Sorry, just remember another: Klavierstücke by stockhausen also edited by Universal Editions. I'm looking here and numbers 1-5 all have examples of that. The dynamics never clash. Normally when there is only 1 dynamic for a groups of notes it goes at the left. When there are changes of dynamics during the cross staff is goes above or below the notehead. Again, if I can send pdfs, I'll do it.
2011/12/9 Caio Barros <caio.bar...@gmail.com> > I just remembered a piece by Luciano Berio: Leaf, the second of 6 encores > for piano edited by Universal edition that has this (a beautiful piece by > the way). In two cases the dynamics go right before the stems and > everything goes a little to the right and in another it goes above an > ascending cross staff. On the other hand the dynamics never changes during > a cross staff, only before it. > I can send a pdf but I don't know if this causes some copyright issues. > > If I remember something else I'll write. > > > 2011/12/9 Caio Barros <caio.bar...@gmail.com> > >> >> Thanks for bringing this to my attention. >>> This is one of those situations that falls into the "uncertain desired >>> output" category. >>> Shifting the dynamic to the left or right dissociates it from the note, >>> and whiting it out covers up a good portion of the stem. >>> >>> >> Yes. I'm making an edition of a modern composition and I had to think a >> bit if I wanted the dynamics clashing or not because the association with >> the note but since it's a big orchestral composition and there was plenty >> of space available I end up bringing the dynamics a little to the left. In >> the beggining of the staff like the example I sent I honestly don't know >> what would be the best solution. >> >> >>> It'd be not-very-hard to drum up an automated solution, but what we're >>> really missing are examples from the literature. If you have time to >>> peruse scores from reputable editors and send us examples, we can work from >>> that. >>> >> >> I will try to look at something. >> > >
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