Mr. Bailey,
My recommendation was based on an attempt to utilize the snippet as
presented. It did not do what I needed. I then added the \key command were I
recommend and it did work. This seems to be a whole lot of kerfuflle over a
simple, honest, recommendation.
Mark Stephen Mrotek
Mr. Bailey,
Noted. Thank you.
Mark
-Original Message-
From: bina...@gmail.com [mailto:bina...@gmail.com] On Behalf Of Simon Bailey
Sent: Sunday, October 13, 2013 5:15 AM
To: Mark Stephen Mrotek
Cc: Wim van Dommelen; lilypond-user Mailinglist
Subject: Re: Ossia - Documentation
Hello,
Where in the manual (2.16.2) are instructions for coding a cadenza for two
hands (piano)?
Thank you,
Mark Stephen Mrotek
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
, October 18, 2013 9:28 AM
To: Mark Stephen Mrotek
Cc: lilypond-user Mailinglist
Subject: Re: cadenza for two hands
On Fri, Oct 18, 2013 at 6:23 PM, Mark Stephen Mrotek
wrote:
> Where in the manual (2.16.2) are instructions for coding a cadenza for
> two hands (piano)?
does this help
Peter,
Does this help?
\version "2.16.2"
global = {
\key c \major
\numericTimeSignature
\time 6/8
}
violin = \relative c'' {
\global
c8 [ c c ] c [ c c ] |
c [ c ] c [ c ] c [ c ] |
}
\score {
\new Staff \violin
\layout { }
}
Mark
Hello,
The attached snippet is from http://lsr.dsi.unimi.it/LSR/Snippet?id=445.
It was copied ("select all," "copy") into Frescobaldi 2.0.11 using Lilypond
2.16.2. The octaves do not appear.
What adjustment must be done?
Thank you.
Mark
%LSR This function was contributed by Jay
Mr. Bailey,
Thank you for your reply and the alternative snippet. Should the "correct"
one replace the one I found?
Mark
-Original Message-
From: bina...@gmail.com [mailto:bina...@gmail.com] On Behalf Of Simon Bailey
Sent: Tuesday, October 22, 2013 3:58 PM
To: Mark Stephen
Hello,
What should be done to get rid of the unnecessary bar in the second ending?
Thank you.
Mark
\version "2.16.2"
global = {
\key es \major
\numericTimeSignature
\time 3/4
\override TupletBracket #'bracket-visibility = ##f
\override TupletNumber #'stencil = ##f
}
right =
asure that follows.
Mark
-Original Message-
From: Thomas Morley [mailto:thomasmorle...@gmail.com]
Sent: Friday, October 25, 2013 4:15 PM
To: Mark Stephen Mrotek
Cc: lilypond-user
Subject: Re: Extra Bar
2013/10/26 Mark Stephen Mrotek :
> Hello,
>
>
>
> What should be done to get r
Jelle,
I have encountered this a few times and with the help of others have used
this:
http://www.lilypond.org/doc/v2.16/Documentation/internals/breakalignment
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr
Mr. McClure,
https://owl.english.purdue.edu/owl/resource/560/10/ states:
Computer Software/Downloaded Software
Software that is downloaded from a Web site should provide the software's
version and year when available.
Hayes, B., Tesar, B., & Zuraw, K. (2003). OTSoft: Optimality Theory Software
Mr. McClure,
My understanding is that Lilypond is the result of the collaboration of many
programmers. I suggest that you contact Mr. David Kastrup for how to ascribe
authorship.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounce
Hello,
Using the instructions at
http://lilypond.org/doc/v2.16/Documentation/notation/expressive-marks-attach
ed-to-notes
I can get an accidental either above or below the turn (see attached).
What command should be added (and in what order) to get an accidental both
above and below the t
to \tweak the priorities directly
(not tested)
hth
Eluze
Am 31.10.2013 23:00, schrieb Mark Stephen Mrotek:
Hello,
Using the instructions at
http://lilypond.org/doc/v2.16/Documentation/notation/expressive-marks-attach
ed-to-notes
I can get an accidental either above or below the
Mr. Rivers,
Attached is my solution. Might not be the best, yet may give some ideas.
