Hello users,
I bet this is a simple one. How do I read the value of an object property
for use in a markup string? For example, how do I get the value of
'currentBarNumber' and use in place of 'x' in the following code?
= ex 1 ==
\version "2.6.3"
\score {
\relative c'{
Werner LEMBERG wrote:
> While writing scores with LilyPond I've mixed up \time and \times
> again and again.
>
> Thus I have the following suggestion: Make a new command `\tuplet',
> which is an alias of \times and deprecate the latter.
Yeah... I've noticed the sa
Hi,
When using \book I can see from the docs that it is normally used to
output a set of pieces. However... I would like to use it to output
first the score and then notation for the individual instruments to hand
out. (is this a wrong application of \book ?)
However... I've found the following p
xt)
(make-box-markup (number->string (ly:context-property context
'currentBarNumber
Th error is "\mark format expected"
If c. worked, I could combine a letter with the boxed number, and arrange in
a column.
score in
\globalinfo and use \mark to place it.
Peter
\version "2.6.3"
\header {
%
http://lilypond.org/doc/v2.4/Documentation/user/out-www/lilypond/Creating-titles.html
title = "Template"
subtitle = "subtitle"
composer = "Traditional&q
user/out-www/lilypond/Text-marks.html#Text-marks
Ahh... I did look at that page, but overlooked the solution.
This solves my problem:
\override Score.RehearsalMark #'padding = #3
\override Score.RehearsalMark #'break-visibility = #begin-of-line-in
e a problem if you have repeats which some time needs
to be unfolded. Else... put it directly in the definition of your notes,
or in your voice definition.
Peter
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mething in pure Lilypond using more than one
staff and \glissando
... but I would think the nice way would be LaTeX.
Peter
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ption available)
un guile1.3(no description available)
un guile1.3-doc(no description available)
ii guile1.4 1.4-26 The GNU extension language and Scheme
interp
pn guile1.4-doc(no description available)
pn guile1.4-slib (no description availab
Han-Wen Nienhuys wrote:
>
> Hello everybody!
>
> In the last weeks, there has been talk on repeating ties in second
> endings of repeats automatically. This is a sponsorship under the "Small
> feature" regime, so I would like to put it up for 130 EUR (incl VAT for
&g
\drummode { hh-> hho-> hh-> hho-> }
}
>>
I guess I could do it by putting invisible \open on the hh notes.
But how? ... or is there another way?
Peter
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lilypond-us
ments which already uses the space under the staff.
Peter
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Hi,
Is there a good reason, that I just don't know of that the two tuplets
below do not give the same result?
Peter
==
\version "2.6.3"
\paper {
raggedright = ##t
}
\new DrumStaff <<
\new DrumVoice {
\drummode { \times 2/
program "something"
that allows easy creating .png files?
Thanks a lot
Peter Kestens
Belgium
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rence:
R1*8^\markup { \hspace #-5 "Verse 1" }
\once \override TextScript #'extra-offset = #'( -5.0 . 0.0 )
R1*8^\markup { "Verse 1" }
Any ideas why these didn't work, and how can I do it?
Peter C
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/usr/share/lilypond/2.8.0/scm/lily-library.scm:99:5: In
procedure < in expression (ly:book-process book paper ...):
/usr/share/lilypond/2.8.0/scm/lily-library.scm:99:5: Wrong
type argument in position 1: ()
Any hints?
Peter C
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Dear list,
I would like to compile a Lilypond file downloaded from
Mutopia. It needs an include file (paper-20.ly). Where
can I get this? And does that define all the 'extra'
syntax the .ly file seems to contain?
Thanks,
Peter C
__
Unfortunately, pointing-and-clicking on a note will open your source file in the Lilypond application (point-and-click is not compatible with TeXShop).However, this does not work, as I get the error:"/Users/peter/Library/TeXShop/Engines/Lilypond-LaTeX.engine does not have the executable bit
Thanks for this. This is what I suspected.However, and my apologies for being so dim, how do I run it throught lilypond-book? In the section "Invoking lilypond-book" it also states in the first line "lilypond-book produces a file with one of the following extensions: .tex, .texi, or .html, dependin
I use Mac OS X. Lilypond version 2.8.5-1
Peter
However, and my apologies for being so dim, how do I run it throught
lilypond-book?
