Am 24.04.2009 um 01:15 schrieb Anthony W. Youngman:
In message ,
James E. Bailey writes
Did the default beat groupings change? I thought I remembered that
in 3/4,
three eighth-note triplets followed by an eighth note and an
eighth rest
would not beam the eighth note to the triplets. In
{ f32[ g] } a2.
}
\score {
<<
\new Voice = "mel" { \autoBeamOff \melody }
\new Staff = "low" { \lower }
}
How is this different from the Known issues and warnings on grace
note usage?
James E. Bailey
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accomodate the instrumentName. Essentially, I'd like the
instrumentName to not be calculated as part of the system width. Is
this possible? Where would I find out how to do this? Or, is there
another way that I'm just not aware of?
Thanks for
\score {
\new Staff \with { instrumentName = "Instrument Name" }
{ a4 g a f }
\layout { indent = 0 }
}
}
}
\markup {
\fill-line {
\score {
\new Staff { a4 g a f }
\layout { indent = 0 }
}
}
}
James E. Bailey
___
workaround:
\version "2.12.2"
\paper { line-width = 8.5\in indent = 0 }
\layout { \context { \Staff \override InstrumentName #'X-extent =
#'(0 . 0) } }
music = \relative { a4 g a f }
Thanks, I think this may be just what I needed! I'll let you know how
this
ative part of
the score markup's horizontal extent, the easiest workaround is to
remove it from the score's bounding box.
Regards,
Neil
Brilliant! I could never have come up with that on my own, but I am
very grateful to you two for helping me, and for the wondeful solutio
If I have multiple scores on a single page, how can I control the
vertical spacing between them. Currently it's a bit larger than I'd
like it to be.
James E. Bailey
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http://lis
mans.name/lilypondleopard/
or you can get there from
http://lilypond.org/web/install/
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o decrease the spaces between multiple
\score blocks in a single \book block. I don't know if \bookpart
allows that, but I haven't had much success with \bookpart in
general, so I haven't been to eager to try again.
James E. Bailey
columns, you should get the results that you want. I.e., instead of having a column that has stanzas 1-9 and another column that has stanzas 10-18, try using a column of lines where each line is stanzas 1 and 10, then 2 and 11, and so on.
stanzas.ly
Description: Binary data
stanzas.pdf
Description:
m
I would use markup, i.e:
\override Staff.Clef #'stencil = #ly:text-interface::print
\override Staff.Clef #'text = \markup \column {
\raise #1.0 {\musicglyph #"clefs.C"}
\raise #0.0 {\musicglyph #"clefs.C"}
\raise #-1.0 {\musicglyp
Lyrics \lyricsto
Verse \lyricmode {} chorus = \context Lyrics \lyricsto Chorus
\lyricmode {}
Some prefer to use \skip1*32 (or appropriate). And some prefer a
similar method to skip, but a little easier on input, \repeat unfold
138 {_}
James E. Bailey
u already understand. The lilypond documentation
really isn't the kind of documentation that you can go to when you
want to know how to do something. It's designed to teach you how to
use the software.
James E. Bailey
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Am 11.05.2009 um 17:18 schrieb Graham Percival:
On Mon, May 11, 2009 at 05:11:53PM +0200, James E. Bailey wrote:
The lilypond documentation really isn't the kind of
documentation that you can go to when you want to know how to do
something. It's designed to teach you how to use th
arning)M" discussion.
We don't think of documentation as a means to learn something,
documentation is now "help", in that, like the microsoft office
assistant, you ask it a question, and it tells you the answer. This
example, simplifie
at. Am I going to have to
learn more scheme, or am I getting at the bar number in the wrong way?
--
Tim Rowe
I would just not use partial. You know that you can put in a bar line
even if the measure isn't complete.
James E. Bailey
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using unicode filenames.
James E. Bailey
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er mailing list
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c:94
\break
c:m4
}
}
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Am 13.05.2009 um 01:59 schrieb Carl D. Sorensen:
On 5/12/09 12:41 PM, "James E. Bailey"
wrote:
I will be the first one to admit that I don't work with chords
frequently. I'm
also trying to understand them. I understand that I can enter c:7
and lilypond
will reco
}
I've never seen something like that. What this rest in chords
should mean?
For chords stop usually the following sign is used: ¬
--
I don't do much with chords, but I would imagine it means "don't play
a chord here".
James E. Bailey
Am 14.05.2009 um 07:08 schrieb Brett Duncan:
James E. Bailey wrote:
Am 13.05.2009 um 23:07 schrieb Stjepan Brbot:
Simon Bailey-2 wrote:
hi zoli,
Zoltan Kota wrote:
Is it possible somehow to display rest symbols in a ChordNames
context?
yes. use:
\score <<
\context Chor
x27;d have a hard time finding a better
place for it.
