directly
above the bar lines?
2. How do I put the time signatures on lines 1 and 2 before the bar lines?
(I unsuccessfully tried messing with 'break-align-orders.)
I couldn't find any answers to these questions in the notation reference,
the internals, or LSR.
Regards,
Nathan
_
On Fri, Nov 16, 2012 at 6:14 PM, Thomas Morley <
thomasmorle...@googlemail.com> wrote:
>
> 2012/11/15 Nathan :
> [...]
> > 1. How do I position the bar numbers on the second and third lines
directly
> > above the bar lines?
>
> You have to override BarNumbe
ng tie (2.16+):
\shape Tie #'((0 . 0.5) (0 . 0.75) (0 . 0.75) (0 . 0.5))
\pitchedTrill b1~\startTrillSpan d b1\stopTrillSpan
}
But it seems to me that you want an automated solution, so this probably
isn't very helpful.
Regards,
Nathan
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ent = #'( 0.1 . -2 )
\once \override NoteHead #'text =
\markup {
\raise #1.5
\fontsize #5 {
\arrow-head #Y #UP ##f }}}
\relative c''' { \pfeileins f-. \pfeilzwei f-. }
Regards,
Nathan
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la -- la __ _ la }
>>
The opening bracket is a syntax error: it should be "<<", not ">>".
Also, \lyricsto "voc" is referring to something nonexistent.
That's all I can figure out for now.
Regards,
Nathan
\new DrumStaff {
\stopStaff
\hideNotes
<<
\new DrumVoice {\voiceOne \up}
\new DrumVoice { \voiceTwo \down }
>>
}
Regards,
Nathan
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On Wed, Dec 5, 2012 at 8:07 PM, vector wrote:
> Hi there,
> Im getting the hang of this even tho it might not look it ;) thanks for all
> your inputs.
>
> I wanted to add a simple drumbeat to the previous script and produce a basic
> chord and drums midi.
D'oh! My bad. I missed the "midi" bit.
_
27;ve looked through the IR and
> couldn't find the property(ies) to make the change.
>
> { \relative c' 1\fermata^2^3^5 }
You can get around this by overriding the script-priority property:
{
\once \override Script #'script-priority = #0
\relative c' 1\fermata^2^3^5
27;' {
g8-1\1 a8-1\1 b8-1\1 c8-1\1
g8-1\1 a8-1\1 b8-1\1 c8-1\1
\override StringNumber #'script-priority = #150
g8-1\1 a8-1\1 b8-1\1 c8-1\1
g8-1\1 a8-1\1 b8-1\1 c8-1\1
}
Regards,
Nathan
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On Tue, Dec 11, 2012 at 8:02 PM, ed stuckems wrote:
> Nathan:
>
> Thanks, your response is exactly what I was looking for.
>
> See below for more comments...
>
> [...]
>
> Perfect. This does exactly what I want.
>
> I actually saw the snippet but I don't un
his piece is already quite visually noisy.
>
You can move the \sustain commands to a Dynamics context:
\new Staff { \clef bass c,1\sustainOn c,1\sustainOff c,1 c,,1\sustainOn
c,,1\sustainOff }
<<
\new Staff { \clef bass c,1 c,1 c,1 c,,1 c,,1 }
\new Dynamics { s1\sustainO
oteHead #'transparent
\new Staff {
\stemDown
\override Beam #'positions = #'(-0.5 . -0.5)
16
\transHeads f''16 f''16
\untransHeads f''16
}
Regards,
Nathan
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es are no longer connected by
barlines. To fix this, you can use a StaffGroup:
\score {
\new StaffGroup \with {
systemStartDelimiter = #'SystemStartBar
} <<
\new PianoStaff <<
\new Staff { c1 c1 }
\new Staff { c1 c1 }
>>
\new Staff { c1 c1 }
&
ng the beams, but not in
the second measure.
It's possible to adjust the rests manually like so:
\new Staff {
| f'8[ r16 f'16] d'8[ r16 d'16] bes8[ r16 bes16] bes4
<<
{ f'8[ r16 f'16] d'8[ g'16\rest d'16] bes8[ e'16\rest bes16] bes4 } \\
{ bes1 }
>>
}
Regards,
Nathan
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t looks like you
meant to write
\override BreathingSign #'text = \markup { \fontsize #8 { \musicglyph
> #"comma" } }
As Shane said, it's much cleaner to override the font size as in the
following snippet.