Are you using Windows, Max OSX, Linux, or what? Also (though it
shouldn't matter), what version of Lilypond are you using?
Thanks a lot for this!
As I expected, I fell at the first hurdle.
Can you give me an idea of what should be in the sample.lytex files?
When I type "lilypond-book --psfonts sample.lytex" I get this error:
cd '/Users/peter/Piano course/Latex/'
Welcome to Darwin!
ip5455a71f
se to add ":/Applications/LilyPond.app/
Contents/Resources/bin" as stated in step 5.
What am I doing wrong?
Thanks again,
Peter
Thanks, Graham. So here's what Peter (and I) need to do, assuming that
you moved the LilyPond app off your desktop and into the Applications
folder:
Thanks for this Graham (and your patience!). I think I messed it up
somewhere. Here's what I have:
1) lilypond.app is in /applications folder
2) I call up a terminal and see this:
ip5455a71f:~ peter$ cd '/Applications/'
ip5455a71f:/Applications peter$
3) Then I type:
nano
4
Thanks for all your help.I eventually got it to work using Nicola Vitacolonna's Lilypond engine for TeXShop which can be found here: http://www.dimi.uniud.it/vitacolo/freesoftware.htmlI would definately recommend it - it works beautifully.Regards,Peter___
error messages like this (even if I only look for help
by entering midi2ly -h):
-bash: midi2ly: command not found
Can someone please tell me what I'm doing wrong?
Many thanks,
Peter
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Hello,
Is it possible to indicate pitches in the format c4 instead of c'?
And if not, does anybody know of any plans to create this possibility?
Many thanks,
Peter
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Yes, I'm familiar with relative music input. However, in my case it
won't work as I'm typesettling music which leaps around an awful lot.
I'm suggesting something more along the lines of \include
"english.ly", whereby you can enter fsharp instead of fis. So instead
of c', you can enter c4,
Then he could use 4c8 instead, or does lilypond have any special
meaning for prepended digits?
hm, then maybe 8c4 is an even better choice ("8th of pitch c4"). I
guessed
that the request for c4 syntax for pitches is related to some
musicological
convention where c4 is the actual pitch name
I'm typesetting a piece of music which has 9 parts (labeled 1 through 9). During
some parts of the music, several of the parts have the same music, and so the
original score will reduce the number of staves and label them, e.g. "1,2" or
"7,8,9".
I'm not sure what the best way to do this in LilyPon
1) Is it possible to remove the note head for just a single note in a line? I
still want the stem and all, just not the note head, and only for one note.
2) Can you set a custom symbol as a note head?
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Mats Bengtsson ee.kth.se> writes:
>
> Quoting Peter Budny mail.gatech.edu>:
>
> > 2) Can you set a custom symbol as a note head?
>
> There are many shapes to choose from in LilyPond, see the section called
> Special noteheads in the manual.
I should hav
ld be used to make an Lilypond->MusicXML XSLT.
Is it complete? How do I invoke it?
Peter
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a command line switch?
Peter
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I am currently away from the office on business and will be back on May 22.
Please forward all support inquiries to [EMAIL PROTECTED]
Sales inquiries to [EMAIL PROTECTED], and all other
Serendipity Software related business and queries to
[EMAIL PROTECTED]
Thank you.
Regards
Peter Skarpetis
s such and result is not
good. Especially not when the note is beamed (mostly ruffs).
Also, getting the correct MIDI meaning out of it is almost impossible.
Does anyone have ideas?
regards,
Peter
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Mats Bengtsson wrote:
Did you try the following?
