Hi folks,
I'm trying to help a friend of mine get started with LilyPond, and the
easiest way I've found to do my .ly editing is via jEdit. So I had her
install that, as well as LilyPond. But I can't seem to find out how to
install the LilyPond Mode plugin. Can anyone help here? It's been sever
Hi list,
I'm working on a four-part score for barbershop chorus. It has four
separate voices of course, and words to the lead line, as well as words to
various parts of other voices.
My question is this: As I arrange this, I want to have the chords I am
creating displayed so I can see where th
#x27;ve been there ten thou -- sand years
Bright shi -- ning as the sun,
Bright shi -- ning as the sun,
We've no less days to sing God's praise
Than when we first be -- gun!
%tag
be -- gun!
}
\score {
\transpose g ees
\context ChoirStaff <<
% \new ChordNames
%\
Hi all,
I'm running 2.11.32 on Windoze, and using jEdit to enter the material. In
the following, why can't I get a \bar ":||" to appear at the end? At
least something should be there afaik, but I'd like to close the repeat the
way my (very poor fax of a photocopy of a photocopy) shows it. Thi
Hi all,
I'm reproducing a Christmas carol from a book I have, mostly in order to
transpose it. The composer and poet are both long dead, though, so the
piece is public domain afaik.
Some of the lines of lyrics have a leading note (a \partial 4), but some of
them have no leading note. In the boo
doesn't seem dotted to me -- simply greyed-out.
jEdit with the built-in PDF display. If I print it, should it be OK?
Gordon+
On 21/12/2007, Reinhold Kainhofer <[EMAIL PROTECTED]> wrote:
>
> Am Friday, 21. December 2007 schrieb Father Gordon Gilbert:
> > But how
> &g
I'm looking for Away in a Manger -- the *other* tune with a first line that
goes like this:
\time 3/4
\partial 4 c''4 c''4. bes'8 a'4 a' g' f' f' e' d' d'2
anyone have a copy of that I can use? Doesn't matter much if all you have
is melody and chords, or whatever -- mostly looking for that anywa
Hi!
I tried putting a copyright symbol in one of my pieces, and it wouldn't put
it there. The only thing I was able to use was the parentheses with a 'c'.
Any time I tried to use '(c)', it wouldn't show it, and the compile was full
of errors. Any ideas (not too geeky ones, that is ...)?
Windoze
Mats,
I thought by virtue of the fact that I was using jEdit with LilyPondTool, it
was already in UTF-8 encoding. I looked throught the jEdit menus, and
couldn't find anything to find out which characters I had, or how to change
it. How do I do that?
Also, should I upgrade to the latest Lily?
it.)
What I need to know here (and it's not a big deal -- I have a workaround) is
*if* I am in UTF-8 -- how to tell in jEdit, and *how* to put it into that
mode if I am not.
Any help available?
Gordon+
On 16/01/2008, Risto Vääräniemi <[EMAIL PROTECTED]> wrote:
>
> On Jan 16, 2008
tilities > Buffer options > Encoding
>
> Bert
>
> Father Gordon Gilbert wrote:
>
> Risto,
>
> Thanks for the help, but I HAVE NO IDEA WHAT YOU'RE TALKING ABOUT! I'm
> not a geek, and although I understand UTF-8, I have never worked in hex, or
> even Lat
Bonjour, Valentin,
Yes, here is my file. I don't mind people seeing it (not my composition,
and the composer is personally to me -- I simply Lilyponded his melody;
words are public domain). Melody *is* copyright, and for use, you need to
contact me.
Copyright symbol goes in the \header section.
Valentin, you are a genius! 2.11.37 managed to print the proper copyright
symbol (the c within a circle) instead of the makeshift one (c), so now I'm
completely happy!
Thanks again,
Gordon+
On 16/01/2008, Valentin Villenave <[EMAIL PROTECTED]> wrote:
>
> 2008/1/16, Fath
I'm transcribing a piece that has some weird chords in it. There are two in
particular I would like to know how to code so they appear exactly as:
"G6(add 9)" -- with the 6 as a superscript of course
"Fmaj7/add9"
I've looked through the documentation, and can't seem to find the necessary
coding
Hi all,
I'm working on a piece for a friend of mine, and he has put a couple of
chords in it that don't reproduce in a nice fashion. I've looked through
the help resources, and wasn't able to find how to make these chords appear
as I wish.
