partCombine \musicA
\after 4.. \once \voiceTwo \musicB
\new NullVoice = "musicA" \musicA
\new NullVoice = "musicB" \musicB
\new Lyrics \lyricsto "musicA" \verseII
\new Lyrics \lyricsto "musicB" \verseIII
>>
--
Pierre-Luc Gauthier
Can anyone please advise why the following snippet outputs G9.13 instead of
>>> just the G13 chord name?
>>
>>
>> I don't know "why", but this is how you would get just a 13 chord:
>>
>> changes = \chordmode {
>>| g1:11.13 |
>> }
>>
>> You can find the common chord modifiers here:
>>
>> https://lilypond.org/doc/v2.24/Documentation/notation/common-chord-modifiers
--
Pierre-Luc Gauthier
What‽ How in the world could I have not found this for myself… So much shame.
Thank you Timothy :-)
Le jeu. 16 mai 2024, à 10 h 16, Timothy Lanfear a écrit :
>
> On 16/05/2024 14:56, Pierre-Luc Gauthier wrote:
>
> Hello there,
>
> Is it possible to \override the squashedP
ce \override Voice.squashedPosition = #4
c'
\improvisationOff
c'
}
The ML archive did not provide much help.
--
Pierre-Luc Gauthier
the crap out of the score and move
> on.
My goto is usually to pepper the offending part with \allowPageTurn.s
and check that all 4 editions (letter, letterXL, tablet, tabletXL) are
ok (git commit -vp && git push && ./doItAll and move on).
--
Pierre-Luc Gauthier
ng all the quotedCueEvent seems to be
> necessary to get everything included in cues.
>
> quotedCueEventTypes
>
> In particular I'm trying to get some phrasing slurs to appear in cues.
>
> TIA
>
> Paul
>
>
>
>
>
--
*Pierre-Luc Gauthier*
Wow that indentation... here is the file.
Le mer. 8 mai 2024, à 11 h 05, Pierre-Luc Gauthier
a écrit :
>
> \version "2.25.15"
>
> \language "english"
>
> % _taken from the LSR :
> #(define-markup-command (long-curly-bracket layout props arg-height)
>
ted.
It works so I'll try to deploy it to 15 songs -_-' … (Big rehearsal
tonight 100+ musicians !!! (is excited))
Le mer. 8 mai 2024, à 10 h 19, Pierre-Luc Gauthier
a écrit :
>
> Hello there,
>
> Originaly :
> https://lists.gnu.org/archive/html/lilypond-user/2017-1
aff height brace ? The \caesura,
\breathe, etc are effectively taking the required (horizontal) place
in the score. Maybe I can just change the stencil ? I'll try that.
{r2 r4 \breathe c' |}
Thanks for any pointers :-)
--
Pierre-Luc Gauthier
|
> }
> ...that I do it almost automatically.
Try that in 12/8 :-)
--
Pierre-Luc Gauthier
st note of the given music
> argument") isn't likely to work though, since it's not guaranteed that
> the music given is SequentialMusic: What is the last note of a << >>
> expression?
Of course. I said \beforeLast not as \before-the-last-note-please but
rather \beforeEnd. \fromEnd is way clearer.
I've added your snippet and will surely make good use of it !
Thank you very much.
--
Pierre-Luc Gauthier
;16 d''} <>)\!|
> }
The above example would not work if I add another note :
{
\repeat unfold 8 {e''16 d''} <>\f |
c'1 |
}
The "empty chord" syntax (which probably has a name? (and is not a
chord in my understanding)) pushes the expression to the next event.
So maybe my example is klonky.
--
Pierre-Luc Gauthier
f the expression rather from the start
?
e.g. :
\beforeLast 16 \!
…
\pænultimus 16 )
\preantepenultimate 16 \!
^ Both above are strictly for laughing usage (provided it could have
such effect).
Should I :
https://gitlab.com/lilypond/lilypond/-/issues/new
and flag as Enhancement ?
--
Pierre-Luc Gauthier
l a
écrit :
> On 2024-04-29 7:50 am, Pierre-Luc Gauthier wrote:
> > Can a markup command introspect its direction ?
