x27;s wrong? -- please, help.
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`-.} `=._,.-=-._., @ @._,
`._ _,-. ) _,.-'
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Sorry :-(
Attached.
On Mon, Aug 11, 2008 at 01:50:05PM +0300, Dmytro O. Redchuk wrote:
> Hello,
>
> first thing -- thank you all who makes lilypond better and better :-)
>
> It is fantastic :-)
> (after some finale and a lot of plain musixtex)
>
>
>
t the "\override Staff" inside soprano part if you like.
>
> There may be other solutions but these came off the top of my head.
>
> -Risto
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`._ _,-. ) _,.-'
`G.m-"^m`m'
I can remember, I saw such a function somewhere in docs,
but *really can not found* it now, nor in docs neither asking google.
Sorry. Really sorry. Help.
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rty"), so why not set
\key and \time in "melody" (*Notes { ... })?
> =)
> Kieren.
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-- Forwarded message --
From: Dmytro O. Redchuk <[EMAIL PROTECTED]>
Date: 2008/8/18
Subject: Re: lyrics
To: Lara <[EMAIL PROTECTED]>
2008/8/18 Lara <[EMAIL PROTECTED]>:
> Hi,
> I have a song that has three parts, first with one line of text, then with t
anyway:
have you tried to produce ps or pdf from .tex with lilypond-book
and import it to Illustrator?
It seems dvips -h file.psfonts file.dvi may do the job.
:-) Please don't mind if i'm too wrong.
> --
> Trevor Bača
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d names at the center
> of each measure along the X.
You should replace this:
>\chordmode {
>e1
with this:
\chordmode {
e4
Because you're starting with partial measure.
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either.
Usually I try adjust between-staves-space with:
\override VerticalAxisGroup #'minimum-Y-extent = #'(... . ...)
For example, set it to (-5 . 5) for Staff context.
> t.
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lilypond-
Henning Hraban Ramm
> http://www.fiee.net
> http://angerweit.tikon.ch/lieder/
> https://www.cacert.org (I'm an assurer)
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bes aes }
\set Score.repeatCommands = #'((volta #f) end-repeat)
}
% -- snip
Lilypond produces for me (with 2.11.42) quite normal output.
But, to be honest, i am not sure that i understand everything here ;-)
> Peace,
>
> Ralph
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2008/8/21 Dmytro O. Redchuk <[EMAIL PROTECTED]>:
> Minimal example may look like this:
> % -- snip
> \relative c'' {
>c d b a
>\repeat volta 1 {
>c d e f
>}
BTW, the following example produces correct output,
Peace,
>
> Ralph
>
>
> --
> Ralph Palmer
> Greenfield, MA
> USA
> [EMAIL PROTECTED]
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variables as #$var1.
------
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-offset works, self-alignment-X doesn't.
So, the questions
a) why (ly:grob-set-property! grob 'self-alignment-X '-1) does not work?
b) is it possible to ly:grob-set-property! only "\once"?
>
> Eduardo Vieira
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rVisibility = #(every-nth-bar-number-visible 1)
\override Score.BarNumber #'break-visibility = #'#(#f #f #t)
% probably this isn't the best way
> \bar ""
> \repeat unfold 4 {c4 c c c} \break
> \repeat unfold 4 {c4 c c c}
>
> -- Johan
>
2008/8/27 Johan Vromans <[EMAIL PROTECTED]>:
> "Dmytro O. Redchuk" <[EMAIL PROTECTED]> writes:
>
>> % add this:
>> \set Score.barNumberVisibility = #(every-nth-bar-number-visible 1)
>> \override Score.BarNumber #'break-visibility =
2008/8/27 Johan Vromans <[EMAIL PROTECTED]>:
> But it works perfectly! Thanks!
Btw, you dont need to "\set Score.currentBarNumber = #1" in this case.
> -- Johan
> Chord is alive! http://chordii.sourceforge.net
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time 4/4
Just comment it out.
>c1 c c c
>\break
>c1 c c c
>\break
> }
>
> The only thing I'd want to get rid of is the time change indicator at
> the end of the first staff.
Time remains unchanged, so, why specify it?
If time changes (from 4/4 to 3/4 let&#
Again, you can use \displayLilyMusic (that's what i was searching a
while ago,) --
it displays absolute pitches, so you can count c' and c and c, independently
(with you own script, i mean).
