{ \clef treble \key a \major \time 4/4 \Notes }
\layout { }
}
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Graham Percival wrote:
On Sun, 2 Mar 2008 13:00:55 +0100
Reinhold Kainhofer <[EMAIL PROTECTED]> wrote:
If you add \version "2.10.5" to the snippet (yes, I really hate it
that the snippets don't say with which version of lilypond they
work!!!) and let convert-ly run on it, you'll get the hi
ists.gnu.org/mailman/listinfo/lilypond-user
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Pho
gives errors. Is there
another way to set the note head to invisible?
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Oscar van Eijk wrote:
Hi All,
I'm 'Lilyponding' a small prelude I wrote. It's only one page, but I
can't get it without collisions.
I attached a PNG, if that's not clear enough; the PDF is at
http://vaneyck.terra-terra.com/Senorio.de.los.Llanos.pdf.
My problem is mainly the slur above bars 1
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Of course, it works just fine. Thanks for the hint!
Reinhold
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Graham Percival wrote:
No; just take the simplest possible .lytex file (such as the
template from the docs). Run
lilypond-book --pdf --out=/tmp foo.lytex
lilypond-book --pdf --out=/tmp foo.lytex
Both times, it compiles all the lilypond snippets and creates a
new foo.tex in /tmp/. I thin
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s
Thnx,
Oscar
On Tue, 2008-03-04 at 10:02 +0100, Mats Bengtsson wrote:
Oscar van Eijk wrote:
Hi All,
I'm 'Lilyponding' a small prelude I wrote. It's only one page, but I
can't get it without collisions.
I attached a PNG, if that's not clear enough; the P
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\times 2/3 { \f \)} \override Script #'padding = #1
e'>2\fermata
Thx!
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following lines
\override Score.KeySignature #'break-visibility = #all-invisible
\override Score.Clef #'break-visibility = #all-invisible
after the first note (or the first bar or wherever is suitable).
/Mats
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Hugo Flordal wrote:
On Tue, 4 Mar 2008, Hans Aberg wrote:
On 4 Mar 2008, at 13:20, Hugo Flordal wrote:
The problem is that you want to beam differently than
implied by the time signature you want to write. So you
want to beam in what might be described as 8 =
(1+1)+(1+1)+(1+1)+(1+1),
st
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sdfgsdhdshd wrote:
There is now a problem with the lyric line:
My music is SATB+lyric (Win XP+2.11.41). The first word of the second system
and the next systems collides with the system vertical bar, if the word is
more than 2 or 3 letters.
See the main section called "Vocal music"
/Ma
e second link isn't working :(
Cheers,
Valentin
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tion?
/Mats
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t-windows-vista
puis choisir son GNU/linux :
http://www.zegeniestudios.net/ldc/index.php?lang=fr
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sdfgsdhdshd wrote:
Mats Bengtsson-4 wrote:
sdfgsdhdshd wrote:
There is now a problem with the lyric line:
My music is SATB+lyric (Win XP+2.11.41). The first word of the second
system
and the next systems collides with the system vertical bar, if the word
is
more than 2 or 3 letters
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Valentin Villenave wrote:
2008/3/7, luis jure <[EMAIL PROTECTED]>:
the problem was the clash between a and a-flat in the two voices. by
default lilypond merges the two noteheads, even if they have different
accidentals. first i found about force-hshift, and managed to move the
aes to t
If you use version 2.11, please note that this is one thing that has
changed, so please use the corresponding definitions
from ly/property-init.ly as a starting point. If I remember
correctly, convert-ly will issue a warning but will not solve the
problem automatically, when you upgrade your file.
Quoting Wilbert Berendsen <[EMAIL PROTECTED]>:
Op zaterdag 8 maart 2008, schreef Peter Kaplan:
Occasionally a crescendo or decrescendo needs to begin not at the
commencement of a note's duration, but rather halfway through the note.
Can such a situation be properly typeset using lilypond? If s
I recognize the problem, when trying to use the precompiled binary
package of 2.10 or 2.11 on Debian Sarge. The funny
thing is that often I get the correct output anyway, but sometimes
LilyPond simply breaks halfway through the compilation.
/Mats
Quoting Alan McConnell <[EMAIL PROTECTED]>:
hing ...
Dominic
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David Fedoruk wrote:
Hello:
I am trying to color ornaments based on which of the composer or
editors suggested them. Setting a variable for each color and
articulation seems like it should be almost the same as for a simple
NoteHead. Since the articulation is a property of the note, the
overri
rnQ0E2tP2AQCgya5D
DA+g+/jIHAds+RxyChdVPI0=
=L0P8
-END PGP SIGNATURE-
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asy but not trivial,
would the person for whom it's easy like to point me to a starting
place so I could take a crack at it?