\time 6/8
c'8 r c8:32 ~ c8 c c |
c4.:32 ~ c4.:32 ~ |
c8 r c:32 ~ c c c |
c4.:32 ~ c4 c8:32 ~ |
c8 r c \acciaccatura d c r c
Yes. But it doesn't give the result I'm looking for. It's _looks_ like
the wanted engraving, but it's not perfect.
er are a problem. :16 tremolos are too slow and only give the
correct number of beats when used on a quarter-note (which is not the
case in the example I gave ("Liberty Bell"). Also the print aligns the
strokes to the beam. The beam a
Pond is great, but could be better. I hope I'll find some time
to contribute.
regards,
Peter
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Hello,
I have already downloaded LilyPond twice, following the instructions to the
letter, but the installation does not work. There is no test.log file to send
you so I send you two other ones that may have information. Quite frankly, I
don't see how my computer could launch test.ly since it d
today by indicating double stroke rolls
> with tremolo repeat symbols and buzz rolls with a z through the stem
> of the note in the same fashion as the / of the tremelo repeat.
I know the technical difference, but its seldom but into notation in the
type of orchestr
On Mon, 2004-06-14 at 11:16, Bryan, Chris wrote:
> Is it possible to do feathered beams in LY? If so, how?
there is no native mechanism for this. i hacked it a while ago by making
two simultaneous beamed note-groups, with the beams tilted opposite
directions in each, and tweaked so the beam star
On Mon, 2004-06-14 at 17:40, Han-Wen Nienhuys wrote:
> [EMAIL PROTECTED] writes:
> > On Mon, 2004-06-14 at 11:16, Bryan, Chris wrote:
> > > Is it possible to do feathered beams in LY? If so, how?
> >
> > there is no native mechanism for this. i hacked it a while ago by making
> > two simultaneou
On Mon, 2004-06-14 at 17:40, Han-Wen Nienhuys wrote:
> [EMAIL PROTECTED] writes:
> > On Mon, 2004-06-14 at 11:16, Bryan, Chris wrote:
> > > Is it possible to do feathered beams in LY? If so, how?
> >
> > there is no native mechanism for this. i hacked it a while ago by making
> > two simultaneou
c4 g c2
}
\score {
\context ChoirStaff <<
\context Staff = Top \context Voice=w \tune
\lyricsto w \new Lyrics \words
\context Staff = bottom \notes {\clef "F" \accomp}
>>
\paper{}
}
--
Peter Chubb
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couldn;t coe up with the right magic to get
it to work -- so thanks for the example!
Peter C
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installation was completed, I clicked next for the create
icon page and promptly received the message that the installation could not be
completed. I can not determine why. Any suggestions?
Cheers
Peter
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http
else?
As an afterthought, if a system already has TeX Live installed,
will lilypond use this, or has it forked away?
///Peter
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;s and choose "install from local directory".
Cool. I hadn't even looked at what setup.exe did, as I don't have
any Windows systems.
Thanks.
///Peter
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using Windows XP). I'd very much
appreciate any advice you can give.
Thanks in advance,
Peter Shand
--
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Peter Shand sent the following on 27/10/2004 20:55:
Hi,
I downloaded LilyPond a few weeks ago, tested it (using the test.ly
download) and all was well. Now I find that it will process files but
not convert them to pdf/ps/dvi and not save them.
The only major change in my set up in the
ch ecb10.pfa" gives empty output.
Has something broken in Sarge recently?
Peter
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I'm running Windows 2000 on a
Dell Optiplex with Celeron 800mhz
256 Mb RAM
Thanks for the help.
Processing C:\Documents and Settings\Student\Desktop\test.ly ...
PDF output not found. Error log:
lilypond (GNU LilyPond) 2.2.5
Running lilypond-bin...
Now processing `test.ly'
Parsing...
/cygdrive/
osest is a
breve with 1 vertical line on each side.
(http://www.lilypond.org/doc/v2.5/input/regression/out-www/collated-files.html#note-head-style.ly)
- Is support for this intended? Can someone point me in the right direction
to implement it myself?
Cheers,
le. I
found lots of discussions about guile-dev but no download. Am I missing
something here?
I don't like to ask for help until I have exhausted all possible routes but I
am definately out of my depth now.
Can anyone help?
