Am 06.09.2008 um 14:46 schrieb Grammostola Rosea:
Ok, I'm learning and get more happy with the results :)
Below this message there's my code. I've three questions about it.
1) Is is possible to have tablature without durations of the notes
displayed in the tablature part?
I'm guessing you m
Am 07.09.2008 um 06:10 schrieb Daryna Baikadamova:
when we enter new scores, should we enter in concert pitch?
I think you should enter the score in whatever pitch is easiest. If
your source score is transposed, then it's probably going to be easier
to type it into a computer exactly as show
Am 07.09.2008 um 09:40 schrieb Daryna Baikadamova:
So do you mean that I should leave the original score alone (i.e.
*not* to create a concert pitch version of the part by using
\displayLilyMusic \transpose) and in the driver lilypond file that
uses the score to print the separate part, I
Am 07.09.2008 um 10:19 schrieb Daryna Baikadamova:
Thanks! However I am new to lilypond, could you please point me to
an example illustrating how global block is used in this way. I
guess this situation should be common in orchestral scores, although
many projects in mutopia (including t
Am 07.09.2008 um 18:30 schrieb Neil Puttock:
2008/9/7 CJ Bell <[EMAIL PROTECTED]>:
On Sun, Sep 7, 2008 at 12:12 PM, Neil Puttock <[EMAIL PROTECTED]>
wrote:
Remove the << >> brackets; you're forcing the volte to be
simultaneous, so they're placed on top of each other.
That is my intention.
Then you need \setTextCresc. You may want to download the
documentation for version 2.11.49.
http://download.linuxaudio.org/lilypond/binaries/documentation/lilypond-2.11.49-1.documentation.tar.bz2
Am 08.09.2008 um 08:59 schrieb Stefan Thomas:
Dear Kieren,
thanks for Your advice.
But what can I
On 08.09.2008, at 13:46, Stefan Thomas wrote:
Dear James, Dear Kieren,
thanks for Your help. I tried to create a variable, but it didn't
work, unfortunately.
I tried it with:
pcresc = { \setTextCresc \override DynamicTextSpanner #'dash-period
= #-1.0 \p \< }
Is it possible to do somethin
On 08.09.2008, at 13:46, Stefan Thomas wrote:
Dear James, Dear Kieren,
thanks for Your help. I tried to create a variable, but it didn't
work, unfortunately.
I tried it with:
pcresc = { \setTextCresc \override DynamicTextSpanner #'dash-period
= #-1.0 \p \< }
Is it possible to do somethi
I don't know if this is true for anyone else, but, when I try and use
emacs (22.2.1) on OSX in my terminal, I can't compile on the master
file and file where there is a space in the filename. For example:
-*- mode: compilation; default-directory: "~/Documents/James Music/
Choral Music/Dad/Lita
On 08.09.2008, at 15:46, Christopher Suckling wrote:
On Mon, Sep 08, 2008 at 03:30:41PM +0200, James E. Bailey wrote:
I don't know if this is true for anyone else, but, when I try and use
emacs (22.2.1) on OSX in my terminal, I can't compile on the master
file
and file where
On 09.09.2008, at 02:58, Paul Scott wrote:
You mean you use Terminal and not XDarwin?
I'm assuming you mean X11, but yes, I have a difficult time
remembering the keyboard commands for a normal emacs session. I think
I would go crazy if I tried to remember them for the GUI version. At
least
On 09.09.2008, at 15:36, Hans Aberg wrote:
On 8 Sep 2008, at 15:30, James E. Bailey wrote:
I don't know if this is true for anyone else, but, when I try and
use emacs (22.2.1) on OSX in my terminal, I can't compile on the
master file and file where there is a space in the filena
I would imagine you'd need to use \set
StaffGroup.systemStartDelimiterHierarchy and move the time signatures/
bar lines from the score context to the staff context.
http://kainhofer.com/~lilypond/Documentation/user/lilypond/Displaying-staves.html#Grouping-staves
http://kainhofer.com/~lilypond/D
I use lyrics quite a bit, and I don't really understand what you mean.