James E. Bailey
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MIDI instrument
anyway. I would need the sounds of knocking and tapping on the harp
body. And I would like to set the instrument for the other notes to
"harp" (MIDI channel 146).
Regards,
Helge
You could probably make those changes in a midi editor.
James E. Bailey
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it's related, but ghostscript (which is the program
that makes the final output file) has problems with accented
characters in the path. I would suggest simply not having accented in
the path or filename of anything you plan to run lilypond on.
James E. Bailey
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e opposite! How is lilypond
insisting? Can you make a two or three measure example that shows
what you mean?
James E. Bailey
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Am 22.05.2009 um 18:21 schrieb Paul Hodges:
--On 22 May 2009 18:02 +0200 "James E. Bailey"
wrote:
I've never seen this, in fact the opposite! How is lilypond
insisting? Can you make a two or three measure example that shows
what you mean?
Sorry, I missed out what turned ou
players with other soundfonts installed by
default, but there are other soundfonts available, if you can get
them installed for your midi player.
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ppets in hybrid HTML, LaTeX, texinfo or DocBook
document.
Examples:
...
Compilation exited abnormally with code 2 at Thu May 28 21:26:46
-
the lilypond part of my .emacs file looks like that:
Have you copied the file screech-boink.ly to an appropriate directory?
James
exiting abnormally.
cheers
thomas
Mehr Sicherheit und Datenschutz - der neue Internet Explorer 8 für
MSN Jetzt sofort kostenlos downloaden!
James E. Bailey
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ce, anything windows-related is quickly ignored by me.
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inimum-Y-extent = #'(-1 . 1)
}
% modify PianoStaff context to accept Dynamics context
\context {
\PianoStaff
\accepts Dynamics
}
}
}
\score {
\new PianoStaff = "PianoStaff_pf" <<
\new Staff = "Staff_pfUpper" <
rumentName = "Eb Clarinet"
\set Staff.shortInstrumentName = "Eb Clar."
\clarinetInEb
}
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?
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ics.LyricHyphen #'color = #(x11-color 'maroon)
\override Lyrics.LyricExtender #'color = #(x11-color 'maroon)
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w and decided to see if
double-clicking
the LilyPond icon could accomplish anything new. A blank, Untitled
window
appeared that I was able to type in and save(!), but again, no way
to compile it
and no menu of anything to access.
So what's going on? Please assist.
_______
properly when I render this using version
2.12.2
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looks
like it does not understand the command \concat it says error: unknown
escape string: '\concat'
Thank you very much,
Andrea
That looks like the \markup before the \concat is missing, i.e.,
commented out. And lilypond doesn'
#x27;s the same for 2.13, but in 2.12, your command
would be lilypond -dbackend='eps' -dno-gs-load-fonts -dinclude-eps-fonts
hth
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ls you how to produce eps for
use in other programs.
That's interesting, I used lilypond -dhelp and chapter 3 of AU, which
is about normal lilypond, AU 4 is on lilypond book. But AU 3 covers
command line options, which succeded for my purposes.
and i
suggested to use
a newer version!
anything wrong about that?
2.13 is the development release, not the stable release. The
syntax may change, and additional bugs may be introduced.
Like eighth note beaming? :P
James E. Bailey
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learning/Vocal-ensembles#Vocal-ensembles
Is there a tweak for adjusting when the bar engraver works or not?
Yes, you'll want to see in the Learning Manual on how to make objects
invisible.
James E. Bailey
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iling
lilypond 2.11 on 10.5.4.
James E. Bailey
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of \remove. Is there a way to turn
on and off the \remove function within the music?
On Jun 18, 2009, at 12:12 AM, "James E. Bailey"
wrote:
On 18.06.2009, at 03:30, Kalen Mercer wrote:
I am working on a piece with no time signature or bar engraver.
However, I do want to
hav
l options for
macintosh users.
James E. Bailey
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LilyPond binary does not do.
James E. Bailey
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NHOME…" error messages. Also,
what's with the LilyPond.app/Contents/MacOS/python ? you have a
python there?
James E. Bailey
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On 26.06.2009, at 22:25, Patrick McCarty wrote:
On Fri, Jun 26, 2009 at 12:54 PM, Christian
Hitz wrote:
Am 24.06.2009 um 09:24 schrieb Patrick McCarty:
On Wed, Jun 24, 2009 at 05:40:59AM +0200, James E. Bailey wrote:
Granted, I'm on 10.4, but I've never had the "
In the process of answering someone's question, I stumbled across
this. It works, but shouldn't alignAboveContext be used to do this
instead? I can prepare a minimal snippet and even post it to the lsr.
http://lsr.dsi.unimi.it/LSR/Item?id=391
James
questions would you propose? My idea is
that the FAQ should contain 4-10 questions. Currently, we have
1: Why do you change the syntax?
