> Thanks for bringing this to my attention. > This is one of those situations that falls into the "uncertain desired > output" category. > Shifting the dynamic to the left or right dissociates it from the note, > and whiting it out covers up a good portion of the stem. > > Yes. I'm making an edition of a modern composition and I had to think a bit if I wanted the dynamics clashing or not because the association with the note but since it's a big orchestral composition and there was plenty of space available I end up bringing the dynamics a little to the left. In the beggining of the staff like the example I sent I honestly don't know what would be the best solution.
> It'd be not-very-hard to drum up an automated solution, but what we're > really missing are examples from the literature. If you have time to > peruse scores from reputable editors and send us examples, we can work from > that. > I will try to look at something.
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