Can you provide a short (1 measure) example that demonstrates what
you're talking about?
On 09.09.2008, at 17:57, Monk Panteleimon wrote:
Hello. I am using 2.11.57. I've noticed that LyricExtenders
don't work with \lyricm
On 10.09.2008, at 03:58, Monk Panteleimon wrote:
So, if you want lyric extenders in 2.11 (barring \addlyrics) you
must either
- Have your voices inside Voice contexts (even if there's only one per
staff) and use \lyricsto
or
- Use \lyricmode with \set associatedVoice = "something"
Yes, y
On 10.09.2008, at 10:45, Hans Aberg wrote:
On 10 Sep 2008, at 00:18, James E. Bailey wrote:
I have
exec /Applications/LilyPond.app/Contents/Resources/bin/lilypond
"$@"
You can try running a command like
export IFS='';lilypond 'foo bar'
Setting the IFS va
On 10.09.2008, at 11:34, Hans Aberg wrote:
On 10 Sep 2008, at 10:56, James E. Bailey wrote:
I have
exec /Applications/LilyPond.app/Contents/Resources/bin/
lilypond "$@"
I am not sure exactly what you run in Emacs,
lilypond-mode. In the command menu, there's an option lily
12:57:28 jamesebailey lilypond:which lilypond
/Users/jamesebailey/bin/lilypond
On 10.09.2008, at 11:54, Hans Aberg wrote:
On 10 Sep 2008, at 10:56, James E. Bailey wrote:
I think that's the compile option in the file menu. There, I can do
"lilypond path\ to/my\ file.ly"
which lilypond) will produce the path you just wrote, and
'less' will write out the contents if it is not binary.
Hans
On 10 Sep 2008, at 12:57, James E. Bailey wrote:
12:57:28 jamesebailey lilypond:which lilypond
/Users/jamesebailey/bin/lilypond
On 10.09.2008, at 11:54, Hans Aberg wro
On 10.09.2008, at 14:54, Hans Aberg wrote:
On 10 Sep 2008, at 14:03, James E. Bailey wrote:
Ah. I use a binary, not a script. I actually build lilypond, I'm on
10.5
I just wanted to make sure it isn't the 'lilypond' part. One other
test is to type
lilypond 'foo ba
On 10.09.2008, at 16:13, [EMAIL PROTECTED] wrote:
"J" == James E Bailey <[EMAIL PROTECTED]> writes:
J> I just wish someone with a little elisp help could point me
J> toward the part of whichever file determines how the file is
J> processed in emacs so I coul
On 10.09.2008, at 17:37, John Mandereau wrote:
The following fix works for me, I'm pushing it to Git, it will
appear in
release 2.11.58 or .59
diff --git a/elisp/lilypond-mode.el b/elisp/lilypond-mode.el
index 769331f..80a3f29 100644
--- a/elisp/lilypond-mode.el
+++ b/elisp/lilypond-mode.el
@
On 10.09.2008, at 17:08, Grammostola Rosea wrote:
James E. Bailey wrote:
1) Is is possible to have tablature without durations of the
notes displayed in the tablature part?
I'm guessing you mean the dots? It would probably be easiest to
remove them. You'll want to lo
On 10.09.2008, at 18:05, Stefan Thomas wrote:
Dear Lilypond-users,
a friend of mine (he uses finale and he can be very stressing with
note-typing things) is of the opinion, that the bass-clef in
lilypond is to small.
Is it possible to change the size of the bass clef?
Yes, clef is part o
On 10.09.2008, at 22:58, Grammostola Rosea wrote:
How do I make the dots in the tablature (only, not notation)
invisible?
You have to remove them.
http://kainhofer.com/~lilypond/Documentation/user/lilypond/Controlling-visibility-of-objects.html#Controlling-visibility-of-objects
Discusses how
I would like to know if it's possible to get a fermata over a full-
measure rest (i.e., R1\fermata). So far, my attempts haven't worked,
and I end up having to use a whole rest shifted over.
