Has anyone else suffered from strange changes recently simple things like
the new and annoying way that File Explorer now works. Other curious
artefacts such as when printing from Fresco any .eps graphic appears upside
down but the same pdf file printed directly has the .eps the correct way
up.
Thanks for the responses. My current conclusion is that there are inherent
technical issues that are insurmountable. If there was a good solution it
would be visible on the web.
My way forward is to record and distribute various pieces using midi or
YouTube downloads (if available) so that mem
I appreciate this is off topic but in these times of social isolation does
anyone have any tips. Clearly latency is the main issue - I wonder could
this be reduced by say hosting a Zoom meeting on a private router - maybe
only one video for a conductor. Experience suggests that a latency of 25ms
is
On 02.01.20 13:19, Peter Gentry wrote:
> Date: Wed, 1 Jan 2020 17:31:10 -0700 (MST)
> From: Michael Rivers
>
> The score wizard does nothing for me in Frescobaldi 3.1 (Windows
> version). I uninstalled it and reinstalled the old version, whose
> score
Date: Wed, 1 Jan 2020 17:31:10 -0700 (MST)
From: Michael Rivers
The score wizard does nothing for me in Frescobaldi 3.1 (Windows version). I
uninstalled it and reinstalled the old version, whose score wizard works
fine.
If you mean
A huge thank you to everyone involved. Installation without any hiccups and
so far all the old "bugs" have been sorted.
Thanks again a very good job .
Regards Peter
It seems there is a way to switch between 3.7 and 2.7 BUT it is complex and
opaque. It needs careful downloading of Python 3.7 and some other mysterious
messing with "Shebangs" whatever they are and using strange characters such
as Greek "lambda" (not on my keyboards). It would seem the game is no
Thinking I would learn more about python I installed Visual Studio.
Now when I try and run the batch file I get
SyntaxError: Missing parentheses in call to 'print'. Did you mean
print(log[0])?
Traceback (most recent call last):
File "C:\Program Files (x86)\LilyPond\usr\bin\convert-ly.py
Running convert-ly on Windows10
1. add lilypond python to the path
i. Open System Properties or you may need to open the old control
panel
ii.Click Advanced system settings.
iii.Click Environment Variables...
iv. Select PATH in the System variables section
v.Click Ed
The final piece of the jig saw was this batch file
forfiles /s /p "C:\Users\Peter\Lilypool\Music_Files\Bouffil" /M **.ly /c
"cmd /c convert-ly.py -e @file"
Getting this to work was non trivial. I will try and get a batch file to ask
for the folder "Bouffil" etc to make updating easy.
Phew
The command prompt method solved.
C:\Program Files (x86)\LilyPond\usr\bin>convert-ly -e -b
"C:\users\peter\Lilypool\Music_Files\Bouffil\Opus7 No 1\alto.ly"
convert-ly.py (GNU LilyPond) 2.19.81
convert-ly.py: Processing `C:\users\peter\Lilypool\Music_Files\Bouffil\Opus7
No 1\alto.ly'.
uot;Program': [Errno 22] Invalid argument
C:\WINDOWS\system32>
This did work first time but now another wonderful windows surprise.
From: Peter Gentry
Sent: 21 December 2019 12:02
To: Lilypond Users (lilypond-user@gnu.org)
Cc: 'ksnor...@gmail.com'
Thanks Knute
However the problem for windows (as usual) is more difficult. In addition
to the PATH I needed the following to set up the association.
First get check the associated name of the python file type.
In an admin command prompt run the following
* assoc {Python} result "no
Having rediscovered the fact that Frescobaldi does not call convert-ly
anymore. I went to the section 2.2 of the usage manual and popped the
following into a windows 10 command prompt (with administrator privs)
C:\Program Files (x86)\LilyPond\usr\bin>forfiles /s /p
"C:\users\peter\Lilypool\Musi
Having rediscovered the fact that Frescobaldi does not call convert-ly
anymore. I went to the section 2.2 of the usage manual and popped the
following into a windows 10 command prompt (with administrator privs)
C:\Program Files (x86)\LilyPond\usr\bin>forfiles /s /p
"C:\users\peter\Lilypool\Musi
ht be seen as testy remarks.
If your ranting forces me to find a solution then that's good - I may even
learn something.
