On May 9, 2011, at 10:25 PM, Kurt Kroon wrote:
> On May 9, 2011, at 7:46 AM, Francesco Spiga wrote:
>
>> Is it possible, in figured bass, having just an accidental in brackets
>> instead of the whole figure?
>>
>> For example:
>>
>> [#]6
>>
On May 9, 2011, at 7:46 AM, Francesco Spiga wrote:
> Is it possible, in figured bass, having just an accidental in brackets
> instead of the whole figure?
>
> For example:
>
> [#]6
> 4
>
> I tried with this, but the result isn't nice:
>
> <\markup { [ \teeny \sharp ] \tiny \number 6} 4>
On 2009/01/10 12:41 AM, "Graham Percival" wrote:
> On Fri, Jan 09, 2009 at 11:00:23PM -0800, Kurt Kroon wrote:
>> On 2009/01/05 3:02 AM, "Zoltan Selyem" wrote:
>>
>>> I suppose the Music Glossary is made with lilypond-book.
>>
>&g
On 2009/01/05 3:02 AM, "Zoltan Selyem" wrote:
>
> Hi,
Hi
I'm Kurt: I maintain the Glossary.
> On Mon, 5 Jan 2009, Mats Bengtsson wrote:
>> I'm afraid that the Music Glossary included in the LilyPond
>> documentation does not yet include Hungarian, perhaps you would
>> be interested in helping
On 2008/10/07 4:41 PM, "Alexander Kobel" <[EMAIL PROTECTED]> wrote:
>> A List Apart explains how to implement this with cookies, but we would
>> rather not use JavaScript:
Cookies != JavaScript
True, it's very easy to fiddle with them if you're using JavaScript, but
they started as a server-side
On 2008/10/01 8:30 AM, "Patrick McCarty" <[EMAIL PROTECTED]> wrote:
> On Tue, Sep 30, 2008 at 11:53 PM, Kurt Kroon <[EMAIL PROTECTED]> wrote:
>>
>> -1, but I've got mad enough skillz to make a user style sheet. That way, I
>> can make it look how
On 2008/09/30 3:45 PM, "Reinhold Kainhofer" <[EMAIL PROTECTED]> wrote:
> -BEGIN PGP SIGNED MESSAGE-
> Hash: SHA1
>
> Am Mittwoch, 1. Oktober 2008 schrieb John Mandereau:
>> On 2008/09/30 14:04 -0700, Patrick Horgan wrote:
>>> Well done:) I still prefer Patrick's style and wish it were th
For all you native (or completely fluent) Italian speakers:
Since it is grammatically incorrect to say "crescendo al niente" to mean
"increase in volume, starting from nothing", which would be more correct:
* crescendo _da_ niente OR
* crescendo _dal_ niente?
Thanks!
Kurt
__
On 2008/09/12 1:19 PM, "Stefan Thomas" <[EMAIL PROTECTED]>
wrote:
> Dear lilypond users,
> since a couple of day I don't get the [daily] summary of the user-group any
> more. Is it a problem I share with others?
>
Yes: the list postmaster is aware of the issue and has already contacted the
GNU p
On 2008/09/10 4:11 AM, "John Mandereau" <[EMAIL PROTECTED]> wrote:
> On 2008/09/09 21:31 -0700, Kurt Kroon wrote:
>
>> I'm getting an error when I try to update a file to v.2.11.57 on Mac OS X
>> "Tiger", running on a G4 PowerBook. (The file wor
I'm getting an error when I try to update a file to v.2.11.57 on Mac OS X
"Tiger", running on a G4 PowerBook. (The file works fine in v.2.10.33,
though I need to do some more tweaks to fix some minor layout issues.)
Here's the console message:
Traceback (most recent call last):
File "/Applicat
On 2008/08/23 12:13 AM, "Graham Percival" <[EMAIL PROTECTED]> wrote:
> My thesis defense went very well, I've finished all
> corrections, and have submitted all the paperwork. I'm leaving
> for Belfast in a few hours. I'll have email access, but no git
> access any more.
Congratulations!
> I'l
On 2008/08/18 2:52 PM, "Neil Puttock" <[EMAIL PROTECTED]> wrote:
> ... unfortunately, it's not clear from the regression
tests for ancient music
> since they are so small and the change in
spacing is barely visible unless you
> have a fair sized example.