Mark
\version "2.16.2"
global = {
\key bes \major
\time 4/4
}
right = \relative c'' {
\global
r32 aes, c fis c'8
\change Staff = "left"
\stemUp
d,,32 [ ees f g ]
\change Staff = "right
Hello,
In the attached example I want the beams in the upper staff second measure
to be parallel (angled) to the beams in the lower staff second measure, as
they are at the end of the first measure.
Thanks for your help.
Mark
\version "2.16.2"
global = {
\key a \major
\numericTime
: Mark Stephen Mrotek
Cc: lilypond-user
Subject: Re: Angled Beams
Hi Mark,
On Mon, Nov 11, 2013 at 11:16 AM, Mark Stephen Mrotek
wrote:
Hello,
In the attached example I want the beams in the upper staff second measure to
be parallel (angled) to the beams in the lower staff second
: lilypond-user@gnu.org
Subject: Re: Angled Beams
"Mark Stephen Mrotek" writes:
> David,
>
>
>
> Thank you for your response and directions. When inserted Ignoring
> non-music expression
>
> \override Beam.damping =
>
>#3
9:43 AM
To: lilypond-user@gnu.org
Subject: Re: Angled Beams
"Mark Stephen Mrotek" writes:
> David,
>
>
>
> Thank you for your response and directions. When inserted Ignoring
> non-music expression
>
> \override Beam.damping =
>
>
Agostinho
Sent: Monday, November 11, 2013 10:32 AM
To: lilypond-user@gnu.org
Subject: RE: Angled Beams
Mark Stephen Mrotek wrote
> The command was inserted. I do not see a change. My error?
On my 2.17.95 it does show a difference. You can also try the command \once
\override Beam #'p
Gilberto Agostinho
Sent: Monday, November 11, 2013 10:45 AM
To: lilypond-user@gnu.org
Subject: RE: Angled Beams
Mark Stephen Mrotek wrote
> Yes! Thank you for the direction/instruction. Now I shall look it up
> in the manual and play with the parameters.
I am glad it worked out. Th
Mr. Nalesnik,
That you for the information.
Mark
From: David Nalesnik [mailto:david.nales...@gmail.com]
Sent: Monday, November 11, 2013 11:24 AM
To: Mark Stephen Mrotek
Cc: Gilberto Agostinho; lilypond-user
Subject: Re: Angled Beams
Hi Mark and Gilberto,
wrote:
The Beam
Mr. O'Hara:
My use of the ragged bottom is very particular. I use Lilypond to set piano
scores for viewing on a tablet (easy page turning!). In a set of variations,
some (if not all) of the variations might not be long enough to fill the
page, and two consecutive variations would be too much. Each
Joram,
My response is based on a trial and success learning of Lilypond, not on any
in-depth understanding of its codes or workings.
I set piano music using 2.16.2. To me "voices" means a polyphonic setting,
e.g., a fugue. Lilypond seems to think the same. So using the command "voice"
always se
Mr. Sorenson,
That is exactly the way I use the command.
Mark
-Original Message-
From: Carl Sorensen [mailto:c_soren...@byu.edu]
Sent: Saturday, November 16, 2013 2:23 PM
To: Mark Stephen Mrotek; 'Keith E OHara'; lilypond-user@gnu.org
Subject: Re: what do you use ragged-botto
Joram,
In 2.16.2 it is at
http://www.lilypond.org/doc/v2.16/Documentation/learning/voices-contain-musi
c
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Noeck
Sent: Sunday, November
ww.lilypond.org/doc/v2.16/Documentation/learning/moving-objects
Mark
-Original Message-
From: Noeck [mailto:noeck.marb...@gmx.de]
Sent: Sunday, November 17, 2013 3:04 PM
To: Mark Stephen Mrotek; lilypond-user@gnu.org
Subject: Re: How to structure piano music?
> http://www.lily
Ian,
Code ran without errors for me under 2.16.2.
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Ian
Barclay
Sent: Tuesday, November 19, 2013 10:30 AM
To: lilypond-user@gnu.org
Subject: Re: Finishing
e comparisons. I do know that from the start
Lilypond may have challenged me. It never frustrated me.