> >
> > Is it possible to set in a markup command some conditionals (not paper
> > related) ?
> >
> > \version "2.25.15"
&g
%\if #DOWN
"↑"
%\if #UP
"↓"
}#}))
{b'^\markup \conditionalMrkp b'_\markup \conditionalMrkp}
--
*Pierre-Luc Gauthier*
Sorry about the noise, I misread your post.
Maybe a custom drum style table could be a more elegant solution.
https://lilypond.org/doc/v2.25/Documentation/notation/custom-percussion-staves
Le ven. 19 avr. 2024, à 09 h 05, Pierre-Luc Gauthier
a écrit :
>
> Remove all the double backs
w Voice {
> > > >\clef "varpercussion"
> > > >\time 4/4
> > > >R1 |
> > > >r2 s2\f |
> > > >R1 |
> > > >r2 s2 |
> > > > }
> > > >
> > > > percussions = \new Voice \relative {
> > > ><<
> > > > \cymbals
> > > >\\
> > > > \tamTam
> > > >\\
> > > > \bassDrum
> > > >>>
> > > > }
> > > >
> > > > \new Staff
> > > > <<
> > > >\pause
> > > >\percussions
> > > > %%
> > > >
> > > > But as you can see (output attached, percussion2.pdf) the three notes
> > > > aren't aligned on the same stem, only two of them are.
> > > >
> > > > I tried \partCombine, it works nicely with two parts, but if there's a
> > > > way to combine three or more I didn't find it.
> > > >
> > > > Any help is much appreciated.
> > >
> > > Just remove the "\\" in your definition of percussions:
> > >
> > > percussions = \new Voice \relative {
> > ><<
> > > \cymbals
> > > \tamTam
> > > \bassDrum
> > >>>
> > > }
> > > In that way, all three lines of music will belong to the same Voice.
> > >
> > > When you use the construct << ... \\ ... >>, you explicitly ask LilyPond
> > > to create separate voices with separate stems, for the different lines
> > > of music, which is not what you want in this particular situation.
> > >
> > > /Mats
> > >
--
Pierre-Luc Gauthier
tand. Elementary, yet still so
critical to understand the "back-end" (whatever that means) of
LilyPond.
Thank you Aaron for this solution / explanation.
Greetings
--
Pierre-Luc Gauthier
e sam. 13 avr. 2024, à 15 h 36, Thomas Morley a
écrit :
> Am Sa., 13. Apr. 2024 um 20:59 Uhr schrieb Pierre-Luc Gauthier
> :
> >
> > Hello there,
> >
> > Quite an easy one I'm sure but I tried many combinations to no avail.
> >
> > I have this symbo
dr (assoc 'aVariable anAList))
}
How can I make this symbol into music without defining it before the alist ?
Thanks for any pointers :-)
--
Pierre-Luc Gauthier
for me to code though but I
understand it !)
> \quoteDuring "oboeI" \quoteDuring "fluteII" \quoteDuring "fluteI"
> \quoteDuring "piccolo" { s4 }
Now that is awesome (and would have fit my needs) but redefining the
function seems a bit cleaner.
Thank you so much Aaron, this will be quite useful.
Greetings to you all !
--
Pierre-Luc Gauthier
ts something like :
pianoReduction = \quoteDuring #'("piccolo" "fluteI" "fluteII" "oboeI") {s4}
I thought maybe the \quoteDuring command could accept lists but I have
not managed to get it to work... :-(
Thanks for any pointers
--
Pierre-Luc Gauthier
hould
> grab lunch/tea/pints some day. :)
>
> Cheers,
> Kieren.
> __
>
> My work day may look different than your work day. Please do not feel
> obligated to read or respond to this email outside of your normal working
> hours.
>
>
--
Pierre-Luc Gauthier
c16 d ef f a b c' ef' c,4
}
\new Lyrics \lyricsto "ossia" {
\set alignBelowContext = "ossia"
Lo -- rem ip -- sum do -- lor sit a -- met
}
>>
}
>>
--
Pierre-Luc Gauthier
s recent as that. And it's not unreasonable to assume that many of
> those interested in using the kind of workflow LilyPond offers would
> pass as "old-school" and have a leaning towards old-school devices,
> regardless of what biological age their ID might pronounce.
