s/there/their
https://lsr.di.unimi.it/LSR/Item?id=1017
Thanks in advance
Simon
Hi Peter,
On 17.06.24 19:12, peter--- via LilyPond user discussion wrote:
Greetings,
I’m trying to reuse a melody with slight modifications.
I would like to be able to remove stem directives from a melody when
it is played alone
without having to copy, paste and remove
That’s very basic
Thanks for elaborating! I forgot to hit Reply All when I replied to
Jean, excuse me.
On 02.06.24 10:10, Ya Gloops wrote:
#(define-markup-command (freely layout props width-param text)
(number? markup-list?)
"Format text for one bar of 'width-param' quarter notes’ length"
(interpret-marku
Hello kind community folk,
how do I make \wordwrap act correctly on the argument to this markup
function?
And why does \line not make \box act on the markup as a whole, as it is
said to do?
Best, Simon
\version "2.25.14"
#(define-markup-command (freely layout props width-param text) (numb
On 08.04.24 18:22, Paul Scott wrote:
Many years ago I could nest square brackets in Lilypond. How can I
write this now incorrect code:
a16[[ 16 16] 16[ 16 16]] i.e. two groups of 3 beamed 16th notes
joined by a single beam.
The question is: what is the context and why do you want this?
Nor
Added https://gitlab.com/lilypond/lilypond/-/issues/6702.
Hi David!
On 02.03.24 12:44, David Kastrup wrote:
Just naming an existing member should be enough since taggroups are
exclusive.
Like this, for example?
\tagGroup soprano,alto
\addTagToGroupWith soprano mezzosoprano
I think I tend to agree with Raphael that having a name for the tagGroup
is
On 01.03.24 14:29, David Kastrup wrote:
Simon Albrecht writes:
The downside of that is that I cannot add more tags to those groups on
the fly, and always have to add them directly to the library file.)
Suggestions for a user interface to do that?
Interesting. Would of course require
Hi Kieren,
On 29.02.24 15:42, Kieren MacMillan wrote:
I didn’t see an issue/request for quoting lyrics, so I added one
(https://gitlab.com/lilypond/lilypond/-/issues/6700) and we’ll see how the
discussion goes. :)
I was curious and tried, and in fact you can quote lyrics perfectly
well. It
On 29.02.24 15:42, Kieren MacMillan wrote:
use both \keepWithTag_and_ \removeWithTag like this:
text = \lyricmode {
\tag A { on -- ly al -- to }
\tag nA { ev’ -- ry -- one ex -- cept al -- to }
}
#mindblown
Why didn’t I think of using set theory?!
THANK YOU! That hint a
Hi David,
On 29.02.24 15:54, David Kastrup wrote:
I'd rather use
\tagGroup alto,non-alto
\lyricmode {
\tag alto { on -- ly al -- to }
\tag non-alto { ev’ -- ry -- one ex -- cept al -- to }
}
\keepWithTag alto ...
\keepWithTag non-alto ...
But one would need to look at the rest to see w
Hi Kieren,
huge respect for the kind of projects you are doing :)
Answering these questions is difficult because they can depend a lot on
the specifics of the music and any solution can become cumbersome
because of only a little instance that doesn’t fit the schematic. A few
thoughts:
On 27
Dear Kieren,
I’d like to share two approaches I’ve developed for such issues. There’s
two caveats:
Firstly, I couldn’t take time to study your setup and how that makes
these approaches viable or not—sorry for that.
Secondly, if possible, I always try to use vanilla LilyPond tools, so I
pre
Hi Yuriy,
it is possible, yes, but it’s not correct, unless you have a very
specific reason to make an exception from the rule. There’s a reason why
Lily provides commands for merging differently headed or differently
dotted notes, but only for notes with a stem. If you merge notes without
st
Hello Hajo,
I can’t answer your question, but I can say that the better place to ask
it would be either the Issue tracker in the Frescobaldi project on
Github, or via the contact adress included in Frescobaldi at Help->About.
Hope that helps!
Simon
On 26.09.23 21:51, Hajo Baess wrote:
This
Hi Kenneth,
On 18.09.23 04:31, Kenneth Wolcott wrote:
what is an articulation that looks like a marcato but is shaped like a
half-moon?
This is from an arrangement of the Marcello Oboe Concerto (Adagio
movement) by way of Bach and/or Vivaldi, re-arranged for two trumpets,
french horn and tuba.
Hi Tom,
On 10.07.23 03:09, Tom Sgouros wrote:
And also for pointing out page-count. That does seem easiest and in
fact it worked. I always like it best when I can tell the computer,
"you're a computer, figure it out".
to add to that: The spacing considerations for music are enormously
comple
Hi Abraham,
On 07.07.23 16:36, Abraham Lee wrote:
All,
This came up on the FB group and I determined that the problem is the
presence of the \acciaccatura. In the following passage, the
LyricExtender somehow misses the signal to end before the grace note
appears, forming a continuous line fr
On 28.06.23 00:54, Valentin Petzel wrote:
If you want a real alias (that is a second binding to the same function) you
can do
#(define acc acciaccatura)
This will create another binding to the same object
AFAIK,
acc = #acciaccatura
and likewise
af = #after
will have the same effect.
Best, Sim
On 25.06.23 16:36, Jean Abou Samra wrote:
|\layout { \context { \Score \remove Metronome_mark_engraver
\cadenzaOn } \context { \Staff \remove Time_signature_engraver
\consists Metronome_mark_engraver } }|
Would the relatively new
\layout {
\enablePolymeter
}
be appropriate here? (plus of c
Hello everyone,
it’s great to have LSR 1169 and it seems to be working as it should—many
thanks to Jean Abou Samra and Werner Lemberg!
However I’m sorry to write this mail because there is one issue I found
;) Any syllable but the last in a word doesn’t have point-and-click the
way it is imp
Hi Paul,
On 11.06.23 15:41, Paul McKay wrote:
A solution which would also allow me to insert a blank space between
scores (so I could begin a 2nd movement on an even-numbered page)
would be good, but my current request is just for an initial one.
Jean already gave one solution, another common
Hi Jean, hi Werner,
On 05.06.23 22:28, Jean Abou Samra wrote:
Well, for my defense, I did also post a revised version of the
“magnetic lyrics” snippet:
https://www.mail-archive.com/lilypond-user@gnu.org/msg149201.html
thanks for that pointer and your contributions. I reviewed that thread,
s
Hello everyone,
I don’t know where the “Lyric syllable magnetic snap” snippet is mainly
stored, I grabbed it from the list years ago and attach it in the
version that I have, from December 2011 and with links to user list
archive. I hope I’m not somehow behind time with this, having followed
Hi Pierre,
On 05.06.23 15:07, Pierre Perol-Schneider wrote:
So how can I get the paper values as a markp?
the call to ly:output-def-lookup returns a number or an empty list. So
this returns valid markup regardless:
\version "2.24.1"
\paper {
top-margin =
On 10/02/2023 19:22, Saul Tobin wrote:
What is the reasoning behind having smaller relative blocks?
I agree that there are many factors in the workflow, project and
templates that influence this decision. I want to give just one example:
Piano score or similar with changing number and orienta
Hi Darren,
On 10/02/2023 11:46, Darren Ng wrote:
\ghostNoteWhichDoesNotActuallyAppear { c,,, }
I think what you want here is \resetRelativeOctave.
The best solution depends on many factors around your workflow and the
setup of your project, but generally it is recommendable to split things
;>
>>
\new ChoirStaff <<
\new Staff << \marks \B >>
>>
>>
Maybe I'm missing a way to do this while keeping the mark engravers in
the ChoirStaff context.
Saul
On Thu, Feb 9, 2023 at 1:29 AM Simon Albrecht
wrote:
Hi Saul,
On 08
Hi Saul,
On 08/02/2023 22:03, Saul Tobin wrote:
Is there a reason to have the marks in a child context rather than
just a simultaneous music variable?
You mean the Devnull? Just convenience. It works well with the way I
assemble different ChoirStaffs for different output formats and adding
Hello everyone,
I am working on a large score with several ChoirStaves and want to have
BarNumbers and Marks in the middle as well. However, when I use
\RemoveEmptyStaves, removed Staves still have their BarNumbers etc.
How can I solve this without hard-coding where the Staves are removed?
O
Hi Greg,
great to hear you’re starting with LilyPond!
On 30/08/2022 21:52, Greg Lindstrom wrote:
I see later in the documentation there is a snippet on how to merge
voices, so that's next on my list.
There’s one bit of important advice that usually makes the experience of
learning LilyPond
On 28/07/2022 16:25, David Kastrup wrote:
There is also \startTrillSpan/\stopTrillSpan, \startGroup/\stopGroup,
\startGraceSlur/\stopGraceSlur, \startTextSpan/\stopTextSpan,
\startMeasureCount/\stopMeasureCount,
\startMeasureSpanner/\stopMeasureSpanner . On the opposite side, there
is \endSpanne
Hi David,
On 25/07/2022 16:35, David Kastrup wrote:
You probably meant
\markup spanish = \markup \italic \etc
which defines a markup command. The way you wrote it, \spanish is just
a scheme function that happens to return the internals of a markup
command definition.
I did mean that. Strang
Hello everyone,
On 24/07/2022 19:44, Jonas Hahnfeld via LilyPond user discussion wrote:
Please refer to the Installing section in the
Learning Manual for instructions how to set up the provided binaries:
https://lilypond.org/doc/v2.23/Documentation/learning/installing
This link leads to a 2.23
Dear list,
I wanted to define a markup command for easy switchable styling of text
and ran into an issue which seems hard to understand:
\version "2.23.9"
spanish = \markup\italic \etc
\markup \column {
\spanish \justify { test }
}
=> “error: not a markup”
My un
Hi mancunius,
On 20/07/2022 12:34, mancunius wrote:
Hello. In the following example I want the undertie to be placed
between the 2 “O sacrum convivium” lines of lyrics, to indicate that
no breath should be taken by the singers - as per the normal choral
convention. (cf. the commented-out \brea
Hello,
On 07/07/2022 08:50, Rip _Mus wrote:
Good morning to everyone,
I am preparing a large orchestral work.
In my writing style, each instrument often has two voices in its
staff, for various reason (for example, each clarinet can handle two
voices when playing multiphonics trills with thres
On 02/07/2022 18:20, Jean Abou Samra wrote:
Simon, you moved this from bug-lilypond to lilypond-user. Was that
intentional?
Did I? I’m sure I just clicked Reply All, and the thread as I received
is on the user list… this e-mail of yours is the first that for me shows
the bug list as recipien
Hi David and others,
On 01/07/2022 12:32, David Kastrup wrote:
I don't think so. The problem is that repeats now support putting the
\alternative phrase inside of the construct since that is a saner way of
doing things. But the previous way is still supported for compatibility
reasons. Your i
Hi Jacques,
On 27/06/2022 22:13, Jacques Menu wrote:
Does anyone know of some way to generate spiccato articulations in the scores
produced by Lily?
what would you expect that to look like?
{ a'4-! }
maybe?
Best, Simon
Hi David,
On 27/06/2022 21:07, David Kastrup wrote:
Before looking for a possible following `=`
LilyPond has to have made a decision what type the token/expression
coming before that has. It cannot look at the type of a #... expression
before deciding to look for `=` but it can (and will) look
Hi Jean,
On 27/06/2022 20:37, Jean Abou Samra wrote:
Le 27/06/2022 à 20:10, Simon Albrecht a écrit :
Hello everyone,
I’m trying to encode a piece such that I can switch whether or not
durations will be shifted (note values halved/doubled). Unfortunately
\tempo isn’t affected by
Hello everyone,
I’m trying to encode a piece such that I can switch whether or not
durations will be shifted (note values halved/doubled). Unfortunately
\tempo isn’t affected by \shiftDurations (that would be a sensible
feature request, right?), so I tried this:
%%%
\
Hi Jean,
thanks once more for the speedy and helpful reply!
On 06/06/2022 14:43, Jean Abou Samra wrote:
How can I change that?
That sounds like an XY question.
Sorry about that. I meant to imply: How do I swap the placement of the
headers?
What is the use case?
Having a large, left-ali
Hi everyone,
%%%
\version "2.23.9"
\bookpart {
\markup \fontsize #10 "general title"
\header {
title = "specific title"
}
\score {
{ 1 }
}
}
why does "general title" appear below "specific title" and not above?
How can I change that?
Best, Simon
Hi Kevin,
On 02/06/2022 22:56, Kevin Cole wrote:
The hand-written score I'm looking at shows an F# with three slurs
coming off of it going to each of the three notes in the following
measure. I tried the following but it only shows one slur. What did I
miss?
without context it’s hard to tell
Hi Jean,
On 01/06/2022 22:41, Jean Abou Samra wrote:
As said on the ticket, you need to move \tocItem inside
the second bookpart,
thanks for looking into it and opening the issue. The workaround is
inconvenient, because I want to have the \bookpart{} statement in an
include file for use in
Hi Jean,
On 01/06/2022 15:24, Jean Abou Samra wrote:
Please give an example.
I’ve gone debugging, and it’s a weird combination of two things that
causes the empty page:
%%%
\version "2.23.9"
\paper {
bookTitleMarkup = \markup {
\vspace #.3
}
}
\bookpart { \ma
Hi everybody,
it’s been a long time since I’ve used bookPart, it seems, and I don’t
know how to search for an answer.
How can I allow Lily to start a bookPart on even pages? She will insert
empty pages to avoid that.
Best, Simon
Hi Jean,
On 27/05/2022 12:34, Jean Abou Samra wrote:
The solution for now is to use a plain Scheme function:
Thanks a bunch for the solution and explanations, that does it!
Best, Simon
Hi Andrew,
sorry that your investments into Dorico didn’t work out! It’s great to
have you back in the Pond :)
I have been thinking that it would be nice to invest more time into Lily
myself, but I don’t yet know whether/how/when I can make that happen.
Best, Simon
On 27/05/2022 10:24, And
ieceTitle "I. Kyrie"
/tmp/frescobaldi-0fy0zxi0/tmpkd3e8qov/document.ly:11:1: error: bad expression
type
\pieceTitle "I. Kyrie"
%%
On 27/05/2022 12:21, Simon Albrecht wrote:
Hello everyone,
I’m a bit surprised that the following doesn’t work
Hello everyone,
I’m a bit surprised that the following doesn’t work and don’t know where
to look for a solution.
% \version "2.23.9" pieceTitle =
#(define-scheme-function (str) (markup?) #{ \markup \huge $str
\noPageBreak #}) \pieceTitle "I. Kyrie" { c
Hi Andrew,
thanks for the information. Sorry to hear about your illness and all the
best wishes nonetheless!
Best,
Simon
On 09/05/2022 09:53, Andrew Bernard wrote:
Hello All,
I've been absent from the list for a long time, but recently got CC'd
about an Openlilylib pull request.
I must a
On 08/05/2022 20:37, Jean Abou Samra wrote:
The case study of how OLL fell out of maintenance is one of the
things leading me to think that a model where snippets providing
significant functionality and becoming somewhat popular get
upstreamed into the LilyPond core is a better fit for LilyPond
t
Dear community,
I have made some small updates to keep the openlilylib/bezier module
working with current versions of LilyPond and created a pull request on
GitHub. Is anyone currently able to notice and approve the request?
Best, Simon
Hi David,
On 16/04/2022 18:11, David Santamauro wrote:
Hi, it seems removing the Dynamic_performer doesn’t actually remove
performance of articulations.
Articulations are Script grobs, not Dynamics. Maybe removing
Script_engraver as well would do the trick? I don’t work with MIDI much,
so I
Hi Jean,
On 11/04/2022 18:04, Jean Abou Samra wrote:
Well, maybe it doesn't make sense anyway -- I don't think I've
ever seen a breathing sign in one staff and not another.
It definitely happens and is perfectly valid musically.
Breathing_sign_engraver sits in Voice (and similar) by default
Hi Jacques,
On 11/04/2022 16:16, Jacques Menu wrote:
Also, what is the musical meaning of the ligatures above the staff?
these are not standard notation and it’s impossible to tell. Maybe the
larger context might give some hint, but most likely you’d need an
explanation in foreword or criti
Hi Jean,
On 25/03/2022 13:20, Jean Abou Samra wrote:
In English: these properties (X-extent, Y-extent, horizontal-skylines,
vertical-skylines) have implicit defaults, which are given when the
property is found not to be set. Now you're setting them to the empty
list, which for some reason (David
Hello everybody,
I want to try having Lyrics placed without regard for any stems in the
adjacent staff (and then using whiteout to remedy the clash, of course).
The below approach doesn’t work. Why? Can I make it work?
Best, Simon
\version "2.23.6"
\layout {
\context {
Dear list,
while engraving 17th century music, I have an issue with the way Lily
spaces large note values by default. If there are no shorter values
present, breve and whole notes receive almost the same horizontal space
which makes the rhythms hard to read. How can I override that?
Best, Si
Hi Colin,
I haven’t tried it myself, but generally publishers have a house style
and want all their publications to comply with that house style. It’s
offputting to me, because I have my own aesthetic preferences which
don’t match with what computer typesetting typically looks like, so I
woul
Hi Valentin,
one line in your Scheme code confused me. If you don’t mind explaining,
why do you write
`(,CN ,FB ,VC . ,LY)
instead of
(list CN FB VC LY)
?
Best, Simon
On 22/02/2022 09:25, Valentin Petzel wrote:
Hello Tom,
A good template will separate content and form. Ideally you’d be
On 22/02/2022 14:07, Phil Holmes wrote:
We are proud to announce the release of GNU LilyPond 2.22.2 on 2-22-22
(i.e. February the 22nd, 2022).
Fabulous ;) Thanks to everyone involved!
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