On Wed, 30 Oct 2024 15:14:59 +0100
David Kastrup wrote:
> Cameron Hall writes:
>
> > Here is a short simplified excerpt of a piece I'm trying to notate.
> > I need a slur to start on the quarter note C and end on the D in
> > measure 3. However, it doesn't
d
for this?
%%%
\version "2.24.4"
\fixed c'' {
\time 3/4
r2 c4~( |
c8 d e f g a |
<< { b a g f e d) } \\ { r4 q } >> |
c2. |
}
%%%
Thanks,
Cameron
On Mon, 28 Oct 2024 17:46:22 -0400 (EDT)
msk...@ansuz.sooke.bc.ca wrote:
> On Mon, 28 Oct 2024, Cameron Hall wrote:
>
> > Is there any way to apply dynamics to a single part that splits into
> > multiple voices? Here's a short excerpt of a piano piece. The
&g
plits into separate voices in measure 2, they no longer
apply and both voices are at the default loud volume again.
Thanks,
Cameron
%%%
\version "2.24.4"
common = { \time 6/8 s2.*6\p \bar "|." }
top = \fixed c' {
g8 c' e' g c' e'
<< g&#x
(list
(make-hspace-markup gap)
page-markup)))
If I copy the function, but remove the "(make-hspace-markup gap)", then
I get the left-aligned page number like I want.
Thanks,
Cameron
On Tue, 15 Oct 2024 15:47:52 -0400
Nikolai Hedler wrote:
> The current documentation states that \alternative outside is the
> older syntax; I guess I'll keep doing it that way.
> - Nikolai
>
>
> On Tue, Oct 15, 2024 at 3:42 PM Xavier Scheuer
> wrote:
>
> > On Tue, 15 Oct 2024 at 21:35, Nikol
This may seem very nitpicky, but how can I control the alignment of the
text in a page-ref? I'm using "000" as the placeholder, since I want
this to work with up to 3 digits of page numbers. Lilypond seems to
compute the width of the "000" then *right* align the text inside of
that space, so if the
On Sun, 13 Oct 2024 17:57:25 +0200
Helge Kruse wrote:
> I am experimenting with some fuzzy notation examples. These examples
> shall sometimes "violate" the standard rules of good note engraving.
>
> In one example some annotations are added to the notes, similar as
> shown in the PNG. I found a
On Sun, 13 Oct 2024 10:20:29 +0200
Thomas Morley wrote:
> Am Sa., 12. Okt. 2024 um 20:33 Uhr schrieb Cameron Hall
> :
> >
> > In this example, I have function called "scorePart" that returns a
> > staff that I use to make parts in the score, and this works.
hen I
attempt to use it I get an error complaining about bad expression type.
What is going on here that it will accept a staff but not a bookpart?
Thanks,
Cameron
%%%
\version "2.24.4"
\header { title = "Example" }
flute.name = "Flute"
flute.key = c'
flute.mu
On Thu, 10 Oct 2024 10:06:03 -0700
Knute Snortum wrote:
> On Thu, Oct 10, 2024 at 9:27 AM Lucas Cavalcanti
> wrote:
>
> > Put brackets before and after the "repeat unfold 3". Don't know what
> > causes this bug, but it still happens in version 2.25.19.
> >
> > %%
> > \fixed c'' {
> > \repeat
On Tue, 8 Oct 2024 17:29:00 -0700
Knute Snortum wrote:
> On Tue, Oct 8, 2024 at 9:38 AM Cameron Hall
> wrote:
>
> > I'm trying to add dynamics to a part that splits into two, then goes
> > back into a unison section. The problem is that the crescendo
> > starts i
I've run into a strange problem that I think may be a bug. In this MWE,
I have a repeat with alternate endings. However, the "\repeat unfold 3
{ c1 }" is causing the volta brackets to disappear for some reason. If
I instead write out "c1 c1 c1", it works as expected. If I add another
note right bef
ndo to
start in measure two and end with the forte in measure 7.
Thanks,
Cameron
%%%
\version "2.24.4"
{
\clef bass
\time 3/4
<>^"div."