I happen to have a fair-sized example at h
On 2008/07/29 8:04 AM, "Dominic Neumann" <[EMAIL PROTECTED]> wrote:
> Hi,
Hello! I don't know if anyone else has answered this -- I haven't been
getting digests for the past week or so -- so I figured I should toss my hat
into the discussion ... especially since I have some recent experience in
On 2008/05/12 2:20 PM, "Graham Percival" <[EMAIL PROTECTED]> wrote:
> On Mon, 12 May 2008 14:19:15 -0700
> Graham Percival <[EMAIL PROTECTED]> wrote:
>
>> We still have two "entry-level" positions:
>
> Sorry, my mad rush to cancel the message failed.
>
> We have three "entry-level" positions:
>
On 2008/04/09 3:45 PM, "Karl Hammar" <[EMAIL PROTECTED]> wrote:
>> Trevor Daniels schrieb:
> ...
>>> .3 Baroque rhythmic notation (new)
>> Karl:
>>
>> We don't have lilypond examples of this. I have seen this in a Novello
>> score for Purcells Dido. So I suggest we drop this for the moment.
>
Here's what I've come up with from the discussion about meter, poly and
otherwise.
Let me know what you think.
K
[Sending the SVG source: the listdad bounced my first message because it was
too big.]
Meter - Venn diagram (plain).svg
Description: Binary data
___
On 2008/02/28 11:54 PM, "Anh Hai Trinh" <[EMAIL PROTECTED]> wrote:
* compound time sig -- this is a well established term refering to meter
such as 6/8, 9/8, 6/4, etc. in contrast to simple meters such as 3/8, 3/4,
etc.
>>
>> I just wanted to point out here that coumpond time signa
On 2008/02/28 11:34 PM, "Anh Hai Trinh" <[EMAIL PROTECTED]> wrote:
> Ok I was being lazy. The Harvard dict 4th ed. defines
>
>> Polymeter. The simultaneous use of two or more meters.
>
> and there you have it. The term "sequential polymeter" is a contradiction.
The *New* Harvard Dictionary of M
On 2008/02/28 6:12 PM, "Anh Hai Trinh" <[EMAIL PROTECTED]> wrote:
>
> I have never heard the term polymeter. It does not show up in Grove Music
> Online (actually once but refering to poetic meter), not a good sign!
Wow ... and I don't have $295 in couch cushion change to spend (every year)
on a
On 2008/02/28 1:30 AM, "Mats Bengtsson" <[EMAIL PROTECTED]> wrote:
> Kurt Kroon wrote:
>> \version "2.10.33"
>> #(define (compound-time grob one two three num)
>> (interpret-markup
>>(ly:grob-layout grob)
>>'(((baseline-sk
> (I'm not sure if one can extend this last one in LilyPond to more complex
> examples, like when the numerator is an additive expression, and the
> denominator is a single digit, e.g. (3+2+3)/8.)
I was mistaken ... it *is* possible to extend the syntax (which seems
completely reasonable, in retro
On 2008/02/16 12:48 PM, "Kurt Kroon" <[EMAIL PROTECTED]> wrote:
> I'm working on the Glossary for the GDP, and I'm stuck -- so, I'm canvassing
> the list.
Wow ... it's too bad no one here has any strong opinions on the matter. So,
since I started the
On 2/26/08 5:39 AM, "Palmer, Ralph" <[EMAIL PROTECTED]> wrote:
> Hi, Kurt -
>
> When I brought up "my" definition, it certainly was not intended to be
> exclusive (as in the only definition).
Nor did I perceive it that way.
> I was trying to point out that there was an alternative meaning to po
BACKGROUND
We now have a number of different terms to refer to several closely related
concepts:
* polymeter
* polymetric time signature
* double time signature
* compound time signature
(
Elsewhere -- just to add them to the mix -- I've seen:
* mixed meter / mixed time signatures
* additive tim
On 2/17/08 3:01 PM, "Simon Dahlbacka" <[EMAIL PROTECTED]> wrote:
> 2008/2/18, Reinhold Kainhofer <[EMAIL PROTECTED]>:
>> Am Sonntag, 17. Februar 2008 schrieb Simon Dahlbacka:
>>> > FWIW, it seems that Finnish is the only? language that includes the
>>> > "note/rest" part.
>
>> >Ahm, no, in German
On 2/17/08 2:44 PM, "Reinhold Kainhofer" <[EMAIL PROTECTED]> wrote:
> Ahm, no, in German we also say
> "ganze Note" (whole)
> "halbe Note" (half)
> "Viertelnote" (quarter)
> "Achtelnote" (eighth)
> "Sechzehntelnote" or "16tel-Note" (sixteenth)
> "Zweiunddreißigstelnote" or "32tel-Note" (32th)
> "Vi
On 2/17/08 1:09 PM, "Risto Vääräniemi" <[EMAIL PROTECTED]> wrote:
> ...