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#K
}
\paper {
ragged-right = ##t
system-count = #K
}
Where K is a number greater than N.
So, one could write:
system-count = #
and this would do the job.
> Cheers,
> Mark
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e is a bit shifted to the right.
How can i solve this?
Thank you.
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gt; #'X-offset = #0.8 s2 \fermata }
>>>
> }
Too bad --- \fermata below fourth space is shifted too,
so i would need to calculate different offsets for different spaces ;-)
>
>
> HTH!
> Kieren.
Thank you anyway.
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http
remains :-)
Well, i can use workarounds, surely.
>
> /Mats
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e read this thread :-)
>
> Trevor
>
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4 { c4 c c c }
}
> over the fifth bar, not the first. Neil's solution, posted today, is the one
> that really works.
>
> Valentin - candidate for a snippet?
>
>>> Trevor
>>
>> Dmytro O. Redchuk
>
> Trevor
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s).
I've tried JEdit, too, but could not figure out (in 5 or so minutes)
how to create
my own templates, so... And Notepad++ is excellent with its hotkeys.
ps. On my Linux machine i use vim. Habit is a second nature.
>
> Lewy
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or JEdit under Windows in some 5 minutes or so.
So, I provided those people with my own "templates" "for Notepad++".
Thanks, I'll try :-)
Because LilypondTool/JEdit is "a bit more GUIish".
>
> Bert
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uld be also possible.
>
> Congratulations,
> --
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> http://www.paconet.org
>
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voiceOne \upper }
\new Lyrics \with { alignAboveContext = "staff" } \lyricsto "upper" \uplyr
\new Voice = "lower" { \voiceTwo \lower }
\new Lyrics \lyricsto "lower" \lolyr
>>
}
Thank you.
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Hi all,
i guess: since dynamics are "parts" of Voice context,
and Lyrics is a separate context (of "the same level") --
it is impossible to place dynamics far from staff than lyrics
(to place lyrics between staff and dynamics).
Is that true?
Thank you.
-
2008/9/29 Mats Bengtsson <[EMAIL PROTECTED]>:
> Why not use the "Dynamics" context, defined in the template for
> Piano with centered dynamics?
Great. Thanks! :-)
> /Mats
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program this in Python, perl, awk, bash;
however i'm not a programmer at all, that's why i'm asking
for "keyword" or "template", or smth like this.
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sg00242.html
Thanks a lot.
ps. This does not work with 2.11.42, so now i should decide
whether to finish some work with 2.11.42 or switch to the latest
and "convert".
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om the shell or an external
>> programming language) how many png-pages lilypond produced?
?
>
> Best,
> Gilles
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Jonathan Kulp
> http://www.jonathankulp.com
>
>
> ___________
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>
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first note, the chord and the \mark left-aligned
>> with \mark in the middle and vertical space between them reasonable.
>>
>> How can I get that?
>
> Sebastian.
>
>
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cs { la la la la la la la la }
>> }
>> \new Staff = "lower" {
>> \relative c'' {
>> c4 r2.
>> c4 r2.
>> }
>> }
>> >>
>> >>
>>
>> I'd like to have t
2008/10/9 Dmytro O. Redchuk <[EMAIL PROTECTED]>:
> You can try to use #'minimum-Y-extent :
[...]
> (and the same for TextScript context)
Oops, sorry, not the same. Like this:
[...]
\new PianoStaff <<
\new Staff = "upper" {
\relative c'' {
ext.
This will work :-)
Won't work for dark screen and light text, though :-)
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have done my job ;-).
Take look at examples.
>
> Thanks folks,
>
> --
>
> Cameron Horsburgh
>
> Blog: http://spiritcry.wordpress.com/
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Hello,
please, how to put whole measure rest in unmetered music's bar?
Music is already typed with removed Time_siginature_engraver and
Score.timing switched off. A dozen of pieces already typed.
I guess I can set timing on and... :-)
Weird.
Please, help.
Thank you.
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have:
---
Interpreting music...
hmr.lyi:9:24: warning: barcheck failed at: 1
R1
hmr.lyi:9:24: warning: barcheck failed at: 2
R1
Preprocessing graphical objects...
[etc-etc-etc...]
--
2008/10/22 Gilles Sadowski <[EMAIL PROTECTED]>:
> Hi.
>
> Maybe that
> \cadenzaOn
> is what you should use.
No, in my minimal example i can not put whole measure rest
inside cadenza even in Score.timing switched on
(and manual barlines commented out).