Thanks a bunch,
Peter
___
.cc:3508: warning: `void yy_pop_state()' declared `static' but never
defined
out/lexer.cc:3511: warning: `int yy_top_state()' declared `static' but never
defined
make[1]: *** [out/lexer.o] Error 1
make[1]: Leaving directory `/home/packages/lilypond-2.4.4/lily'
make: *
.cc:3508: warning: `void yy_pop_state()' declared `static' but never
defined
out/lexer.cc:3511: warning: `int yy_top_state()' declared `static' but never
defined
make[1]: *** [out/lexer.o] Error 1
make[1]: Leaving directory `/home/packages/lilypond-2.4.4/lily'
make: *
st recent call last):
File "scripts/out/midi2ly", line 43, in ?
import midi
ImportError: dlopen, Win32 error 5
Looking at line 43 of midi2ly.py, it's trying to 'import midi' - midi.dll is
present in python/out/midi.dll
Any ideas on what could be the problem?
Ch
uld I upgrade gcc?
Apologies for inundating the list yesterday. My first post. The list mailer
kept telling me my message was being held so I resent from another address.
Cheers,
Peter
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Cheers,
Peter Adamson
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e & vsize
yet, the PNG output doesn't seem to be affected by these. Any
suggestions?
Cheers,
Peter
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years off and on and have found it
very
effective - quick to use for simple tasks and powerful for more
sophisticated
music. I have recently upgraded to 1.4.5 and have found the 1.4
improvements
very helpful. Thank you, and keep up the good work!
Peter Dixon
__
Emacs are both working successfully and
"lilypond-mode" is syntax-colouring the .ly files.
My problem comes when I press the "2PS" command:
cd c:/cygwin/home/Peter/
ly2dvi -P c:/cygwin/home/Peter/praedulium-fuga-E.ly
'ly2dvi' is not recognized as an internal or externa
Sorry that it has taken me so long to respond to your helpful comments. I
have been working on it, and cearing out a virus...
- Original Message -
From: "Jan Nieuwenhuizen" <[EMAIL PROTECTED]>
To: "Peter Dixon" <[EMAIL PROTECTED]>
Cc: <[EMAIL PROTECTE
Sorry for the delay in responding to this. I have been clearing a virus...
- Original Message -
From: "Jan Nieuwenhuizen" <[EMAIL PROTECTED]>
To: "Bernard Hurley" <[EMAIL PROTECTED]>
Cc: "'Peter Dixon '" <[EMAIL PROTECTED]>;
h --init-file /etc/profile -c "/bin/ly2dvi %*%"
viewPS:
with the change to PATH above I customized the LilyPond Command Alist ViewPS
to 'gsview32 /E'
midi:
I customized the LilyPond Midi Command to 'wmplayer'
Peter Dixon
___
ntroducing myself properly to you. I am Mr. Peter
Odili, a Director in the Department for Petroleum Resources (DPR) and I presently head
a seven man tenders
board incharge of Contract Awards and Payment Approvals. I came to know
of you in my search for a reliable and reputable person to han
> "Mats" == Mats Bengtsson <[EMAIL PROTECTED]> writes:
>> On Wed, 2002-07-10 at 11:02, Mats Bengtsson wrote: > > <<< > >
>> warning: couldn't find any font satisfying > > (#f italic medium
>> roman -1)
>> > >
Mats> No, no! The order is correct (maybe you could say it's wrong in
Mats> the err
I want to transpose the lot down
afterwards by a tone ...
I've just about given up using \transposition now. Instead I notate
clarinet parts as
Clar=\transpose c' bes \relative c' { ... }
and then transpose the part up again in the \score block for MIDI
output.
It's a pain.