2: Something isn't working!
3: Where is the app (_maybe_)
Well, if they are the most frequently asked questions… I mean, a
quick look at bug
part on about a half a page, and then
resume
the printing of piano staff there after.
Hi. You'll want to look at the various options under 1.6.2 Staff
symbol and Hiding staves.
James E. Bailey
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part on about a half a page, and then
resume
the printing of piano staff there after.
Hi. You'll want to look at the various options under 1.6.2 Staff
symbol and Hiding staves.
Totally forgot.
This is in the Learning Manual of the current stable, 2.12 version.
James E. B
te to the most current version.
James E. Bailey
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This is in the Learning Manual of the current stable, 2.12 version.
James E. Bailey
Dangit, I meant to say Notation Reference instead of Learning Manual.
Also, there are several options for hiding staves. You just have to
play around (read) and find the one that works best for
Score’. By default, this command hides and removes
all empty staves in a score except for those in the first system.
Note: A staff is considered empty when it contains only multi-measure
rests, skips, spacer rests, or a combination of these elements.
James
; a' {
\relative {
\key b \major
...
}
}
You should get what you're looking for.
James E. Bailey
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staff above, and another below. If I
understand correctly what you want, you need to move the Rehearsal
mark engraver to the staff context, remove it from the score context,
and then change the direction.
James E. Bailey
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er reference to specific usage of the pedals other
(that I could find) than this, and it makes it quite clear which
command is meant (since the command was changed from "up" to "off"
anyway)
James E. Bailey
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both set the voice to \voiceFour
and then manually shift the notes to the right:
g \change Staff = rh \voiceFour \override NoteColumn #'force-hshift =
#1.0 f' e' \change Staff = lh \voiceOne \revert NoteColumn #'force-
hshift g
That should get you considerably closer to
On 10.07.2009, at 06:47, Mark Polesky wrote:
5) The \layout block goes *inside* the \score block.
Not necessarily, one is global for every \score in a \book, and one
only applies to a single \score in a \book.
James E. Bailey
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LilyPond. And while
searches in the Notation Reference are considerably more effective,
they benefit from having read through the Learning Manual at least
once to become familiar with the terminology that LilyPond uses.
James E. Bailey
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thing?
E, that's rather annoying. It would probably be added to list of
problems with grace notes, but to workaround it, put the grace note
before the partial (and you don't need to turn auto-beaming on, since
it's on
at
• http://wiki.lilynet.net/index.php/FAQ (click on the link "Where is
the app") - Windows
• http://wiki.lilynet.net/index.php/Mac - Mac OSX 10.5
• http://wiki.lilynet.net/index.php/Where_is_the_app%3F_(Linux) - Li
shift = \once \override DynamicText #'self-alignment-X = #-1
s2 \shift s2\mp s2 s2\mf
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e would be:
Sinte' Intro
All you need to do is type it in, Sinté( or Sintè) Intro.
See section 3.3.3 of the Learning manual for more info.
James E. Bailey
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?
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esn't find an install
target rule. Am I missing something or are the docs behind?
Thanks,
Paul Scott
That only applies if lilypond-mode isn't installed on your platform
(first paragraph, last sentence). Usually you can just move the files
to where they need to go and ammend
On 23.07.2009, at 07:16, Paul Scott wrote:
James E. Bailey wrote:
On 23.07.2009, at 04:20, Paul Scott wrote:
Hi,
I'm resurrecting a laptop whose hard drive died. I'm trying to
set up Emacs lilypond-mode.
AU 2.2.1 tells me to do a 'make install' in the elisp direc
u.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
James E. Bailey
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continue to use it and learn more. A couple of read-throughs of
the Learning Manual to familiarize yourself with the various existing
options, and you should find using LilyPond a lot easier, although I
must say, if you can construct your own macro, you're far better off
than a lot of
signature?
Thanks,
Jonathan
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this is addressed in the Learning Manual under "Real music example&qu
file ;-)
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Wow, this is kind of the last place I'd expect an Aphex Twin
reference. Oh, and I remember first seeing this in my 10th grade
orchestra class.
James
parenthesis, and that would show that there is none.
James E. Bailey
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For example, é is option-e-e and è is option-`-e. These
can all be seen in the keyboard viewer, which can be accessed from
System Preferences in the Input Menu of the International preferences.
Also, if you're on a macintosh, your editor supports U
consists "New_dynamic_engraver"
}
}
}
--
Dr Peter Chubb http://www.gelato.unsw.edu.au peterc AT
gelato.unsw.edu.au
http://www.ertos.nicta.com.au ERTOS within National ICT
Australia
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section 1.5.2 of the Notation
Reference, Multiple Voices.
HTH,
James E. Bailey
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Why do you want to change the value of "\aVariable"? That doesn't
make any sense to me.
