Hi Ricky,
> On 05 Mar 2015, at 17:39, Ricky Graham wrote:
> Does anyone have any experience recording B-Format with multiple microphones
> set to specific polar patterns (i.e. if you don’t have access to an ambisonic
> / tetramic?). Is it possible? If so, what are some of the issues / problems
H Augustine,
this is a while back, but I have been using this DTS encoder for a while.
On Dec 18, 2013, at 3:32 PM, Augustine Leudar wrote:
> http://www.dts.com/professionals/audio-software/dts-hd-master-audio-suite/overview.aspx
>
> anyone used it ?
Me for one :-)
Cheers,
Andrew
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See Bob Katz' K-20:
http://www.digido.com/how-to-make-better-recordings-part-2.html
Regards,
Andrew Levine
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Hi Stefan,
On 24.04.2012, at 20:54, Stefan Schreiber wrote:
> It is a pity that the so-called music industry
(not that I belong to that…)
> didn't and doesn't care,
(…caring a lot about surround)
> but in the end probably there has to happen something. Because the question
> might be asked wh
Hi Fons,
On 24.04.2012, at 22:09, Fons Adriaensen wrote:
> More than 96 dB dynamic range ? I've done some 20th and 21st
> century music recordings that had 60 dB or so of dynamic range,
> but that's about the widest I've ever seen. For any practical
> use you have to reduce that anyway.
>
> For
Hi Robert,
On 25.04.2012, at 03:44, Robert Greene wrote:
> Moreover, if we had compressed one very brief thing(and unless you are meter
> reading you may not know which thing it is--it does not sound as loud as it
> actually is), we could have pulled the overall level up 6 dB. That one moment
Hi Jörn,
On May 1, 2011, at 9:39 PM, Jörn Nettingsmeier wrote:
> for me, 1st order horizontal is nice but on the brink of collapsing due
> to ambiguous source localosation, 1st order peri tips it over the edge.
> that's with my sound engineer's ear, not with my music appreciation ear.
>
> paul's
Hi John,
On 16.04.2011, at 10:53, John Leonard wrote:
> You only need phantom turned on on Channel 1 - try turning it off on all
> other channels and see if the noise goes away.
is that recommended behavior? I currently phantom power all four mics.
Also, has anyone thought about assembling a bo
Hi Tim,
On 13.04.2011, at 23:06, Tim BC wrote:
> Is it me or what? I am trying to access VVaudio to download the latest
> versions of VVTetraVST and VVMic but I keep getting redirected to a Zoneedit
> page which seems to be a web-hosting page.
This happened to me yesterday as well. It appears t
Harpex-B is out!
http://harpex.net/presskit20110331/ (Press release)
http://harpex.net/download.html (plug-in trial version / free player app for
Win, Mac & Linux)
Regards,
Andrew
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…about the last post. Please just ignore it for the time being.
Regards,
Andrew
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Hi Svein,
don't you want to announce something on this list? ;-)
Regards,
Andrew
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Hi again Simone,
On 23.03.2011, at 15:18, Simone Fontana wrote:
> Thank you Andrew, BlackBox looks exactly like what I was looking for! It
> should cost around 2000 euro (in Italy only the recorder is distributed, at
> 1950 euro)
> I would like to avoid a computer in the chain.
OK.
> There is al
Hi Simone,
On 23.03.2011, at 14:47, Simone Fontana wrote:
> Are you aware of any hardware device able to play several audio channels (up
> to 16 let say) without the need of a particular encoding format?
two CoreAudio / ASIO audio 8ch audio interfaces connected to a computer should
do. And I'll
On 26.01.2011, at 08:56, Eero Aro wrote:
> Dave Malham:
> http://www.dmalham.freeserve.co.uk/vst_ambisonics.html
> http://www.york.ac.uk/inst/mustech/3d_audio/vst/welcome.html
these have not worked for me on a Mac runnig OSX 10.6.
Cheers,
Andrew
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Su
Hi Augustine,
On 26.01.2011, at 06:33, Augustine Leudar wrote:
> I am now utterly intrigued by
> ambisonics and cant wait to try it out the more I read the more I get sucked
> in
I know what you're talking about :-)
> Gaps in the image are plugged with other speakers with say
> cicadas on them -
Hi Daniel,
On 24.01.2011, at 18:55, Daniel Courville wrote:
> Le 11-01-24 10:23, Andrew Levine a écrit :
>> I imagine it would require quite a complex piece of software that could
>> differentiate sound sources by grouping their spectral components,
>> reconstruct the origin
Hi Steven,
On 24.01.2011, at 15:31, Steven Dive wrote:
> I almost never see any info on recording techniques on record labels and I
> can't foresee any record labels ever stating which microphone techniques were
> used.
DMP Digital Music Products used to do so when they ere in existance, Sheffi
Hi Robert,
On 24.01.2011, at 06:26, Robert Greene wrote:
> Does anyone really like the sound of the human voice
> from four inches away for example?
Actually that's quite a distance ;-)
Really, spot miking can come in handy. Sometimes you want to capture an
intimacy that can only be had at clos
On 14.01.2011, at 23:42, Ralf R. Radermacher wrote:
> What we really need is someone with the mechanical skills to produce
> four angled pieces of metal tubing, with threads at both ends, to screw
> in between the NT5 (or any other SD condenser) capsule and the
> grip/amplifier, so that 4 x NT5 can
On 14.01.2011, at 21:46, Ralf R. Radermacher wrote:
> Augustine Leudar wrote:
>
>> Between £80 and £180 Uk pounds each more or less
>
> I suppose your jungle isn't too windy in which case I'd recommend a
> bunch of Rode NT5.
I second that. Regarding how to strap six of them together you might b
interesting
discussions :-)
Cheers,
Andrew Levine
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Hi Ralph,
On 02.01.2011, at 22:59, Ralph Glasgal wrote:
> www.northjersey.com/arts_entertainment/112171169_A_leap_in_audio_technology.html
It seems the link is this one:
http://bit.ly/hW4kwD
Cheers,
Andrew
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