I just remembered a piece by Luciano Berio: Leaf, the second of 6 encores for piano edited by Universal edition that has this (a beautiful piece by the way). In two cases the dynamics go right before the stems and everything goes a little to the right and in another it goes above an ascending cross staff. On the other hand the dynamics never changes during a cross staff, only before it. I can send a pdf but I don't know if this causes some copyright issues.
If I remember something else I'll write. 2011/12/9 Caio Barros <caio.bar...@gmail.com> > > Thanks for bringing this to my attention. >> This is one of those situations that falls into the "uncertain desired >> output" category. >> Shifting the dynamic to the left or right dissociates it from the note, >> and whiting it out covers up a good portion of the stem. >> >> > Yes. I'm making an edition of a modern composition and I had to think a > bit if I wanted the dynamics clashing or not because the association with > the note but since it's a big orchestral composition and there was plenty > of space available I end up bringing the dynamics a little to the left. In > the beggining of the staff like the example I sent I honestly don't know > what would be the best solution. > > >> It'd be not-very-hard to drum up an automated solution, but what we're >> really missing are examples from the literature. If you have time to >> peruse scores from reputable editors and send us examples, we can work from >> that. >> > > I will try to look at something. >
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