Simon Albrecht writes:
> \new PianoStaff \with { \remove Keep_alive_together_engraver } <<
> \new Staff {}
> \new Staff \with { \RemoveAllEmptyStaves } {}
>>>
Easier to just use
\new GrandStaff << ... >>
The only difference is the Keep_alive_together_engraver if I remember
correctly.
--
On 21.12.2017 22:45, Robert Schmaus wrote:
Not sure if I understand you correctly, but is this what you're
looking for?
http://lilypond.org/doc/v2.18/Documentation/notation/writing-rests#full-measure-rests
No, that’s not what the question was about. Helge is working on a harp
part, and he wa
Not sure if I understand you correctly, but is this what you're looking for?
http://lilypond.org/doc/v2.18/Documentation/notation/writing-rests#full-measure-rests
> On 21 Dec 2017, at 19:20, Helge Kruse wrote:
>
> I have a score for an orchestra instrument (harp). The harp starts after tens
Original thought: [d g d g] (wound up trying to attach a beam to a quarter
rest...)
Improved: d [g d g]
Correct: d[ g d g]
Mike Dean
On Thu, Dec 21, 2017 at 3:39 PM, Mike Dean wrote:
> Thanks, Simon!
> Not much of an improvement from my original thought of putting square
> brackets around the
Thanks, Simon!
Not much of an improvement from my original thought of putting square
brackets around the group of notes, but it got me closer to the truth
Mike Dean
On Thu, Dec 21, 2017 at 3:35 PM, Simon Albrecht
wrote:
> On 21.12.2017 19:38, Mike Dean wrote:
>
>> (Thought: would putting square
On 21.12.2017 19:38, Mike Dean wrote:
(Thought: would putting square braces around the last three do it?
That isn’t the right way to think of it. The [] aren’t placed _around_
the notes they apply to, but rather attached to the first and last notes
as _post events_ (just like slurs, ties, fin
On 12/21/2017 1:38 PM, Mike Dean wrote:
Inline image 1
Well, here's hoping that this will clarify...
The simultaneous voice ends on beat 2 in the left hand, and it's those
four eighth notes I desire to beam
(Thought: would putting square braces around the last three do it?
Yes, now it is clear
On 12/21/2017 1:38 PM, Mike Dean wrote:
Inline image 1
Well, here's hoping that this will clarify...
The simultaneous voice ends on beat 2 in the left hand, and it's those
four eighth notes I desire to beam
(Thought: would putting square braces around the last three do it?
Yes, now it is clear
Resending this with the correct subject line.
Thanks for your response.
For dynamics within the staff that isn't necessary, as \magnifyStaff
works fine.
\version "2.19.63"
\score {
<<
\new Staff \with { \magnifyStaff #(magstep -2) }
\relative c' { c\p\< c c c\f }
>>
}
The issue is chan
[image: Inline image 1]
Well, here's hoping that this will clarify...
The simultaneous voice ends on beat 2 in the left hand, and it's those four
eighth notes I desire to beam
(Thought: would putting square braces around the last three do it? Yes, now
it is clearin reading the section I didn't
Thanks for your response.
For dynamics within the staff that isn't necessary, as \magnifyStaff
works fine.
\version "2.19.63"
\score {
<<
\new Staff \with { \magnifyStaff #(magstep -2) }
\relative c' { c\p\< c c c\f }
>>
}
The issue is changing the size of a separate dynamics staff. Cha
On 12/21/2017 1:16 PM, Mike Dean wrote:
Ben: That serves me right for ripping a text out of context and
forgetting to put an "8" after the first note in the snippet...
\version "2.19.80"
\language "english"
\clef treble
\key c \major
*\time 3/4*
<< { d,8 g d g fs a | d, g d g }
\\
I have a score for an orchestra instrument (harp). The harp starts after
tens of measures. There are several meter changes. Therfore a simple
multi-measure-rest is inappropriate. Instead I would like to write all
measures and meter changes, so that the harpist can follow the music and
get the r
Ben: That serves me right for ripping a text out of context and forgetting
to put an "8" after the first note in the snippet...
\version "2.19.80"
\language "english"
\clef treble
\key c \major
*\time 3/4*
<< { d,8 g d g fs a | d, g d g }
\\
{ q | q }>>
Mike Dean
On Thu, Dec
On 12/21/2017 1:05 PM, Mike Dean wrote:
In a piece with a double backslash to denote voices
\clef treble
\key c \major
\time 3/4
<< { d, g d g fs a | d, g d g }
\\
{ q | q }>>
The construct ends after beat 2, leaving the four eighth notes
unbeamed. is there something in
In a piece with a double backslash to denote voices
\clef treble
\key c \major
\time 3/4
<< { d, g d g fs a | d, g d g }
\\
{ q | q }>>
The construct ends after beat 2, leaving the four eighth notes unbeamed.
is there something in the manual beaming syntax that I can use to
Carl: Thanks!
I finished the engraving of the piano score of "Jesus Paid It All",
although I still haven't solved starting and ending hairpins in
simultaneous voices as of yet (I think that it may not start outside of of
such a section and end inside it)
Mike Dean
On Wed, Dec 20, 2017 at 12:3
Hello folks,
MusicXMl has the notion of brackets (LilyPond’s ligatures) line-ends:
Andrew Bernard writes:
> HI Phil,
>
> It's still very confusing for people, I claim. This landscape business
> having two modes is unique to lilypond, I think, so people will stumble
> over it for a long time to come. Because it is unfamiliar behaviour, people
> will not be reading manuals lookin
HI Phil,
It's still very confusing for people, I claim. This landscape business
having two modes is unique to lilypond, I think, so people will stumble
over it for a long time to come. Because it is unfamiliar behaviour, people
will not be reading manuals looking for unusual behaviour.
Andrew
O
- Original Message -
From: "James Harkins"
To: "Andrew Bernard" ; "lilypond-user"
Sent: Wednesday, December 20, 2017 10:46 AM
Subject: Re: Required font for simplified Chinese characters?
On Sat, 09 Dec 2017 14:23:46 +0800 Andrew Bernard wrote
With the release of stable ve
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