On 12/21/2017 1:16 PM, Mike Dean wrote:
Ben: That serves me right for ripping a text out of context and
forgetting to put an "8" after the first note in the snippet...
\version "2.19.80"
\language "english"
\clef treble
\key c \major
*\time 3/4*
<< { d,8 g d g fs a | d, g d g }
\\
{ <b d> q <c d> |<b d> q }>>
Mike Dean
On Thu, Dec 21, 2017 at 1:13 PM, Ben <soundsfromso...@gmail.com
<mailto:soundsfromso...@gmail.com>> wrote:
On 12/21/2017 1:05 PM, Mike Dean wrote:
In a piece with a double backslash to denote voices
\clef treble
\key c \major
\time 3/4
<< { d, g d g fs a | d, g d g }
\\
{ <b d> q <c d> |<b d> q }>>
The construct ends after beat 2, leaving the four eighth notes
unbeamed. is there something in the manual beaming syntax that I
can use to beam the four notes?
Hi Mike,
I'm afraid your code does not compile due to failed bar checks. I
don't see any eighth notes.
Can you re-check the code? :) They are all quarter notes in 3/4 time.
\version "2.19.80"
\language "english"
\clef treble
\key c \major
*\time 3/4*
<< { d, g d g fs a | d, g d g }
\\
{ <b d> q <c d> |<b d> q }>>
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Mike,
Aside from the bar check fails that still occur after you add the 8, I
just removed them to work from a more clean slate...not a problem...
But, what exactly do you want for beams? I can't follow you. As of now,
there are 2 sets of 4-note-beamed eighth notes. Looks good.
Where do you want the split exactly? What's the subdivision or
screenshot of the outcome?
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