[Sursound] Two open (post-doc) researcher positions at IRCAM / STMS-Lab

-recherchedeveloppement-specialiste-en-traitement-du-signal-audio-3d-et-en-acoustique-des-salles-reference-continuumpd-aa Best regards, Markus — Markus Noisternig Head of Music Research Researcher in Acoustics and Audio Signal Processing STMS Lab IRCAM - CNRS - Sorbonne University - Ministry of

[Sursound] 2nd annual Spatial Audio Summer Seminar @ EMPAC in partnership with IRCAM and CCRMA

audio systems, including Wave Field Synthesis, High-Order Ambisonics, and Binaural audio. Researcher Markus Noisternig (IRCAM), professor Chris Chafe (Stanford), and other guests will join EMPAC’s audio staff in dissecting technical and artistic concerns in the creation and presentation of high-count

Re: [Sursound] A submittal for a patent on Ambisonics?

Dear All, Here are some references: Brungart and Rabinowitz [1] showed that HRTF vary significantly for sources in the proximity region (i.e. at distances less than 1m from the head). Lentz et al. [2] perceptually evaluated measured HRTFs at different distances from the head, showing limits o

[Sursound] Job opening at IRCAM, R&D position in object based 3D audio

Dear All, A job opening is available in our research group. Please pass this on to anyone you think would be interested. And please forgive the mass mailing. Kind regards, Markus - - - - - - Researcher/developer position (W/M) European research project ORPHEUS Fixed-term contract of 12 mo

Re: [Sursound] How to derive a good "universal" HRTF data set?

, and C++ are available at http://sourceforge.net/projects/sofacoustics/. The API provides functionality to create, read, and write AES69 ‘.sofa’ files. You can freely download and use the APIs, in whole or in part, for personal or commercial purposes. Best regards, Markus -- Markus Noist

[Sursound] IRCAM Artistic Research Residency Program - Call for proposals

Apologies for cross-posting - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - IRCAM Artistic Research Residency Program 2017 Featuring IRCAM Residency & Joint ZKM / IRCAM Residency Tracks The artistic research residency program is open to com

[Sursound] CFP inSONIC2015 - aesthetics of spatial audio in sound, music and sound-art

Brümmer (ZKM-Karlsruhe) Michael Harenberg (HKB-Bern) Paul Modler (HfG-Karlsruhe) Tony Myatt (IoSR-Guildford) Markus Noisternig (IRCAM-Paris) Curtis Roads (MAT/CREATE-St. Barbara) LOCAL ORGANIZING TEAM Ludger Brümmer (ZKM-Karlsruhe) Paul Modler (HfG-Karlsruhe) Götz Dipper (ZKM-Karlsruhe) Ma

Re: [Sursound] AES69-2015 standard for file exchange - Spatial acoustic data file format

stand its usefulness, but why is it > named "spatial acoustic", without a reference to binaural listening? It > is for marketing reasons, based on the predominance of headphone > listening? > > -- > Marc > > On Sun, 15 Mar 2015 16:13:47 +0100, Markus Noister

[Sursound] AES69-2015 standard for file exchange - Spatial acoustic data file format

ts/sofacoustics/> All the best, Markus and Piotr -- Markus Noisternig Acoustics and Cognition Research Group IRCAM, CNRS, Sorbonne Universities, UPMC Paris, France Piotr Majdak Psychoacoustics and Experimental Audiology Acoustics Research Institute Austrian Academy of Scienc

[Sursound] Fwd: 1st Web Audio Conference - Ircam and Mozilla - Call for submissions

Apologies for cross-postings! Dear all, Here is a reminder for the 1st Web Audio Conference - http://wac.ircam.fr * Guideline for submission: http://wac.ircam.fr/guideline.html * Deadline for submission on October 10 Feel free to distribute this call ***

[Sursound] Call for submission : 1st Web Audio Conference (Ircam and Mozilla)

Dear Colleagues, Please find here a call for submissions for the 1st Web Audio Conference - Ircam and Mozilla, Paris, France in January 26th-28th 2015. http://wac.ircam.fr Feel free to distribute this call to interested colleagues. *

Re: [Sursound] And now for something different...

Dear Richard and Sursounders, The AES-X212 "Spatial acoustic data file format" standardizes a file format to exchange HRTF data. The format is designed to be extendable to represent any space-related data, such as spatial room impulse responses (SRIR) measured with multichannel microphone and

Re: [Sursound] WFS systems

rly waiting the WFS >> release! :) >> >> Thank you for the links to the open music, OMPrisma etc. I was not aware of >> these, and thank you for the development of the ircam tools, very cool >> indeed! :) >> >> >> >> >> Markus Noist

Re: [Sursound] WFS systems

Hi Lasse and Augustine, > I am eagerly awaiting Ircam to release their WFS software - but they haven't > as far as I know The WFS real-time renderer is not yet released as we first have to write some GUI objects for the filter computation tools. The current release of the Max/Msp external libr

Re: [Sursound] WFS systems

Dear Sursounders, For those of you who are interested in some more details about the IRCAM array: The array is installed in IRCAM's variable acoustics concert hall (15.5 x 24 x 10.5 m3). It consists of four horizontal linear arrays (with a total of 280 independently controlled coaxial speakers

Re: [Sursound] distance perception in virtual environments

Hi, Gavin Kearney et al have presented their work on "Depth perception in interactive virtual acoustic environments using higher order ambisonic soundfields" at the Ambisonics'11 symposium in Paris; the article is available online at http://ambisonics10.ircam.fr/drupal/?q=proceedings/o6 Best,