\new Staff \relative c' {
\o
ative c' {
4\arpeggio 4\arpeggio 4\arpeggio 4\arpeggio
\improvisationOn
c4\arpeggio c4\arpeggio c4\arpeggio c4\arpeggio
\override Arpeggio #'positions = #'(-1 . 1)
c4\arpeggio c4\arpeggio c4\arpeggio c4\arpeggio
}
Regards,
Nathan
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ive c {
\clef bass
\key f \major
\grace s32*3
f1
}
\new PianoStaff <<
\new Staff \right
\new Staff \left
>>
Regards,
Nathan
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; http://lilypond.org/website/tiny-examples.html
>
> 2) What you want is probably:
> \override Staff.OttavaBracket #'style = #'none
> (But please be aware that this makes the notation ambiguous, because you
> do not know where it ends.)
Out of curiosity, is there any
othing doing?
>
>
Looks like an error in the docs. The best solution I can think of is to
change the line style:
\new Staff {
c''1
\override Staff.OttavaBracket #'style = #'none
\ottava #1
c''1
c''1
\ottava #0
c''1
}
Regards,
Nathan
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On Wed, Feb 20, 2013 at 9:11 AM, Sávio Ramos wrote:
> Hello,
>
> The command \cadenzaOn \cadenzaOff don't remove stem.
>
>
They shouldn't. They only affect timing, not the appearance of notes.
To hide stems, use
\override Stem #'
gt; which are completely ignored - big pain!!. I've used these with past
> versions and don't see what is changed, as these commands are still in the
> v.16 manual.
>
> Arthur Hixson
>
Please provide some example code. On my system, running this code works
just fine:
showL
fault
c1
\mark \default
c1
\mark \default
c1
\mark \default
c1
}
Regards,
Nathan
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On Fri, Feb 22, 2013 at 8:25 AM, Nathan wrote:
> On Fri, Feb 22, 2013 at 7:55 AM, Nels Daily wrote:
>
>> Is there a way to make the default rehearsal mark a
>> filled-in box/circle/rounded-box with white text?
>>
>>
> Here's what I got:
>
> #(define-
>>
\layout {
\context {
\ChordNames
chordNameExceptions = #chExceptions
}
}
}
Regards,
Nathan
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On Fri, Feb 22, 2013 at 11:04 AM, MING TSANG wrote:
> Hi, Nathan:
>
> Thank you for your solution code.
>
> c1:3.5.9 c1:2.3.5 c1:sus4 >> what is 3.5.9 and 2.3.5? I am not a
> musician.
>
> Ming.
>
Hello,
This section of the docs may help you:
http://lil
cross-staff arpeggio and style it as a bracket. See this LSR
snippet: http://lsr.dsi.unimi.it/LSR/Item?id=466
2) Use \showStaffSwitch:
http://lilypond.org/doc/v2.16/Documentation/notation/common-notation-for-keyboards#staff_002dchange-lines
Regards,
Nathan
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On Sat, Feb 23, 2013 at 2:59 PM, Nathan wrote:
> On Sat, Feb 23, 2013 at 1:47 PM, Mark Stephen Mrotek > wrote:
>
>> Hello:
>>
>> ** **
>>
>> Within a piano staff
>>
>> ** **
>>
>> **1) **For what term/command do I
Wrapping the code you provided in \relative c { ... }, I wasn't able to
reproduce this in version 2.16.1.
Can you narrow your code down to a minimal complete example that causes the
warning?
Regards,
Nathan
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"
>
> \relative c' {
> c8[] c
>
>
I don't know whether that's a feature or a bug.
Have you tried \noBeam?