Mark Stephen Mrotek
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
David Kastrup
Se
Richard,
This may help:
http://www.lilypond.org/doc/v2.16/Documentation/notation/beams#setting-autom
atic-beam-behavior
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Richard Shann
Mr. Wakeling,
Since I am not a programmer, I am not sure why, yet when I double click a
.ly file in Windows 7 Frescobaldi opens (rapidly) and displays the code.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.r
Mr. McClure,
On two previous mailings I have extoled the values of Lilypond for the new
user (loaded mine this last March), or what might be called its "out of the
box" capabilities. Since installation I have transcribed 20+ piano scores
for my own study and use. All of them are crisper than the p
Mr. Wakeling,
Thank you for the reply and the explanation. Seems to me to be a simple
solution for some of the objections.
Mark
-Original Message-
From: Joseph Rushton Wakeling [mailto:joseph.wakel...@webdrake.net]
Sent: Saturday, December 07, 2013 7:45 AM
To: Mark Stephen Mrotek
ad this first."
That hot link goes to a page that has a section titled "Easier editing
environments." A hot link takes one to a list including Frescobaldi.
I cannot conceive of anything more straight forward.
Mark Stephen Mrotek
___
Mr. Harkins,
Two or three hops are not too much for anyone that reads and follows directions.
Mark Stephen Mrotek
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of James
Harkins
Sent
Mr. Harkins,
Perhaps my faith is not so much an problem as is your cynicism.
Mark
From: James Harkins [mailto:jamshar...@gmail.com]
Sent: Sunday, December 08, 2013 8:03 PM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: RE: A thought on Windows Experience
On Dec 9
Mr. Peterson,
Thank you for your reply and conciliatory suggestion.
Mark
From: Carl Peterson [mailto:carlopeter...@gmail.com]
Sent: Sunday, December 08, 2013 8:27 PM
To: jamshar...@dewdrop-world.net
Cc: Mark Stephen Mrotek; Mailinglist lilypond-user
Subject: RE: A thought on Windows
Hello:
In the attached snippet, what do I do to
1. Lower the turn and accidental, i.e. move it closed to the staff,
and
2. Avoid collision with the slur?
The code was taken from
http://lilypond.org/doc/v2.16/Documentation/notation/expressive-marks-attach
ed-to-notes
Tha
To: Mark Stephen Mrotek
Cc: LilyPond User Group
Subject: Re: delayed turn - vertical height
before the turn
\override TextScript #'extra-offset = #'(4.4 . 0)
adjust the numbers as needed.
On Tue, Dec 10, 2013 at 7:12 PM, Mark Stephen Mrotek
wrote:
> Hello:
>
>
>
> In t
Shane Brandes,
Please allow me to tap your expertise once again.
In most cases the command you gave worked. Two identical ( as far as I can
see ) codes are not producing identical engravings.
My error?
Thank you.
Mark
\version "2.16.2"
global = {
\key g \minor
\numericTim
Mr. Kastrup,
Thank you for your input and providing another learning experience.
Mark
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
Sent: Thursday, December 12, 2013 6:57 AM
To: Mark Stephen Mrotek
Cc: 'Shane Brandes'; lilypond-user@gnu.org
Subject: Re: Tu
Tom,
My knowledge is that it indicates an up bow.
See: http://andrewhugill.com/manuals/violin/bowing.html
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Tom
van der Hoeven
Sent: Sunday, December
Hello,
The key change in the upper staff can be properly aligned (after the "g") if
I use \bar '' '' and \break. This disrupts Lilypond's auto-spacing.
Is another solution possible?
Thank you.