>
> Best,
>
e i need smth like this:
% some music
\bar "|"
\cadezaOff
% set time for the bar, 7/4 let's say:
\time 7/4
R1*7/4
\cadenzaOn
% more music
Thank you, I'll try.
> /Mats
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2008/10/30 Cordilow <[EMAIL PROTECTED]>:
>
> I'm wondering if it's possible to do text markup relative to a measure bar
> instead of to a note.
Please, excuse me if i misunderstood you -- have you tried \mark command
27;d better
use brackets
(from any point of view, i'd say). Marks, obviously, are not brackets,
while you need
some kind of brackets :-)
Sorry for the noise :)
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= "lowerlyr" with {
% this adds some space above:
\override VerticalAxisGroup #'minimum-Y-extent = #'(-0 . 2)
alignAboveContext = "lowerstaff"
} \lyricsto "lower" \lowerlyrics
>>
>>
}
You can incre
#x27;t it?
Now i can not find it in "Bottom-level contexts - voices" (NR 5.1.1)
This works with 2.11.43:
melody = \relative c' {
c4 b c d c b c2
}
{
\new Score <<
\new Voice { \melody }
\new NoteNames { \melody }
>>
}
There will be no durations.
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Slur #'thickness = #3
% \override NoteHead #'font-size = #-0.7
% \override Accidental #'font-size = #-0.7
% \override Dots #'font-size = #-0.7
There may be a lot more.
But LP's output is great, indeed.
>
> -- Johan
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Slur #'thickness = #3
% \override NoteHead #'font-size = #-0.7
% \override Accidental #'font-size = #-0.7
% \override Dots #'font-size = #-0.7
There may be a lot more.
But LP's output is great, indeed.
>
> -- Johan
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xt #'X-offset = #-5
c4 \! \mf c c c
}
}
}
\paper {
indent = 0
line-width = 7\cm
}
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7;to-barline = ##t. *If* i have #'self-alignment-X = #RIGHT for DynamicText.
"Have i missed or messed smth *again*?" (mt) :-)
> Regards,
> Neil
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e 8/4
R1*8/4 -"Great"
\time 9/4
\override MultiMeasureRestText #'self-alignment-X = #LEFT
R1*9/4 -"Should't it be whole again?"
\time 10/4
R1*10/4
\time 11/4
R1*11/4
}
\score {
\new Staff { \melody }
\layout {
\context {
\Staff
\re
pond to "draw" whole rest instead of breve (double)?
Thank you very much.
2008/12/1 Dmytro O. Redchuk <[EMAIL PROTECTED]>:
> Hello,
>
> i've already asked about "how to put MultiMeasureRests in unmetered music,
> and was answered that i should switch tempo
Thank you very much for your explanation.
Thank you.
2008/12/6 Reinhold Kainhofer <[EMAIL PROTECTED]>:
> -BEGIN PGP SIGNED MESSAGE-
> Hash: SHA1
>
> Am Samstag, 6. Dezember 2008 14:02:04 schrieb Dmytro O. Redchuk:
>> Please, can anybody answer me:
>>
ne
b2. ~
b2.
%34
b2. ~
b2.
}
bass = \relative g {
\clef "bass"
\time 3/4
\key g \major
%
\voiceTwo
2. ~
2.
%34
\dotsDown
2. ~
2.
}
{ << \tenor \bass >> }
% --- cut
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robably, i've misunderstood it.
> Regards,
> Neil
Thank you.
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2008/12/9 Rob Canning <[EMAIL PROTECTED]>:
> hi,
>
> i tried this
>
> \paper {
> indent = 0\cm}
I use always:
\paper {
indent = 0
}
and this does work.
>
> thanks
>
> rob c
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lily
"Adagio" }
\repeat "unfold" 2 { c4 c c c } \break
\bar "|."
}
So, second "Allegretto" is invisible... More correct -- if there are
repetitive, only the first one is visible. Yes, boxed version works.
However, both "Adagio&q
ing, since the dictionary is an alist:
>>
>> #(define (getLocalized items word)
>>(assoc-get word items word))
assoc-get... thank you. Many things to study, great.
ps. Possibly... well, sorry for my English, in two words.
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Thank you a lot.
I (being not a programmer) will never stop wondering how people
can make excellent software and share it to everybody.
Thank you.
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an put (and align) \mark \markup { \smaller "Allegro" }, let's say.