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Kieren MacMillan wrote:
Hi Orm,
I'd like to color some notes in a piece but the dots aren't colored
as well (see example below). I found an option called dot-color
but can't get it to work.
As far as I can see, the dot-color is only used for fret diagrams.
\override Dots #'color = #(x11-
Risto Vääräniemi wrote:
The manual doesn't mention lyrics, though. Sometimes I'd like to move
a hairpin or similar above the lyrics. How do I do that?
One solution is to use the Dynamics context defined in the template called
"Piano centered dynamics".
/Mats
_
robcanning wrote:
nice work luis!
i have been wondering if lilypond was capable of such things - it
seems it is! :)
pity this stuff is so tricky - would be great to see some of these
fairly standard notation elements made easier to achieve
would be great to see more examples of scores people
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Fax: (+46) 8 790 7260
Email:
Reinhold Kainhofer wrote:
Am Mittwoch, 12. März 2008 schrieb Andrew Black - lists:
I am a little confused by the following :
\override Score.BarNumber #'break-visibility = ##(#f #t #t)
\override Score.BarNumber #'break-visibility
= #end-of-line-invisible
- wha
-BEGIN PGP SIGNATURE-
Version: GnuPG v1.4.6 (GNU/Linux)
iD8DBQFH2FuwTqjEwhXvPN0RAlB7AJ0U7vfAs06bPdwW0zZNfNW0BvT3MgCgvU5Y
p+5kKkM5VAAjwQpY8JDCoLU=
=vERp
-END PGP SIGNATURE-
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luis jure wrote:
El Thu, 13 Mar 2008 10:16:02 +
Mark Knoop <[EMAIL PROTECTED]> escribió:
Attached FYI is the source for some excerpts from the second movement
of Opus Contra Naturam...
thanks for sharing this excerpt, i found many things to learn.
but could you please clarify t
en you can find links to all relevant interfaces at
the bottom
of the page.
/Mats
Andrew Black - lists wrote:
Mats Bengtsson wrote:
Why not use the official documentation?
http://lilypond.org/doc/v2.11/Documentation/user/lilypond-internals/item_002dinterface#item_002dinterface
I did look
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en away...
Don
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Fax: (+46) 8 790 726
Quoting Marc Hohl <[EMAIL PROTECTED]>:
On Tuesday 18 March 2008 18:38:59 Oscar van Eijk wrote:
...
It looks great, the arrows are much better than \rtoe/\ltoe, but
there is some
small problem left. You blanked the tuplets, but it looks as lilypond
reserves the space for the tuplet number - lo
is the function|
|ly:tuplet-number::print. So, to switch on the numbers, you just do
\override TupletNumber #'stencil = #ly:tuplet-number::print
An even simpler solution is to just revert the previous setting:
\revert TupletNumber #'stencil
/Mats
Oscar
On Tue, 2008-03-18 at 22:12
nks
Graham
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r the cross staff beaming, see the manual.
/Mats
thx
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rrect and could that be the cause of rests not working?
best regards,
Wilbert Berendsen
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ndle this? If I understand correctly, this is also the reason that you
cannot
parenthesize a single note without enclosing it in a chord.
/Mats
Mats Bengtsson wrote:
parenthesized is a layout object property that only is included in the
accidental-interface, where it is used to determine if
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auch auf deutsch im LilyPond-Forum .
-
* * * * * * * * * * * * * * * * * * * * * * * * *
LilyPond-Hilfe auch auf deutsch im http://www.lilypondforum.de/index.php
LilyPond-Forum .
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Quoting Deacon Geoffrey Horton <[EMAIL PROTECTED]>:
Try this:
\new Lyrics \lyricsto "one" {
\once \override LyricText #'self-alignment-X = #-1 "Holy God,
Creator of Heaven and" Earth.
etc.
Note that you can replace the #-1 by #LEFT, which might be easier
and more intuitive to remember.
Quoting Tim Reeves <[EMAIL PROTECTED]>:
Alan,
It looked like no one else responded to you, so I'll give it a go.
It looks like your problem is not with Lilypond, but with Ghostscript.
I don't this so. If you read the printouts carefully, you will notice
that it tries to create a file C:My Do
Quoting luis jure <[EMAIL PROTECTED]>:
...
all in all it's quite passable. here's the code and the result. if
anyone detects something that's not quite right or could be better, i'd
greatly appreciate any suggestions for improvement. articulations,
dynamics, etc. are still missing.
...