On 11.09.2008, at 07:46, Paul Scott wrote:
On Sep 10, 2008, at 10:30 PM, jo.clarinet wrote:
I've
While this specific example isn't there, http://kainhofer.com/~lilypond/Documentation/user/lilypond/Modifying-single-staves.html#Staff-symbol
shows how to remove various elements from a staff.
On 11.09.2008, at 09:40, Tomas Valusek wrote:
Hello,
how can I create a rhythmic excercise consistin
I know, right?
On 11.09.2008, at 09:53, Werner LEMBERG wrote:
I would like to know if it's possible to get a fermata over a
full-measure rest (i.e., R1\fermata). So far, my attempts haven't
worked, and I end up having to use a whole rest shifted over.
The solution is:R1^\fermataMarkup
On 11.09.2008, at 10:26, Werner LEMBERG wrote:
I know, right?
Oops, I mixed up the names, sorry.
No, I really should have found that on my own. I can be daft, too.
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailm
On 11.09.2008, at 10:32, Grammostola Rosea wrote:
James E. Bailey wrote:
On 10.09.2008, at 22:58, Grammostola Rosea wrote:
How do I make the dots in the tablature (only, not notation)
invisible?
You have to remove them. http://kainhofer.com/~lilypond/Documentation/user/lilypond/Controlling
I'm a little puzzled by this. I get the error: no rhythmic group to
end, but the output looks fine. Should I worry?
\version "2.11.58"
global = { \time 6/4 s1. }
sopranosoloMusic = \relative f'' { r4 es b(~ \times 2/3 {b8[ c d]}
\times 2/3 {es4) c b} }
sopranosoloWords =\lyricmode {
my sou
On 11.09.2008, at 13:09, jo.clarinet wrote:
2. I can get tempo indications like Allegro, Andante etc printed
up, but
when tempo changes occur in the course of a piece, they seem to
come up
about half-a-bar before they should. I set the \mark\markup for
just before
the first note of the new sect
On 11.09.2008, at 14:01, Grammostola Rosea wrote:
Ok, this helps. But a little problem arises... how should I display
this without an slur
a,4 ~ a,4.
It isn't
a,2.
is it?
no
Should I add an rest and makes those invisible?
a4 s4. is probably the easiest way.
__
So you know, you can use \tag to reduce a lot of your output. For
example:
uI = {
\voiceOne
\partial 8
r8 4.
\tag #'slurs { 8 ~ }
\tag #'noslurs {4}
<\parenthesize b e'>4
\tag #'slurs { 8 ~}
\tag #'noslurs {4 } |
}
___
On 11.09.2008, at 15:50, Peter Johnson wrote:
On 11 Sep 2008, at 11:08, James E. Bailey wrote:
I'm a little puzzled by this. I get the error: no rhythmic group to
end, but the output looks fine. Should I worry?
Possibly. There seems to be a conflict between the simultaneous
tri
On 11.09.2008, at 17:26, Mats Bengtsson wrote:
Related question: Why do you only get one fermata when you do the
following:
b4^\fermata_\fermata
More generally: why can't you add the same articulation above and
below a note, using a
construct like
c^._.
As long as you specify different ar
On 11.09.2008, at 17:39, jo.clarinet wrote:
I have one more question (for the moment - I think I'll be OK for a
while
now!). How do I get the bar numbers to come up as 5, 10, 15 etc
rather
than at the beginning of each line? (I've several times come across
links
to just this subject but, f
On 12.09.2008, at 08:01, jo.clarinet wrote:
I don't actually want/need the first bar numbered - just 5, 10 etc. I
think the problem here is I simply don't understand what each bit
of the
process means, whereas the other LilyPond commands I've encountered
so far
seem more straightforward. I'
Well, now that lilypond can compile a file in emacs, I've been looking
around, getting myself acquainted with the various options.