Regards,
Nathan
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hedPosition = #0
\xNotesOn
\startStaff
c4 c4 c4 c4 | c4 c4 c4 c4 | c4 c4 c4 c4
\stopStaff
\revert Staff.StaffSymbol #'line-count
\unset squashedPosition
\xNotesOff
\startStaff
c4 d4 e4 f4 | g4 r4 r2
}
left = \relative c' {
\global
c,4 d e f | R1 | R1 | c4 f g f
\st
On Wed, Feb 27, 2013 at 3:24 PM, SoundsFromSound
wrote:
> Nathan:
>
> Wow, that comes out amazingly in LilyPond when I render it - how did you
> know how to do all that? Damn, I wish I could be that savvy :)
>
> It's not *essential* that the line be centered, I was just t
StartBrace
} <<
\new Staff \relative c' { c1 c1 }
\new Staff \relative c { \clef bass c1 c1 }
>>
There is a limitation with this -- you can't put an instrumentName on the
part.
Regards,
Nathan
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On Sat, Mar 2, 2013 at 9:08 PM, Daniel Rosen wrote:
> Nathan gmail.com> writes:
>
> >
> > On Sat, Mar 2, 2013 at 4:04 PM, Mario Moles
> gmail.com>
> > wrote:
> >
> >
> >
> > Hi lilyponders!
> > I'm sorry! But I have not figu
snippets that might help you:
http://lsr.dsi.unimi.it/LSR/Item?id=265
http://lsr.dsi.unimi.it/LSR/Item?id=503
Regards,
Nathan
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859
Please don't take it seriously -- I was just kinda messing around when I
wrote it.
Regards,
Nathan
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c1
}
and I'd like the beams to automatically ignore the marks.
Regards,
Nathan
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evert.
Docs:
http://lilypond.org/doc/v2.16/Documentation/notation/multiple-voices#single_002dstaff-polyphony
Regards,
Nathan
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On Thu, Mar 7, 2013 at 1:14 AM, Kevin Barry wrote:
> Dear Nathan,
>
> Two ways of doing this come to mind:
>
> <<
> { r4 \oneVoice r4 }
> \\
> { r4 s4 }
> >>
>
> OR
>
> <<
> { r4 b4\rest } %assuming it's on a treble clef;
&
On Thu, Mar 7, 2013 at 11:06 AM, David Kastrup wrote:
>
> Please take a look at
>
> Issue 3229: Patch: Make \relative { ... } interpret the first pitch as
> an absolute one
>
> http://code.google.com/p/lilypond/issues/detail?id=3229>
>
I wholeheartedly support th
Hi,
How do I position one chordname over another with a line in between them,
like a fraction?
Regards,
Nathan
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ek: } %\markup \override #'(font-name . "Plantin MT Std") { John Goss
> (1800 - 1880) }
>
>
Does \italic not work?
Regards,
Nathan
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l
> Thanks in advance.
> Lilypond 2.16.2 on windows 7 using frescobaldi
>
>
What's the source code?
Regards
Nathan
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ts, e.g. in the 3rd part:
e2\< gis4 | << a2. { s4\! s2\> } >> | gis2. | R2.\!
Regards,
Nathan
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I haven't found anything that helps. Can anyone help me with this?
>
> I appreciate your time and attention,
>
> Ralph
>
\afterGrace may be what you're looking for:
http://lilypond.org/doc/v2.16/Documentation/notation/special-rhythmic-concerns#index-afterGrace
Regards,
Na
On Thu, May 2, 2013 at 7:42 AM, James Worlton wrote:
> I'm getting a strange result when I try to compile a score. It includes 8
> staff contexts plus a Dynamics context.
> [...]
>
-1073741819 is an access violation error; that's all I know.
Can you provide a minimal example?
__
of-length TheCadenza) in the left hand
happened a quarter note later than the cadenza in the right hand.
Regards,
Nathan
Cadenza.ly
Description: Binary data
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\new Staff \with {
midiMinimumVolume = #0.5
midiMaximumVolume = #1.0
} {
g'4\f g' g' g' g' g' g' g'
}
>>
\midi { }
}
See
http://www.lilypond.org/doc/v2.16/Documentation/notation/controlling-midi-dynamics
.
Regards,
Natha
oes anybody know if that is possible?
>
I'm not sure if I follow your question. Do you have an image or something
that demonstrates what you want?
Regards,
Nathan
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weird notes to the MIDI output.)
