Re: Tie question

Kieren MacMillan wrote: Hi Stefan, I can't manage to get a tie from a single note into a multi-voice section, like this: c~ << { c ... } \\ { ... } >> Is there any solution for this case? Yes: explicitly instantiate your Voice contexts: c ~ << { \voiceOne c ... } \new Voice { \voiceTwo

Re: Good news, and thanks to all of you!

On 12-09-23 07:15 PM, Luca Rossetto Casel wrote: Dear Lilyfriends, I'm very happy to announce you that I've now finished my Ph.D. research project: the critical edition of Tommaso Traetta's /Enea nel Lazio/ (1760), a beautiful (and mastodontical) opera

Parenthesize slashed grace with fingering?

In transcribing some cello exercises, I need to show a slashed grace note, with a fingering, in parentheses. The exercise involves shifting between first and third position on the same string, so it emphasizes the intermediate "target" position, with the intent that the grace note gets eliminat

Re: Parenthesize slashed grace with fingering?

On 13-01-02 03:39 PM, Olivier Biot wrote: On Wed, Jan 2, 2013 at 10:59 PM, Colin Campbell <mailto:c...@shaw.ca>> wrote: In transcribing some cello exercises, I need to show a slashed grace note, with a fingering, in parentheses. The exercise involves shifting between first

Re: Parenthesize slashed grace with fingering?

On 13-01-02 03:42 PM, Eluze wrote: Colin Campbell-8 wrote In transcribing some cello exercises, I need to show a slashed grace note, with a fingering, in parentheses. The exercise involves shifting between first and third position on the same string, so it emphasizes the intermediate "t

Lyrics interfere with volta?

> not top posting I'm setting a vocal piece containing a simple repeat. The code below shows problems with prematurely ending a volta, but only if the Lyrics block is included. I've trimmed the live version down to this: %<- \version "2.17.14"

Re: Lyrics interfere with volta?

On 13-03-25 03:27 PM, Toine Schreurs wrote: I'm setting a vocal piece containing a simple repeat. The code below shows problems with prematurely ending a volta, but only if the Lyrics block is included. I've trimmed the live version down to this: The lyrics are 'connected' to the "sop" Voice. Yo

Re: Setting systems-per-page just for a single score out of many

On 2015-08-03 02:58 AM, Leszek Wroński wrote: Guys, I'm terribly sorry for spamming the group, but it turns out writing the problem down was enough for me to find a solution. If anyone ever searches the group for an answer to a similar question, here is my idea (which works for me, but certainly

Re: LilyPond crashes on \musicglyph #"space"

On 2015-08-29 06:23 AM, David Kastrup wrote: Richard Shann writes: I just noticed that LilyPond is crashing on this: \version "2.18.0" { <> ^\markup {\musicglyph #"space"} s1*4/4 } with Interpreting music... Preprocessing graphical objects...terminate called after throwing an instance of '

Re: OT: Beauty of programming languages

On 2015-09-11 06:17 PM, Tim Reeves wrote: So far, in the small, non-random sample we have, it looks like the average user's age is somewhere around 60. I guess you can teach old dogs new tricks! ;) It has been said that the way to avoid becoming an old dog is to keep learning new tricks

Re: 2.18.2 - Thoughts so far

On 15-10-04 06:29 PM, Ivan Kuznetsov wrote: On Sat, Oct 3, 2015 at 7:33 PM, Karen S. Billings wrote: I'm a former Bell Labs engineer, where I used Unix (vi, awk, shell, etc.) everyday. I got so used to using those tools, and I find I miss their power... I'm really struggling to learn how to u

Re: error message

On 15-10-09 05:20 PM, Mark Stephen Mrotek wrote: Hello, Using Lilypond2.18.0, Frescobaldi 2.18.1. When clicking the Lilypond icon in Frescobaldi the following appears: Starting lilypond-windows.exe 2.18.2 [Nocturne Ab.ly]...Aborting lilypond-windows.exe 2.18.2 [Nocturne Ab.ly]... Exited wi

Re: dynamic with markup

On 15-10-10 07:58 PM, Mark Stephen Mrotek wrote: Hello, I recall that instructions were once given to achieve: */p /*/ma ben marcato/, yet my search of the LSP was not successful. Please direct me to its location. Thank you for your kind attention. Mark You will probably find the Notat