Apparently, the 2tex option calls lilypond as lilypond -b tex
filename.ly The version of lilypond that I have installed says that
should be -f tex (assuming I'm
looks like it's missing a \score {} block for the second staff group
On 13.09.2008, at 14:35, Sebastiano Vigna wrote:
The above snippet does not generate output (no .eps file is
created). This was causing a number of problems. LSR now will keep
people from inserting snippets that do not produ
On 13.09.2008, at 16:55, Anthony W. Youngman wrote:
Obviously, I can't (easily) tweak the placing of things like
"Allegro" if it's going to be inserted into lots of parts (nor do I
want the hassle). But, to give a current example, my trombone part
has a top f (in lily terms, an f' in bass c
On 13.09.2008, at 21:39, Anthony W. Youngman wrote:
In message <[EMAIL PROTECTED]>, James E.
Bailey <[EMAIL PROTECTED]> writes
On 13.09.2008, at 16:55, Anthony W. Youngman wrote:
Obviously, I can't (easily) tweak the placing of things like
"Allegro" if it'
On 16.09.2008, at 14:51, Nick Payne wrote:
Jon
Thanks for the reply. However, I just removed the natural from the
2nd b in
bar 2 and I still get a natural appearing in the output on both b.
Bar 3 also contains two b naturals, so I added that bar with a
natural only
on the 1st b and only
On 17.09.2008, at 16:42, Steven Padalino wrote:
I seem to be having trouble making a repeat work over more than one
polyphonic section. For example:
\repeat volta 2 {
<< notes in section 1 >> \\
<< notes in section 1 >>
<< notes in section 2 >> \\
<< notes in section 2 >>
}
This won't w
everything within the volta brackets will be before the repeat. If you
want section 2 to be after the repeat, then it needs to come after the
repeat. i.e., \repeat volta 2 { section 1 } \repeat volta 2 { section
2 }
On 17.09.2008, at 17:44, Steven Padalino wrote:
Nuts. I just realized I en
It would be much better if you could provide a small example to show
what you mean. Also, if you reply-all, then the message goes to the
lilypond list as well, and not just me.
On 17.09.2008, at 19:18, Steven Padalino wrote:
Then that's what 's wrong. I want both sections to be before the
On 17.09.2008, at 19:18, Steven Padalino wrote:
Then that's what 's wrong. I want both sections to be before the
repeat and if I enclose both of them within the same pair of volta
brackets no repeat symbol is displayed on the pdf. If I enclose
only one of the sections within the bracket
On Monday, September 22, 2008, at 12:11AM, "John Mandereau" <[EMAIL PROTECTED]>
wrote:
>On 2008/09/18 13:33 +0200, James E. Bailey wrote:
>> Now that emacs can actually run lilypond, I have another problem, I
>> can't run a command on the master file:
On osx 10.4, using the 2.11.59-1 intel binary, I get the following:
vanessa_imac:~/Desktop/LilyPond.app/Contents/Resources/bin jamesebailey$
./lilypond -dhelp
GNU LilyPond 2.11.59
warning: not relocating, no 2.11.59/ or current/ found under
/Users/jamesebailey/Desktop/LilyPond.app/Contents/Resour
On Sep 22, 2008, at 4:36 PM, Graham Percival wrote:
> On Mon, 22 Sep 2008 16:28:07 -0700 (PDT)
> Mark Polesky <[EMAIL PROTECTED]> wrote:
>
>> How do I set delete-intermediate-files?
>>
>> I saw it mentioned herebut I can't figure out how to make it work.
>
> Same way you set any other -d option.
>
On Tuesday, September 23, 2008, at 01:55AM, "Graham Percival" <[EMAIL
PROTECTED]> wrote:
>On Tue, 23 Sep 2008 01:51:09 +0200
>"James E. Bailey" <[EMAIL PROTECTED]> wrote:
>
>> On Sep 22, 2008, at 4:36 PM, Graham Percival wrote:
>> > The
anti-alias-factor (1)
>...