Regards,
Nathan
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Without overriding anything, the output of the code below has the
instrument names running off of the left margin. Is this a bug? a
problem with my computer? because am I supposed to use a particular
setting? the expected behavior?
\version "2.12.3"
\paper{ ragged-right=##t }
\new StaffGroup
il = #scoop-stencil
\new Staff { \scoop c''4 }
The bend has fixed size and position. That's usually good enough for
me, but if you require many bends of different sizes, this should be
adapted into a music function.
(SMuFL has a bunch of nice
quot; smufl-map)))
(ly:wide-char->utf-8 (cdr (assoc "tuplet5" smufl-map)
}
Regards,
Nathan
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On Sat, Feb 8, 2014 at 2:37 PM, Noeck wrote:
> Hi again,
>
>>> \markup {
>>> \fontsize #5
>>> \override #`(font-name . ,smufl-font)
>>> #(markup (string-append
>>>(ly:wide-char->utf-8 (cdr (assoc
>>> "gClefLigatedNumberAbove" smufl-map)))
>>>(ly:wide-char->u
On Fri, Feb 17, 2012 at 2:03 PM, Mario Moles wrote:
> Hi lilyponders!
>
> How do you make this contemporary sign
>
> Thanks!
> --
>
> oiram/bin/selom
>
> Da ognuno secondo le proprie capacità ad ognuno secondo i propri bisogni.
>
>
> ___
> lilypond-user
On Fri, Feb 17, 2012 at 10:37 PM, David Kastrup wrote:
> Two more notes: StudlyCaps are not the style used for markup commands,
> you'd use contemp-sign for the markup. And putting the path in a
> separate variable to keep the markup macro from messing with it seems
> awkward.
>
> There is also n
On Sat, Mar 10, 2012 at 12:32 PM, Mark Mathias wrote:
> Why do Bar Lines disappear when reducing the Staff Line count? I've tried
> several alterations to the layout context for score, but don't get the right
> results.
>
> \version "2.15.33"
>
> \relative c'' {
>
> \override Staff . StaffSymbol #
column ("5" "4"))
#:vcenter "+"
#:raise 1 #:note "8" -1.1)))
\time 11/8
\set Score.beatStructure = #'(2 2 2 2 2 1)
% Placeholder music -- alter beatStructure if you don't like this beaming
4 c4 c4
| c4 c4 c4 c4\stopTextSpan
}
%%%
Feel free to edit the paths as necessary.
For more information on text spanners, see
http://lilypond.org/doc/v2.14/Documentation/notation/writing-text#text-spanners
For more information on markup paths, see
http://lilypond.org/doc/v2.14/Documentation/no
ideNotes fis16\5
% ...
}
\new StaffGroup <<
\keepWithTag #'normal \new Staff {
\clef "G_8"
\symbols
}
\removeWithTag #'normal \new TabStaff {
\clef "moderntab"
\symbols
}
>>
%%%
Hope this helps,
Nathan
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On Fri, Sep 7, 2012 at 2:15 PM, Brett McCoy wrote:
> On Fri, Sep 7, 2012 at 4:42 PM, David Kastrup wrote:
>>
>> Well, I found LilyPond rated on a download site
>> http://download.cnet.com/LilyPond/3000-2141_4-73566.html#rateit>.
>> The download info appears more or less accurate, the reviews appe
On Sun, Sep 16, 2012 at 8:01 PM, Christopher R. Maden wrote:
> -BEGIN PGP SIGNED MESSAGE-
> Hash: SHA1
>
> Why does the attached file fail?
>
> Simplified:
>
> c c c c | c c c |: c | c c c c | 1. c c c :| 2. c c c c | c c c c ||
>
> It seems to me, according to what (I recall that) I learn
| c4\stopTextSpan c4 c4 c4
| c4 c4 c4 c4
| c4 c4 c4 c4
}
%%%
Regards,
Nathan
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ve "Time_signature_engraver"
\override StaffSymbol #'line-count = #2
} \relative c' {
\set Staff.keySignature = #`(((0 . 7) . ,FLAT))
\override Stem #'stencil = ##f
g'4 a b
\divisioMinima
\blockNote
b1
}
\addlyrics {
Lo -- rem ip -- sum.