Can anybody suggest some code that will make the followi
Gee thanks, Kieren!
I compiled the two snippets you gave me and they worked just fine. I
presume I can incorporate that code into the top of my \chordmode section --
I'll let you know how that works presently.
Thanks again!
Fr. Gordon+
On 21/01/2008, Kieren MacMillan <[EMAIL PROTECTED]> wrote:
Essayez ceci:
http://lilypond.org/doc/v2.10/Documentation/user/lilypond/Ancient-notation#Ancient-notation
Gordon+
--
Fr. Gordon Gilbert
Penetanguishene, ON
___
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lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lily
Hi all,
I snaffed that music off the lilypond list because I had wanted to have a
template exactly like that. It works great on my Windoze XP Pro with lily
2.11.45 using jEdit with lilypond mode.
But I get several warnings when it tries to compile. I get the pdf just
fine, but the midi is stupi
d like it to be faster than it is if possible.
Windows XP Pro, Lilypond 2.11.5, jEdit 4.3 pre-9, Lilypond Tool 2.10.3
Blessings,
Father Gordon Gilbert
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Graham,
Thanks for the advice. Yes I did indeed install the latest bleeding-edge
version of Lily. Love it!!
My compile times are now in the neighbourhood of five to 40 seconds. (I
think the longer times are when my machine gets itself bogged down somehow,
and I simply reboot.)
On other subje
Hi list!
Can someone tell me where in the manual I can find how to fit lyrics to
other voices?
What I'm doing is arranging a hymn for Barbershop chorus, and in the last
stanza, I want to do a call-and-response thing, changing the rhythm from 3
to 4 (I've managed that part) and using the extra be
Hi Mats,
Thanks for the advice. I tried doing what you advised, consulting also the
Manual, and here's what I came up with. It compiles, but it only has the
music and no words, and the music is only part of the whole song (the last
verse). What did I do wrong?
Thanks again for a wonderful pr
Thanks, Mats,
I'm looking at this briefly on my lunch hour, so I can't experiment with it
now, but it looks very clear, and should do the job. I'll let you know
tonight when I resume futzing around with it.
Thanks again,
Blessings,
Fr. Gordon Gilbert+
--
Fr. Gordon Gilbert
Penetanguishene, O
Hi List,
I've been working on this piece for Barbershop chorus, and because of the
features of close harmony, I frequently review the midi file (simple piano
is fine for now). When I introduced the extra divisi voices in stanza 4, I
all of a sudden found that the midi was playing only the bass c
OK, I'm gonna try this again ...
A few days ago, I wrote the list asking a question about midi, and saw that
my message came out in the digest, but I've got no help about it, so here's
my question again:
I'm arranging a hymn for barbershop chorus, and frequently want to check my
work to make su
Fred,
Thanks so much for such a simple solution. Funny thing is, I didn't change
the \score section *or* the \layout or the \midi section. I simply
introduced some new notes and parts, when the midi quit working. But it
works fine now, thank you very much. BTW, what errors were you getting wh
Trevor,
Thanks for your help. Actually, Fred gave me a very simple fix -- move the
curly brace for the end of the \score section to the very end of the piece
-- and it worked -- now I'm on my way.
Blessings,
Fr. Gordon+
--
Fr. Gordon Gilbert
Penetanguishene, ON
___
Yeah, Fred,
I don't know what the Pango stuff is, either, but I get none of that on my
compiles. The chords are only on the first line of the piece -- I haven't
completed them yet, and won't until I complete the score. My daughter
belongs to the Sweet Adelines chorus, and she has been helping t
rtain spots.
Windoze XP Pro, LilyPond 2.11.14, jEdit 4.4pre9 with LilyPondTool
Blessings,
Father Gordon Gilbert+
--
Fr. Gordon Gilbert
Penetanguishene, ON
\header {
filename = "AmazingGrace-Sweet-Ads.ly"
enteredby = "Gordon Gilbert"
composer = "Traditional Ame
rics, since this section will end up in a separate Voice context.