Re: Introducing "LilyPond HTML Live Score"

On 15-11-29 11:08 AM, Mathieu Demange wrote: Hello all, I've been developing a tool which is at a very early stage now, but I humbly guess you should like the idea. Check this very simple page and click the "play" button (or you can click any note or rest). http://www.mathieudemange.fr/lilyp

Fwd: Re: DYLD_LIBRARY_PATH fails in gs, OS X El Capitan

Forwarded from bug list, as there are likely more users who can help. Forwarded Message Subject:Re: DYLD_LIBRARY_PATH fails in gs, OS X El Capitan Date: Sat, 5 Dec 2015 10:35:06 -0700 (MST) From: stefandres To: bug-lilyp...@gnu.org Hi, I have the same probl

Re: How to transpose an entire piece of music?

On 15-12-22 02:04 PM, Bernhard Kleine wrote: -BEGIN PGP SIGNED MESSAGE- Hash: SHA256 I had a christmas carol "Zu Bethelem geboren" with is in F-Dur. That piece has a bass voice going to "großem F" more than once. Since the other voice are not at all at their upper limit, I thought to tra

Re: When to Use Pound Signs

On 16-01-05 09:47 PM, Andrew Bernard wrote: According to the Unicode Standard 6.2, this is u0023, which is designated Number Sign, and also known equivalently as: pound sign, hash, crosshatch, octothorpe I have always called it octothorpe, mostly because it is just such a great word! I w

Re: When to Use Pound Signs

On 16-01-05 09:55 PM, Colin Campbell wrote: I wonder if the spaces delimited by the lines are thorpes? I' also carpent for a living, though. I also wonder how I thought there were eight spaces, not nine, but that's probably why I'm an apprentice carpenter! Colin -- I&

Fwd: Concerts in Berlin with LilyPond scores

Forwarding to the User group, as it's more appropriate there, and for wider distribution. All the best for the concerts, Aurélien, and thanks for letting us know. Cheers, Colin Forwarded Message Subject:Concerts in Berlin with LilyPond scores Date: Thu, 7 Jan 201

Re: Manual page breaking causing assertion failure

On 16-01-08 07:09 PM, Chris Yate wrote: Hi, I'm trying to paginate my score nicely and the automatic paging isn't good enough. So I'm doing all the page breaks manually -- and a certain situation is causing an assertion failure on compilation: << Snippet of output: MIDI output to `BeiM

Re: Manual page breaking causing assertion failure

On 16-01-09 03:38 PM, Chris Yate wrote: No, it's not self-built, it's the latest dev image from the website! Windows 10, 64bit. Any other info you need? Chris On 9 Jan 2016 10:17 pm, "Colin Campbell" <mailto:c...@shaw.ca>> wrote: On 16-01-08 07:09 PM, Chris

Re: More ponderings on Chordmode

On 16-02-05 01:31 PM, Peter Gentry wrote: I cannot discover a means to have the chords sound as a guitar in this example everything I try ends up as a piano. Is it possible to assign a midiInstrument to the chordNotes? \relative c'' \new Staff { \set Staff.midiInstrument = "acoust

Re: Best way to provide LilyPond via thumb drive

On 16-02-12 06:06 AM, Ralph Palmer wrote: Greetings - Soon, I shall be visiting a music school which almost certainly has computers but which probably has little internet access. I would like to give them a thumb drive with all the files they would need for setup, learning, and running LilyPo

Re: Tied Notes in Voices, or change of time

On 16-02-26 07:22 PM, William Marchant wrote: Hi All, I have attached a snippet of code which shows a problem I have encountered. Notice that in the first measure in Voice One, there is a c16 tied to a c4, and below in Voice Two an e16 tied to e4. This I expected. Note however, at the end o

Re: Decreasing horizontal spacing when setting a chant

On 16-03-05 11:30 AM, Joseph N. Srednicki wrote: Hello: I am setting a chant using modern notation. What technique would I use to decrease the horizontal spacing in the example below? I looked in the snippets. I also trying adjusting the common shortest duration property, but to no avail.