<<
{ \repeat unfold 4 { r4 e e | } }
\\
{ \repeat unfold 2 { c2. | g,2. | } }
\new Dynamics { s2.\p | s2.*3\< | }
>>
e4^"unis." f g |
f e d |
c2.\f |
}
%%%
I'm trying to figure out how the layout and positioning system
works. Lilypond is able to move some of these outside-staff objects
vertically to avoid them overlapping, though I'd rather some items get
pushed horizontally rather than stack and take up more vertical space. I
know I can use outside-s
On Fri, 4 Oct 2024 22:53:35 +0200
Thomas Morley wrote:
> Am Fr., 4. Okt. 2024 um 19:37 Uhr schrieb Cameron Hall
> :
> >
> > I'd like to have separate drum parts for readability purposes but
> > combine them into one staff on the conductor's score. To my
> >
voices. However, this doesn't merge any duplicate items like
partCombine can, so any dynamics or rests in both parts will be printed
twice. Any way to achieve this?
Thanks,
Cameron
%%%
\version "2.24.4"
\header { title = "Example" }
snare = \drummode { sn4\p\< 8 8 r4
There are two ways to write a tremolo on a single note. You can use the
"\repeat tremolo" form or add a colon with the tremolo duration after a
note. While these are engraved identically, they are not represented
the same way internally. The \unfoldRepeats command is able to unfold
the "\repeat tre
I know this is late, but there are plenty of tools to convert between
format 0 and 1, including timidity. `timidity input.mid -Om -o
output.mid` will convert format 1 to format 0, for example.
On Mon, 30 Sep 2024 12:45:25 -0700
Knute Snortum wrote:
> On Mon, Sep 30, 2024 at 11:54 AM Cameron Hall
> wrote:
>
> > However, I still can't get the slur to work.
> >
>
> I don't know the answer for the repeats, but use a \repeatTie for the
> pa
On Mon, 30 Sep 2024 15:55:14 -0700
Knute Snortum wrote:
> On Mon, Sep 30, 2024 at 2:31 PM Cameron Hall
> wrote:
>
> > On Mon, 30 Sep 2024 12:45:25 -0700
> > Knute Snortum wrote:
> >
> > > On Mon, Sep 30, 2024 at 11:54 AM Cameron Hall
> > > wrote:
&
I am experimenting some more with Lilypond, and I've run into a few
problems trying to use the volta repeat with alternate endings. I've
decided to put all of the dynamics and structure of the piece into a
variable called common. This example is in 3/8 time with an eighth note
pickup. Because of th
On Thu, 26 Sep 2024 21:36:58 -0500
David Wright wrote:
> On Wed 25 Sep 2024 at 16:35:51 (-0500), Cameron Hall wrote:
> > Hello, I'm a fairly new user, and I'm trying to combine some
> > similar parts together in a score which may contain quoted
> > section
Hello, I'm a fairly new user, and I'm trying to combine some similar parts
together in a score which may contain quoted sections. However, it seems that
using quoteDuring screws up the layout. Instead of getting neat chords, the
stem direction isn't right, it prints "Solo II" even though both pa
Hi Jean,
Thanks so much for that. It works perfectly! I did see \general-align in
the docs, but it didn't immediately jump out at me as what I needed. Thanks
for helping me out!
Cameron Horsburgh
On Tue, 11 Jun 2024 at 16:22, Jean Abou Samra wrote:
> \version "2.25.13
Ah, great, thanks for that. I knew there had to be a way!
Regards,
Cameron Horsburgh
On Mon, 27 May 2024 at 16:09, Xavier Scheuer wrote:
> On Mon, 27 May 2024 at 06:09, Cameron Horsburgh
> wrote:
> >
> > Hi folks,
> >
> > I'm writing a resource for beginn
can't think of any straightforward way to do this in LilyPond
though.
Has anyone else found a way around this problem?
Cameron Horsburgh
, and I'm now in business!
Thanks for your help!
Cam
Cameron Horsburgh
On Wed, 11 Oct 2023 at 13:35, Jean Abou Samra wrote:
> Ouch, I think I see the cause. Could you move LilyPond to a folder whose
> full path doesn't contain any parentheses and retry?
>
>
Apologies for not including the list--my usual client does that default,
but I'm not using my usual client!
Here's the .ly file as requested.