Cheers
-Original Message-
From: David Kastrup
Sent: 16 December 2019 13:17
To: Peter Gentry
Cc: Lilypond Users ; peter.gen...@sunscales.co.uk
Subject: Re: pro
This issue has been resolved with help from David. Should anyone be
interested all the files can be found at sunscales.co.uk under the composer
Farrenc.
I did get a bit confused with \cueDuring and \transposedCueDuring..
Regards Peter
Thanks for that response David. I wonder if the cause is to be found on my
machine rather than in Lilypond.
I have recently been looking at Python (to try and stimulate a few aged grey
cells) to which end I have blundered about with Trinket and also installed
Python3.8 (64bit).
These efforts h
It seems that the issue reared its head as a result of my "erroneous"
assumption that
\book {
Page layout stuff for front page
}
\bookpart {
Header & music
}
\bookpart {
Header & music
}
Was a way to go.
Although this has worked over the years it doesn't today.
If I jus
David
I'm sorry my explanations are not very clear, probably because I am a bit
confused.
However I may be getting somewhere when the Header file is introduced I get
Starting lilypond-windows.exe 2.19.81 [Op38_Gg_L2_Test.ly]...
Processing
`C:/Users/Peter/Lilypool/Music_Files/Farrenc/Wo
I have done some digging with small files.
1. putting each set of potential cues as reqd. as the first lines in each
music file (Movement) works :
cueNotesOneA=\include "file1.ily"
\addQuote "cueNotesOneA" { \cueNotesOneA }
Etc...
2. when several musi
Some time ago (2015) I prepared a quintet version of the Farrenc Nonetto. To
make things easier I added copious quotes to the many long chains of rests
to help the players. For this purpose I created an ily containing a set of
music for each line & movement (without cues) so that I could pick and c
Bernard
Sent: 28 September 2018 06:05
To: Peter Gentry
Cc: lilypond-user Mailinglist
Subject: Re: Frescobaldi Log Error -1073741819 on Windows10
Hi Peter,
Not sure if this is helpful at this stage, but with lilypond 2.19.82 and
Frescobaldi 3.0.1 on Windows 10 version1803 (OS Build 17134.320
Original Message-
From: Karlin High
Sent: 27 September 2018 15:00
To: Peter Gentry ; lilypond-user@gnu.org
Subject: Re: Frescobaldi Log Error -1073741819 on Windows10
On 9/27/2018 7:58 AM, Peter Gentry wrote:
> I believe that there was a Windows update that downloaded on the
> D
-Original Message-
From: David Wright
Sent: 27 September 2018 14:25
To: Anders Eriksson
Cc: Peter Gentry ; lilypond-user@gnu.org
Subject: Re: Frescobaldi Log Error -1073741819 on Windows10
On Thu 27 Sep 2018 at 14:15:52 (+0200), Anders Eriksson wrote:
> On 2018-09-27 13:09, Pe
I should add that I suspect this is a permissions problem not related to any
changes in Lilypond/Fresco as such.
The first time it cropped up on the Desktop I closed some windows progs that
were running (I think it was outlook and possibly one other) and the error
no longer occurred.
Next
check through my archives and lily archives - does anyone have any
suggestions as to how to proceed to debug this issue?
Thanks
Peter Gentry
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Oh dear , what an idiot. My troubles resolved by removing ragged bottom
true.
I'm not surprised no one responded. Its what comes from not understanding
all the overrides for spacings etc despite reading and re-reading the
manuals. Nothing wrong with the manuals.
__
The solution I came to was
By removing
blank-after-score-page-penalty = #10
page-breaking = #ly:page-turn-breaking
ragged-bottom = ##t
from the top level \paper block
and using
\bookpart{
\score {
\layout { #(layout-set-staf
I have searched the archive and found an entry which should work but when I
try it it doesn't. I must have misunderstood something along the line and it
may be about definitions.
I have a group staff containing five parts. By default I get on one page
two "lines" of five staves. There is littl
I have placed a copy of addTextSpannerText.ly to the C:/Program Files
(x86)/LilyPond/usr/share/lilypond/current/ly folder.
My score has five parts and in case a. each part/movement file includes the
statement - \include "addTextSpannerText.ly"
Result - Each part/movement compiles without error.
David wrote You can. It's just a matter of describing "anywhere" in terms a
computer can understand.
Very true the only weak link is “in terms the less than adept user can
understand”
😊
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h
I was amazed at how complex this simple common problem turns out.
I have used the rather complex scheme code from the archives but there
remain problems when spanning rest bars.
You would think this is a common requirement. Why can't you place any text
anywhere you fancy?