/Mats
Father Gordon Gilbert wrote:
> Hey, list,
>
> I have a question about fitting lyrics. In the file I've pasted below
> this message is the hymn I am arranging for Barbershop chorus. The
> final s
Hi all,
I've recently obtained a Compaq laptop with Windoze XP Home on one
partition, and Ubuntu 8.10 on the other. I've successfully configured jEdit
with the LilyPondTool plugin on the Windoze side, but I've just installed
jEdit 4.3pre13 (from the distro) on the Ubuntu side. Now I've downloade
latest on Ubuntu?
Gordon+
On 28/03/2009, Jonathan Kulp wrote:
>
> Father Gordon Gilbert wrote:
>
>> Hi all,
>>
>> I've recently obtained a Compaq laptop with Windoze XP Home on one
>> partition, and Ubuntu 8.10 on the other. I've successfully configured
Hi!
I've got LilyPondTool installed in jEdit 4.3pre16 on my Ubuntu box, and I'm
trying to make it work. Only trouble is, when I go to compile an .ly file
it comes up a dialog with the following:
Error running external command.
See the activity log about the problem.
Cannot run program "c:\Progra
Hi all,
I am coming across a strange error when I compile a file on my Windoze box
with 2.13.0, using jEdit 4.3pre16. My compile looks like this:
LilyPond ready.
%lilypond %args "C:\Documents and Settings\Fr Gorden
Gilbert\Desktop\LilyPond Files\TurnYourEyesUponJesusChords.ly"
Processing `C:/Do
Hi all,
I've recently installed jEdit 4.3 pre16 on my Ubuntu Jaunty, after a lot of
trouble and most ably helped by Bertalan. When I first tried, I had to
change the location of the program from a Windoze-type location with '\',
but it now works.
But now I find that while I can compile a file s
Hi Bertalan,
Looking in jEdit plugin options, the line which shows were the program and
convert-ly are shows /usr/bin . And Lily fires up just fine, so you'd think
convert-ly should work as well. I did 'which convert-ly' and it showed
/usr/bin as well.
But the console shows the following when I
;
>
> On 6/11/09 4:36 PM, "Father Gordon Gilbert" wrote:
>
> > Hi Bertalan,
> >
> > Looking in jEdit plugin options, the line which shows were the program
> and
> > convert-ly are shows /usr/bin . And Lily fires up just fine, so you'd
> thi
Hi all,
You've been most helpful over the past few weeks helping me to straighten
out a problem.
Now here's another little one to look at:
When I look at the PDF display of my pieces, I can't point-and-click from
that to my file. I'm using jEdit 4.3pre16 with LilyPondTool, and LilyPond
2.12.1 o
/2009, Bertalan Fodor wrote:
>
> In a few days, I will release a new version of LilyPondTool having the PDF
> viewer as a dockable window. That will make much better point-and-click
> experience.
>
>
> > 2009/6/14 Father Gordon Gilbert :
> >> When I look at the PDF di
Hi all,
I've quite a number of older scores I've worked on over the years, starting
with version 2.2.0 (and some from Mutopia even older than that. I have
successfully used convert-ly on them to bring syntax up-to-date. But I did
many of them before \relative was as easy-to-use as it is now -- e
Behalf Of David Bobroff
> > Sent: Friday, 19 June 2009 3:58 PM
> > To: Father Gordon Gilbert
> > Cc: lilypond-user@gnu.org
> > Subject: Re: getting rid of ' and , in older scores
> >
> > jEdit, or any decent editor for that matter, has a 'search/replace&
On 19/06/2009, Mark Polesky wrote:
>
> Father Gordon Gilbert wrote:
> > Yes, but having removed all the ticks, I can then compile and
> > reinsert ticks where necessary -- probably not an odious task.
> > I'll try it ...
