At 23:53 23/02/2014 -0500, Antara-Prabhat Kalajian wrote:
I am having trouble with the spacing of the lyrics on this score.
The straight words (Bengali language) are: Ajanar maha parichoy But
perhaps because of the bar lines, the syllables are being spaced
very far apart, so that the words are
Dear Esteemed Lilypond Users,
I am having trouble with the spacing of the lyrics on this score.
The straight words (Bengali language) are: Ajanar maha parichoy
But perhaps because of the bar lines,
the syllables are being spaced very far apart,
so that the words are no longer recognizable (in mo
I'm stuck trying to typeset this ending measure. I'm using the \tieWaitForNote
function but I have a staff change part way into a beamed tuplet, which I don't
how to tie to a cross-staff chord. Snippet trial below and image of the source
attached. Help is appreciated! (Ref: Chopin 28.1)
\v
> Bad luck! But i hope that you will make a new version of the cheat
> sheet and visual index when 2.20 is out
sure!
Joram
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Hello Kieren,
many thanks this helps. But the real world is a bit more difficult than
the SSCCE. Besides the time changes there are a lot of measures where
the rhythm group waits. So we find something like:
\time 3/4
R2.*63
With you help I get the first line of rests and the last line.
Go with the Proposed.png commit please.
S.B.
On Sun, Feb 23, 2014 at 11:44 AM, Janek Warchoł
wrote:
> 2014-02-23 17:33 GMT+01:00 Noeck :
>>
>>> My rewrite
>>> of the self-alignment interface (which is waiting on my desk for a
>>> year now) would make adjusting this easier. Maybe you'd like
Hi Helge,
Maybe this helps?
Best,
Kieren.
\version "2.18.0"
showMultiRests = {
\set Staff.keepAliveInterfaces =
#'( rhythmic-grob-interface
multi-measure-rest-interface
lyric-interface
stanza-number-interface
percent-repeat-interface)
}
hideMultiRests = \u
Here is the SSCCE for the problem. How can I show one line for measures
11 to 24?
Regards
Helge
\version "2.18.0"
rhythm = \relative c' {
\time 2/2 s1*10
\mark\default
\time 3/4 s2.*5
\mark\default
\time 2/2 s1*18
\mark\default
\time 3/4 s1*20
}
triange = \relative c' {
\c
Thanks Thomas,
Beam.length-fraction was what I was looking for!
IR documents this as "Used for
determining ledger lines and stem lengths."
Maybe can add "including distance/space between beams"?
http://www.lilypond.org/doc/v2.18/Documentation/internals/beam_002dinterface___
Phil Holmes-2 wrote
> \override NonMusicalPaperColumn #'page-break-permission = ##f
I'm actually already using that but it's not working when combined with
ragged-bottom = ##t. See the minimal example at the bottom of my (rather
long) first message.
Thanks,
-Paul
--
View this message in cont
- Original Message -
From: "Paul Morris"
To:
Sent: Sunday, February 23, 2014 5:00 PM
Subject: Using only manual page breaks in a large file with many short
scores
Greetings all,
I have a question about preventing automatic page breaks and only using
manual page breaks. I'm working
Federico Bruni-5 wrote
>> \bookpart {
>> melodyA = { a b c d }
>> \score { \new Staff \melodyA }
>> \score { \new Staff { e f g } }
>> }
>>
>
> IMO \bookpart is the best choice for your use case.
> What prevents you from moving melodyA out of the \bookpart block?
Currently each \score block
2014-02-23 18:00 GMT+01:00 Paul Morris :
> I have a question about preventing automatic page breaks and only using
> manual page breaks. I'm working on a large file (72 pages) that has 1-3
> separate fiddle tunes per page. Each tune is in a separate file that I
> include in the main file like thi
Greetings all,
I have a question about preventing automatic page breaks and only using manual
page breaks. I'm working on a large file (72 pages) that has 1-3 separate
fiddle tunes per page. Each tune is in a separate file that I include in the
main file like this:
% page 1
\include "TuneA.l
2014-02-23 17:33 GMT+01:00 Noeck :
>
>> My rewrite
>> of the self-alignment interface (which is waiting on my desk for a
>> year now) would make adjusting this easier. Maybe you'd like to
>> finish my work?
>
> Unfortunately not. I have to follow your decision in the other thread
> and keep of
Hi Janek,
>> This looks like an improvement to me (if it still works for bar lines).
>
> Good!
>
>> The centre of the note head would be better for my feeling, but normal
>> text also has this left edge behaviour.