I'll maybe go
Thanks
“text centered in spanners” is the search text I was missing…
From: Andrew Bernard
Sent: 23 July 2018 11:23
To: Peter Gentry
Cc: lilypond-user Mailinglist
Subject: Re: layout of markup text
Hi Peter,
There's a large discussion of text centered in spanners in the archiv
My problem is illustrated in
\version "2.19.81"
\relative c'' {
\clef "treble"
\time 2/4
\key c\major
r16 f16 ( [ a16 c16 ] bes16 ) [ f16 ( bes16 d16 ) ] | % 64
R1*2/4*2 \startTextSpan
^\markup { \small \italic "flt1 Solo ad lib"}
a8\stopTextSpan ^\markup {\large \italic
Message: 1
Date: Sun, 17 Jun 2018 16:07:36 +0200
From: John McWilliam
To:"lilypond-user@gnu.org"
Subject: Windows 10
Message-ID:<5b266b2b.1c69fb81.3affc.0...@mx.google.com>
Content-Type: text/plain; charset="utf-8"
I am returning to Lilypond after a computor upgrade and could not find an
insta
This may/may not be relevant. The problem may be down to the way the
temporary files are handled. I have seen it a few times. To be honest I
cannot remember how I resolved it. There seems to be some link to the
temporary file that using fresco can be cleared by closing all the files and
Fresco and
Gianmaria
I have modified the procedure to use pitch-tones to define the instrument
range. It makes little difference to the result.
I haven’t looked at the possibility of rebuilding the pitch just using
pitch-tones (yet)
Have you had any luck yet?
\version "2.19.15"
% -
Apologies you must think me some kind of retarded idiot. I must learn to
think a bit before mistyping rubbish but at 76 these niceties seem a lost
cause.
Yes yes yes there is a problem with the tone tone semitone tone tone tone
semitone notation and the octave note alteration calculation.
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
Sent: 26 June 2017 15:31
To: Peter Gentry
Cc: Lilypond
Subject: Re: : Re: transpose range
"Peter Gentry" writes:
> From: David Kastrup [mailto:d...@gnu.org]
>
> "Peter Gentry" writes:
&g
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
Sent: 26 June 2017 13:43
To: Peter Gentry
Cc: 'Gianmaria Lari' ; Lilypond
Subject: Re: : Re: transpose range
"Peter Gentry" writes:
> You will need to modify the attach file (instrument_ranges.ly
ck
I hope this helps.
From: Gianmaria Lari [mailto:gianmarial...@gmail.com]
Sent: 25 June 2017 16:25
To: Peter Gentry
Cc: Lilypond
Subject: Re: : Re: transpose range
Yes, I'm very much interested. I will use it with left hand bass note for
standard bass accordion notation; for that w
Yes there is a way but it has disadvantages.
Often the result is awkward jumps. I indicate changed notes by note head
style and colour so that it is easier to edit the results.
If you are still interested let me know and I will send you the scheme
procedure and an example. I allow for diff
Thanks to Carl and Kieren for explaining chord semantics.
A set of notes forming a chord may have a different "meaning" depending on
the current key context. Semantics seemed like a much grander idea to the
uninitiated.
However this idea would surely fall on stony ground in the context of
I have been intrigued by the highly technical correspondence on this topic.
However I have struggled to understand what is being discussed.
A bit of googling has shed some light
http://debussy.music.ubc.ca/muset/guido/section3.html for instance but other
sources are even more technical. I was part
Dear me the original post was just a whimsical aside. There is a lot of
frustration out there.
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From: Timothy Lanfear [mailto:timo...@lanfear.me]
Sent: 06 March 2017 12:28
To: Peter Gentry ; lilypond-user@gnu.org
Subject: Re: tweaking clefs
On 06/03/17 12:02, Peter Gentry wrote:
From: Peter Gentry [mailto:peter.gen...@sunscales.co.uk]
Sent: 05 March 2017 16:21
To: 'lil
From: Peter Gentry [mailto:peter.gen...@sunscales.co.uk]
Sent: 05 March 2017 16:21
To: 'lilypond-user@gnu.org'
Subject: Re:tweaking clefs
Timothy Lanfear supplied a simple understandable way of achieving my aims.
However on reflection there is a drawback; the midi out
Having just download the pdf manuals for \version "2.19.56" I have noticed
a change to the output of "Advanced Search".