>
> So in my book, offering support for GM2 _and_ other instrument/patch
> schemes beyond GM1 would be more of a priority over going MIDI 2.0.
>
> --
> David Kastrup
--
Pierre-Luc Gauthier
ed in
(maybe) a graceful way ?
Is the base code to blame ?
I hope 2024 brings you everything you need.
--
*Pierre-Luc Gauthier*
e
\layout {}
}
\score {
\oboe
\layout {}
}
Le dim. 19 nov. 2023, à 23 h 15, Adam M. Griggs
a écrit :
>
> Hello again list,
>
> Is it possible to configure the bar number engraver so that in addition to
> its regular behaviour, whatever that may be defined as*, it will also print a
> bar number after a multi-measure rest?
>
> Thank you.
>
>
> * I usually go with
> \set Score.barNumberVisibility = #(modulo-bar-number-visible 4 1)
> because I detest counting bars up from the start of the system.
>
--
Pierre-Luc Gauthier
|
}
\new StaffGroup \with {
} <<
\new Staff \with {
shortInstrumentName = "Tacet"
} \tacet
\new Staff \with {
instrumentName = "A"
shortInstrumentName = "A"
} \musicA
\new Staff \with {
shortInstrumentName = "B"
} \musicB
>>
Thanks for any pointers
--
*Pierre-Luc Gauthier*
#30 \italic \fontsize #-3
> \fill-line { "This page intentionally left blank" }
> }
>
> #(set-default-paper-size "a6")
>
> \layout {
> \context {
> \Staff
> \consists "Page_turn_engraver"
> }
> }
>
> \bookpart {
> {
> a b c d R1
> \repeat unfold 30 {a4 b c d}
> }
> }
>
>
>
--
Pierre-Luc Gauthier
"-processMePlease-".
Any thoughts on the subject ?
--
Pierre-Luc Gauthier
viously).
Your help and insights means everything to this list.
--
Pierre-Luc Gauthier
''16\prall
\startTrillSpan d''
<>\stopTrillSpan
}
partB = {
\once \override TrillSpanner.stencil = ##f
\pitchedTrill
gs'16\prall
\startTrillSpan a'
<>\stopTrillSpan
}
<<
\new Staff \partA
\new Staff \partB
\new Staff <<
\partA
\partB
>>
>>
--
Pierre-Luc Gauthier
{ a b c }
<<
\new Devnull = "2" \music
\new Lyrics \lyricsto "2" \words
>>
Maybe I could just Hide the staff completely. I've never done that
before... I'll give it a try.
--
Pierre-Luc Gauthier
s
>>
<< % said null part
\new NullVoice = "2" \music
\new Lyrics \lyricsto "2" \words
>>
>>
Le mar. 29 août 2023, à 17 h 33, Carl Sorensen
a écrit :
>
>
>
> On Tue, Aug 29, 2023 at 3:12 PM Pierre-Luc Gauthier
> wrote:
>&
4 }
words = \lyricmode { a b c }
<<
\new Staff \new Voice = "1" \music
\new Lyrics \lyricsto "1" \words
\new Devnull = "2" \music
\new Lyrics \lyricsto "2" \words
>>
Am-I using it correctly ?
Thanks for any pointers
--
Pierre-Luc Gauthier
\new Voice << \music \structure >>
\new Voice << \music \structure >>
\new Voice << \music \structure >>
\new Voice << \music \structure >>
\new Voice << \music \structure >>
\new Voice << \music \structure >>
>>
c \structure >>
\new Voice << \music \structure >>
\new Voice << \music \structure >>
\new Voice << \music \structure >>
\new Voice << \music \structure >>
\new Voice << \music \structure >>
>>
\layout {}
music of that part {c'''' d'''' e''''}.
I think the problem is that the \changeTempo function is getting
applied and re-applied at every single part (37ish parts).
Le mer. 23 août 2023, à 09 h 59, Pierre-Luc Gauthier
a écrit :
Not quite there yet.