I think the corollary to this would be, "why not simply define two
variables in the beginning?"
James E. Bailey
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horizontal, not vertical, like they
should be. Is there a way to get something that looks like this?
http://media-2.web.britannica.com/eb-media/51/99251-004-92E3F389.gif
thanks for your time.
-lelangir
I would use markup in a lyrics context.
I think this was sent only to me and not to the list.
Begin forwarded message:
From: Hugo Leonardo Ribeiro
Date: 9. August 2009 21:06:06 MESZ
To: "James E. Bailey"
Subject: Re: roman numeral chord notation below staff with pivot
chord brackets?
Did you look at this?
http://lis
lypond code you used that was
unsuccessful? What you've described should work, so perhaps there's
something that's preventing the output you want.
James E. Bailey
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ext-interface::print
\override Staff.Clef #'text = \markup {
\raise #-2.0 {\musicglyph #"clefs.G"}
\raise #0.0 {\musicglyph #"clefs.F"}
\hspace #0.1
}
\clef bass
\key c \minor
\time 3/4
b as g
}
James E. Bailey
y understand the logic behind it, but I couldn't find
anywhere that this was explained. Perhaps it is implied in the
notation reference, but it really only mentions bar lines and bar
numbers, but not how cadenzas fit into multi-staff music.
James E. Bailey
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don't know if you know about it, but there is a french
speaking mailing list for lilypond users. It's at http://
lists.gnu.org/mailman/listinfo/lilypond-user-fr
James E. Bailey
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http://l
ple do to save typing. In fact, I'm
of the opinion that there's no need to use Scheme, it's just there if
you know how to use it. So, if you take Scheme out of the lilypond
learning curve, it's actually not that difficult.
James E. Bailey
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columns.
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On 12.08.2009, at 19:33, Mark Polesky wrote:
James E. Bailey wrote:
Personally, I think this is an area where knowing too much gets in
the
way. I, for example, have no clue about Scheme. Scheme is, as far as
I'm concerned, what other people do to save typing. In fact, I'm of
t
On 12.08.2009, at 20:41, Mark Polesky wrote:
James E. Bailey wrote:
Really? What can't you do without Scheme?
Algorithmic music.
- Mark
Surely the calculations can be performed outside of lilypond, and
then simply input into lilypond for a score, right? Or am I missing
some
"scripts.four"
\musicglyph #"scripts.five"
\musicglyph #"scripts.six"
\musicglyph #"scripts.seven"
\musicglyph #"scripts.eight"
\musicglyph #"scripts.nine"
}
Can someone help me with what I've misunderstood, and wha
On 14.08.2009, at 07:52, Mark Polesky wrote:
James E. Bailey wrote:
Reading the documentation, I don't understand why this doesn't work:
\version "2.12.2"
\markup {
\musicglyph #"scripts.zero"
\musicglyph #"scripts.one"
...
}
The glyp
On 14.08.2009, at 19:11, Carl Sorensen wrote:
On 8/14/09 9:54 AM, "James E. Bailey"
wrote:
Though I reorganized them for 2.13. Hopefully you'll find this
version easier to read:
http://kainhofer.com/~lilypond/Documentation/notation/index_54.html
- Mark
Thank yo
num) grob)
(grob-interpret-markup grob
(markup #:override '(baseline-skip . 0) #:number
(#:line (
(#:column (one num))
#:vcenter "+"
(#:column (two num
)))
Can someone just do that
bit I don't understand. (#:column (one num)) would be the
equivalent of \markup \center-column { one num }, right? How would I
do \markup \center-column {\line {one + two + three} num }?
4) decide if you want to keep the #:vcenter command
Probably no
(my initial attempt)
Neither of which moves the Time signature to adjust for the wider
space of "3+3+2". So, is there a better way of achieving this?
James E. Bailey
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On 15.08.2009, at 00:46, Reinhold Kainhofer wrote:
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Freitag, 14. August 2009 23:13:18 schrieb James E. Bailey:
Look at that, even I need scheme. I wanted to have the time
signature be
3+3+2
8
Apparently this is where Scheme is
any thanks.
Qian Li
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I think you want Notation Reference section 1.8.1 Text > Text Marks >
(Selected Snippets) Printing marks on every
m the Gnu - Lilypond - User mailing list archive at
Nabble.com.
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James E. Bailey
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I looked in the nano documentation on how to create a syntax
definition. It said that it was all regex. Then I went to wikipedia
and read how to do regex. That's it really. No searching, or maybe I
misunderstand what you mean.
On 19.08.2009, at 01:25, -Eluze wrote:
James E. Bai
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Nabble.com.
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James E. Bailey
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This should be very straightforward. What have you tried and what
hasn't worked? Could you show it in one measure?
James E. Bailey
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