>
> What language are you notes inputted
Hi all,
Perhaps someone can help me here. I'm trying to set the Huron Carol (old
hymn written by St Jean de Brebeuf in the 1640s). I'm having trouble with
his name, which requires an e (accent aigu), and I'm getting a couple of
strange characters in the output. Also, in the vers in the original
s: "C:\\Documents and Settings\\Fr Gorden
Gilbert\\Desktop\\LilyPond Files\\Huron Carol.ly"
Processing time: 2 seconds
LilyPond ready.
And the *only* change was to change a 'u' to an "8"
Also, I'm not getting an e(acute) in Brebeuf, even though I'm in UTF
Thanks Alexander,
But now how about my e-acute in Brebeuf? I'm in UTF-8, and it's not showing
up.
Also, how do you put those U+0222 type characters into the .ly file?
Gordon+
On 26/11/2009, Alexander Kobel wrote:
>
> Father Gordon Gilbert wrote:
>
>> Thanks so far
Ah-ha! I solved the e-acute problem! I had used an accented e from my chat
program (XChat2 for Windoze), and that was what was strange. I took a
letter from OpenOffice for that and now it's correct.
And I just solved the '8' character problem. I looked all over in my
OpenOffice characters, and
Hi all,
I'm so grateful for such an active community on this fabulous program!
Yesterday, I was dealing with fonts; today I'm wondering just what got into
my code. For much of the time I have been working on this file, it's taken
5 - 7 seconds to compile. All of a sudden this morning, it starte
; On 27 nov 2009, at 13:58, Father Gordon Gilbert
> wrote:
>
> Hi all,
>>
>> Yesterday, I was dealing with fonts; today I'm wondering just what got
>> into my code.
>>
>
> Perhaps the font cache is getting rebuild every time you compile? You
> men
Hi!
You might try *very carefully* checking each of your measures to make sure
they have exactly the correct value of notes/rests. I have found this same
kind of situation when I inadvertently had too many sixteenths, or some
such.
Gordon+
--
Fr. Gordon Gilbert
Penetanguishene, ON
I tried out my first fret diagrams just recently and I ran into a puzzling
situation.
Whereas in standard guitar tuning, the A major chord diagram would look like
this:
aFretDiagram = \markup
\fret-diagram #"6-o;5-o;4-2;3-2;2-2;1-o:"
And the standard A7 diagram would look like this:
asevenFre
gt; Message-ID: <29743400.p...@talk.nabble.com>
> Content-Type: text/plain; charset=us-ascii
>
>
> the colon in the end makes it! (should be semicolon)
>
>
>
> Father Gordon Gilbert wrote:
> >
> > I tried out my first fret diagrams just recently and I ran
Hi!
I have used Lilypondtool both on Windoze, and on Ubuntu, and the toolbar
immediately above the open file has little icons for everything you need.
One of them is a tiny sheet of paper representing the PDF option. Do you
have that on your version? If so, simply click that (once not twice) and
Someone on this list pointed out that there was WebLily available, so I
thought I'd check it out. But when I've tried to create an account to use
it, I keep getting "Sign In is temporarily unavailable." Can someone help?
Thanks,
Gordon+
--
Fr. Gordon Gilbert
Penetanguishene, ON
__
Hi!
What I have done with similar songs is to write the third verse as
part of the second and then put a repeat for the first part, and
continue the melody on to the end of that (longer) verse, and put a
"DC" at the end, and a "Fine" at the end of the regular verse. If I
get a chance, I'll try to
Brother,
Here is my revised version of that song. I've done some not-so-pretty
things with the syllables to fit them with the notes, and I know there
are lots more elegant things you can do with that, but essentially the
song is now mostly correct (at least the way I've sung it lo these
many, man
Hi all,
Maybe it's my andediluvian dialup connection, but when I click on the
links in this posting, or on similar ones lately, I get a 404 -- not
found error.
Is there something *I* and doing wrong, or what do I need to do to go
where these links are suggesting?
Gordon+
On 22/12/2010, lilypond
Hi all,
In the following construction:
2 ~ ~ {<< \stemDown \\ \stemUp {d'4 cis} >>}
the second "tilde" seems to have no effect. I want to tie the 'a' in
the second chord to the 'a' in the third chord in the parallel bar.