Mark
\version "2.16.2"
global = {
\key c \major
\numericTimeSignature
\time 4/2
PM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: Re: mid-measure key change
If this is something you're composing, general practice would suggest you
move it to the beginning or end of the bar. That said, you could make time
signatures and bar lines temporarily invisibl
, December 15, 2013 8:25 PM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org; bug-lilyp...@gnu.org
Subject: Re: mid-measure key change
"Mark Stephen Mrotek" writes:
> Hello,
>
>
>
> The key change in the upper staff can be properly aligned (after the
> "g"
Keith
OHara
Sent: Sunday, December 15, 2013 11:40 PM
To: lilypond-user@gnu.org
Subject: Re: mid-measure key change
Mark Stephen Mrotek ca.rr.com> writes:
> The key change in the upper staff can be properly aligned (after the
> “g”)
if I use \bar '' '' and \break. Thi
Gentlemen,
In context, Schubert Impromptu D. 899, the command lines
\once\override Score.BarLine #'transparent = ##t
\once\override Score.SpanBar #'transparent = ##t
\bar"|"
Inserted the key change correctly. Lilypond maintained spacing and broke the
line after the key change. Mea
Urs Liska,
No problem with Beethoven #19.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Urs
Liska
Sent: Tuesday, December 17, 2013 2:33 PM
To: lilypond-user
Subject: Setting to pri
Bombcar,
I don't know why it does not work, yet a see in one line "\stanzaII" and
later it is "\stanzaVI." Perhaps this is the cause.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Stephen Mrotek wrote
>
> As an example of the inconsistency, one measure was repeated 9 times -
> see turn.ly and turn.pdf. The turn should be between the c8. and the
> d16 . All turns should be under the slur.
>
>
>
> What should I change?
please always reduce yo
20.12.2013 03:27, schrieb Mark Stephen Mrotek:
> Why is it that the code presented in the manual ( and copied in my
> exampled
> ) does not produce in my work the same as is in the manual?
Not seeing into the original issue I'd ask nevertheless: Are you sure that
you use the manu
:36 AM
To: lilypond-user@gnu.org
Subject: RE: delayed turn
Mark Stephen Mrotek wrote
> The length of the code was to demonstrate the inconsistencies, i.e.,
> nine separate instances produce randomly two different results.
you can write \repeat unfold 9 {...} so the reader is sure there
Simon,
Again, thanks for your kind attention.
Yes, I have plans - not today - to reinstall Lilypond and see if that
remedies the code.
Mark
From: bina...@gmail.com [mailto:bina...@gmail.com] On Behalf Of Simon Bailey
Sent: Friday, December 20, 2013 2:13 AM
To: Mark Stephen Mrotek
turn
Mark Stephen Mrotek wrote
> It is here,
> http://lists.gnu.org/archive/html/lilypond-user/2013-12/txtHVW62yOy_y.txt
this is a archive/mailing list!
Eluze
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/delayed-turn-tp156135p156185.html
Sent from the User mailin
-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Eluze
Sent: Friday, December 20, 2013 8:43 AM
To: lilypond-user@gnu.org
Subject: RE: delayed turn
Mark Stephen Mrotek wrote
> Thank you. Please see attached.
>
> BadTurns.ly (
Mr. Brandes
Bulmer MT has accented small caps as part of the font family.
http://www.fonts.com/font/adobe/bulmer/complete-family-pack
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Xavier Noria,
Look at
http://www.lilypond.org/doc/v2.16/Documentation/notation/short-repeats
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Xavier
Noria
Sent: Saturday, December 21, 2013 6:25 PM
T
Mr. Kastrup,
Please help me with my understanding of this issue.
Why is
http://www.lilypond.org/doc/v2.16/Documentation/notation/short-repeats
not an acceptable solution?
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carson
Ed,
The second measure have 5 beats. Eliminate one of them and the "extra"
measure disappears.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Ed
Faulk
Sent: Wednesday, December 25,
Hello,
Does 2.18 install over the previous version (2.16.2 for me), or must the
previous version be uninstalled first?
http://www.lilypond.org/doc/v2.17/Documentation/usage/invoking-convert_002dl
y
gives instructions for converting files.
My command prompt comes up as
C:\users\Owner>.
A " is missing from the version number.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
i...@soundand.com
Sent: Saturday, January 04, 2014 10:33 AM
To: Lilypond User
Subject: Header p
Gentlemen,
If each pitch name is enclosed in < >, the octaves are formed.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Daniel Rosen
Sent: Sunday, January 05, 2014 8:52 AM
To: Pier
Rafael,
The order of prefatory symbols can be altered using the command listed here:
http://www.lilypond.org/doc/v2.17/Documentation/internals/break_002dalignment_002dinterface
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca
Shane,
The thread is here:
http://lists.gnu.org/archive/html/lilypond-user/2013-12/msg01190.html
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Shane
Brandes
Sent: Saturday, Janua
Pabduhr,
If I attached the command line starting with "\once \overide Score" to the
c4 in the first voice the "Fine" moves to above the staff at the end of the
second line.