}
Rega
'8[ \break
a8 f8] c2.
c1
c1
c2.. c''8[ \break
a'8 f'8] c'2.
c1
c1
}
Does anyone know a way to get around this?
Regards,
Nathan
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On Thu, Jun 13, 2013 at 5:36 PM, Thomas Morley wrote:
>
> 2013/6/13 Nathan :
> > When I turn on \override Beam.positions = #beam::align-with-broken-parts, I
> > get strangely extended or shrunk stems.
> >
> > \version "2.17.20"
> >
> > \new St
way to do this. Any
> ideas?
>
> Rachael
This seems to work:
\new StaffGroup \with {
systemStartDelimiter = #'SystemStartBar
\override SystemStartBar #'thickness = #5
\override SystemStartBar #'X-offset = #-1
} <<
\new Staf
On Thu, Jul 25, 2013 at 12:10 PM, Michael Firbank wrote:
>
> Hello
>
> How do I combine a slur with a repeated small section. ie how do I put the
> slur on bar 2 here the same as bar 1
>
> \version "2.12.3"
> {
> c8( d c d c d c d )
> \repeat percent 4 {c d}
> }
>
There are a bunch of ways you co
que from
> <http://lsr.dsi.unimi.it/LSR/Item?id=574>, but the \note command seems
> to support neither beamed notes nor tuplets. Is there something in
> the manual that will make the answer obvious once I understand it, or
> is this something difficult to achieve?
>
This snippet
clef bass 2-> | %16
\slashedGrace 8~ 1~ | %17
\once \override NoteColumn #'force-hshift = #1.5 q | %18
}
>>
}
\score {
\new PianoStaff \with {
} <<
\new Staff = "left" { \clef bass \left }
>>
}
Regards,
Nathan
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On Sat, Dec 21, 2013 at 11:27 AM, Nathan wrote:
> \grace s8
> \clef treble
> s16
> [...]
Oops, the treble clef should come after the spacer rest.
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On Sat, Dec 21, 2013 at 6:25 PM, Xavier Noria wrote:
> Is this idiomatic notation for repeating those two bars three times?
It'd be better with the text at the beginning or end of the passage.
My personal favorite, however, is putting the measures in a large
horizontal bracket labeled "3x."
On Sun, Dec 22, 2013 at 12:21 PM, Janek Warchoł
wrote:
> [...]
>
> Nathan, i am very sorry about the fact that your email in October
> didn't get any replies. I saw it back then and was interested in it
> (actually i wanted to include it in openlilylib/snippets myself, a
#'(0.0 . 1.0)
| c2\sustainOn c2\sustainOff
}
}
| c2 c2
}
Regards,
Nathan
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On Thu, Dec 26, 2013 at 11:58 AM, Noeck wrote:
> Am 24.12.2013 00:30, schrieb Noeck:
>> can I make the vertical line of an ottava bracket solid while keeping
>> the dashed style of the horizontal line?
>
> Should I count that as: This is impossible?
> Joram
This is probably not very helpful, but
On Mon, Dec 23, 2013 at 11:05 AM, Noeck wrote:
> [...]
>
> I would suggest to update it in openLilyLib as it is an emerging
> repository of snippets and tools for LilyPond and lilyJAZZ is also
> planned to be included, so they would be in one place.
>
Alrighty then, I've marked the original repo
,
but I never followed through with the rest of the font. I just
handwrite my lead sheets these days.
I think the best way to make an engraving look "dirtier" would be to
use LilyPond normally and apply some sort of post-processing. Perhaps
convert to rast
On Wed, Aug 26, 2015 at 12:40 PM, Mátyás Seress wrote:
> Hi all,
>
> how can I set barlines completely manually throughout a whole sheet music?
If you have no time signatures, remove Time_signature_engraver and use
\cadenzaOn. You can place bars with \bar "|"
#x27;t found much use for LilyPond recently.
Regards,
Nathan
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On Thu, Sep 10, 2015 at 12:50 PM, Kieren MacMillan
wrote:
> Hi Nathan,
>
>> Most music I work with now is not conventionally notated,
>> so I haven't found much use for LilyPond recently.