>
>
>Could you try deleting the LilyPond.app and installing it again?
>
>Cheers,
>- Graham
>
>On Tue, 23 Sep 2008 01:49:38 +0200
>"James E. Bailey" <[EMAIL PROTECTED]> wrote:
>
>> On osx 10.4, using the 2.11.59-1 intel b
I know that it's an old snippet, but for those of us who don't really
understand the finer workings of it, can the snippet in the documentation be
updated to use the "New_dynamic_engraver" and "Dynamic_align_engraver" as
suggested by neil?
___
lilypo
Apparently, if I use the instructions on making a link to the
lilypond binary, it works. If I just call lilypond -dhelp from
within the folder Lilypond.app/Contents/Resources/bin/ it doesn't work.
On Sep 22, 2008, at 5:07 PM, James E. Bailey wrote:
> Yeah, still same problem. I ev
Another solution, (and the one that I use), is to put the notes for which the
words are different into a different voice context, and then add lyrics to that
voice. It requires a bit more planning before you begin to typeset, but it
makes files a little easier to navigate, in my opinion, and I c
Note that this template is old and that "Dynamic_engraver" should be replaced
with "New_dynamic_engraver" and "Dynamic_line_engraver"
See http://lists.gnu.org/archive/html/lilypond-user/2008-07/msg00242.html
On Monday, September 29, 2008, at 12:11PM, "Dmytro O. Redchuk" <[EMAIL
PROTECTED]> wrot
On 07.10.2008, at 15:48, Grammostola Rosea wrote:
Alternativeley, you can search the documentation with the google
search engine.
Scroogle or ixquick is what you supposed to say? ;)
What I meant was
http://lists.gnu.org/archive/html/lilypond-user/2008-03/msg00063.html
Am Oct 7, 2008 um
What aspect of this are you trying to achieve and having difficulty
doing so? I don't really see anything special about the two examples
provided.
On 10.10.2008, at 03:23, Ari Torhamo wrote:
Hello,
I'm trying to achieve this:
http://www.flickr.com/photos/[EMAIL
PROTECTED]/2927464861/sizes/
You probably haven't defined what an mBreak is. The second bullet
point begins with "Define mBreak = {\break}". That means you actually
have to type into your score, outside of any music block, "mBreak =
{\break}".
On 10.10.2008, at 08:36, Danny Sosa wrote:
Hello everyone! Thank you all f
On 10.10.2008, at 09:03, David Stocker wrote:
Hello everyone.
Is there anyone on the list who wouldn't mind taking a look at some
code and offering general suggestions on writing input files? I've
now successfully typeset several piano scores and would like some
feedback from experienced
On 10.10.2008, at 16:21, David Stocker wrote:
Thank you, James and Daniel, for your suggestions.
You only need to do that if you use <<{\voiceOne}\new Voice
{\voiceTwo}>>\oneVoice, in which case, all of that is necessary for
the same multi-voice construct.
This has dogged me for several we
\arpeggio
On 10.10.2008, at 20:11, Danny Sosa wrote:
First of all... thanks to James for his help with mBreak, the magic
words were "outside of any music block". I was trying to define
mbreak inside the {}.
Does anyone know how to write rolled chords in Lilypond? it's just
like a little
Well, the link to version 1.3.117 is http://download.linuxaudio.org/lilypond/sources/v1.3/lilypond-1.3.117.tar.gz
, but it's only the source, so you'd have to build it yourself. But,
you're probably better off either using the pdf on mutopia, or
updating the file yourself.
On 08.10.2008, at
Okay, so I think I understand now. I think this may be a bug. Or at
least, not documented. I don't know how to say this in proper lilypond
terms, but the repeats don't unfold.