Now I get :
warning: the property 'tempoWholesPerMinute' must be of type 'positive
moment with no grace part', ignoring invalid value '#'
Le mer. 23 août 2023, à 09 h 45, David Kastrup a écrit :
>
> Pierre-Luc Gauthier writes:
>
>
anyway. closing.
> > > No MWE for now but will provide if needed.
> > Can you think of a case where it wouldn't be needed?
> Silly me :-)
So, \tempoChange works as expected.
Sorry for the noise.
Thanks David !
--
Pierre-Luc Gauthier
#x27; b' a' g' f' |
}
structure = {
\time 6/8
\tempo 4. = 100
\tempoChange 8 64/128 0 {
s2. |
}
}
\score {
\new Voice << \music \structure >>
\layout {}
\midi {}
}
But, as you could expect, it works flawlessly (Thus the need for a MnWE).
Scaling down this sketchy-arachnid code (full symphonic+chorus) of
mine will take some time though, but, I _will_ survive.
--
Pierre-Luc Gauthier
ither :
- working correctly
- Hanging forever after [8][16][24][32][40][48][56]…
- Or (with 2.25.8) :
MIDI output to `output.mid'...[1]1213296 floating point
exception (core dumped)
> it has worked for at least a year or so here.
No MWE for now but will provide if needed.
--
Pierre-Luc Gauthier
okpart markup that would
(could) add a blank (or similar) page at page-number 0 *only* when the
music starts on the left page ?
--
Pierre-Luc Gauthier
2 ?
The classic "Left intentionally blank" page, created especially for
those of us getting ptsd panic attacks at the thought of eventually
negotiating yet again with this horrible printer interface for it to
"do it correctly".
Thanks,
--
Pierre-Luc Gauthier
ou, so, much !
I understand from your code that this opens up the door to an
arbitrary number of pages, say, a 3 page bloc. 'Could be fun !
--
Pierre-Luc Gauthier
e reading from a tablet are reading one page at the time and they
could benefit from this brain pause while triggering the page turn
with e.g. a Bluetooth pedal.
Thanks for any pointers :-)
--
Pierre-Luc Gauthier
tjepan Horvat wrote:
> > This is what i have made so far
>
> Looks very interesting. Is there any public website I can follow for
> that project?
> --
> Karlin High
> Missouri, USA
>
--
Pierre-Luc Gauthier
I tried to MWEise my very awkward and barely
functioning part system.
> #@(ly:music-property parts 'elements)
^ Thanks, I'll keep this one in my tool box.
--
Pierre-Luc Gauthier
ion
(parts) (list?)
#{\new StaffGroup <<
%#(for-each (lambda (part) part) parts)
#(car parts)
#(car (cdr parts))
#(car (cdr (cdr parts)))
#(car (cdr (cdr (cdr parts
>>#})
\group \parts
--
*Pierre-Luc Gauthier*
ists as mentioned before
>
> #(define instrumentsInfo
>(list (cons 'piccolo
>(list (list 'fullName "Piccolo")
> (list 'transposition #{ bf' #})
>
> Cheers,
> Valentin
>
> Am Donnerstag, 15. Juni 20
And indeed I tried (brute force) all the quoting permutations… except
yours Jean.
Thank you very much. I will re-thoroughly read the manual ! :-)
Le jeu. 15 juin 2023, à 12 h 46, Jean Abou Samra a écrit :
>
> Le jeudi 15 juin 2023 à 12:25 -0400, Pierre-Luc Gauthier a
I've attached my notquite-MWE.
Le jeu. 15 juin 2023, à 12 h 35, Pierre-Luc Gauthier
a écrit :
>
> So sorry, you have to remove the c''% at the end… 'should have made that
> clear.
>
> Le jeu. 15 juin 2023, à 12 h 33, Valentin Petzel a écrit
> :
> >
So sorry, you have to remove the c''% at the end… 'should have made that clear.