> More stuff:
> Quarter notes and rests seem to be named as neljännesosanuotti and
> neljännesosatauko in the glossary. They are understandable but more
> common words are neljäsosanuotti and neljäsosatauko.
Common as in:
* "
On 2/17/08 12:15 PM, "Risto Vääräniemi" <[EMAIL PROTECTED]> wrote:
> Dear Kurt,
>> What the ... Finnish words for 128th note
> 128-osanuotti (1/128-osanuotti)
> (yksi)sadaskahdeskymmeneskahdeksasosanuotti
>
> Breakup:
> sadas = 100th,
> kahdeskymmenes = 20th (2th (deliberate), 10th),
> kahdeksas
>> ...
>>
>> What the Dutch, Danish, Finnish and Swedish words for 128th- and 256th-notes
>> and -rests?
I was able to get the note names for English (both flavors), French,
Spanish, Italian and German elsewhere. That's why I only asked for the
names in Dutch, Danish, Finnish and Swedish only.
On 2/16/08 12:48 PM, "Kurt Kroon" <[EMAIL PROTECTED]> wrote:
> I'm working on the Glossary for the GDP, and I'm stuck -- so, I'm canvassing
> the list. ...
Oh, yeah ... I was also wondering:
What the Dutch, Danish, Finnish and Swedish words for 128th
I'm working on the Glossary for the GDP, and I'm stuck -- so, I'm canvassing
the list. Here's the scenario:
You've written a composition with a passage that needs to be played in a
different octave. When you describe it (this passage) to another musician,
what term do you use? And do you us
On 2/2/08 5:26 PM, "Kurt Kroon" <[EMAIL PROTECTED]> wrote:
> On 1/26/08 9:28 PM, "Graham Percival" <[EMAIL PROTECTED]> wrote:
>
>> Final call for comments on NR 1.1 Pitches. Please note that this
>> is our "demonstration" chapter, whic
On 1/26/08 9:28 PM, "Graham Percival" <[EMAIL PROTECTED]> wrote:
> Final call for comments on NR 1.1 Pitches. Please note that this
> is our "demonstration" chapter, which will form the guidelines for
> the rest of the NR. So if there's anything that you don't like
> about the general layout and
On 1/27/08 9:03 AM, "LEDOCQ-BOCCART" <[EMAIL PROTECTED]> wrote:
> Bonjour,
>
> Kurt Kroon a écrit :
>> http://lilypond.org/doc/v2.10/Documentation/user/lilypond/Ancient-notation-t
>> emplates#Ancient-notation-templates
>>
> Ce lien aboutit à une
On 1/25/08 8:46 AM, "Sr Catherine" <[EMAIL PROTECTED]> wrote:
> Bonjour,
> Je souhaite, avec Lilypond, écrire des tons de psaume, pour le chant de
> l'office.
Comme ceci (voyez l'exemple au fond de la page) :
http://lilypond.org/doc/v2.10/Documentation/user/lilypond/Ancient-notation-t
emplates#A
On 1/14/08 10:19 AM, "Rune Zedeler" <[EMAIL PROTECTED]> wrote:
> Citat Mats Bengtsson <[EMAIL PROTECTED]>:
>
>> - In Accidentals, I wouldn't refer to "Nordic and Germanic languages",
>> since both Swedish,
>> Danish, Norwegian and German use "-iss" and "-ess" (admittedly the
>> same concept, bu
On 10/19/07 9:04 AM, "Eyolf Østrem" <[EMAIL PROTECTED]> wrote:
> On 19.10.2007 (16:24), Francisco Vila wrote:
>> 2007/10/19, Trevor Daniels <[EMAIL PROTECTED]>:
>>>
>>> In the section on multi-measure rests the manual talks about
>>> "church rests", meaning the use of increasing numbers of
>>> lit
On 10/2/07 9:32 AM, "Miguel Lopes Santos Ramos" <[EMAIL PROTECTED]>
wrote:
>> From: Kurt Kroon <[EMAIL PROTECTED]>
>>
>> On 9/28/07 12:05 PM, "Graham Percival" <[EMAIL PROTECTED]> wrote:
>>
>>> Should we add "ex
On 9/28/07 12:05 PM, "Graham Percival" <[EMAIL PROTECTED]> wrote:
> Should we add "extender line" to the glossary? Is this a real musical
> term, or a made-up lilypond term? Any vocalists want to comment?
I've found a couple references:
In a set of songs published by A-R Editions in their Musi
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