Re: mute percussion notation

On 16-03-21 12:50 PM, David Kastrup wrote: Bernard writes: For me cgh in deep link http://www.lilypond.org/doc/v2.19/Documentation/ff/lily-6bb651bc.ly [image of music] And cghm in in deep link http://www.lilypond.org/doc/v2.19/Documentation/80/lily-6aae8ef4.ly [image of music] Both found in

How to get swing feel from dotted notation?

I'm transcribing a piece originally written with a lot of syncopation, using half-values ties across the beat, as well as what I think must be intended as a "swing" feel, notated with dotted rhythms. No problem reproducing the visual elements, but I also need to produce practice tracks for an a

Re: How to get swing feel from dotted notation?

On 16-03-30 08:49 PM, Stephen MacNeil wrote: Hi Colin Sometime ago I came across a file on the net... not sure where. It was written by Johannes Rohrer I believe. Anyway all you do is \include "../SwingMarks.ly" % location of file #(load "../swing.scm") % location of file and it will p

Re: How to get swing feel from dotted notation?

On 16-03-31 02:14 AM, m.tarensk...@zonnet.nl wrote: Btw: the concept of Swing notation is not Limited to Jazz Blues Pop music. In old French Baroque music there was something similar called "inegalité". Such music can also benifit from a lilypond/scheme functioneren like this. In fact, there

Re: LilyPond on Linux

keith Luke wrote: My PC experience is with Windows, but I would like to use the Frescobaldi GUI. A friend suggested that I install Linux on a virtual machine then install KDE and Frescobaldi on the system. I told him I was not Linux-literate and he said you don't have to be. All you need is

Scoping of variables - converting scores to songbook

I'm working on converting a collection of single scores into a song-book, by \including the .ly files, and seem to have run across a problem with scoping of variables: in some of my scores, I use no variables, neither for notes nor lyrics. Other scores, using variables defined outside a \score

Re: Footers

Michael S. Morales wrote: Is it possible to change the generic footer made by Lilypond for a personalized message including typesetter/maintainer, CC license, contact info, etc. Many editors, such as Frescobaldi or LilypondTool with jEdit, allow you to create your own tagline as part of a sco

Re: GUI for Windows

Michael S. Morales wrote: My second question is will there ever be a graphical version for Windows? -- Because Lilypond is based on text files as input to a very sophisticated rendering engine, a GUI in the sense of "enter code and see the final score instantly" is probably some distance i

Re: Adding Rehearsal Marks, v2.12.2

rasAK wrote: Apologies...I'm sure this is addressed somewhere (...but I did search the documentation and this forum!). How do I add rehearsal letters to an existing score without going through and adding a "\mark" for every letter in every part? Thanks so much! Randy You might have a look i

Re: Circular Staff in Inkscape [was Re: Lilypond vs Score]

Bertalan Fodor (LilyPondTool) wrote: Circular staves ARE possible with pure LilyPond, just look at this: This was made using LilyPondTool's ruler feature, with the following score: \score {         \relative c' {     \override Staff.StaffSymbol #'transparent = ##t     \

Re: Community of professional LilyPond engravers?

Michael J. O'Donnell wrote: I am pondering offering engraving services with LilyPond. I wonder if there are people ready and willing to share information on the possibility to make modest money this way. I found one (slightly broken) thread in the archives: http://lists.gnu.org/archive/html/lil

Re: Mailing Subject Format Inquiry

Steven White wrote: Hello, Just an inquiry, but is there any specific reason why the mailing list doesn't have a prepended subject like [lilypond-user]? I just joined the mailing list to read the solutions as I learn lilypond to help my wife out while she is learning to use the engraver. I

Re: Mailing Subject Format Inquiry

Peter Wright wrote: I've noticed this for a while with lilypond-user - like you, it's one of the minority of the mailing lists I'm on that *doesn't* use the subject prefix convention, so it's much less easy to do an eyeball-filter/scan as you describe. Colin's suggestion of filter rules to put t

Re: double slurs within beamed notes

musicologyman wrote: I've been struggling to replicate the placement of slurs and ties in the following original: Problem is, I can't get the slurs and ties to appear _within_ the beamed note. They always appear above the beam if the stem is up and below if the stem is down:

Re: Website "easier editing"