Le jeu. 15 juin 2023, à 12 h 33, Valentin Petzel a écrit :
>
> Hello Pierre-Luc,
>
> It works for me if I copy and paste your code. Can you maybe attach a ly file
> that does not work f
up 'piccolo 'transposition)
The ly:pitch? predicate fails. Is there a way for that pitch to be
sent as a correct ly:pitch? ¿
Thanks for any pointers.
--
Pierre-Luc Gauthier
Closer to what I would want but still :
\new DrumStaff \with {
} {
\context DrumVoice = "1" {
\override NoteHead.color = "red"
}
\context DrumVoice = "2" {
\override NoteHead.color = "green"
}
\repeat unfold 2 \grooveI |
\repeat un
I don't see where it
> shows that the
> voices are connected somehow (most probable I just missed it when reading
> over it).
> Can you explain further? (maybe reference some lines or what to look at)
>
> Best wishes
> Lukas
>
>
> --- Original Message --
f <<
\new Voice = "1" { \voiceOne … }
\new Voice = "2" { \voiceTwo \relative … }
>>
--
Pierre-Luc Gauthier
hat I thought it was
>> > practically unusable. Or that there was some trick to maybe have
>> > Frescobaldi tell me the "position" of the note (meant as numbers of quarter
>> > or eight notes from the beginning).
>>
>> Here is a primitive include file for you to play around with.
>>
>> When hovering with the mouse
>> - over a notehead
>> - over a barline (inside a staff)
>> it shows such a position as (an inconvenient) fraction.
>>
>>
>> Cheers,
>> Robin
--
Pierre-Luc Gauthier
percussion.ly:*:*: warning: Ignoring non-music expression
> \m 8 \m r4
>\m
>
> actual output (midi)
>
> (I hear no percussion at all)
>
--
Pierre-Luc Gauthier
s the systems to Page_breaking::page_height
> and not just the page number + whether it's the last page. However, even
> if the gauge has to be retained for the sake of that, having the right
> stencils already after page breaking instead of using these
> "delay-stencil-evaluation" stencils would already be simpler.
>
> Best,
> Jean
>
--
Pierre-Luc Gauthier
to have a life of its own.
Le jeu. 18 août 2022, à 17 h 39, Jean Abou Samra a écrit :
>
> Le 18/08/2022 à 21:30, Pierre-Luc Gauthier a écrit :
> > I also read "git log -p" on a daily basis.
>
>
> Just curious: are you really reading `git log -p` *on the LilyPond
>
hords-mode
https://lists.gnu.org/archive/html/lilypond-user/
FWIW
--
Pierre-Luc Gauthier
ich is musically totally irrelevant).
Hope it helps
--
Pierre-Luc Gauthier
Hi Kenneth,
{1\p\< <>\!}
Or :
{\clef bass e,1\p\< <>\!}
Hope this helps.
Le lun. 20 sept. 2021, à 19 h 58, Kenneth Wolcott
a écrit :
>
> HI;
>
> dynamic "p" followed by hairpin crescendo on the same level, how?
>
> See attached screenshot.
>
> Thanks,
> Ken Wolcott
--
Pierre-Luc Gauthier
ics = {
s1*32 |
s1\< <>\! |
}
\addQuote "hornDynamics" \hornDynamics
Does that make things clearer for you ?
Quotes can be quite funky.
--
Pierre-Luc Gauthier
Le sam. 10 avr. 2021 à 14:13, N Trocado a écrit :
>
> What's wrong with the snippet bellow? It doesn't pr
to be used anywhere else.
> the notes will be the wrong ones
Transposed notes for a Bf clarinet are not the wrong notes.
I guess my point is : guitar, piccolo and basse are no different to me
than clarinets, horns, english horns, etc.
I now feel a weight have been lifted from my shoulders.
--
Pierre-Luc Gauthier
uot; neither guitar with
\clef "treble_8".
In my non transposing conductor scores though I explicitely use
"bass_8" for basses and "treble_8" for guitars.
--
Pierre-Luc Gauthier
is actually e, .
>
> You are aware that guitar notes written in treble clef sound an octave
> lower than written? "Correct" guitar notes are written using \clef
> "treble_8" though a lot of notes abound not bothering spelling out the
> octavation.
>
> Bu
eApart by default.