Previuosly (at least up to \version "2.19.22") the advanced search facility
in Adobe would
a. search all pdf files in a given directory
b. search the entire co
\inherit-acceptability is documented in \version "2.19.56" which I have just
downloaded.
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Timothy Lanfear supplied a simple understandable way of achieving my aims.
I was thrown headlong down the route of trying to modify the sequential
music stream as was done for indicating/modifying pitches outside the
"range" of each instrument. "range" being somewhat arbitrary as it depends
on th
Is it possible to tweak clef properties in the same way that you can tweak
color and notehead style of a ly:pitch? Object.
Ie
;rebuild the pitch and if a changed pitch add the color tweak
(if (ly:pitch? p)
(let ((new-pitch (naturalize-instrument-range p instrument)))
(l
Brian Barker has kindly put me straight and supplied the answer
\paper { system-system-spacing.basic-distance = #25 }
He also corrected my assumption as to the definition of a system.
Thanks Brian
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How does one control the vertical space between staff groups. I can see how
to modify the vertical spacing of staves within a Staff Group but not
between Staff Groups on a page.
The answer may lie in page layout but that is as far as I can get. A search
in the archives has not revealed a solut
xima culpa
regards
Peter Gentry
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I assume that I'm more welcome on the developer list. People there are more
likely to get along with conveying messages using text.
David Kastrup
Don't do it David the silent majority appreciate your input.
Outlook users only have to click on
codes, how the heck does
the code know what your intentions are and what is an "error" in your source.
Lets not ask the impossible of hard pressed developers.
regards
Peter Gentry
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>Message: 1
>Date: Fri, 1 Apr 2016 15:56:03 +0200
>From: Ziad Gholam
>To: lilypond-user@gnu.org
>Subject: How to generate a Tambourine "shake" (or any "trill" sound)
> in MIDI file ?
>Message-ID:
>
>
>Content-Type: text/plain; charset="utf-8"
>
>Hello to all
>
>
>I am using version 2
How did potential malware links get into the list, it hasn't happend before? If
its not spam then the poster should be less cryptic
or he won't get anyone interested.
regards
Peter Gentry
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gives better results.
A certain amount of editing will still be required for trills , triplets etc.
regards
Peter Gentry
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s16 ees8. f16 |
g4 g ees2 |
g4 g bes aes8. aes16 |
g4 f f2 |
}
}
>>
\layout {}
\midi {}
I would never have thought of adding the midiInstrument to the FretBoards.
regards
Peter Gentry
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>-Original Message-
>From: Steve Downes [mailto:st...@kingswayelec.co.uk]
>Sent: Saturday, February 06, 2016 11:48 AM
>To: lilyp...@andis59.se
>Cc: Peter Gentry; lilypond-user@gnu.org
>Subject: Re: More ponderings on Chordmode
>
>It may or may not be relevant
>-Original Message-
>From: lilyp...@andis59.se [mailto:lilyp...@andis59.se]
>Sent: Saturday, February 06, 2016 11:24 AM
>To: Peter Gentry; lilypond-user@gnu.org
>Subject: Re: More ponderings on Chord
// Anders wrote
>I'm just using the in Windows built in synthesiz
>-Original Message-
>From: David Kastrup [mailto:d...@gnu.org]
>Sent: Saturday, February 06, 2016 10:50 AM
>To: Peter Gentry
>Cc: lilypond-user@gnu.org; 'Christopher R. Maden'
>Subject: Re: More ponderings on Chordmode
>
>"Peter Gentry" wri
scripts.segno"} g8. f16 ees8. bes16 ees8. f16 |
g4 g ees2 |
g4 g bes aes8. aes16 |
g4 f f2 |
}
}
>>
\layout {}
\midi {}
}regards
Peter Gentry
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is the question.
>Date: Fri, 5 Feb 2016 14:33:22 -0600
>From: "Christopher R. Maden"
>To: lilypond-user@gnu.org
>On 02/05/2016 02:31 PM, Peter Gentry wrote:
>> I cannot discover a means to have the chords sound as a
>guitar in this
>> example everything
Thanks Chris I guessed most of the format but the # Escaped me. To # or not
to # that is the question.
>Date: Fri, 5 Feb 2016 14:33:22 -0600
>From: "Christopher R. Maden"
>To: lilypond-user@gnu.org
>On 02/05/2016 02:31 PM, Peter Gentry wrote:
>> I cannot
Hello Colin
Yes the melody notes on the staff play as a "guitar" but the chords sound as
the default piano.