Try that and see if is what you want.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu
Pabuhr,
When using the << ... >>, the upper voice comes first, i.e., << { here upper
voice } \\ { here lower voice } >>
The music can extend beyond a single measure. Look at this:
\version "2.16.0"
melody = \relative c' {
\time 2/4
<< { b4 b | c r8 } \\ { d,8\> [ g g, g' ] | c,4\! r8 }
Gilberto,
Perhaps writing the pitches one octave higher and using "ottava -1."
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Gilberto Agostinho
Sent: Monday, January 13, 2014 11:09
Gilberto,
Would reducing the duration of the graces, e.g., from 32 down to 16 (or even
8) look more to your liking?
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Gilberto Agostinho
In my cheat sheet is:
\set tupletSpannerDuration = #(ly:make-moment 1 4)
\times 2/3 { p1 p2 p3 p4 p5 p6 . }
A search of the manual did not bring up anything.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr..
ttp://lilypond.org/doc/v2.18/Documentation/notation/writing-rhythms
Am 05.12.2014 um 16:49 schrieb Mark Stephen Mrotek:
> In my cheat sheet is:
>
> \set tupletSpannerDuration = #(ly:make-moment 1 4) \times 2/3 { p1 p2
> p3 p4 p5 p6 . }
>
> A search of the manual did not bring u
Son V
Try: \set tieWaitForNote = ##t. This would be in one voice. Measure 2 and 3
would be chords - < >.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Son_V
Sent: Saturday, Dec
MD,
\layout {
indent = #0
}
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of md
Sent: Friday, December 12, 2014 3:16 PM
To: lilypond-user@gnu.org
Subject: How to make a same length of
Welcome.
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of md
Sent: Friday, December 12, 2014 5:07 PM
To: lilypond-user@gnu.org
Subject: RE: How to make a same length of staff ?
Hi Mark,
It
Jay,
The format for alternative endings: \alternative { {} {} }.
See this does what you want.
\alternative {{ g2. ~ g2.\breathe } {g2.\fermata}}
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
Chris,
Putting each in a separate \score block compiles. I do not know if that is the
only, or best solution.
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Chris
Trahan
Sent: Tuesday, December 30
Jaime,
I am not a programmer, nor an expert on the workings of Lilypond. I speak as
an amateur musician.
"\slashedGrace {a'32 a32}" does not give the expected result. No "slash"
appears. If the command is changed to "\slashedGrace {a'32}" a slashed grace
appears.
A \slashedGrace is an acciaccatur
Peter:
Use:
\layout { indent = #0 }
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Peter Jongh Visscher
Sent: Monday, January 12, 2015 7:55 AM
To: lilypond-user@gnu.org
Subject: output PDF
I sta
Cynthia,
The placement of the staccato, also fingerings, articulations, and dynamics,
can be place above a note using "^" and below a note using "_" in place of
the "-."
Mark
http://lilypond.org/doc/v2.18/Documentation/notation/inside-the-staff
http://lilypond.org/doc/v2.18/Documentation/source/
Hi list,
I'm trying to create a pitched trill where the parenthesized note glisses
to a new note.
I've got quite close to the notation I'm after, but I can't find a way to
parenthesize the goal note the same way as the pitchedTrill. \parenthesize
doesn't seem to include the accidental, and is in a
d-details.left.Y #-3.25
> -\tweak bound-details.right.Y #-2.85
> -\tweak bound-details.left.padding #3.5
> -\tweak bound-details.right.padding #-1.6
> \glissando ~ des
> \parentAccidental
> \grace { d8 }
> c8\stopTrillSpan r8
> }
>
> I bet that some more
I've just seen I overlooked your message, Harm.
Thank you both, and for the upload to the LSR!