Cameron Horsburgh
On Wed, 11 Oct 2023 at 13:14, Jean Abou Samra wrote:
> Le mercredi 11 octobre 2023 à 13:03 +1030, Cameron Hors
1.
*
Given the lack of bug reports about this that I can see, I assume it has
something to do with my setup!
Any ideas?
Cameron Horsburgh
I use an app called Koder on iOS. It does syntax highlighting and some
keyword completion for LilyPond files straight out of the box. It's not
particularly useful for heavy or even medium weight lifting, but it's great
for a quick proofread when I'm away from my main machine.
Ca
.
However, if I use the partcombiner so that a stem shared (example 3), the
falls are not typeset. This isn't simply an issue with the stem
though---the problem persists if I use whole notes.
Is this a bug in LilyPond or just the user?
--
Cameron Horsburgh
ast add it to the end of the
subject. Surely the regexp you filter on can handle that.
Cameron Horsburgh
blog: http://spiritcry.wordpress.com
On 6 September 2010 10:14, Brett McCoy wrote:
> On Sun, Sep 5, 2010 at 3:03 PM, Kaz Kylheku wrote:
>>
>> On Sun, 5 Sep 2010 14:22:35 -04
At Wed, 17 Jun 2009 14:24:18 +0300,
Joe Neeman wrote:
>
> On Tue, Jun 16, 2009 at 3:32 PM, Cameron Horsburgh
> wrote:
>
>
> I produce a lot of conductor's scores (with one system to a page) but
> I've always found the spacing to detract a lot from
c position, rather than the
> overridden position).
What I would ideally like (for systems-per-page = #1) is for the top
line of the top staff and the bottom line of the bottom staff to be
the same for every page, and everything suitably spread out
between. In other words, the to
nstrument?
Definitely. It'll be far easier to combine it all when they're done.
>
Of course, these are only my opinions, but I hope they help!
--
Cameron Horsburgh
Blog: http://spiritcry.wordpress.com/
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l
jEdit
editor from http://www.jedit.org/ and add the lilypondtool plugin
http://lilypondtool.organum.hu/
That will do useful things like syntax highlighting and generate
templates to get you started on your scores.
See if you can figure out how to fix the problems you're having, and
don'
e, listing 'crescendos' and 'crescendi'
as the plural forms. It also lists the term as an adverb/adjective and
a verb. The Merriam-Webster offers similar defnitions while
recognising the original Italian from is adjectival.
http://www.askoxfor
ranpose it from there.
The only problem I can see is if you've used notes from F major
instead of G (i.e. you've flattened your B's but not sharpened your
F's). If that's the case I don't think the tranpose function wi
xactly are you trying to produce your learning notes? Are you
using lilypond-book snippets? Are you using lilypond scores with lots
of text markup blocks?
If you tell us exactly what it is you're trying to do we might be able
to help more, or come up with even better wa
uments do not
make sense and their players should be treated with the utmost respect
and suspicion.
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st here in case of a compilation failure:
The glyphs are also listed in the documentation. This is the 2.13
docs, but I'm sure it's also in the 2.12 docs.
http://lilypond.org/doc/v2.13/Documentation/user/lilypond/The-Feta-font#The-F
On Thu, Mar 19, 2009 at 11:37:52PM -, Trevor Daniels wrote:
>
> Cameron Horsburgh wrote Thursday, March 19, 2009 10:28 AM
>>
>> I'm having trouble trying to modify the automatic beaming for a piece
>> I'm working on. This piece has many examples of this fig
On Thu, Mar 19, 2009 at 06:11:09PM +, Alberto Simões wrote:
>
> I just would like to make lilypond to shut up about those specific clashes.
>
> Is there any way to do that?
Try \override NoteColumn #'ignore-collision = ##t
--
Cameron Horsburgh
Blog: http://spirit
es.
>
>/Mats
Sorry, yes. Group of four quavers covering beats one and two or beats
three and four should be beamed together.
--
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cide
whether or not to put a beam between between beats one and two?
If the semiquavers came at the end of beat one it probably wouldn't
be that hard. Is this the sort of thing the 'begin' beam-limit type
was intended for?
--
Cameron Horsburgh
Blog:
4/4 a4 a a % <--- This bar is missing a beat \repeat volta 20
{a2 a} % <--- None of these notes will begin at the start of
% a measure, because they're all offset by a
% beat.