\score {
\new Staff <<
{
\time 1/4
\repeat volta 2 {s4}
\alternative { {s4} {s4}
You have to name the voice StimmeI and StimmeII. Try StimmeI = \new
Voice = "StimmeI" \relative c { music } and StimmeII = \new Voice =
"StimmeII" \relative c' { music }
Am 17.10.2008 um 16:52 schrieb [EMAIL PROTECTED]:
Hi,
when I put 2 voices into 1 staff I cannot add lyrics.
Console-Erro
Am 06.12.2008 um 23:20 schrieb -Eluze:
james bailey-2 wrote:
Is it possible to not print the second page number? I don't see an
option for that.
i saw *print-page-number* set to true or false in NR 4.1.2 Page
formatting -
did you mean something else?
hdh
-eluze
Yes, I meant only suppr
Am 07.12.2008 um 01:58 schrieb Mark Polesky:
James,
Insert this code at the top of your file:
\version "2.11.65-1"
\include "titling-init.ly"
#(define (skip-two-page-numbers layout props arg)
(if (or (> (chain-assoc-get 'page:page-number props -1)
(+ (ly:output-def-lookup layo
Am 08.12.2008 um 19:06 schrieb Trevor Bača:
On Thu, Dec 4, 2008 at 7:06 AM, james <[EMAIL PROTECTED]>
wrote:
After much searching, I found it. Fontbook installs user-installed
fonts to a directory that isn't indexed by fontconfig ~/Library/
Fonts. After I realised that, I knew to tell fontb
Am 11.12.2008 um 10:47 schrieb Jean-Alexis Montignies:
Hi there!
I'm surprised to have the text of my lead sheet starting on the
second note. Did I miss something obvious? :)
Thanks for your help.
Jean-Alexis
Here's the code ran through 2.11.63 version:
I don't know why, but ammending
Am 11.12.2008 um 10:47 schrieb Jean-Alexis Montignies:
Hi there!
I'm surprised to have the text of my lead sheet starting on the
second note. Did I miss something obvious? :)
Thanks for your help.
Jean-Alexis
Here's the code ran through 2.11.63 version:
Also, changing the curly braces
Thanks, I'm pretty good with markup, but not good enough to come up
with this on my own. Now, to the more important issue, is there
somewhere listed what the font settings for the rehearsal marks are?
I'd like this one to look like all the others.
Am 11.12.2008 um 17:36 schrieb Mats Bengtss
w Staff \relative c { \clef bass c2 a g h c1 }
>>
marks.pdf
Description: Adobe PDF document
Am 12.12.2008 um 11:11 schrieb Mats Bengtsson:
Just use \bold instead of \box in the example I sent.
/Mats
James E. Bailey wrote:
Thanks, I'm pretty good with markup, but not good enoug
\clef bass c2 a
\once \override Staff.RehearsalMark #'direction = #-1
\mark \markup \italic {Fine.}
g h c1 }
>>
}
Am 12.12.2008 um 11:11 schrieb Mats Bengtsson:
Just use \bold instead of \box in the example I sent.
/Mats
James E. Bailey wrote:
Thanks, I'm pre
luckily, it's piano/voice, so no parts. But, that's something to
remember for the future.
Am 12.12.2008 um 14:51 schrieb Kieren MacMillan:
Hi James,
Hmm, I don't know if it's the best way, but I decided to just put
the marks on separate staves:
If you're going to print parts from this, y
I haven't checked it, but it looks like your timing is off
Am 13.12.2008 um 21:18 schrieb chip:
I don't fully understand the issues that spacer notes cause, below
are a couple examples.
<> c r8 e d c-.
<<
e4
{s2} %s4 + s4
>>
Yet a similar bit of code works just fine for a
You could end up with misplaced lyrics that you don't notice until
later. You can probably just add \lyricsto verbaone (verbatwo,
verbathree) between the \new Lyrics and \verbaone
Am 15.12.2008 um 11:05 schrieb Peter Chubb:
Hi,
I'm trying to use the Adeste Fideles tune from
Mutopia
I just realise that I never sent my file publicly, to see if anyone
else gets the bus error. Here is mine, along with terminal output.
