> > . Scripts which are run by the build process. These *must*
> > substitute the Python binary path.
> >
> > . Scripts which are run by the lilypond maintainers so that the
> > data in the git repository is in good shape. All such files
> > should be moved to a separate directory.
> >
> >
On Mon, Dec 08, 2008 at 07:58:52AM +0100, Werner LEMBERG wrote:
> There are two types of scripts:
>
> . Scripts which are run by the build process. These *must*
> substitute the Python binary path.
>
> . Scripts which are run by the lilypond maintainers so that the data
> in the git
> > Then I suggest a new directory `auxscripts'. It would simplify
> > maintainance.
>
> The only good reason for building most buildscripts is specifying a
> Python binary path at configure invocation different from the
> default Python binary when scripts are run, but this is might be a
> suffic
2008/12/7 Hans Aberg <[EMAIL PROTECTED]>:
> On 7 Dec 2008, at 14:59, Graham Breed wrote:
>
>>> That is not the problem , but that whole tone is not the double of the
>>> half
>>> tone. M = 9, m = 4, so that there are 5*M+2*m = 53 tonesteps or commas in
>>> an
>>> octave.
>>
>> How is that a problem
2008/12/7 Hans Aberg <[EMAIL PROTECTED]>:
> The paper
> Sagittal A Microtonal Notation System
> by George D. Secor and David C. Keenan
> says:
> The Sagittal notation uses a conventional staff on which the natural notes
> are in a
> single series of fifths, with sharps and flats (and doubles t
2008/12/7 Maximilian Albert <[EMAIL PROTECTED]>:
> Hi Neil,
>
> thanks a lot for your further very helpful ideas. Attached is a patch
> for a new approach which implements your suggestion to define a new
> property. It's called 'shifted-towards-stem and can take any real
> value, where 0.0 means to
On 2008/12/04 16:59 +0100, Werner LEMBERG wrote:
> > Maybe it shouldn't be in buildscripts/, but I it definitely
> > doesn't belong in scripts/
>
> Then I suggest a new directory `auxscripts'. It would simplify
> maintainance.
The only good reason for building most buildscripts is specifying a
P
> \revert Staff.Clef #'stencil
Thanks. Fixed in git.
Werner
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Le dimanche 07 décembre 2008 à 21:54 +0100, Francisco Vila a écrit :
> http://www.quodlibetbadajoz.es/Pantallazo1.png
> http://www.quodlibetbadajoz.es/Pantallazo2.png
> http://www.quodlibetbadajoz.es/Pantallazo3.png
>
> The hand drawn red circles show untranslated links on three
> consecutive page
Hello,
With current Git master C++ flags are incorrect on my system:
cp -p /home/lilydev/git/lily/master/config.hh out/config.hh
rm -f ./out/all-font-metrics.dep;
DEPENDENCIES_OUTPUT="./out/all-font-metrics.dep ./out/all-font-metrics.o" g++
-c -Woverloaded-virtual -I/usr/include/python2.5 -I/us
2008/12/7 Maximilian Albert <[EMAIL PROTECTED]>:
> The same to you! From what I gather you're among the most active ones
> on this list and the German community owes you a lot for all your
> translation (and other) efforts!
Yes indeed, as I had noticed on
http://valentin.villenave.info/The-LilyPo
2008/12/7 John Mandereau <[EMAIL PROTECTED]>:
> Le dimanche 07 décembre 2008 à 18:44 +0100, Francisco Vila a écrit :
>> Hello. The online html docs do not have navigation headings because
>> the outdated version of texi2html. But when I compile the docs, some
>> of these headings contain untranslat
Le dimanche 07 décembre 2008 à 18:44 +0100, Francisco Vila a écrit :
> Hello. The online html docs do not have navigation headings because
> the outdated version of texi2html. But when I compile the docs, some
> of these headings contain untranslated links in the Spanish version.
> For example, the
2008/12/7 Till Rettig <[EMAIL PROTECTED]>:
> This is great news, I remember I have a piece where the dots are for a realy
> long passage on the top and they look so strange centered by the head. But,
> as Reinhold pointed out, I think they should still be slightly off the stem
> by some amount. A
Maximilian Albert schrieb:
P.S.: In case this gets approved in one form or the other, what would
be necessary to document it properly? Add a LSR example, a regression
test, something else? Anything I need to keep in mind when writing
these?