\n
Quoting Nicholas WASTELL <[EMAIL PROTECTED]>:
On Wed, 26 Mar 2008 19:26:20 -0700 (PDT)
Zenith <[EMAIL PROTECTED]> wrote:
I thought it would be an easy way, :confused:at this moment, this solution
is too advanced to me. %-|
Too advanced for me, too!
I don't think it's so advanced to use. T
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Werner LEMBERG wrote:
You mean like
http://lilypond.org/doc/v2.10/Documentation/user/lilypond/Measure-repeats#Measure-repeats
I don't think so. Rather a shortcut to avoid zillions of copy and
paste operations. Additionally, you get shorter lines, and the
suggested syntax is much easier
oseph Wakeling wrote:
Mats Bengtsson wrote:
You mean like
http://lilypond.org/doc/v2.10/Documentation/user/lilypond/Measure-repeats#Measure-repeats
I interpret the suggestion to mean that he wants the _notes_ to appear
(unlike the link you posted, which uses 'slash' notation to indi
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Reinhold Kainhofer wrote:
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Montag, 31. März 2008 schrieb Wilbert Berendsen:
Related question: isn't there a simpler way to just merge rests if they
occur in both voices? Something like:
\override Staff.NoteColumn #'merge-rests = ##t
Isn't a better solution to make the first syllable left aligned
with the note? This should automatically result in left aligned
lyrics and aligned notes.
/Mats
Quoting Wilbert Berendsen <[EMAIL PROTECTED]>:
Hi,
I try to write a hymn (one voice with lyrics below), and I want to align the
fi
nts the standard lines 4 2 0 -2 -4. Why is
this so?
Thanks
Till
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nizer maintainer
* Chorvereinigung "Jung-Wien", http://www.jung-wien.at/
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Arjan Bos wrote:
On 31 mrt 2008, at 14:59, James E. Bailey wrote:
I'm wondering if there's an easy way to generate a piano reduction
from a choral piece but without all of the dynamics. The choir parts
all have their dynamics, but the piano part shouldn't. And the handy
snippet I found gen
Matthew wrote:
Trevor Daniels treda.co.uk> writes:
Seems like the voice-context overrides have
nowhere to go if the first note is an acciaccatura and have no effect. A
work-around is to place all the voice-context overrides in the Staff context
so they apply to all voices.
Perhaps
p ... } and then feed the result to
ly:system-start-text::print. Then, you can override the stencil property of
InstrumentName to use that function instead.
/Mats
Cheers,
Kieren.
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Kieren MacMillan wrote:
[Lilypond 2.11.42]
Hi all,
I'm trying to define an orchestral stylesheet, based on the
Barenreiter NMA soft-bound edition (Mozart KV 551, to be exact). Their
instrument names are centered in a column, which presents no problem;
however, the InstrumentName text itsel
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Paul Scott wrote:
Arjan Bos wrote:
Ah, that makes more sense! However, to me the dynamics are part of
the whole piece of music and should be attached at Staff level, not at
Voice level. So that's why I put them in a separate Voice.
Musically, you are of course completely right in most s
Valentin Villenave wrote:
If we decide to add "bowing indications" in Strings, we should
consider adding "Breathing indications" to Wind instruments, shouldn't
we?
I've often seen breathing indications both in string music as well as vocal
music.
/Mats
on = #up c'8}
d'8-. ]
}
>>
\layout {
ragged-last = ##t
}
Thanks for any hint (especially with the staccoto dot, which annoys me
more in the true score!)
Eric
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Quoting Graham Percival <[EMAIL PROTECTED]>:
Great.
Do we need to mention exotic things such as Note_performer? If so,
where?
Dunno. What does it do? The reason you're looking at the IR and
not me is that I don't know how to use it.
If it's MIDI, then it isn't part of NR 1+2 anyway. Other t
Frédéric Moinard wrote:
Hi,
I'm beginning with 2.10: 3 voices + verses, and I'd like to keep the
default distance between music and verse 1 but a shorter vertical
spacing between the next lines of lyrics.
I found that
\layout {
\context {
\Lyrics
minimumVerticalExtent = #'(0 . 0
t working,
or am i missing something?
best,
lj
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e I got used to it, I decided I was
wrong. (It was when the lyrics font changed sometime before 2.8.)
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Mensurstriche is a way to include (or a substitute for) "bar lines"
for sources that didn't contain them, but without splitting the notes
and/or rests that are "syncopated" over the bar lines the editor wants.
By the way, is "mensurstriche" the established English term? I have no
idea, bu
Quoting Graham Percival <[EMAIL PROTECTED]>:
On Tue, 08 Apr 2008 13:14:42 -0400
Laura Conrad <[EMAIL PROTECTED]> wrote:
The grumpy doc writer has said many times that he knows nothing about
vocal music. None of the suggestions in 5.1 is going to change the
fact that manual conversion is neces
Please note that convert-ly automatically will convert
latin1 to UTF-8 if the input file is older than version 2.5.13.
