I neglected to send this to the group .. sorry! Out of date anyway, since
the a tie between mm 1 & 2 isn't working in Trevor's solution.
Trevor,
Your solution is what I was after. Thanks!
But -- why 2 as the parameter for force-hshift? Doesn't that mean two
notehead widths?
For others -- I was looking for this:
[image: Inline images 2]
from
IMSLP305644-PMLP30753-IMSLP252089-PMLP30753-Saint_Saens-Oratorio_de_Noel-Partition_Chant_et_Piano_-_scantailored.pdf,
print page 9, PDF page 11.
Thanks to all!
Fred
On 7 October 2014 18:25, Trevor Daniels <t.dani...@treda.co.uk> wrote:
> Hi Fred
>
> Here's the way I'd do it (if I've interpreted what you wanted correctly):
>
> \relative c''' <<
>
> { s1 |
>
> \once \override NoteColumn.force-hshift = 2
>
> b1~ | b2 cis | }
>
> \\
>
> { a1~ | <a a,>2 <g g,>4 <fis fis,> | <g g,>1 }
>
> \\
>
> { \voiceTwo r2 a,~ | }
>
> >>
>
>
>
> Trevor
>
>
>
> ----- Original Message -----
> *From:* Frederick Bartlett <frederick.bartl...@gmail.com>
> *To:* LilyPond Users <lilypond-user@gnu.org>
> *Sent:* Tuesday, October 07, 2014 8:57 PM
> *Subject:* Overlapping ties in different voices
>
> Hi!
>
> I'm trying to set selection from Saint-Saën's Oratorio de Noël for my
> choir.
> In the Gloria in altissimis (p9 in the IMSLP PDFs), I found an odd
> combination of ties:
> \relative c''' {
> << { s1 | b1 ~ | b2 cis } \\
> { a1 ~ | a2 s2 | s1 } \\
> { \voiceTwo r2 a, ~ | a <g' g,>4 <fis fis,> | <g g,>1 }
> >>
> }
> This peculiar mess is almost right; I just need to figure out how to
> keep the b and a on the first beat of the second measure from colliding --
> but no combination of \shiftOxxx and \once \override
> NoteColumn.force-hshift that I've tried has answered the case. Leaving the
> \voiceTwo command out prevents the collision -- but at the cost of getting
> many other things wrong.
>
> To match the 19th-century original, the b should be shifted a notehead's
> width right.
>
> Help?
> Thanks!
> Fred
>
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>
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>
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State of the United States of America, in response to Senator Barbara
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