I'm using OSX 10.4 intel
http://pastebin.com/f1a3a6fc0 -- score
http://pastebin.com/fe002d69 -- verbose output
Am 14.12.2008 um 20:29 schrieb Jonathan Kulp:
Am 15.12.2008 um 18:16 schrieb chip:
I am working on a piece but am coming up with a problem -
my lily file creates a score and 6 separate horn parts. When I run
the file through the interpreter I get 3 errors:
Interpreting music... [8]
Por Esa Calle Vive - score.ly:51:0: warning: barcheck
actually, it's a bit more basic than that. If you look in the program
reference, you'll see that midiInstrument takes a string, and strings
are always just enclosed in quotes. (See the Scheme tutorial.)
Am 16.12.2008 um 11:34 schrieb Simon Bailey:
andrew,
On Dec 16, 2008, at 6:47 AM, Andrew
Wow, I could have said that better. The value that midiInstrument
takes is a string. The Scheme tutorial says that strings are always
just enclosed in quotes.
Am 16.12.2008 um 11:34 schrieb Simon Bailey:
andrew,
On Dec 16, 2008, at 6:47 AM, Andrew Tucker wrote:
In the 2.11 NR, section 3.5.
Am 19.12.2008 um 17:11 schrieb Carl D. Sorensen:
On 12/18/08 9:46 PM, "Andrew Hawryluk" wrote:
On Thu, Dec 18, 2008 at 10:32 AM, Kieren MacMillan
wrote:
Hi Carl,
For me, it's the lyrics context that should not use skylining.
We should
keep everything (dynamics, notes, etc) out of t
Am 21.12.2008 um 19:07 schrieb chip:
I input in Concert C, transpose to the key of D for Trumpet.
\transpose c d {}
The First Trumpet part transposes to the key of D just fine. I
would like to just copy/paste the first part into the second part.
What's the second part?
The second part I wan
Am 22.12.2008 um 05:42 schrieb Graham Percival:
Chip, I am 90% convinced that the solution to your problem was
posted here:
http://lists.gnu.org/archive/html/lilypond-user/2008-12/msg00586.html
http://lists.gnu.org/archive/html/lilypond-user/2008-12/msg00585.html
With another person trying to f
-sharp is not diatonic
in the key of D major. As far as I can tell, only
John's proposed (and unfinished) solution avoids
this problem.
- Mark
James E. Bailey wrote:
\version "2.11.65"
notes = { c d e f g a h c }
TrptOne = { \key d \major \transpose c d \relative c'' { \
Am 22.12.2008 um 03:52 schrieb Graham Percival:
On Sun, Dec 21, 2008 at 06:30:18PM -0800, Mark Polesky wrote:
Graham,
Great, that helps a lot. I haven't got a clue
what scheme is.
In that case, may I courteously extend an
invitation that you read the bloody Learning
Manual?
Please stop th
Am 22.12.2008 um 14:04 schrieb John Mandereau:
Le lundi 22 décembre 2008 à 10:56 +0100, James E. Bailey a écrit :
Am 22.12.2008 um 03:52 schrieb Graham Percival:
Oh, I've read the Learning Manual cover to cover (well, it may have
been changed since then, it was some months ago),
Am 22.12.2008 um 17:37 schrieb John Mandereau:
Le lundi 22 décembre 2008 à 15:14 +0100, James E. Bailey a écrit :
Am 22.12.2008 um 14:04 schrieb John Mandereau:
Indeed: there is currently no thing in all LilyPond documentation
that
introduces Scheme programming for non-programmers.
And
Am 22.12.2008 um 20:57 schrieb Graham Percival:
On Sun, Dec 21, 2008 at 09:40:48PM -0800, Mark Polesky wrote:
If you cannot, or will not, describe what you
actually want, it's very difficult to help you.