It will not handle any embedded TeX commands, but my guess is that in
many of the cases, the embedded TeX commands will have
to be replaced by some appropriate \markup command or
Quoting Graham Percival <[EMAIL PROTECTED]>:
On Tue, 08 Apr 2008 20:42:15 +0200
Mats Bengtsson <[EMAIL PROTECTED]> wrote:
Quoting Graham Percival <[EMAIL PROTECTED]>:
> On Tue, 08 Apr 2008 13:14:42 -0400
> Laura Conrad <[EMAIL PROTECTED]> wrote:
>
>> Th
be nice. thanks.
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Trevor Daniels wrote:
Tim Reeves wrote
Well, it helps some, but why do I get an error when I try the same
thing with hairpins?
error: syntax error, unexpected EVENT_IDENTIFIER
r4 d4 \p d d | \repeat "unfold" 4 {d1~} | d1 \once
\override Hairpin #'color = #blue \cr | d1 |
Graham Percival wrote:
On Wed, 09 Apr 2008 00:21:36 +0200
Mats Bengtsson <[EMAIL PROTECTED]> wrote:
Quoting Graham Percival <[EMAIL PROTECTED]>:
2) it would of course be nice to automate this. At the moment, I
can't see why this would take more than five hours.
>>
>>
}
}
I also tried <<\new Voice = "1" \with {\remove Rest_engraver} {\OneAB}
\new Voice = "2" \with {\remove Rest_engraver} {\TwoAB}>>, and
<<{\OneAB}\\{\TwoAB}>>, and various things involving \stemUp and
\st
Christopher Johnson wrote:
Salutations, y'all!
I have two questions.
How do I put parentheses around a ChordName grob generated from a \new
ChordNames { } staff? I'm typesetting some of my cousin's
compositions for her and she insists this is very important. The only
thing that I've fo
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Reinhold Kainhofer wrote:
However, note that with the upcoming LilyPond version 2.11.44, you will
be able to use
\parenthesize f:sus4
Yes, but notice that the parenthesis is way too small for my taste. The
parenthesis is the right size for note heads and accidentals, but not for
o
Reinhold Kainhofer wrote:
Am Mittwoch, 9. April 2008 schrieb Graham Percival:
Stan Mulder <[EMAIL PROTECTED]> wrote:
In a percent repeat, can I get the number of measures to be repeated
over the double percent sign?
It's the second example in the 2.11 docs.
While we are
. Or can I move
\partcombine to a voice context?
On 09.04.2008, at 15:23, Mats Bengtsson wrote:
The simplest solution is
ErsteStimme = { c''8 b' b' a' g' g' f' e' }
ZweiteStimme = { a'8 a' g' f' f' e' d' c' }
Dri
Quoting Shamus <[EMAIL PROTECTED]>:
| Thanks for that David. I've been doing this to separate out dynamic
| markings, but I didn't know you could do the same with voltas and the
like.
|
| /me goes off to try it
Wow! Works like a charm! This is not only going to save me lots of time,
but what's
You have to tell LilyPond what belongs together, using curly brackets.
One way to think of it is that within each Staff, you first specify the
instrument name, then typeset the music:
\new Staff = "trumpet" \transpose c c {
\set Staff.shortInstrumentName = "Tpt "
\trumpet
}
/Mats
Quoting
I would propose to add the chord dictionary as a separate "score"
or "Text markup" or whatever, before the main score. One way to obtain
such a dictionary is outlined in
http://lists.gnu.org/archive/html/lilypond-user/2006-06/msg00414.html
Note however that that answer was written before the FretB
Why not read the section called "Lyrics independent of notes" in the manual?
/Mats
Quoting "James E. Bailey" <[EMAIL PROTECTED]>:
Ah, then you just need a voice without the staff and its engravers. I
would look at the snippet that adds all the engravers one by one,
because it will have ev
See the documentation of font-name in the Internals Reference:
http://lilypond.org/doc/v2.11/Documentation/user/lilypond-internals/font_002dinterface#font_002dinterface
/Mats
Quoting coffer <[EMAIL PROTECTED]>:
Hi all,
first of all: thank you to all of you who developed and improved this
w
I don\t think it has anything to do with Vim, just remove the extra
spaces, it should be: \bar "|." and nothing else.
/Mats
Quoting Stefan Thomas <[EMAIL PROTECTED]>:
Dear lilypondusers,
I have a question, I think it has to do with linux.
I have the problem, when using vim, that the barline
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