Am I missing something? How do I tie such a thing through this
c
On 11/01/2011, Phil Holmes wrote:
> - Original Message -
> From: "Father Gordon Gilbert"
> To:
> Sent: Tuesday, January 11, 2011 11:11 AM
> Subject: ties through parallel construction
>
>
>> Hi all,
>>
>> In the following construction:
>
> Message: 3
> Date: Sun, 16 Jan 2011 16:24:39 +0100
> From: Valentin Villenave
> Hi Bert,
>
> Very nice! there are some features I've been waiting for for quite some time
> :-)
>
> I'l gonna give it a try right now, and I'll let you know how it goes!
>
> Cheers,
> Valentin.
>
Yes, hi from me
On 12/02/2011, lilypond-user-requ...@gnu.org
wrote:
> Send lilypond-user mailing list submissions to
> lilypond-user@gnu.org
>
> To subscribe or unsubscribe via the World Wide Web, visit
> http://lists.gnu.org/mailman/listinfo/lilypond-user
> or, via email, send a message with subject
Hi List,
I just finally installed Lilypond and jEdit with LilyPondTool on my PC-BSD
box, and I'm having a bit of trouble.
I downloaded a piece from Mutopia, and when I tried to convert-ly, got the
following message:
Error running external command.
See the activity log about the problem.
Cannot r
ol Commands. Check the entry for python. If it says "/python"
> as shown in your error message, try removing the "/". Also check to see if
> any of the other paths look suspicious. Hope this helps.
>
> Cheers,
> Mike
>
>
> On Sun, Feb 13, 2011 at
On 13/02/2011, Michael Ellis wrote:
> On Sun, Feb 13, 2011 at 6:05 PM, Father Gordon Gilbert > wrote:
>
>> /usr/local/bin/python: can't open file '/usr/local/bin/convert-ly.py'
>
>
> Is convert.ly present in /usr/local/bin? The error is claiming other
On 14/02/2011, Francisco Vila wrote:
> 2011/2/14 Father Gordon Gilbert :
>> On 13/02/2011, Michael Ellis wrote:
>>> On Sun, Feb 13, 2011 at 6:05 PM, Father Gordon Gilbert
>>> >>> wrote:
>>>
>>>> /usr/local/bin/python: can't open
Thanks, Colin for your help. That turned the tide. Took out the .py
and everything worked! (Well, one convert didn't quite complete
because of the age, but I can work with that ...)
Thanks again.
Gordon+
--
Fr. Gordon Gilbert
Penetanguishene, ON
_
On 14/02/2011, Francisco Vila wrote:
> 2011/2/14 Father Gordon Gilbert :
>> Thank you -- so I did which for both, and with the .py nothing comes
>> up, and without, it shows /usr/local/bin. So how do I get these
>> things working? On this machine, I'll have quite a bit
e any effect. Can you suggest how to do this?
Thanks,
Gordon+
On 25/03/2011, Peter Chubb wrote:
>>>>>> "Father" == Father Gordon Gilbert writes:
>
> Father> Can someone help me here? On this Anglican chant , in the
> Father> tenth measure (end of the
--
Fr. Gordon Gilbert
Penetanguishene, ON
___
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You may find the error is in bar 24. I changed the d8 to a d16 as follows:
a,8 b8. d16 d4 e4 d4~
And everything wraps correctly -- although I'm not familiar with the
tune, it at least *looks* correct. I've had this same problem over
and over -- not checking bars and getting one little note-valu
\harmonies
}
\new Voice = "one" \melody
\new Lyrics \lyricsto "one" \text
>>
}
Let me know if this solves your problems (or creates more)
Blessings,
Gordon+
On 03/04/2011, Father Gordon Gilbert wrote:
> You may find the err
Paul,
A good scan through the manuals would be the best place to start in
order to figure out how to place a second verse in there.