--
s like aes-minor, clarinet notated in bes-minor, lots of accidentals)
Peter C
--
Dr Peter Chubb http://www.gelato.unsw.edu.au peterc AT gelato.unsw.edu.au
http://www.ertos.nicta.com.au ERTOS within National ICT Australia
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better to do:
(setq load-path (append '("/usr/local/lilypond/usr/share/emacs/site-lisp/")
load-path))
^ note the quote here
--
Dr Peter Chubb http://www.gelato.unsw.edu.au peterc AT gelato.unsw.edu.au
http://www.ertos.nicta.com.au ERTOS within National ICT Aus
-midi
;;
esac
exec $LILY $midionly "$@"
--
Dr Peter Chubb http://www.gelato.unsw.edu.au peterc AT gelato.unsw.edu.au
http://www.ertos.nicta.com.au ERTOS within National ICT Australia
A university is a non-profit organisation only in the sense that it
s
>>>>> "Peter" == Peter Chubb writes:
Peter> I embed Lily in a shell script for that kind of thing (I'm
Peter> running on Unix):
(I've just noticed you're using Windows ... you'll need to ask someone
who's a Windows expert as to how to s
s "Instrument_name_engraver"
\override BarLine #'transparent = ##t
}
\context{ \Staff
\remove "Time_signature_engraver"
}
}
}
--
Dr Peter Chubb http://www.gelato.unsw.edu.au peterc AT gelato.unsw.edu.au
http://www.ertos.nicta.
>>>>> "M" == M Watts writes:
M> Peter Chubb wrote:
>> I'm using the current 2.12.2 version of lilypond. The attached
>> file yields, programming error: vertical alignment called before
>> line-breaking and no lines on the staff.
>>
>
ha, a question I can answer :-)
The opposite side of the spine (binding) edge is called the "face".
Top and bottom are also referred to as "head" and "foot".
Cheers,
Peter.
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t; the first paragraph+example.
I'd really appreciate an appendix or something that gives Lily syntax
as BNF, or as a syntax diagram. The syntax is very complex, and I've
been caught out a number of times by things not being as I expected
them to be from the NR --- not that
;t compile. (It was missing the last
Jonathan> curly brace but I added it.) Here's the terminal output:
\relative can't be used inside \chordmode I think. \relative
introduces a sequence of note-names; \chordmode introduces a sequence
of chord names.
--
Dr Peter Chubb http:
(for complex bars,
maybe more than one line per bar), commented every five lines with a
bar number. I use a revision control system with a remote central
repository for all my music. Tweakss necessary fro good outpput with
a particular vesion of Lilypond go on a branch, as convert-ly d
u can do: \C-Hm (control-H m) to describe the mode.
--
Dr Peter Chubb peter DOT chubb AT nicta.com.au
http://www.ertos.nicta.com.au ERTOS within National ICT Australia
All things shall perish from under the
t everything working, then in your \score
block do, e.g,. to put the whole piece up a tone:
\score {
\transpose bes c' <<
...
>>
\layout{ ... }
\midi{...}
}
--
Dr Peter Chubb http://www.gelato.unsw.edu.au peterc
of a following
note or chord. Inside chords, the next note is always relative to
the preceding one.
--
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http://www.ertos.nicta.com.au ERTOS within National ICT Australia
out what to do
then to do it), and the hacked up communication between the two
passes. I'd also like to do something about trills and turns with
alterations, and do a better calculation for trill duration.
--
Dr Peter Chubb peter DOT chubb
>>>>> "Peter" == Peter Chubb writes:
Peter> Hi,
Peter> I've put up a page on how to get more realistic sounding MIDI
Peter> output from current LilyPond, along with the scripts and scheme
Peter> code used, at http://www.nicta.com.au/people/chubbp/arti
>>>>> "Hans" == Hans Aberg writes:
Hans> On 2 Jun 2009, at 01:29, Peter Chubb wrote:
>> I've put up a page on how to get more realistic sounding MIDI
>> output from current LilyPond, along with the scripts and scheme
>> code used, at http://www.
#x27;t find the page, even though I
hhpmusic> registered. How to get the file?
Try shift-reload , you're probably still getting a cached version of
the page.