He already has! He clearly stated that he wants to
transpose music down a 4th, diatonica
Am 23.12.2008 um 11:07 schrieb Francisco Vila:
2008/12/22 chip :
Not everybody has a programmers mind. I don't. I have no interest
whatsoever
in programming. A person should be able to use a piece of software
without
having to be a programmer to do so. If a programming degree is
necessary
Wow, I'm happy that I subscribe to the bug list, otherwise, I would
have never known this was implemented. Why didn't anybody tell me
this existed when I asked a year ago?!
Am 24.12.2008 um 03:26 schrieb codesite-nore...@google.com:
Updates:
Status: Verified
Comment #1 on issue 714
Am 24.12.2008 um 13:26 schrieb M Watts:
Tim Reeves wrote:
> Umm... yeah. The fact that he thinks this answers the question
> gives me *less* confidence that he knows what he's talking about.
> If he wanted it a perfect fourth lower, then \transpose does the
> job. And normally when somebod
Am 26.12.2008 um 13:15 schrieb Jonathan Kulp:
james wrote:
I'm having some difficulty understanding the 'avoid-slur property.
This doesn't work:
\version "2.11.65"
\relative c'' {
\override TextScript #'avoid-slur = #'inside
c2*1/2( s4^\markup {\natural} d4.) c8
}
In fact, it increases
Am 26.12.2008 um 16:24 schrieb fiëé visuëlle:
Am 2008-12-26 um 12:38 schrieb james:
I'm trying to figure out ways to incorporate lyrics associated
with different voices. I can only seem to get it to work using
associatedVoice. Is this possible using \lyricsto?
\version "2.11.65"
instrum
Neil, thanks for the help, now I guess I move on to the next part of
this problem:
\version "2.11.65"
\relative c'' {
\override TextScript #'avoid-slur = #'inside
\override Script #'avoid-slur = #'inside
\override TextScript #'script-priority = #-100
\override TextScript #'outside-s
Am 26.12.2008 um 17:57 schrieb Graham Percival:
On Fri, Dec 26, 2008 at 03:50:46PM +0100, Eyolf ?strem wrote:
On 26.12.2008 (15:06), Reinhold Kainhofer wrote:
If so then I'd just use d!4. instead.
No, it was common practice to put accidentals above notes in
older times.
Sometimes these we
Am 26.12.2008 um 23:59 schrieb Graham Percival:
Well, first start off with a simple example:
\version "2.11.65"
\relative c'' {
c4(
\once \set suggestAccidentals = ##t
cis d4.) c8
}
Hmm, it prints an error message. It would be helpful to report
this to the bug list.
You know, I nev
Am 27.12.2008 um 01:07 schrieb Graham Percival:
On Sat, Dec 27, 2008 at 01:01:19AM +0100, James E. Bailey wrote:
he still omitted the easiest part of helping which could have
simple been, \override TextScript #'extra-offset = #'( 0.0 . -5.0),
instead of the wonderful instruction
Am 27.12.2008 um 09:59 schrieb Arjan Bos:
On 26 dec 2008, at 21:35, James E. Bailey wrote:
Try:
upperVoice = \relative c'' {
%
c8 d e4 f g |
c8 d e4 f g |
c8 d e4 f g |
c8 d e4 f g |
}
lowerVoice = \relative c' {
%
s1 |
c8[ d] e4 f g |
s1 |
c8[ d] e4 f
Am 27.12.2008 um 19:37 schrieb Graham Percival:
On Sat, Dec 27, 2008 at 10:37:35AM +0100, James E. Bailey wrote:
Am 27.12.2008 um 01:07 schrieb Graham Percival:
Of course I omitted that. You're assumed to have read the
Learning Manual. In particular, LM 4.5.1 and 4.5.2.
So wait
Am 28.12.2008 um 06:48 schrieb Werner LEMBERG:
Oh, perhaps I haven't made this clear. I have read the learning
manual. I do not have it memorised. I don't use extra offset all
that often. I asked for help because the ways I know of how to move
the object, (namely looking in the IR for thin
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