>
> That's the matter of alignment, not the attachment point.
Ok, I think I und
2014-02-23 16:58 GMT+01:00 Noeck :
>> The question is where the _attachment point_ ("anchor") should be.
>
> Ok, I see. I don't understand the old one,
That's the point - it was placed somewhat weirdly :)
> but the new one seems to be
> the left edge of the note or the stem.
That's the horizonta
> The question is where the _attachment point_ ("anchor") should be.
Ok, I see. I don't understand the old one, but the new one seems to be
the left edge of the note or the stem.
This looks like an improvement to me (if it still works for bar lines).
The centre of the note head would be better for
- Original Message -
From: "Hlolli"
To:
Sent: Sunday, February 23, 2014 12:50 PM
Subject: Lyrics in divided voices
Hi, Im writing for a choir and Im diving the basses.
<<
{as8^"div a 2" f f f( e4)} \\
{f8 c c c( c4)}
In the score the notes are just the way I want them to be. B
- Original Message -
From: "David Kastrup"
To: "Phil Holmes"
Cc: "Daniel Rosen" ; ;
Sent: Sunday, February 23, 2014 3:20 PM
Subject: Re: Errors running lilypond-book
"Phil Holmes" writes:
Original Message -
From: "Daniel Rosen"
To:
Cc:
Sent: Sunday, February 23, 2014 2:
Hi David,
>> “rit” “rall” “a tempo” etc. are all rehearsal marks
> I don't think so. Those are tempo marks.
Oops. You’re right. Sorry.
That being said, I’ve definitely seen [mid-measure] rehearsal marks
simultaneous with [mid-measure] tempo indications like “a tempo”.
Kieren.
_
Kieren MacMillan writes:
> Hi all,
>
>> I don't think I've ever seen a mid-measure rehearsal mark in a
> traditionally-engraved piece. Can anyone provide an example?
>
> “rit” “rall” “a tempo” etc. are all rehearsal marks
I don't think so. Those are tempo marks.
--
David Kastrup
"Phil Holmes" writes:
> Original Message -
> From: "Daniel Rosen"
> To:
> Cc:
> Sent: Sunday, February 23, 2014 2:29 PM
> Subject: RE: Errors running lilypond-book
>
>
>>> -Original Message-
>>> From: David Kastrup [mailto:d...@gnu.org]
>>> Sent: Saturday, February 22, 2014 3:08 P
Hi,
I might lack the experience needed, but some comments to the suggestion:
With a small text like the "I" it looks strange that it is placed
somewhere in the middle between the notes.
I think the most important thing is, that the placement should clearly
indicate where it belongs.
The most obvi
Hi all,
> I don't think I've ever seen a mid-measure rehearsal mark in a
> traditionally-engraved piece. Can anyone provide an example?
“rit” “rall” “a tempo” etc. are all rehearsal marks (at least RehearsalMark-s)
that often appear mid-measure in traditionally-engraved pieces.
There are, of co
Hi, Im writing for a choir and Im diving the basses.
<<
{as8^"div a 2" f f f( e4)} \\
{f8 c c c( c4)}
>>
In the score the notes are just the way I want them to be. But I cant assign
lyrics to them. But still when I do this:
<<
{as8^"div a 2" f f f( e4)} %\\ remove the "\\" sign
{f8 c c c
Original Message -
From: "Daniel Rosen"
To:
Cc:
Sent: Sunday, February 23, 2014 2:29 PM
Subject: RE: Errors running lilypond-book
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
Sent: Saturday, February 22, 2014 3:08 PM
To: Daniel Rosen
Cc: lilypond-user@gnu.org; bu
> -Original Message-
> From: Janek Warchoł [mailto:janek.lilyp...@gmail.com]
> Sent: Sunday, February 23, 2014 6:45 AM
> To: LilyPond Users
> Subject: devs ask for feedback about RehearsalMark spacing
>
> Hello,
>
> we'd like to learn your opinion about issue 3875
> (http://code.google.co
> -Original Message-
> From: David Kastrup [mailto:d...@gnu.org]
> Sent: Saturday, February 22, 2014 3:08 PM
> To: Daniel Rosen
> Cc: lilypond-user@gnu.org; bug-lilyp...@gnu.org
> Subject: Re: Errors running lilypond-book
>
> Do you have the possibility to check whether the patch in
> http
Hello dear list
on one of my (seldomly used) machines, the lilypond setup is broken in
that fonts are rendered much bigger than expected, while still spaced as
if not enlarged. This simple three-liner:
\version "2.16"
\new Voice = "foo" \relative c' { c d e f }
\addlyrics { ceh deh eh ef }
proce
David Nalesnik writes:
> Hi,
>
> On Sun, Feb 23, 2014 at 4:15 AM, David Kastrup wrote:
>>
>>
>> Still begs the question why Beam has the font-interface. It does
>> override the font-family with roman.
