The Speakers won't be wireless as you probably want them to be powered.

But it should be easy with bluetooth 4.0 or Wi-Fi direct to create a
solution.

Normal Wi-Fi could be used.
The low cost esp8266 makes this possible in a diy setup...

Stream a 4 channel audiostream to the 4 speakers.
Have a switch on each speaker to select which channel it will playback.

Could possibly be solved by streaming 2 stereo channels on 2 different ip
ports over WiFi instead. 😎

Bo-Erik



Den tis 28 maj 2019 09:50Augustine Leudar <augustineleu...@gmail.com> skrev:

> wow :
>
> https://youtu.be/KrVGTqRftKY
>
> Problem is as most engineers know the result of room reflections is
> generally comb filtering not increased spatialisation. Even if you could
> somehow get this to work the time of the reflections would depend on room
> size, the materials on the wall etc etc. It would be great if someone could
> just invent bluetooth quad (or more)  then you could happily just deposit
> four cable free bluetooth speakers around the room and be done with all
> this nonsense.
>
> On Tue, 28 May 2019 at 08:38, Augustine Leudar <augustineleu...@gmail.com>
> wrote:
>
> > Thats interesting - ive always wanted to hear transaural actually working
> > - I've only tried Spat. However this would require the content producers
> > (sound designers) to actually add HRTFs and use software to render
> > trnasaural filters the same as binaural - and most d not , genrally its
> > just the same stereo content used on two speakers produced over a
> soundbar.
> > Even a soundbar isnt intelligent enough to decide which sounds should
> > appear where, marvelous though they are.
> >
> > On Tue, 28 May 2019 at 01:55, Aaron Heller <ajhel...@gmail.com> wrote:
> >
> >> The soundbars I've heard sound like they use crosstalk cancellation (aka
> >> transaural stereo) to achieve surround effects. I believe the work of
> >> Edgar
> >> Choueiri and his students at Princeton represents the state of the art
> in
> >> that area.
> >>    https://www.princeton.edu/3D3A/index.html
> >>
> >> Also Ralph Glasgal, an occasional poster on sursound --
> >> http://www.ambiophonics.org
> >>
> >> Aaron (hel...@ai.sri.com)
> >> Menlo Park, CA  US
> >>
> >>
> >>
> >>
> >> On Mon, May 27, 2019 at 4:43 PM Augustine Leudar <
> >> augustineleu...@gmail.com>
> >> wrote:
> >> >
> >> > Hi Douglas -
> >> > I dont think he was referring to Atmos soundbars just Atmos in
> general .
> >> > Atmos will of course work nicely being a 9.1 (or is it 11.1 ?) bed
> with
> >> > objects operating  within that over an unlimited number of speakers
> (or
> >> is
> >> > it 128 max)  - as such its true surround (in that the speakers od
> >> actually
> >> > surround the litener);  .
> >> > However its not particularily innovative in that it combines stuff
> thats
> >> > been around for years -  (ambisonics can decode to different speaker
> >> arrays
> >> > from one file for example and I assume the objects move around using
> >> > amplitude panning). Then youve got things like DBAP which have the
> >> > potential to create far more convincing 3D audio scenes that ATMOS and
> >> > thats been around a lot longer.
> >> > But no here we just refer to soundbars in general I think. I find it
> >> very
> >> > unlikely though that an "ATMOS" soundbar would give the impression of
> a
> >> > sound being behind the listener than a basical quad setup where there
> >> > actually are two speakers behind the listener.
> >> > I agree  placebo definately plays a role in a lot of spatial audio.
> >> >
> >> > On Mon, 27 May 2019 at 22:00, Douglas Murray <dmur...@well.com>
> wrote:
> >> >
> >> > >
> >> > > > On May 27, 2019, at 12:09 PM, mgraves mstvp.com <
> mgra...@mstvp.com>
> >> > > wrote:
> >> > > >
> >> > > > See also Dolby Atmos. Yet another triumph of marketing over
> reality.
> >> > > Dolby is especially good in that arena.
> >> > > >
> >> > > > Michael Graves
> >> > >
> >> > > Michael,
> >> > >
> >> > > Are you referring to the Dolby Atmos sound bars and ceiling bouncing
> >> > > speakers? If so I agree. But as a film sound designer, I don’t
> believe
> >> I am
> >> > > succumbing to marketing hype when I say that Dolby Atmos in a cinema
> >> > > setting, with its full range surrounds and speakers in what were
> gaps
> >> near
> >> > > the screen, is a real improvement over other earlier surround
> formats
> >> for
> >> > > cinema. Clearly Dolby is trying to generate profits from the mass
> home
> >> > > market rather than only from the small cinema world. It’s probable
> >> that
> >> any
> >> > > sound bar, whether “Atmos” or not, will be an upgrade for whomever
> >> buys
> >> it,
> >> > > so happy customers, even if the hype is not lived up to. Maybe it’s
> >> the
> >> > > placebo effect that makes these things work?
> >> > >
> >> > > Doug Murray
> >> > > _______________________________________________
> >> > > Sursound mailing list
> >> > > Sursound@music.vt.edu
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> >> here,
> >> > > edit account or options, view archives and so on.
> >> > >
> >> >
> >> >
> >> > --
> >> > Dr. Augustine Leudar
> >> > Artistic Director Magik Door LTD
> >> > Company Number : NI635217
> >> > Registered 63 Ballycoan rd,
> >> > Belfast BT88LL
> >> > www.magikdoor.net
> >> > +44(0)7555784775
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> >
> >
> > --
> > Dr. Augustine Leudar
> > Artistic Director Magik Door LTD
> > Company Number : NI635217
> > Registered 63 Ballycoan rd,
> > Belfast BT88LL
> > www.magikdoor.net
> > +44(0)7555784775
> >
> >
>
> --
> Dr. Augustine Leudar
> Artistic Director Magik Door LTD
> Company Number : NI635217
> Registered 63 Ballycoan rd,
> Belfast BT88LL
> www.magikdoor.net
> +44(0)7555784775
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