>-Original Message-
>From: Colin Campbell [mailto:c...@shaw.ca]
>Sent: Saturday, February 06, 2016 1:02 AM
>To: Peter Gentry; lilypond-user@gnu.org
>Sub
markup{\musicglyph #"scripts.segno"} g8. f16 ees8. bes16 ees8. f16 |
g4 g ees2 |
g4 g bes aes8. aes16 |
g4 f f2 |
}
}
>>
\layout {}
\midi {}
}
regards
Peter Gentry
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[mailto:thomasmorle...@gmail.com]
>Sent: Sunday, January 31, 2016 7:14 PM
>To: Peter Gentry
>Cc: lilypond-user
>Subject: Re: Fret Diagrams
>
>Hi Peter,
>
>2016-01-31 19:29 GMT+01:00 Peter Gentry :
>> This may be trivial but searches of themanuals etc have not
>born
4 f f2 |
}
}
>>
\layout {
\context { \Score \remove "Bar_number_engraver" }
}
regards
Peter Gentry
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Hello Jacques Yes it would. I was quickly clipping out a tiny example
(without reading glasses).
Old fogie trouble - but you get the gist.
On 25/12/2015 15:22, Jacques Menu wrote: > Hello Peter, "Wouldn’t
{\set Score.skipBars = ##t s2*6 } be more explicit and less confusing? >
##t s1*6/8*4 }
d8\p r8 r8 d8 | % 2
es8 r8 r8 es8 | % 3
c8 r8 r8 c8 | % 4
}
regards
Peter Gentry
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Ponders...
regards
Peter Gentry
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sure many contain errors. They also reflect my modest
progress with LilyPond. There aren't many ly files but just
ask should you want them.
regards
Peter Gentry
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I wonder if anyone out there has had any experience of TURP. I have just
returned from such a procedure without any immediate
succees.
Apologies for the off topic post - if you do respond please mail direct to
peter.gen...@sunscales.co.uk.
regards
Peter Gentry
The OP described wanting to tweak a note property depending on its pitch. Now I
may be missing something but do you need to create
an engraver for this.
My instrumentranges.ly examines note pitch an based on a suplied criterion
changes notehead colour and style - is this the sort of
thing you ha
>-Original Message-
>From: David Kastrup [mailto:d...@gnu.org]
>Sent: Monday, June 29, 2015 3:13 PM
>To: Peter Gentry
>Cc: lilypond-user@gnu.org
>Subject: [SPAM] Re: [SPAM] Re: Tweaking in scheme
>
>David Kastrup writes:
>
>> "Peter Gentry&
>-Original Message-
>From: David Kastrup [mailto:d...@gnu.org]
>Sent: Monday, June 29, 2015 12:40 PM
>To: Thomas Morley
>Cc: Peter Gentry; lilypond-user
>Subject: [SPAM] Re: Tweaking in scheme
>
>Thomas Morley writes:
>
>> How about:
>>
>>
>-Original Message-
>From: Thomas Morley [mailto:thomasmorle...@gmail.com]
>Sent: Monday, June 29, 2015 12:10 PM
>To: Peter Gentry
>Cc: lilypond-user
>Subject: Re: Tweaking in scheme
>
>2015-06-29 12:54 GMT+02:00 Peter Gentry :
>>
>> Tweaking in
edMusic
'contextt-type
'Bottom
'element
(make-music
'OverrideProperty
'pop-first
#t
'grob-property-path
(list (quote style))
'grob-value
'harmonic
'symbol
'NoteHead))
Can this in any way be implimented by the 'tweaks method.
regards
Peter
>-Original Message-
>From: Peter Gentry [mailto:peter.gen...@sunscales.co.uk]
>Sent: Friday, June 26, 2015 3:52 PM
>To: 'lilypond-user@gnu.org'
>Subject: RE Landscape output
>
>Hello
>
>My paper block is
>%
} % end of markup
block
evenFooterMarkup = \oddFooterMarkup
} % end of paper block
But the pdf output is still A4 Portrait where am I going wrong?
regards
Peter Gentry
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http
ide the range
modify then to fall inside the range. The colour then gives engraver/player the
option to play within range or if that is awkward
play rests. I haven't sent to list before to save every
FWIW
I have attached a slightly simplified and better version of instrument_ranges.ly
regards
Peter Gentry
\version "2.19.15"
% -
% include function file instrument_ranges.ly
% usua
>-Original Message-
>Message: 6
>Date: Fri, 29 May 2015 12:45:10 +0100
>From: Peter Gentry
>To: lilypond-user@gnu.org
>Subject: Color note heads outside nominal instrument range
>Message-ID: <55685146.1050...@sunscales.myzen.co.uk>
>Content-Type: tex
This is the cleaned up function - I hope Thunderbird does a better job
then Outlook.