>
> What kinds of things do you do?
> How *is* it notated?
>
> You
es.png>
>
> Thanks in advance!
Hello,
Have a look at this LSR snippet: http://lsr.di.unimi.it/LSR/Item?id=642
Regards,
Nathan
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On Mon, Sep 28, 2015 at 8:28 AM, Menu Jacques wrote:
> Hello folks,
>
> My grand-son, 6 years and a half old, discovered what he named a rainbow in
> the first LP score I’ve done for him. The goal is for him to copy it by hand
> on empty staves.
> The rainbow is actually a fermata…
\markup {
http://dougkerr.net/Pumpkin/articles/Octatherp.pdf
A lot of young people today call the symbol a "hashtag." Some might
scoff at this since a hashtag is an application of a hash and not the
symbol itself, but hey, metonymy is metonymy.
Nathan
other fonts) in LilyPond. It should be available at
fonts.openlilylib.org but that site seems to be down for the moment.
Nathan
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On 2016-01-07 02:57, Paul Booker wrote:
Thanks Nathan,
Since posting, I've scanned the bug and devel groups, and it would
appear I
am not being fashionable in wanting to do this. The trend seems to be
toward
woff fonts for svg, is that the case?
Yes and no. The openlilylib font pr
ed "Take Me Out to the Ballgame" in Finale PrintMusic, then
edited it in Paint to make the noteheads baseballs and to make the clefs
wear little baseball caps.
Nathan
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line ends up an octave higher. If you're in absolute mode, f is of
course an octave lower than f'.
Nathan
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On 2016-01-15 12:26, Mark Stephen Mrotek wrote:
Nathan,
Thank you for your reply and the observation. I did not mention that
the
second f is after a clef change - bass to treble - so the ' is
necessary.
Since it compiles correctly, perhaps it is just a "glitch" in the
progr
Twinline:
http://musicnotation.org/system/twinline-notation-by-thomas-reed/ [1]
There's http://www.simplifiedmusicnotation.org/. They offer a commercial
plugin for Sibelius, but I also have a LilyPond implementation for it
lying around somewhere.
N
score {
\new Staff
\melody
\layout { }
\midi { }
}
Hi Joseph,
This compiles fine for me. The weird output must mean that your language
is set to deutsch, norsk, suomi, or svenska. Please check for a
\language command.
Nathan
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k this LSR snippet should work for you:
http://lsr.di.unimi.it/LSR/Item?id=792
Nathan
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y intended for
real-time engraving. INScore (http://inscore.sourceforge.net/) is a very
cool environment that employs guidolib for animated, interactive scores.
Nathan
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ple-voices#collision-resolution
Nathan
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d }
\\
{ cs,8 es b' }
\\
{
\override NoteColumn.force-hshift = #0
\hideNotes
s8 b8~ b8
}
>>
}
Nathan
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;re encountering the same bug.
Whatever the case is, I don't think we can do much to help you without
any code.
Nathan
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On 2016-02-27 10:51, Robert Sabourin wrote:
will this program work on an apple computer? i have an i-mac.
Hi Robert,
Welcome to LilyPond! Yes, the program is available for Mac:
http://lilypond.org/macos-x.html
Nathan
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Perhaps others on the list will be able to
help you.
Nathan
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https://opensource.com/life/16/2/lilypond-scores-beautiful-music
Nathan
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programs expect different layouts. The Jazz Font plug won't
fit into the LilyPond socket, and you'll have to use an adaptor.
The Jazz Font website claims compatibility with Sibelius and Finale. To
my knowledge, I don't think anyone has written a LilyPond adaptor for
one o
On 2016-03-06 16:10, Nathan Ho wrote:
On 2016-03-06 15:10, Eric Albert wrote:
I've been working from Leigh Verlag's page on faking a Real Book page
in LilyPond (thanks to Kieren for the link):
http://leighverlag.blogspot.ca/2015/12/mimicking-real-book-look.html
That page answers
ow unpack
it using Scheme and get to the single note inside it. Can anyone
help?
Thanks,
Nathan Reed
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