Peter C
--
Dr Peter Chubb http://www.gelato.unsw.edu.au peterc AT gelato.unsw.edu.au
}
}
\score {
% for sounding
\unfoldRepeats <<
\context Staff = sax { \tenorSax }
>>
\midi {
}
}
--
Dr Peter Chubb http://www.gelato.unsw.edu.au peterc AT gelato.unsw.edu.au
http://www.ertos.nicta.com.au ERTOS wi
nspose bes c' { \transposition bes bes1 }
flute = { bes1 }
\score {
\transpose c d' <<
\new Staff \clarinet
\new Staff \flute
>>
\midi {}
\layout{}
}
You'll hear a discord instead of the unison you expe
//lilypond.org/doc/v2.13/Documentation/user/lilypond/Repeats-in-MIDI#Repeats-in-MIDI
\unfoldRepeats will still work.
Do like this:
\score {
\unfoldRepeats <<
\context Staff <<
what you had before
>>
\midi {
}
}
--
Dr Peter Chubb htt
ot;|."
}
>>
>>
\score {
\recscore
\layout {
\context {
\RhythmicStaff
\override Clef #'stencil = ##f
\override TimeSignature #'stencil = ##f
\override StaffSymbol #'stencil = ##f
\override BarLine #'transparent = ##t
}
The following is a left-hand octave-exercise for guitar. It has no tempo. I do
not want the natural symbols to appear in the exercise. I used
"Staff.extraNatural = ##f" is an attempt to eliminate the naturals as per the
instructions on page 6 of the Notation Reference manual, but that did not
help
Below is a open guitar-scale without tempo. I have 2 problems. And I have tried
to do due-diligence before posting to see if the information is available in
either the LSR or LilyPond Notation Reference, but I found nothing using my
search parameters.
1. The low E in the scale is too close to the
When writing the fingering for guitar, there is a notation used to indicate a
guide finger in left-hand shifting. The fingering mark looks like "-3", but the
"-" is rotated up about 30 degrees, which means to silently slide the 3rd
finger from its previous position to this marked note on the same s
You can rotate objects and markups. I've done a little experiment here that
doesn't look very good yet but may put you on the right track. Search the
Notation Reference manual for rotation, formatting text, positioning
objects, and the like.
\version "2.13.4"
\relative c'' {
In 30 years of playing guitar (jazz and rock), I have never seen this
notation. Is there an example on the Web you can point to? I'd be
interested in seeing how it's used.
Ummm, I'll look on the web to see if I can fine something. However, what I'm
reading from is the Guitar Repertoire
o voices per
stave), it'll go above the upper staff for the soprano part, below the
lower staff for the bass part, etc.
This is because it's fairly common for one part to repeat some words,
while the other parts do not.
--
Dr Peter Chubb peter DOT ch
\f
}
\score {
<<
\context Lyrics = vOne \vA
\context Lyrics = vTwo \vB
>>
\layout {
\context {
\Lyrics
\consists "New_dynamic_engraver"
}
}
}
--
Dr Peter Chubb http://www.gelato.unsw.edu.au peterc AT gelato.
Below is a simple E major scale. I don't want lilypond to stretch the stems of
the lower notes up to the B staff line. I want all the note-stems to be the
same length for both stemUp and stemDown notes. Is there an option to turn off
the stem stretching?
\version "2.13.3"
\include "english.ly"
#(
> I don't want lilypond to stretch the stems of the lower notes up to the B
> staff line. ...
I think it looks very odd to do this, but here you go:
\override Stem #'no-stem-extend = ##t
Thanks, that's doing what I want. In general, I agree it looks very odd.
However, I'm decorating
misses, which slows things down. If you
run out of RAM and have to swap, things get even worse.
Xeon 5560: 256k L2, 8M L3 cache (which is almost as fast as the Pentium D's L2
cache)
Pentium D: 1M L2 cache, no L3 cache.
--
Dr Peter Chubb www.nicta.com.aupeter DOT chubb AT
>>>>> "Han-Wen" == Han-Wen Nienhuys writes:
Han-Wen> On Mon, Aug 31, 2009 at 8:03 PM, Peter
Han-Wen> Chubb wrote:
>> I think you'll find the main difference is in size of L2/L3 cache,
>> and amount of RAM. Lily (like many object-oriented progr
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