--
Cameron Horsburgh
Blog: http://spiritcry.wordp
sed strangely. I have to use M-x LilyPond-mode
because M-x lilypond-mode isn't recognised.
--
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Blog: http://spiritcry.wordpress.com/
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ort.cgi?bug=335828
--
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Blog: http://spiritcry.wordpress.com/
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e in C++.
>
> Could you please comment on these propositions and give any other ideas.
>
> F. Bron
>
> PS: attached is a file that show the behaviour of the commands.
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&g
On Mon, Jan 12, 2009 at 06:58:07AM +1100, Cameron Horsburgh wrote:
> On Sun, Jan 11, 2009 at 05:29:14PM +0100, John Mandereau wrote:
> > Cameron Horsburgh a écrit :
> >> I'm running a 2.4 GHz P4 with 1.25 Gig of Ram. The machine is aging,
> >> but it should be up
On Sun, Jan 11, 2009 at 05:29:14PM +0100, John Mandereau wrote:
> Cameron Horsburgh a écrit :
>> I'm running a 2.4 GHz P4 with 1.25 Gig of Ram. The machine is aging,
>> but it should be up to this challenge. I've noticed scores compile
>> much quicker on much
ontext Staff = BbTubas {
\set Staff.instrumentName = \markup {"B"\flat" Tuba" }
\set Staff.shortInstrumentName = \markup {"B"\flat" Tuba" }
\set Staff.midiInstrument = "tuba"
\transpose c c {
\relative c {
\clef bass
\global
}
}
}
>>
\context DrumStaff = BandPercussion {
\set DrumStaff.instrumentName = \markup { "Percussion" }
\set DrumStaff.shortInstrumentName = \markup { "Perc." }
\transpose c c {
\relative c {
\global
}
}
}
>>
\layout {}
\header {}
}
\paper{
#(set-paper-size "a3" 'landscape )
line-width = #370
horizontal-shift = #5
indent = #10
ragged-last-bottom = t
ragged-bottom = t
after-title-space = #0
}
--
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Blog: http://spiritcry.wordpress.com/
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ay of doing
this---using \set short.InstrumentName in the appropriate \staff block
is the more idiomatic way to go. That way the definition is
*completely* removed from the content. It just seems more LilyPondish.
--
Cameron Horsburgh
Blog: h
On Tue, Jan 06, 2009 at 11:41:53PM +0100, Valentin Villenave wrote:
> 2009/1/6 Cameron Horsburgh :
>
> > It gets better---as far as I recall (I can't find the link now) the
> > lilypond language was ispired by (and based on) the POV-Ray
> > langauge. The chic
anguage was ispired by (and based on) the POV-Ray
langauge. The chickens are coming home to roost...!
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ri" \barisax
> \new Staff = "trombone" \trombone
> \new Staff = "tromboneb" \tromboneb
>>> } }
> \book { \score { << \new Staff = "trumpet" \with { \remove
> shortInstrumentName } \trumpet >> } }
> \book
{
> \time 4/4
> a4 ~ a a ~ b }
> }
> }
>
>
>
> \version "2.10.0" % necessary for upgrading to future LilyPond versions.
>
>
>
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On Sun, Dec 21, 2008 at 02:20:32PM -0800, Graham Percival wrote:
> On Mon, Dec 22, 2008 at 07:41:35AM +1100, Cameron Horsburgh wrote:
> > > melody = {a b c d e f g}
> > > { \melody \\ { \transpose c' g \melody }}
> >
> >
> > Hmm... I can see that
On Sun, Dec 21, 2008 at 09:47:53AM -0800, Graham Percival wrote:
> On Sun, Dec 21, 2008 at 11:26:16PM +1100, Cameron Horsburgh wrote:
> > On Sat, Dec 20, 2008 at 11:49:10PM -0800, Graham Percival wrote:
> > > ... I really don't understand this question. If you already know
\relative c''{
<<\melody \\ {\transpose c' g {\relative c''{\melody}}}>>
}
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e, if your melody is
in c and goes {a b c} do you want to get {e f g} (diatonic) or {e fis
g} (perfect)?
>
>
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r lines to match. A set of default settings would make this much
easier!