Can this help?
> Zoltán
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\time 2/2
\tempoMark #"Moderato" #'(time-signature) #0
c des ees c
bes aes c bes
}
>
> regards,
> sb
> --
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> +43 699 190 631 25
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must be drawn here
R1*10/4
\time 11/4
\posMMR #6.5 #2
R1*11/4
}
\score {
\new Staff { \melody }
\layout {
\context {
\Staff
\remove "Time_signature_engraver"
}
}
}
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2009/1/5 Trevor Daniels :
>
> Dmytro O. Redchuk wrote Monday, January 05, 2009 8:16 AM
>
>> But what if i need raise or lower this rest for one of two (or more)
>> voices
>> to avoid collision? How to draw a ledger line (it isn't drawn
>> automatically)?
>
context {
\Staff
\remove "Time_signature_engraver"
}
}
}
>
> Trevor
Thank you!
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pper \upper
>\context Staff = lower \lower
>>>
>\layout {ragged-right = #t }
>\midi { \tempo 4=42 }
> }
>
>
>
>
>
> Yours-
> Jay
>
> Jay Hamilton
> www.soundand.com
> 206-328-7694
>
>
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on Vista. The PNGs show the output for a couple of the
> parts, one where the fermata is correctly positioned and the other where it
> is being placed above the clef sign.
>
> Nick
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t, beautiful, re-usable
etc-etc-etc :-)
And you always can learn a lot from it.
This is what I love about open software.
Thanks to all :-)
>
> Piero
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ist archive search.
> --
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Hello,
is it possible to check font availability programmatically?
Schematically:
\override Score.LyricText #'font-name = (if wanted-available wanted default)
Thank you.
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lilypond
n anybody point me with some example?
>
> Thank you in advance,
> Alberto
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> Campus de Gualtar - 4710-057 Braga - Portugal
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t; http://www.paconet.org
> --
> $0='!/msfQ0yjoV!fe!sfldbi!psup!pmpT'x19xor print+map{("\e[7m \e[0m",
> chr ord(chop$0)-1)[$_].("\n")[++$i%72]}split//,unpack'B*',pack'H*',(
> $P='F'x18)."8186078739E1F0F0E19FCF19CCE6667383CF07
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ow, i may be wrong in some way...
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is possible to get fixed distance
between staves overall whole score
using VerticalAxisGroup's 'minimum-Y-extent for Staff or Lyrics context.
Sorry, sorry twice, now i can not play with it, so i may be quite wrong :-)
Thank you for your tips.
> /Mats
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LilyPond looks a bit different :-)
Thanks,
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ht
On Wed, Feb 28, 2007 at 04:19:14PM +0200, Dmytro O. Redchuk wrote:
> Hi,
>
>i'm just starting to learn LilyPond, so i have questions:
>
>1. Is it possible to mix separate bar rules (like \sepbarrules in
> MusixTeX) for different instruments and &quo
On Wed, Feb 28, 2007 at 06:07:20PM +0200, Dmytro O. Redchuk wrote:
> On Wed, Feb 28, 2007 at 04:19:14PM +0200, Dmytro O. Redchuk wrote:
> > Hi,
> >
> >i'm just starting to learn LilyPond, so i have questions:
> >
> >1. Is it possible to mix se
be close to "main". Is there any way to do this?
What i want exactly: to have behaviour like in this fragment --
http://www2.ldc.net/~dor/kanon006.jpg (was typed with
musixlyr/musixtex, 28K)
Thanks!
--
_,-=._ /|_/|
`-.} `=._,.-=-._., @ @._,
`._ _,-. )
-- upper voice for upper staff --
-- main for both -- -- main for both --
-- lower voice for lower staff --
Possibly, that URL (below) would explain better (sorry, my English..).
Thanks!
>
> /Mats
>
> Dmytro O. Redchuk wro
er?
Is it possible to overlap a bit different lyrics context? If yes -- how?
I have tried with different extents, but failed.
>
>/Mats
>
> Dmytro O. Redchuk wrote:
> >On Tue, Mar 13, 2007 at 01:21:35PM +0100, Mats Bengtsson wrote:
> >
> >>The general ideas ar
nyone help me, please?