My quick thought (I've never actually done this before) would be to
have the second verse in its own section as follows:
texttwo = \lyricmode {
Here are s
Hi Ivan,
Aside from reading the manuals -- especially the one called 'getting
started', there is something else I think you'll find handy. I
started with Lilypond way back in 2002 or '03 when the only way to use
it was with the command line. Nowadays there are a number of editors
and interfaces
On 15/04/2011, lilypond-user-requ...@gnu.org
wrote:
> Send lilypond-user mailing list submissions to
> lilypond-user@gnu.org
>
> To subscribe or unsubscribe via the World Wide Web, visit
> http://lists.gnu.org/mailman/listinfo/lilypond-user
> or, via email, send a message with subject
Mark,
Your problem is in your first full bar. There are too many 16ths in
*that* bar. When you change the g2 to a g4. , everything appears to
line up as you have intended. Lily has trouble when a note of greater
value than the remainder of the measure is placed there -- so she does
the best she
Hi Matthew,
I don't know how close they are, but I am using PC-BSD. Currently I
am running 2.13.26 with no problems for what I need it for.
Blessings,
Gordon+
--
Fr. Gordon Gilbert
Penetanguishene, ON
___
lilypond-user mailing list
lilypond-user@gn
Phil,
What you have there is not a glissando, but rather a bar where
alternating notes are to be played as sixteenths (the two beams) for
the entire bar (the dotted half). I'm not sure how to render this
particular thing in Lilypond, but you could simply write out all the
sixteenths. But (withou
On 18/07/2011, lilypond-user-requ...@gnu.org
wrote:
> Send lilypond-user mailing list submissions to
> lilypond-user@gnu.org
>
> To subscribe or unsubscribe via the World Wide Web, visit
> https://lists.gnu.org/mailman/listinfo/lilypond-user
> or, via email, send a message with subject
Hi all,
I'm trying to put together a Christmas carol booklet with some of the
many files I already have of the songs. I tried on one of them to
#(set-default-paper-size "letter" 'landscape) , but it appeared to
have no effect. My purpose would then have been to adjust my
staff-size, and put anot
Hi all,
I've been using LilyPond for some time now, always to make lead
sheets, or single- and multiple-page individual songs, mostly for
church use. I now have quite a store of Christmas carols and similar
which I'd like to do up into a booklet, perhaps printed ;landscape on
letter or legal pape
Good news!
Right after I posted that request, I finally found the entry I wanted
to make PNG files, and have been merrily compiling my various songs
and doing the png command in LilyPondTool (the Console is handy for
this), and pasting the PNGs in a OOo document, with the apparent
ability to resiz
> --
>
> Message: 6
> Date: Mon, 12 Dec 2011 07:49:46 +0100
> From: David Kastrup
> To: lilypond-user@gnu.org
> Subject: Re: how to make a songbook
> Message-ID: <87iplmcmid@fencepost.gnu.org>
> Content-Type: text/plain
>
> F
> --
>
> Message: 6
> Date: Mon, 12 Dec 2011 07:49:46 +0100
> From: David Kastrup
> To: lilypond-user@gnu.org
> Subject: Re: how to make a songbook
> Message-ID: <87iplmcmid@fencepost.gnu.org>
> Content-Type: text/plain
>
> F
On 12 December 2011 06:49, Graham Percival wrote:
>
> On Mon, Dec 12, 2011 at 06:20:30AM -0500, Father Gordon Gilbert wrote:
> > OOoh! What should I be looking for? So far in the OOo document the
> > display looks fine. Even at fairly high magnitude. My son also made
>
>
> Message: 2
> Date: Tue, 13 Dec 2011 08:21:30 +1100
> From: Nick Payne
> To: lilypond-user@gnu.org
> Subject: Re: how to make a songbook
> Message-ID: <4ee6705a.5050...@internode.on.net>
> Content-Type: text/plain; charset="iso-8859-1"; Format="flowed"
>
> On 13/12/11 03:10, Christian McConnell
Hi all,
I have a number of pieces I entered quite a while ago (2.5.x, etc) in
absolute pitch -- being the easiest for me at the time.
But now I'd like to update them (2.15.x), and while convert-ly does a
good job of changing up the basic syntax, I'd like to know if there's
an easy way of getting
Hi all,
I don't know if it's useful to anyone, but a collection of
the most common Public Domain Christmas carols in a booklet form
is at
http://blog.daveg.ca/wp-content/uploads/2011/12/Christmas_Carol_Booklet.pdf
It's printed on legal-size paper, and if you put adjacent pages (1 &
2, 3 & 4, etc)
On 21/12/2011, lilypond-user-requ...@gnu.org
wrote:
> --
>
> Message: 7
> Date: Wed, 21 Dec 2011 17:32:08 +0100
> From: Johan Vromans
> To: lilypond-user@gnu.org
> Subject: Re: An easy way to convert from absolute to \relative?