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Blog: http://spiritcry.wordpress.com/
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On Thu, Oct 30, 2008 at 07:46:16AM +1100, Cameron Horsburgh wrote:
> On Wed, Oct 29, 2008 at 05:00:17PM +0100, Mats Bengtsson wrote:
>
> Hmm, I'm glad I'm not the only one who thinks it's strange! And it's
> nothing recent either---it's been a problem since I
me
many clues as to why they're changing.
Also, there are dynamic marks on page three---the cornets and basses
have mf markings toward the end of the system.
Thanks for your help,
--
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Blog: http://spiritcry.wordpress.com/
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=0.0 \cm
\context {
\Score \override VerticalAlignment #'max-stretch =
#ly:align-interface::calc-max-stretch
}
\context {
\Staff \override VerticalAxisGroup #'minimum-Y-extent = #'(-2 . 2)
}
\context {
\DrumStaff \override VerticalAxisGroup
On Thu, Oct 16, 2008 at 10:06:12PM +1100, Cameron Horsburgh wrote:
> Hi folks,
>
> Next weekend I'll be attending a composing workshop organised by my
> church. One of the sessions will cover the relevant software. It seems
> the facilitator is going to be showing off Finale
it if anyone had files I could use that show off
some of the more interesting features of LilyPond. I'll produce some
printed examples, and if people start scratching their heads trying to
work out how I did something, I'll have done my job ;-).
Thanks folks,
--
t/lsr/scheme/lily-0934c4d641.ly
for clues (I haven't had a good look at this, but I think it does whayt
you're after.)
Hope this helps!
--
=
Cameron Horsburgh
=
y?
>
I'm not entirely sure what you're asking, but I suspect you can get what you
want by using separate \score blocks in your file.
--
=====
Cameron Horsburgh
=
submit it as a bug?
--
=========
Cameron Horsburgh
=
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t tell the function
where you would like to allow page breaks.'
The second part is easy enough, but I don't see any instructions for
enabling it in the \paper block. Any clues (or am I missing something
obvious?)
--
=======
careful an upgrade
could install the 2.8 Lilypond in the repository which will cause all
sorts of conflicts.
The easy answer is to use equivs -- this fools apt into thinking that
a package (or a particular version) is installed when it isn't. Check
the apt manual for more info.
--
gs of MusicXML and how it differs from LilyPond. I'm not
sure if it adds much to this discussion, but it might be relevant.
The interview itself has disappeared, but it was Slashdotted and some
kind soul posted the text of the article (and was promptly modded -1
Troll, but there you go.)
ently used tweaks commented
out, so I don't have to go searching the manual for the same thing all
the time.
Of course, defining style sheets can take a long time, and I'm glad I
don't have to do it for each piece I set. It also helps the style of
music I set doesn't seem to ch
I presume you've only looked in the 2.10 manual -- the
answer's in the 2.11. Try
\override DynamicTextSpanner #'dash-period = #-1.0
HTH
--
=
Cameron Horsburgh
=
_
in section 6.7.2 'Repeat Syntax'
You need to use the \repeatTie command.
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note.
>
> Of course, you can adjust the exact output (e.g., remove the
> parentheses) in the Scheme code, to suit your needs.
>
> Hope this helps!
> Kieren.
>
>
Kieren, would you be willing to submit this to the LSR?
--
=
Ca
text.)
Number two... hmm, I agree. Can't help though.
The main reason I'm replying is to respond to number three.
IIRC This has been discussed on the list a few times, so you might
like to check the archives. However, I did notice that your example
doesn't have a ve
On Mon, Mar 05, 2007 at 10:41:21PM -0800, Graham Percival wrote:
> Cameron Horsburgh wrote:
> >There is one problem --- the explanatory note is extremely large, and
> >dwarfs the picture of the snippet itself. There also seems to be a
> >problem with the line wrapping.
>
&
. However, it might be better to put the
explanation in a comment in the lily code, and a note to that effect
in the explanation. This way the explanation will stay with the
snippet, and will be a little easier to read.
--
=====
ilypond, so you'll need to modify your file
to use 2.10 syntax. This may not seem to be so hard -- if I comment
the version number it compiles cleanly.