Best,
David
On 23 January 2015 at 13:18, Pierre Perol-Schneider <
pierre.schneider.pa...@gmail.com> wrote:
> Added to the LSR : http://lsr.di.unimi.it/LSR/Item?id=972
>
> Cheers,
> Piere
>
> 2015-01-23
Peter,
A rest can be positioned by using a pitch name, duration, \rest, e.g.,
c8\rest puts an eighth rest where "c" would be (depending on the clef). The
attached example might be clearer.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-
Ming,
%this in the “new staff” group
\set PianoStaff.connectArpeggios = ##t
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of MING
TSANG
Sent: Thursday, January 29, 2015 6:25 PM
To: Robin Bannister;
Cynthia,
Actually there are two r2. rests, one in each voice. Replace one with s2. and
it shall disappear.
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Cynthia Karl
Sent: Saturday, February 07,
Also you may like to look at options for automatic handling of accidentals
in the documentation:
http://www.lilypond.org/doc/v2.18/Documentation/notation/displaying-pitches#automatic-accidentals
Best, David
On 10 February 2015 at 16:24, William Marchant
wrote:
> Thanks to you and Jan-Peter.
> B
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--
David Stephen Grant
da...@davidgrant.no
www.davidgrant.no
Phone: (+47) 918 14 276
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Oh, but I guess the Boulez font does this automatically, right?
Thanks!
David
On 13 February 2015 at 13:10, David Stephen Grant
wrote:
> I've been wondering - is there an easy way to use the built-in straight
> LilyPond flags also in metronome marks and markups?
>
>
be a simpler way to align hairpins.
>
> regards
> Peter Gentry
>
>
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>
>
--
David Stephen Grant
da...@davidgra
Knute:
I placed \acciaccatura s8 before the r4 and the 8va shortened. Perhaps this
does what you want.
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Knute
Snortum
Sent: Friday, March 06, 2015 1:4
Knute,
You .are welcome. Glad to know that my solution worked.
Sometimes the length of the example may be too long for some. For them the
option is to ignore.
Mark
From: Knute Snortum [mailto:ksnor...@gmail.com]
Sent: Saturday, March 07, 2015 6:53 AM
To: Mark Stephen Mrotek
Cc
James,
Look at
http://lilypond.org/doc/v2.18/Documentation/notation/beams
for some examples (they are down the page a bit).
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
James Hark
Hello
How do I get an \tieUp between the top notes of two octaves, yet a \tieDown
between the bottom notes.
Thank you for your kind attention.
Mark Stephen Mrotek
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Brian Barker,
Thank you for your reply and suggestions. I shall try all of them.
Mark
-Original Message-
From: Brian Barker [mailto:b.m.bar...@btinternet.com]
Sent: Friday, April 03, 2015 6:29 PM
To: lilypond-user@gnu.org
Cc: Mark Stephen Mrotek
Subject: Re: tie between octaves
At 18
Nolan:
Place an “\acciaccatura s8” after the clef change and before the “e.” See below.
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Nolan
Winter
Sent: Saturday, April 04, 2015 11:13 AM
To: lilyp
Reinhold,
I have done it under 2.18 with and without the clef change and the staff lines
continue.
Your snippet compiles correctly under 2.18.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On
Simon,
Actually Lilypond does check the bar checks and notifies if an incorrect
number of beats (as stated in the \time) are in a measure.
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Simon Albrech
Tobias:
Does this work?
\version "2.18.2"
\relative c' {
\partial 4
\repeat volta 2 { c4 | c c c c | c c c }
\repeat volta 2 { d4 | d d d d | }
\alternative { { e4 e e } {
\set Timing.measurePosition = #(ly:make-moment 1/4)
f4 f f } } }
Mark
Lily that the second alternative starts on the first of
four (that's where the 1/4 comes in) beats.
Mark
-Original Message-
From: Tobias Braun [mailto:lists.tob...@braun-abstatt.de]
Sent: Tuesday, May 05, 2015 2:57 PM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: Re: Pr
Andrew,
Lilypond shall not break a beam. If you move the “]” up to just before the
break and start a second beam, “[ …. ]” after the first chord after the break.
It worked for me (2.18).
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carso
Knute,
When I eliminated the indent ( \layout {\indent = #0} ), all of it fits on the
first line.
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Knute
Snortum
Sent: Saturday, May 16, 2015 10:14 AM
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