> Message-ID:
> Content-Type: text/plain
Does anyone know how to place an \acciaccatura *before* the barline?
I'm using the following in copying a score, and where the original
shows it before the bar, Lily wants to place it after the barline.
I'm thinking that the original is perhaps musicologically wrong, but
accurate in its intent with
Thanks guys,
That does indeed do what I want -- mostly. From the NR I tried
#(define afterGraceFraction (cons 15 16))
and it seems to have no effect on the placement of the grace notes,
which I would like to slide over as close as possible to the barline.
Any ideas?
Gordon+
On 01/01/2012, Fra
slurs from both upper note to upper note, and
lower note to lower note. Lily seems to want to put only one slur on
there, on the lower notes.
Any ideas?
Gordon+
On 03/01/2012, Father Gordon Gilbert wrote:
> Thanks guys,
>
> That does indeed do what I want -- mostly. From the NR I
Thanks guys. That did the trick.
Rather than set to ##t and ##f all the time, I did
dsl = \set doubleSlurs = ##t
dso = \set doubleSlurs = ##f
and then used \dsl and \dso as needed.
Lily is truly amazing!
On 03/01/2012, Trevor Daniels wrote:
>
> Father Gordon Gilbert wrote
>
&
Hi all,
I recently installed the most recent Frescobaldi 2.0.4 on my Windoze box
(XP Pro), and last night got the latest Lily 2.15.33.
Now when I try to work on a file, the point-and-click seems to be broken.
When I mouse over a note in the pdf, it puts the cursor in the editor on a
spot right at
On Sat, Mar 10, 2012 at 11:12 AM, Francisco Vila
> wrote:
> > 2012/3/10 Father Gordon Gilbert :
> >> Hi all,
> >>
> >> I recently installed the most recent Frescobaldi 2.0.4 on my Windoze
> box (XP
> >> Pro), and last night got the latest Lily 2.15.33
14/03/2012, Wilbert Berendsen wrote:
> Op Sat, 10 Mar 2012 13:13:05 -0500
> Father Gordon Gilbert schreef:
>
>> Yes, changing a note and recompiling did the trick, thanks! I had
>> done a convert-ly and recompiled, and I suppose that's why it pointed
>>
Hi guys,
For whatever reason, Fresco was not showing the full path to LilyPond.
Never had this problem before, but when I put it in there, all
worked!
Thanks!
Gordon+
On 15/03/2012, James wrote:
> Father Gilbert
>
> On 14 March 2012 23:35, Father Gordon Gilbert wrote:
>>
Yes it should. Especially for us non-geeks who understand a bit of
this kind of thing. We need to know where to click and exactly what
to type.
Blessings,
Gordon+
On 15/03/2012, Carl Sorensen wrote:
>
>
> On 3/15/12 5:36 AM, "Father Gordon Gilbert" wrote:
>
>&g
Hi all,
I've been scouring the manuals for how to make some notes within a piece
smaller than the surrounding ones. Where on earth do I find that reference?
In the following construction, the three chords <> should be smaller than
the previous notes:
c4. e8 d4 d
s4 4
Thanks for your help.
Hi all,
In the following (last note in my bass clef), I'd like the \markup to
appear *below* the \fermata, for obvious reasons. What's the best way
to accomplish this?
\clef "F" c,2._\fermata _\markup \small \italic {"(Blue Bk 139)"}
Thanks so much.
Gordon+
--
Fr. Gordon Gilbert
Penetanguis
Thanks so much, Phil. I'll try that as soon as I get home from Good
Friday services.
Gordon+
On 06/04/2012, Phil Holmes wrote:
> - Original Message -
> From: "Father Gordon Gilbert"
> To:
> Sent: Friday, April 06, 2012 11:47 AM
> Subject: \markup be
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