I've had a very quick look at the file, and I'm having trouble getting
it to
x27; found
c d
warning: clef clefs.petrucci-c2' not found
warning: clef clefs.petrucci-c2' not found
warning: clef clefs.petrucci-c2_change' not found
...
I can't tell by the output if it's rendering correctly or not. Is this
a known problem?
--
======
. I don't understand gregorian notation, so I
cannot say if the output is correct -- however, the ligatures in this
example don't seem to have been rendered.
Is this a bug, or is it nothing to worry about?
--
=====
what I should do with it?
--
=====
Cameron Horsburgh
=
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grob 'text
\score {
\relative c''' {
\override Stem #'direction = #1
\applyOutput #(outputproperty-compatibility (make-text-checker
(make-simple-markup "m.d."))
'extra-offset '(-3.5 . -4.5))
a^2^"m.d."
}
}
%
It f
ut
> a following "Preprocessing ..." correspond to \score blocks with only
> MIDI output, i.e. without any \layout block.
>
> /Mats
>
> Quoting Cameron Horsburgh <[EMAIL PROTECTED]>:
>
> >Hi folks,
> >
> >I have a couple os lilypond files which repe
.
Calculating line breaks...
Drawing systems...
Layout output to foo.ps'...
Converting to foo.pdf'...
The repeated lines iterate about sixty times.
Is this normal, is there a problem with the file, or should it be
forwarded to bug-lilypond?
--
= #'((left-edge extra-space .
2.0))
\set PianoStaff.instrumentName = "Piano "
Cheers,
--
=====
Cameron Horsburgh
=
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struct an example for you, but I think the \tweak
command might do just what you want. Check section 9.3.5 of the 2.11
manual (it should alkso work in 2.10).
--
=
Cameron Horsburgh
=
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On Wed, Feb 14, 2007 at 02:45:46PM +0100, Han-Wen Nienhuys wrote:
> Cameron Horsburgh escreveu:
> > On Mon, Feb 12, 2007 at 12:09:39PM +0100, Han-Wen Nienhuys wrote:
> >
> >> don't; -dlog-file=foo is the recommended method. -dseparate-log-files if
> >> yo
ble isn't listed in the Program Reference and the output isn't
affected if I comment it out. Am I right in thinking it's safe to
delete that line?
--
=
Cameron Horsburgh
=
__
ted, but no log is left, even if foo.ly contains errors.
lilypond -dseparate-log-files foo.ly bar.ly
also compiles cleanly, but I get a warning --
warning: no such internal option: separate-log-files
and no log files.
Thoughts?
--
=========
Camero
On Sun, Feb 11, 2007 at 03:13:36PM -0800, Graham Percival wrote:
> Cameron Horsburgh wrote:
> >On Sun, Feb 11, 2007 at 11:40:45AM -0800, Graham Percival wrote:
> >>Cameron Horsburgh wrote:
> >>>I'd love to be able to specify a log file for either each file or t
On Sun, Feb 11, 2007 at 11:40:45AM -0800, Graham Percival wrote:
> Cameron Horsburgh wrote:
> >I'd love to be able to specify a log file for either each file or the
> >entire run. Does this exist? If not, does anyone have any idea how I
> >might be able to do this?
>
\new PianoStaff <<
\set PianoStaff.instrumentName = "Piano "
\new Staff = "upper" {\clef treble \key c \major \time 4/4 c''2 d''4 bes4 }
\new Staff = "lower" {\clef bass \key c \major \time 4/4 c4 f2 g4 }
>>
\layout { }
}
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=
Cameron Horsburgh
=
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x27;m running Debian
GNU/Linux, BTW).
I'd love to be able to specify a log file for either each file or the
entire run. Does this exist? If not, does anyone have any idea how I
might be able to do this?
--
========
l rules: check
section 9.1.1 'Automatic accidentals'
(http://lilypond.org/doc/v2.11/Documentation/user/lilypond/Automatic-accidentals#Automatic-accidentals)
for more info.
--
=
Cameron Horsburgh
=
_
'. That might be
the source of the 'unexpected =' error.
Can't help with the other questions though.
=
Cameron Horsburgh
=
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ime_signature_engraver"
> }
> }
>
\layout has another function, although it may be a special case of one
of its other uses. If a \score block contains a \midi block the
\layout block is needed if PDF output is also
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