--
_,-=._ /|_/|
`-.} `=._,.-=-._., @ @._,
`._ _,-. ) _,.-'
`G.m-"^m`m' Dmytro O. Redchuk
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t[PAPER],
'\n ') % override
layout_string = string.join (compose_dict[LAYOUT],
-----------
On Mon, Mar 19, 2007 at 03:18:26PM +0200, Dmytro O. Redchuk wrote:
> Hello,
>
> I couldn't create
On Mon, Mar 19, 2007 at 06:01:29PM +0200, Dmytro O. Redchuk wrote:
> Hmm, i did not receive my own post...
>
> Anyway, since i need to have lilypond-book working with system-count
> parameter, i modified a lilypond-book script (diff see below).
Sorry, sorry, forgive me, please :-)
ore, which gives you just a single
> EPS file with the full score instead of one for each system.
> I haven't tried myself, but that may also solve your problem.
>
> /Mats
>
> Dmytro O. Redchuk wrote:
> >Hello,
>
WWW: http://www.s3.kth.se/~mabe
> =
--
_,-=._ /|_/|
`-.} `=._,.-=-._., @ @._,
`._ _,-. ) _,.-'
`G.m-"^m`m'Dmytro O. Redchuk
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On Tue, Mar 20, 2007 at 02:34:27PM +0100, Mats Bengtsson wrote:
>
>
> Dmytro O. Redchuk wrote:
> >Yes, i do want to specify system-count within lilypond source file!-)
> >But that didn't work (2.10.20, windows and linux binary versions).
> >
> >
> Are y
\tempo 4=100
> c'4
> \override Score.MetronomeMark #'extra-offset = #'(0 . 5)
> \tempo 4=80
> c'4
> }
> }
This
\override Score.MetronomeMark #'padding = #5
works.
>
> Cheers,
>
> Bryan...
--
_,-=
lease, let me know :-)
A lot of thanks,
--
_,-=._ /|_/|
`-.} `=._,.-=-._., @ @._,
`._ _,-. ) _,.-'
` G.m-"^m`m'Dmytro O. Redchuk
--- lilypond-book.2.10.20.orig 2007-03-28 14:07:13 +0300
+++ lilypond-book 200
a cludge to lilypond-book.
> Thanks for sharing your solution on the mailing list. I don't think the
> problem
> is common enough to include your patch in the official releases, but if
> somebody
> else hits upon the same problem, they can now find it in the mailing
>
SE-100 44 STOCKHOLM
> Sweden
> Phone: (+46) 8 790 8463
>Fax: (+46) 8 790 7260
> Email: [EMAIL PROTECTED]
> WWW: http://www.s3.kth.se/~mabe
> ==========
On Fri, Mar 30, 2007 at 12:30:25PM +0200, Mats Bengtsson wrote:
>
>
> Dmytro O. Redchuk wrote:
> >
> >I use --psfonts, too -- lilypond-book --pdf produces pdf with no syllables
> >(hyphens are in right places thought,-).
> >
> >(2.10.20, W2K, Ukrainian l
ok.
Yes, surely.
That's my windows tex's installation (configuration) problem, thanks.
>
> /Mats
--
_,-=._ /|_/|
`-.} `=._,.-=-._., @ @._,
`._ _,-. ) _,.-'
` G.m-"^m`m'Dmytro O. Redchuk
___
Very probably, I have missed something important -- please, tell me.
And, btw, is there other way to get all TextScripts positioned at the
same distance from staff?
Thanks,
--
_,-=._ /|_/|
`-.} `=._,.-=-._.,
s
unclean for me :-)
Why second "1" is above slur even if it had been shifted by extra-offset.
Ok, I'm too new to LilyPond, surely.
> I recommend you to remove all your other \override:s as a starting point.
>
> Note also, that your score will look different if you upgrad
--
_,-=._ /|_/|
`-.} `=._,.-=-._., @ @._,
`._ _,-. ) _,.-'
`G.m-"^m`m'Dmytro O. Redchuk
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On Thu, Apr 12, 2007 at 12:59:48PM +0200, Mats Bengtsson wrote:
> Dmytro O. Redchuk wrote:
> >To be short:
> >measures 2 and 4 should be identical, shouldn't they?
> >(i mean "11" in 2nd should be positioned like "1" in 4th,
> >with
tize-position set.
>
> /Mats
Thank You, Mats, thanks a lot :-)
--
_,-=._ /|_/|
`-.} `=._,.-=-._., @ @._,
`._ _,-. ) _,.-'
`G.m-"^m`m'Dmytro O. Redchuk
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