This is great news, I remember I have a piece where t
Hi Neil,
thanks a lot for your further very helpful ideas. Attached is a patch
for a new approach which implements your suggestion to define a new
property. It's called 'shifted-towards-stem and can take any real
value, where 0.0 means to keep the default position (centered on the
note-head) and 1
Hello. The online html docs do not have navigation headings because
the outdated version of texi2html. But when I compile the docs, some
of these headings contain untranslated links in the Spanish version.
For example, the next [>] link. This same links *is* translated when
you move two sections fo
2008/12/7 Werner LEMBERG <[EMAIL PROTECTED]>:
>
> This line in music-glossary.tely (in the lilypond code after the text
> `Staves of five lines...')
>
> \override Staff.Clef #'stencil = ##t % Clef now required
>
> causes the following warning:
>
> warning: type check for `stencil' failed;
>
On 7 Dec 2008, at 14:59, Graham Breed wrote:
Now that fixation is not only a problem for MIDI files, but may cause
transposition problems, as a half-flat may be erroneously altered
to a
half-sharp on the semi-tone below.
Could it? Define the "half-flat" as a bit less than half a
semitone
On 7 Dec 2008, at 14:59, Graham Breed wrote:
As Sagittal isn't working we are a bit short of sharp symbols.
There
are some arrowed accidentals on the way, though.
This would be the long haul.
I made good progress during the summer. It'll hopefully work as soon
as someone looks at setting
2008/12/5 Graham Percival <[EMAIL PROTECTED]>:
> Neil, are you sure that [packed] is obsolete?
Indubitably. :)
Juergen added it for ancient ligatures, but it's been replaced by
'packed-spacing.
Regards,
Neil
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On 7 Dec 2008, at 14:59, Graham Breed wrote:
That is not the problem , but that whole tone is not the double of
the half
tone. M = 9, m = 4, so that there are 5*M+2*m = 53 tonesteps or
commas in an
octave.
How is that a problem?
The rules for computing accidentals and transpositions will
2008/12/7 Hans Aberg <[EMAIL PROTECTED]>:
> That is not the problem , but that whole tone is not the double of the half
> tone. M = 9, m = 4, so that there are 5*M+2*m = 53 tonesteps or commas in an
> octave.
How is that a problem?
> The same problem is in meantone tunings, in E31, M = 5, m = 3,
This line in music-glossary.tely (in the lilypond code after the text
`Staves of five lines...')
\override Staff.Clef #'stencil = ##t % Clef now required
causes the following warning:
warning: type check for `stencil' failed;
value `#t' must be of type `unknown'
How should thi
On 7 Dec 2008, at 12:31, Graham Breed wrote:
The only 12-ness is in the tuning of MIDI files, which I think
you can
change to get extended meantone.
The implementations in Turkish music seemed to force a multiple of
12,
whereas it should be E53.
Ah. Well, that's one configuration file,
2008/12/7 Hans Aberg <[EMAIL PROTECTED]>:
> On 7 Dec 2008, at 11:42, Graham Breed wrote:
>
>> The only 12-ness is in the tuning of MIDI files, which I think you can
>> change to get extended meantone.
>
> The implementations in Turkish music seemed to force a multiple of 12,
> whereas it should be
On 7 Dec 2008, at 11:42, Graham Breed wrote:
The only 12-ness is in the tuning of MIDI files, which I think you can
change to get extended meantone.
The implementations in Turkish music seemed to force a multiple of
12, whereas it should be E53.
What do you mean by "a diatonic
notation sy
2008/12/7 Hans Aberg <[EMAIL PROTECTED]>:
> From what I know, LilyPond uses essentially E12 (12-ET), with some
> extensions (right?). Have you considered switching to a diatonic notation
> system (or extended meantone system)?
The only 12-ness is in the tuning of MIDI files, which I think you can
From what I know, LilyPond uses essentially E12 (12-ET), with some
extensions (right?). Have you considered switching to a diatonic
notation system (or extended meantone system)?
Hans
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