Thanks for your help
--
Pierre-Luc Gauthier
\version "2.21.0"
\partCombine
{
c'1 |
\partCombineChords
\pitchedTrill
a''2
\startTrillSpan bes''
a''2\stopTrillSpan |
\partCombineAutomatic
c'1 |
}
{
c'1 |
\pitchedTrill
c'''2
\startTrillSpan des'''
c'''2\stopTrillSpan |
c'1 |
}
aterial of the preceding bookpart to fill the whole of its last
> > page, so provided the sections of your score are not too short, the
> > layout will be fine. Otherwise, you might want to group several short
> > sections into one bookpart with a common running header.
> >
&g
only access text fields from top-level
\header blocks (which apply to all scores in the book)."
Is there a way to get around this limitation?
Thanks for any pointers
Here is a MWE
--
Pierre-Luc Gauthier
\version "2.21.0"
\header {
piece = \markup \typewriter \italic \bold &quo
}
would have been perfect but this command does not exist.
And :
quoting = \quoteDuring "quoted" \transpose c' c'' {s1}
does not work.
Any hints?
Thanks for any pointers.
--
Pierre-Luc Gauthier
___
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alking about some multiple staff parts that are also
concerned with this issue).
--
Pierre-Luc Gauthier
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roup {\set Score.currentBarNumber = #300 \bar "" 1 1}
Le sam. 3 nov. 2018 à 06:16, Federico Bruni a écrit :
>
> Hi Pierre-Luc
>
> Known bug, see;
> https://sourceforge.net/p/testlilyissues/issues/2313/
>
>
> Il giorno gio 1 nov 2018 alle 18:06, Pierre-Luc Gauthier
#CENTER
\override StaffGroup.SystemStartBracket.collapse-height = #1
}
\new StaffGroup {\set Score.currentBarNumber = #300 \bar "" 4}
Of course I could raise the BarNumber.padding but that would be a work
around *and* would apply to all BarNumbers.
Thanks
--
Pierre-Luc Gauthier
\version "2.21.0"
\l
me layer. Try adding
> \override BarNumber.layer = 200
> to StaffGroup-context.
>
> Cheers,
> Harm
--
Pierre-Luc Gauthier
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p \music
\new StaffGroup \music
>>
\layout {
\override Score.BarNumber.self-alignment-X = #CENTER
\override Score.BarNumber.whiteout = #4
\context {
\Score
\remove "Bar_number_engraver"
}
\context {
\StaffGroup
\consists "
ook {}
> #(set-global-staff-size 14)
> \book { { \tempo 4=120 c'4 } }
> works here.
Yes, of course.
Thanks Thomas,
Have a good day
--
Pierre-Luc Gauthier
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> b
>
> }
>
> Cheers,
>
> A
> ___
> lilypond-user mailing list
> lilypond-user@gnu.org
> https://lists.gnu.org/mailman/listinfo/lilypond-user
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It does work as expected if you use set-global-staff-size alone in
file itself but then, all the \book{}s are concerned.
Yes a size of 4 is absurd but is quite obvious for debugging.
Thanks
--
Pierre-Luc Gauthier
___
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lilypond-use
n the
>> guile-manual, neither guile-1.8 nor guile-2.2.3
>
>
> Astounding.
>
> ~/lilypond-git$ git grep 'module?'
> ly/context-mods-init.ly: (if (output-module? module)
> scm/framework-ps.scm: (if (module? header)
> scm/lily-library.scm:(define-pub
et, huge, kindle, etc) for all parts in the
orchestra for a small setup time.
Thank you very much Thomas.
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Thanks Thimothy
2018-01-13 13:49 GMT-05:00 Timothy Lanfear :
> See this thread
I will.
Here is where I am so far.
I'm trying to get some basic iteration going on.
Still, I'm not sure why it does not work.
--
Pierre-Luc Gauthier
%%%
\version "2.21.0"
s
to "unfold" the score if that makes any sense.
I am using (display (car score-list)) just to figure out what is going on.