>>
>> Where would that be used?
>
>
> Beam has a property "annotation" which attaches a string
Hello,
Currently I am writing an excerpt from a 20th century work for the
rhythm group. \RemoveEmptyStaves reduces the lines without notes
dramatically.
But there are a lot of time changes also in the measures where no rhythm
instruments plays. Now I get all the rehearsal marks for these mea
Hi,
On Sun, Feb 23, 2014 at 4:15 AM, David Kastrup wrote:
>
>
> Still begs the question why Beam has the font-interface. It does
> override the font-family with roman.
>
> Where would that be used?
Beam has a property "annotation" which attaches a string to a beam. In
beam.cc, it's used in a
Federico Bruni writes:
> Sorry, I can't help you.
It may be worth running
rm -rf autom4te.cache
before running ./autogen.sh.
--
David Kastrup
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
2014-02-23 12:26 GMT+01:00 Bric :
> On 02/23/2014 04:58 AM, Federico Bruni wrote:
>
>>
>> My experience says "python" can be a mess, in terms of versions
>> (backwards incompatibility). What version of python(s) does
>> lilypond expect?
>>
>>
>> 2.4 is the version of python shipped in
Hello,
we'd like to learn your opinion about issue 3875
(http://code.google.com/p/lilypond/issues/detail?id=3875): should
there be extra space inserted between notes when there's a
RehearsalMark inside a measure? (see attachments)
We'd also be grateful if you tested the change on your scores, to
On 02/23/2014 04:58 AM, Federico Bruni wrote:
2014-02-20 0:01 GMT+01:00 Bric mailto:b...@flight.us>>:
On 02/19/2014 03:28 PM, Bric wrote:
I need to recompile. I upgraded to bleeding-edge, pre-release
ubuntu Trusty 14.04. (Yeah. I know. Probably dumb.)
Got a bunch o
Thomas Morley writes:
> 2014-02-23 7:26 GMT+01:00 Javier Ruiz-Alma :
>> NR led me to overriding the beam font-size to cause the 16th beam to engrave
>> thinner and with smaller gap between them (as graces do). Beam, although
>> documented to support the font-size interface, doesn't seem to be a
2014-02-23 7:26 GMT+01:00 Javier Ruiz-Alma :
> Referring to this 10-yr-old inquiry, I'm working on the exact same bar Alex
> typeset:
> http://lists.gnu.org/archive/html/lilypond-user/2004-02/msg00086.html
>
> NR led me to overriding the beam font-size to cause the 16th beam to engrave
> thinner an
2014-02-20 0:01 GMT+01:00 Bric :
> On 02/19/2014 03:28 PM, Bric wrote:
>
>> I need to recompile. I upgraded to bleeding-edge, pre-release ubuntu
>> Trusty 14.04. (Yeah. I know. Probably dumb.)
>>
>> Got a bunch of packages with build-depend ("sudo apt-get build-dep
>> lilypond")
>>
>> ./configure
On 02/19/2014 06:01 PM, Bric wrote:
On 02/19/2014 03:28 PM, Bric wrote:
I need to recompile. I upgraded to bleeding-edge, pre-release ubuntu
Trusty 14.04. (Yeah. I know. Probably dumb.)
Got a bunch of packages with build-depend ("sudo apt-get build-dep
lilypond")
./configure is now giving
Am 23.02.2014 09:18, schrieb Federico Bruni:
2014-02-23 6:46 GMT+01:00 Nick Payne :
lilyglyphs is available on debian inside the texlive-music package:
$ aptitude show texlive-music | grep lilyglyphs
lilyglyphs -- Access lilypond fragments and glyphs, in LaTeX.
Not on Ubuntu, though (the
2014-02-23 6:46 GMT+01:00 Nick Payne :
> lilyglyphs is available on debian inside the texlive-music package:
>
> $ aptitude show texlive-music | grep lilyglyphs
> lilyglyphs -- Access lilypond fragments and glyphs, in LaTeX.
>
>
> Not on Ubuntu, though (the OP is running Mint 16, which is based
43 matches
Mail list logo