\version "2.19.15"
%
-
%
% P Gentry (peter.gen...@sunscales.co.uk) 29 May 2015
%
%Function to color any notes ou
>-Original Message-
>Date: Thu, 28 May 2015 07:17:42 -0500
>From: David Nalesnik
>To: Peter Gentry
>Cc: lilypond-user
>Subject: Re: Notehead color on programmed pitch change
>Message-ID:
>
>
>Content-Type: text/plain; charset="utf-8"
&
x27;tweaks
(list (cons (quote font-size) 3)
(cons (quote stencil) #))
'articulation-type
"stopped"))
'duration
(ly:make-duration 2)
'pitch
(ly:make-pitch 2 1)
AFAICS tweaks are not documented properly anywhere - some of the possible
tweaks are presented without detailed
>-Original Message-
>From: Phil Holmes [mailto:m...@philholmes.net]
>Sent: Wednesday, May 27, 2015 11:49 AM
>To: Peter Gentry; lilypond-user@gnu.org
>Cc: 'Thomas Morley'
>Subject: Re: Notehead color on programmed pitch change (now \tweak)
>
>----- Or
>-Original Message-
>From: Peter Gentry [mailto:peter.gen...@sunscales.co.uk]
>Sent: Wednesday, May 27, 2015 10:16 AM
>To: 'lilypond-user@gnu.org'
>Cc: 'Thomas Morley'
>Subject: Re: Notehead color on programmed pitch change
>
>
>
>
>-Original Message-
>From: Thomas Morley [mailto:thomasmorle...@gmail.com]
>Sent: Tuesday, May 26, 2015 5:33 PM
>To: Peter Gentry
>Cc: lilypond-user
>Subject: Re: Subject: Re: Notehead color on programmed pitch change
>
>2015-05-26 18:09 GMT+02:00 Peter Gentry :
| % 4
f8 [ d8 ] r4 r2 | % 5
}
}
\score {
\new Staff
\relative c'' {
d4 r16 d,,16 [ e'16 f16 ] e8 [ a,8 ] a''16 [ g'16 a16 e16 ] | % 4
f8 [ d8 ] r4 r2 | % 5
}}
regards
Peter Gentry
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[ g'16 a16 e16 ] | % 4
f8 [ d8 ] r4 r2 | % 5
}
}
\score {
\new Staff
\relative c'' {
d4 r16 d,,16 [ e'16 f16 ] e8 [ a,8 ] a''16 [ g'16 a16 e16 ] | % 4
f8 [ d8 ] r4 r2 | % 5
}}
regards
Peter Gentry
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t ))
\score {
\naturalizeInstrumentRange "clarinet"
\new Staff
\relative c'' {
d4 r16 d,,16 [ e'16 f16 ] e8 [ a,8 ] a'16 [ g'16 a16 e16 ] | % 4
f8 [ d8 ] r4 r2 | % 5
}}
regards
Peter Gentry
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Date: Thu, 14 May 2015 16:01:34 +0100
From: Mark Knoop
To: Lilypond User List
Subject: Re: Music function problem
Message-ID: <20150514160134.292179f6@brahms.leipzig>
Content-Type: text/plain; charset=US-ASCII
At 14:57 on 14 May 2015, Peter Gentry wrote:
> I have seen the error o
.
I was anticipating some internal Lily magic when the answer was simple...doh.
Thanks for putting me on the right track.
>-Original Message-
>From: Thomas Morley [mailto:thomasmorle...@gmail.com]
>Sent: Thursday, May 14, 2015 1:07 PM
>To: Peter Gentry
>Cc: lilypond-us
. Any pointers gratefully recieved
I think I am missing something crucial about define-music-function
regards
Peter Gentry
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Gentry; Benjamin CL
Cc: lilypond-user Mailinglist
Subject: Re: manuals page [WAS Re: teaching a university module on
2015-04-28 13:00 GMT+02:00 Peter Gentry :
That benlemon link is a real lemon - does the purported site actually exist?
domain is renewed:
Domain Name:BENLEMON.ME
Domain Create Date
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