Good day
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Pierre-Luc Gauthier
%
\version "2.21.0"
scoreI = \score {
{\key cis \major ces''4}
\layout {}
}
scoreII = \scor
Hi Thomas,
> 2018-01-13 3:30 GMT+01:00 Pierre-Luc Gauthier :
>> Expecting music, found #
>> I did read and tried stuff based on :
>> http://lilypond.org/doc/v2.19/Documentation/notation/predefined-type-predicates.en.html
2018-01-13 1:16 GMT-05:00 Thomas Morley :
> As
-predicates.en.html
'P.S. is my MWE.
Thanks for any pointers
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Pierre-Luc Gauthier
%
\version "2.21.0"
headerA = \header {piece = "header A"}
headerB = \header {piece = "header B"}
scoreFunc = #
(define-scheme-function
(header content)
ot;.
I can add color or outline white(out) them to facilitate contrast or
eventual manual pass with a highlighter.
Thank you very much Thomas.
Good day
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Pierre-Luc Gauthier
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inside a score like the one in the attached PNG.
Thanks for any pointers.
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Pierre-Luc Gauthier
\version "2.21.0"
iNeedAnEntranceCue = <>^\markup {
\bold \italic \larger \with-color #red
"Cue"
}
flute = \new Staff \with {
instrumentName = Flu
out. Thank you very much.
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move "Mark_engraver"
}
\context {
\StaffGroup
%\Staff
\consists "Mark_engraver"
}
}
}
Thanks for any pointers.
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Pierre-Luc Gauthier
\version "2.21.0"
music = \relative c' {
\mark \default
c4 d e f g a b c
}
someGroup = \new
#empty-interval #empty-interval.
Why then does it not offset the MMR number?
I'll try and understand that some more.
Thanks a lot for your help Malte.
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2017-10-06 9:36 GMT-04:00 Malte Meyn :
> \override Beam.breakable = ##t
Good to know.
Thanks :-)
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t happy to be corrected as I am using most terms rather
loosely (grob, markup, engraver, etc).
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Pierre-Luc Gauthier
\version "2.21.0"
%% define the custom context-property `printMmrRange'
#(define (define-translator-property symbol type? description)
(if (not (and (symbol
Hi Malte,
> Am 05.10.2017 um 20:54 schrieb Pierre-Luc Gauthier:
>> I peppered bars (e.g: \bar "") at most beam breaks in the cadenza
2017-10-06 2:39 GMT-04:00 Malte Meyn :
> Do you know
> \set Score.barAlways = ##t
> and
> \set Score.defaultBarType
-length musicExpression) not
generate an MMR?
My not so MWE,
I'm trying to include here the minimum required to represent my setup
faithfully.
It's a typical cadenza situation and I need others to stay in sync with it.
Thanks for considering.
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Pierre-Lu
near to the beginning of the line. If you set (and then
> hide) something, a rest or a note, then a collision with the clef
> and signatures has to be avoided, so the zero-point of time gets
> pushed rightwards to a position after them.
So if I understood corre
f and
"normal" stuff.
\version "2.21.0"
cued = \repeat unfold 8 {c'8 d'}
\addQuote "cued" \cued
{
c'1
\cueDuring "cued" #UP {R1}
}
{
c'1
<<
\repeat unfold 4 {c8 d'}
\\
r1
>>
}
Again thanks for y
Hi there,
Why is it that rests avoid collisions and MMRs do not?
Also, is there a way to tell the MMR to go as far as needed to be
bellow voice one?
MWE :
\version "2.21.0"
<<
\repeat unfold 4 {c8 d}
\\
r1
>>
<<
\repeat unfold 4 {c8 d}
\\
R1
>>
is my MWE :
\version "2.21.0"
partA = \relative c'' {
c4 d e f |
R1*2
}
partB = \relative c'' {
c4 b a g
R1
\acciaccatura {f16 g a b}
c1 |
}
\partcombine \partA \partB
Thanks for any input.
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Pierre-Luc Gauthier
\version "2.21.0"
p
example)?
I know the problem in my example comes from the fact that an MMR is
not "timed"(<-what would be the correct word here?) it is just
"centered" in the measure.
I suppose that the lyrics has no "timed" stuff to align to.
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