On 10-05-10 06:39 PM, Graham Percival wrote: On Sun, May 09, 2010 at 12:54:39PM +0200, Valentin Villenave wrote: Wait - so you're saying you *can* change your mind at times? :-) If it makes things awkward and delays an aspect of website work for 4 months, sure! Cheers, - Graham

Re: Information about Vim mode in the manual

On 10-07-21 08:40 PM, Caio Barros wrote: Hi everybody, I don't know if someone ever went trough this, but I spend a lot of time trying to figure out why the syntax highlight in Vim didn't work. I followed all the instructions in the manual (http://lilypond.org/doc/v2.12/Documentation/user/lilyp

Re: broken link

On 10-08-10 01:27 PM, Phil Holmes wrote: Agreed. The %20 (space) should not be there. I've sent this report to the bugs newsgroup. -- Phil Holmes - Original Message - From: "Francesco Petrogalli" To: Sent: Tuesday, August 10, 2010 8:21 PM Subject: broken link Hi, I just want

Re: broken link

On 10-08-10 08:50 PM, Patrick McCarty wrote: On Tue, Aug 10, 2010 at 7:26 PM, Colin Campbell wrote: Hi, I just want to signal that the link http://nicolas.sceaux.free.fr/%20lilypond/lyqi.html provided in http://lilypond.org/doc/v2.13/Documentation/web/easier-editing is broken

Re: Chords below staff

On Thu, 2010-10-14 at 18:06 +0200, Hans Aberg wrote: > On 14 Oct 2010, at 17:03, -Eluze wrote: > > >> How does one get the chords below the staff? - Searches only give how > >> to get them there by mistake, by forcing into the staff context. > > > > i don't know where the problem is, but using > >

Re: Chords below staff

On Fri, 2010-10-15 at 05:11 +0100, Graham Percival wrote: > On Thu, Oct 14, 2010 at 10:04:46PM -0600, Colin Campbell wrote: > > On Fri, 2010-10-15 at 03:59 +0100, Graham Percival wrote: > > > and you'll see a similar thing. There's a special context > > &g

Re: voice sharing the same note on different staves

On Wed, 2010-11-03 at 21:40 +0100, Vicente Solsona wrote: > On Wed, 03 Nov 2010 20:23:51 +0100, Ken wrote: > > > Not quite. > > > > Here's the fragment > > > > \new PianoStaff << > > \new Staff = "up" << > > \clef treble > > \key a \minor > > \time 3/8 > > > > \new Voice [\voice

Re: Off-topic: Automatically create rehearsal files from SATB midi file

On 01/19/2014 05:51 AM, Speldosa wrote: I'm sorry that that I'm going off-topic here (well, it's not /that/ off-topic), but I thought that if I could find anybody who knew how to do what I'm trying to achieve right now, it would be a hardcore LilyPond user :) Anyhow, I'm using LilyPond to output

Re: Off-topic: Automatically create rehearsal files from SATB midi file

On 01/19/2014 03:20 PM, Johan Vromans wrote: Colin Campbell writes: If you're using Frescobaldi, just set up a new score and on the Parts tab, check the box for rehearsal MIDI files. Then, go into the rehearsalMidi section of the generated score and make the following tweaks: You lo

Re: "Digital Edition" conference

On 05/10/2014 03:05 AM, Urs Liska wrote: Hi all, any LilyPonders or music LaTeXers in Berne or in a reasonable distance of it? I'm going to lobby LilyPond and LaTeX at a conference on "Digital Edition" and could use some argumentative assistance in the audience ;-) As it happens, I've b

Re:ADVOCACY "Digital Edition" conference

On 05/10/2014 02:36 PM, Colin Campbell wrote: As it happens, I've been invited to present a session on LilyPond at a symposium of church musicians in July, here in Edmonton. I'm also in the tentative early stages of setting up an engraving business, possibly supplemented wit

Re: lilypond ram disk

On 05/16/2014 01:16 PM, efa...@faswebdesign.com wrote: Jim, I’ve installed LilyPond on my tablet computer. It runs from a RAM disk and seems to have no problems of any sort. Performance is quite adequate. Ed I gather it's a Windows machine of some sort? Did you just install from the LP w

Re: MIDI dynamics parsing error

On 05/17/2014 07:15 PM, