On 17/04/2017 22:06, Thomas Morley wrote:
2017-04-17 21:08 GMT+02:00 Roman Stawski :
I'm coming across a problem with context definitions:
\version "2.19.59"
\layout {
\context {
\Staff
\accepts P
}
\context {
Hello all
I'm coming across a problem with context definitions:
\version "2.19.59"
\layout {
\context {
\Staff
\accepts P
}
\context {
\name P
\alias Voice
}
}
\new Staff {
\new P \relative
On 05/01/2016 21:52, Noeck wrote:
Hi Roman,
I also use OOoLilyPond often and had to check immediately when I read
your mail. I am using LibreOffice 5.0.2.2 and OOoLilypond 4.0.0 and it
still works for me. What is actually happening when you insert a new
snippet?
Cheers,
Joram
Hello Joram
Hi folks
I upgraded to LibreOffice 4.3 recently and now I'm having problems in
getting OOoLilypond to actually insert a snippet although the generation
works fine. FWIW I'm using Lilypond 2.19.33.
Is anyone still using OOoLilypond? If so have they come across the problem,
and do they have a worka
On 24/04/2013 21:03, Federico Bruni wrote:
You can find an explanation here:
http://lilypond.org/doc/v2.16/Documentation/usage/common-errors#an-extra-staff-appears
Thanks Federico, I wasn't aware of this one. I appreciate the pointer.
the right input is:
\version "2.17.11"
\paper { ragged
\new Staff \relative c'' { b1 }
\new Staff \relative c'' { g1 }
>>
}
---
*Where* does the extra staff come from?
Any ideas, anyone
Regards
Roman
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Janek Warchoł gmail.com> writes:
>
> On Mon, Apr 1, 2013 at 3:41 PM, Roman Stawski stawski.fr> wrote:
>
> Interesting. If i were you, i'd place the skips inside MainSequence
> and have the ambitus appear at the very beginning, and keep that first
> system alive
c {
\clef bass
\repeat unfold 4 {e1} \break
\repeat unfold 4 {e1} \break
\repeat unfold 4 {e1}
}
>>
---
It looks as if the ambitus is keeping the system alive. I can't get it
to work by setting keepAliveInterfaces in
Eluze gmail.com> writes:
> Am 08.05.2012 12:00, schrieb Roman Stawski:
> >
> > Does anyone have an idea how to get an error free compile and the bar lines
> > spanning.
>
> from 2.15.27 there will be no more error message for that!
Thank you Eluze. I wasn't
Hello people
I've come across a problem in 2.15.24 which I don't /believe/ existed in earlier
2.15 versions (although I haven't checked and I couldn't say when it appeared)
---
\version "2.15.24"
\new ChoirStaff \with {
\consists Span_bar_engraver
} {
\new Staff = mai
David Kastrup gnu.org> writes:
>
> I just pushed a fix to staging as
> a2c7fbaa892b59a590b4635ddd184ca0487a38e3. With that fix, your example
> runs fine.
>
Thankyou Sir! And Christmas has already been and gone (well nearly). I look
forward to the next update. And thanks again for your rapid f
> (Not top-posting ... honest)
In the following snippet nothing has actually been tagged with #'bad inside the
expression assigned to incl, so the two evaluations of incl should be identical.
--
\version "2.15.22"
incl = \new Staff {
\tempo 2=46
\relative c'' { a2 a }
}
<<
Hello,
is it possible to put chords into the bars, not above them?
When we buying some sheet paper out of any shop, first thing I do when playing
some jazz piece, is
writing down chords only, I don't need melody, I'm a guitar player, I'm just a
guy who keeps the rhythm...
So I ended up using i
Francisco Vila gmail.com> writes:
>
> 2010/10/7 Roman Stawski stawski.fr>:
> > In the snippet below, I'm trying to set up a simple numbering of the pieces.
> > This used to number the pieces in ascending order in version 2.12.[don't
recall].
> > But no
In the snippet below, I'm trying to set up a simple numbering of the pieces.
This used to number the pieces in ascending order in version 2.12.[don't
recall].
But not any more...
\version "2.13.34"
#(define sequence-number 0)
#(define-markup-command (score-sequence layout props) ()
(set!
Christopher Meredith gmail.com> writes:
>
> I've searched, I swear. If there's a really simple answer, I apologize
> in advance!
>
> I'm looking for a way to simply shrink everything to make it easier to
> fit on a page. My first lines of defense are usually shrinking the
> distance between sta
Thanks folks
I suspect there may be bug somewhere in there, but your solution
suits me just fine.
Kudos for a rapid answer.
Roman
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}
\new Staff {
\ma
\new WithAmbitus \mb \break
\ma \break
\new WithAmbitus \mb
\ma
}
The actual problem is to display the ambitus at the beginning of a
second line after a one-line intro without having it show up at the
end of th
;
> I was hopening for an easier way, but this isn't that difficult either.
This is often a good idea since it enables you to adapt the midi in other
ways... for instance:
\score { \new Staff { \transpose c' c { \unfoldRepeats \guitarMusic} } \midi {}
}
\score { \new Sta
e dynamics and
the lyrics. Ah well, back to the VerticalAxisGroup documentation...
regards
Roman
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gt;
-
the output is as expected, but I get a whole cascade of warnings
warning: staff-affinities should only decrease
Can anyone translate this into English ? and/or tell me how to do to get
shot of them?
Inversing the dynamics and lyrics gets rid of the warnings. But doesn't
On 25/02/2010 23:05, Xavier Scheuer wrote:
>
> On 25 February 2010 21:04, Roman Stawski wrote:
>
>> This short polyphony employs
>> A trivial customised Voice
>> but the lyrics ignore
>> the first note in the score --
>> that's not the behaviour of
t;
\new Lyrics { \lyricsto "ta" \tx }
% Compare with ...
\new Staff <<
\new Voice = "tb" \va \\
\vb
>>
\new Lyrics { \lyricsto "tb" \tx }
>>
-
Roman (with apologies for the doggerel)
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ngle source. It's far from perfect, and I don't know if it applies to
your problem but it is available at
http://lsr.dsi.unimi.it/LSR/Item?id=493
Good luck
Roman
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Kieren MacMillan wrote:
>
> Hi Roman,
>
>> You can see the bit I'm trying to transcribe at
>> http://www.roman.stawski.fr/snippet.jpg
>
> That's clearly an engraving error in the original — the word is
> "tendresse", and should be engraved "te
James E. Bailey googlemail.com> writes:
>
>
>
> On 22.11.2009, at 10:56, Roman Stawski wrote:
>
> Question to the wise : how do you use extenders in the _middle_
> of words.
>
> …
> The 'Ly' of lyric is stretched across two notes and I want to
&g
Question to the wise : how do you use extenders in the _middle_
of words.
I know that the documentation says
"In the last syllable of a word, melismata are sometimes
indicated with a long horizontal line starting in the melisma
syllable, and ending in the next one."
I have the following exam
J. bezeqint.net> writes:
> If some one can help or point me to documentation
> in how to make 20 note incipits in Lilypond for a large folk song
> collection I am working to publish from the linux computer I have
> inherited.
> I want to take the opening phrase of each one and
> create an in
Martin Tarenskeen zonnet.nl> writes:
>
> Hi,
>
> Dutch Lilyponders might have noticed: Sinterklaas is here again
> For my youngest pupils I created a score of "Zie Ginds Komt De Stoomboot"
> last year. I tried to compile it again, now with lilypond development
> version 2.13.7. I don't like
u already have two. Use whatever you're
comfortable with, and gives you the results you needs.
(Even MS notepad :-) )
This isn't an anti-vim post since it's my editor of choice... it's a
pro-simplicity post.
My 2c
Roman
___
Graham Percival percival-music.ca> writes:
>
> On Thu, Nov 05, 2009 at 10:52:59PM +0100, David Kastrup wrote:
> > Graham Percival percival-music.ca> writes:
> >
> > > LilyPond 2.13.7 is out. This release theoretically works on osx
> > > 10.6, without breaking anything on other OSes,
> >
> >
ew MainVoice = "t" { \voiceOne \va } % First note not used
for lyrics
% or
% \new Voice = "t" { \voiceOne \va } % First note used for lyrics ok
%
\\ \new Voice{ \voiceTwo \vb }
>>
}
\new Lyrics { \lyricsto "t" \tx }
>
I'd like to add the \consists of the forty odd
components used by Voice without have to type them by hand, and
without needing to recheck them for every new version of Lilypond I
install.
Thanks for any help forthcoming
Roman
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[EMAIL PROTECTED] wrote:
Roman Stawski <[EMAIL PROTECTED]> writes:
Take a look at http://lsr.dsi.unimi.it/LSR/Item?u=1&id=493
Nice!
Is there a way to get rid of the "warning: no such internal option:
target"?
I asked Nicolas Sceaux the same question when he h
ld always change the scheme code to use symbols defined in the scheme
code on the fly
Roman
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\time 4/4 }
thechords = \chordmode { \myChordInit g2:3 g:4^3 | g:4.7^3 gis }
themusic = \relative c' { e4 e e e | e e e e }
\score { <<
\new ChordNames { \preamble \thechords }
\new Staff { \preamble << \thechords \\ \themusic >> }
>> }
- - - - [END]
Hope that helps
Roman
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rd, and I'll let the
powers that be decide whether the original example constitutes a bug
or an abuse of Lilypond.
Thanks again for your help
Roman
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> Roman Stawski wrote:
>> I want to have one group of parallel staves following another
>> sequentially. The constitution of the two groups is quite different.
>> (In the real piece I'm using \removeEmptyStaffContext to hide the
>> first group when I finish
year:
http://thread.gmane.org/gmane.comp.gnu.lilypond.general/32409/focus=32412
He solves the problem by changing the lyrics, which isn't an option in
my case.
So what am I dong wrong? Does anyone have any ideas how to solve/get
around it?
Thanks
Roman
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> When running lilypond with the switches
>
> -dpreview -dno-print-pages
>
> is there any way to stop the page headers printing from the command
> line, so that I just get the first line of music?
OK, -dhelp lists the solution.
-dpreview -dno-print-pages -dno-include-book-title-preview
at the problem is with the quote argument rather than the indent.
Try removing that one...
Roman
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When running lilypond with the switches
-dpreview -dno-print-pages
is there any way to stop the page headers printing from the command
line, so that I just get the first line of music?
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http://
is you might also want to have a look
at the snippet http://lsr.dsi.unimi.it/LSR/Item?id=493 which was the result
of a recent discussion to try and do this sort of thing. If it's useful,
but missing some particular feature let me know -- it's something I'm using
for
nimi.it/LSR/Item?id=493 which was the result
of a recent discussion to try and do this sort of thing. If it's useful,
but missing some particular feature let me know -- it's something I'm using
for my own work and I'd be happy to take it further (if I'm capable!)
Roman
__
Valentin Villenave gmail.com> writes:
>
> 2008/7/16 Nicolas Sceaux free.fr>:
>
> > You can conditionnaly insert music using a music function.
>
> Awesome! Can you (or Roman) write a LSR snippet with this great function?
>
> Cheers,
> Valentin
>
(P
Francisco Vila wrote:
Hello all,
Attached is what I want and what I get; in a single note we have:
- last letter of a previous word
- an italic apostrophe
- first letter of the next word, also italic
Not only I cannot join all of this onto a single note, I also obtain
errors for the next syll
Trevor Daniels wrote
OK, I see what you are trying to do. The error is that
the order of the commands in the lyrics line is wrong,
and the \new Lyrics command should be followed by { .. }
just like \new Staff is. Then it works fine, like this:
\new Staff { \new Voice = "dirge" { c''1 } }
\n
Kieren MacMillan wrote:
c8^\markup {\column { {\bold "Allegro"
(\smaller \general-align #Y #DOWN \note #"4" #1 = \smaller
\general-align #Y #DOWN 100) } "Solo Trumpet" {\italic " Marcato"}}}
The issue here is that \column interprets every element as an
individual line.
Therefo
Kieren MacMillan wrote:
How can I realize this, so that this three
lines are one below the other?
\column { a b c }
Hi,
this was what I was trying, but didn't work properly in the following
form:
c8^\markup {\column { {\bold "Allegro" (\smaller \general-align #Y #DOWN \note #
Hi,
in the first bar of a peace I need to write
Allegro (4 = 100)
Solo Trumpet
Marcato
How can I realize this, so that this three lines are one below the
other?
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Hi Johannes,
thanks for your help! But I think this doesn't exactly fit to my
problem. In the example below I get exactly the result needed and
without compiling errors. But theres one disadvantage: the voices of
these chords aren't separated into different files or sections within
the main.ly
Hi,
I am just trying to write an organ staff with 5 voices and getting
cracy:
1. voice: trumpet on the first stave,
2.-4 voice: church organ on the second stave and
5. voice: church organ on third stave.
I tried this as follows as you can see in my example file above.
6.rpm starts okay.
> a quick google shows that this is related to SELinux settings. Can you
> investigate further for the proper solution yoursefl ?
Ugh, I disabled SELinux and lilypond works now. But it's a wrong
solution
I suspect... :)
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his before. What's your platform exactly? (cpu architecture?)
uname -a:
Linux dragon.xyz.ru. 2.6.16-1.2111_FC5smp #1 SMP Thu May 4 21:35:09 EDT 2006
i686 i686 i386 GNU/Linux
An old rpm lilypond-2.7.18-1.i386.rpm starts okay.
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./lib/libfreetype.so.6: cannot restore segment
prot after reloc: Permission denied
=
What's wrong?
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Russia
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Kieren Richard MacMillan wrote:
Hi, Roman:
My Idea was to first write the notes in tenor clef so that I can check
if I did everything wright on an outprint. Afterwars I wanted to
transpose
everything with one command into a bass clef staff with appropriate
transposed notes in the bass clef
Stephen wrote:
If the trombonists use the bass clef, but the sounds an octave higher,
this is how you write that:
staffTrombone = {
\key c \major
\clef bass
\transposition c''
\transpose c c, { \relative c' {
c d es f
} }
}
\book {
\score {
\staffTrombone
Mats Bengtsson wrote:
Okay, but my problem is, that a C in tenor clef isn't a C in bass
clef and I don't know how a transposition between them needs to be!?
Of course a C is a C, no matter what clef you use.
Okay, that's true, but I thought of a C in a bass clef and a C in a
tenor clef aren't
Paul Scott schrieb:
staffTrombone = {
\key c \major
\clef bass% formerly \clef tenor
\relative c {
\time 3/4
c c c
...
} }
That's all there is to it. Those C's will appear on the second space of
the bass clef instead of just below the tenor staff. You have
Hi,
I specify my peace of music as a trombone part
staffTrombone = {
\key c \major
\clef tenor
\relative c {
\time 3/4
c c c
...
}
}
This trombone part should be transposed to bass clef, but I don't know
how to do this and would like to let lilypond do the wo
Hi,
I have a peace of music, written in "\clef tenor" wich I should have in
"\clef bass" all notes transposed correctly.
How can I transpose these clefs with Lilypond 2.6??
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ollision:
d'8[( ^"a tempo" \mf _"con passione" cis' a b cis' a]) |
http://www.soprano-recorder.ru/tmp/question5.gif
\mf and "con passione" got messed up. Will this behavior change?
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7; e']) |
but it's a lot to type the same markup syntax many times. Is there any way
to do this automagically (i.e. if the text crosses slur line, then raise
the text above slur)? Or at least do that rasing somehow less wordy, like
^^"text" gets raised by #1.0, ^^^"text
On 09/12, Han-Wen Nienhuys wrote:
> Roman V. Isaev wrote:
> >
> > Well, I have it both ways. It's slow if I use cygwin, it's slow
> >if I run it from cmd.exe prompt or drag a .ly file on its icon.
> That's not the question. My question is whether
w with "warning: can't find file: `nonexistant.ly'"
$ time lily.sh --verbose --pdf --png nonexistant.ly
real 0m8.153s
user0m0.050s
sys 0m0.070s
(I just closed lilypad window as soon as it came up).
PDF and PNG conversions (two dos windows) run very quickly a
uot; 2.6 binary (available from lilypond.org/web/install/ for the
> "windows" platform).
Yes. And it was slow when it was 2.5.x.
Moderators, please, don't approve my previous message that I sent
from wrong account.
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many fonts?
Nope. Only standard fonts that come with WinXP pro.
> The difference in speed between the mingw and FC binaries should be neglible.
How to find this bottleneck?
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__
ght lilypond is slow by design, but
when I installed FC4 at work and decided to try unix version I was truly
shocked...
The difference between windows and unix computer's hardware does exist, but
certainly
it's not an order of 100 times
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.6.0 for windows still
does not output anything, neither help nor messages that go into log file.
tail -f helps for log file, but there is no way to look up command line
parameters :(
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_
last note is going to be placed relative to previous?
Or may be there is a simple rule to determine if the next note is
going to jump? Currently I have to enter a few measures and compile
to fix several misplaced notes and it's very slow...
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gt; > but I don't know how to fix it.
> What papersize do you use? Can you post canzone.ly?
Umm, I don't know what papersize I use. Probably something default. All
canzone
related files are here: http://www.soprano-recorder.ru/tmp -- .ly, pdf and
e png files instead of two, and the last png is
blank.
Second png has a lot of space at the the end.
Another problem: it truncates bottom of the page. Something wrong with
paper size,
but I don't know how to fix it.
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: Unrecoverable error, exit code 1
pwd
/home/rm
My cygwin home dir is /home/rm and everything works perfectly here.
I've installed 2.5.31-1, problem persists. BTW it does not erase
.ps file.
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able error, exit code 1
Any clues how to fix this?..
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Hi,
how can I enlarge the vertical gap between the two scores in my
following lilypond structure?
-
\book {
\score {
\context Staff
<<
\new Voice { \voiceOne \staffTrumpetI }
\ne
Hi,
I have a Choral with Trumpet 1 + 2 in one staff (Chord notation). Is it
possible to include a note within parenthesis over the complete staff
(for Trp. 1+2)?
The included note (chord) has to be played second time only and I want
to exclude it this way when they play the first turn.
Erik Sandberg wrote:
On Tuesday 07 June 2005 09.58, Mats Bengtsson wrote:
Have you looked at the Tips and Tricks document and the Regression Test
document in the on-line documentation? They provide exactly what you ask
for. Also, all(?) these examples plus more are also available in
et another language
in addition to existing heap). Where I can find usable scheme debugger
to walk that part of the script?
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n")
(let-optional
rest ((resolution 90)
(paper-size "a4")
(rename-page-1? #f)
(verbose? #f))
No "TEST". It looks like
(make-ps-images name resolution paper-size rename-page-1? verbose?)
is the place where everyhing stops.
Sorry
Graham Percival wrote:
>> At the moment this does not suffice for me. The manual just gives
>> the basics, but to get the result from this basics is still very,
>> very difficult! To write the notes is very, very easy, but to put
>> different staves together or something else still drives me gr
Oops, hit reply instead of group reply
- Forwarded message from "Roman V. Isaev" <[EMAIL PROTECTED]> -
Date: Mon, 6 Jun 2005 01:15:10 +0400
From: "Roman V. Isaev" <[EMAIL PROTECTED]>
To: Bertalan Fodor <[EMAIL PROTECTED]>
Subject: Re: more probl
; Try cygwin.
Ah, yes. It returns %USERPROFILE%\<> Yet real desktop is
under username in %USERPROFILE%...
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the
> > png page?
> try hacking scm/backend-library.scm. The next version will have png
> output, becaus it was quiet on the mailing lists today ;-)
Uhm, just looked there... darn intimidating. Well, commenting out
(if (running-from-gui?) (delete-fil
not very rare dynamics mark may be it's time
to include it into lilypond distribution? :)
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put is same, exactly...
Well, how to hack lilypond so it would leave .ps in gui mode until
PNG-able version goes out? And why old ps2png can cut the bottom of the
png page?
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t .ps file when I supplied --ps flag
I created png file with ps2png from old 2.4.2 distribution, but the bottom
of the score is cut short, right across copyright line :)
But as result now I don't have diagnostics anymore at all -- neither
in cygwin terminal nor in the gui window
ygwin terminal and cmd.exe console.
> If you really want, you can hack the file
> .../usr/share/lilypond/x.y.z/scm/lily.scm
> and set
> (define (running-from-gui? #f))
I did it. Still it exits immediately and doesn't show lilypond -h
outp
;t work anymore :( I
used this:
piuf = \markup { \italic "pi\\`u" \dynamic "f" }
but now it draws pi\'u f instead of that 'u' with apostrophe above. I don't
see anything in the manual about entering such letters... what part
I did miss this time?..
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Hi,
I don't know whos making the documentation for Lilypond, but my
suggestion is to put many, many, many ... more pictures to the manual!
The easiest way to learn Lilypond and to manage the difficulties would
be to have something like a cook book. In this cook book you see nearly
all different
Hi,
how can I put two staves (Trumpet I, Trumpet II) in one line?
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During conversion it marks files as \version "2.5.25" Is it okay?..
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Roman V. Isaev http://www.soprano-recorder.ru Moscow, Russia
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On 06/04, Graham Percival wrote:
> On 4-Jun-05, at 10:36 PM, Roman V. Isaev wrote:
> >Slur crosses decrescendo mark
> >What is the proper method to solve this problem?
> Increase the #'padding property. See
> http://lilypond.org/doc/v2.5/Documentation/user/out-www/lilyp
ot;
I used \markup because if I use \p and \pp things get hairy...
http://www.soprano-recorder.ru/tmp/question.gif :
fis2( \p \> g4) \pp \! r4 |
\bar "|."
What is the proper method to solve this problem?
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Roman V. Isaev http://www.soprano-recorder.ru Moscow
but I work in bash (cygwin) and use makefile
to generate several PDF and PNG files at once. How to force lilypond to
print diagnostics to stdout, like 2.4.2 did? Also I can't run lilypond -h
to find out all command line options...
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Roman V. Isaev http://www.soprano-recorder.ru
Hi,
Sorry for my question, but I am getting crazy with these lyrics you can
set at the end of my posting:
In bar 4 I have "a4 r4 d8 d" and "d4 r4 f8 f" in TenorI and BassI. Both
have to sing "Hal- la- li," on the 8th and the following 2 in the next
bar. At the momoment I reached this by a trick,
lyricsto altos \tenIIWords
\context Lyrics = tenors \lyricsto tenors \bassIWords
\context Lyrics = basses \lyricsto basses \bassIIWords
>>
\layout {}
}
---
Mats Bengtsson wrote:
>Why not take a l
Hi all,
sorry I am too stupid to setup a Choir-Staff in which I have a "Tenor I"
and "Tenor II" in one Line and a "Bass I" and "Bass II" in the other
line. Beams in Tenor I/Bass I should be up and beams in Tenor II/BassII
should be directed down. Both TenorI/II, BassI/II should have lyrics.
Does
Hi,
how can I disable beams for a complete staff? I only want to write e.g.
c8 d e f
and beams should not be displayed. How can I do this?
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-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Chip wrote on 03.04.2005 04:27:
| Okay, I discovered that running, jedit, plugins/lilytool/run lilypond
| works. So I am doing that instead. But now I got these errors -
|
| GNU LilyPond 2.4.3
| Processing `/cygdrive/C/Temp/myredeemerlives.ly'
| Parsing
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
andrew Black wrote on 29.03.2005 23:17:
| Hi
| I have installed LilyPond 2.4.2 from my Mandrake 10.1 disk. I am
| getting the error.
| warning: lily-guile: can't find "tex256.enc"
| How can I get round this.
On Debian the file you are looking for is
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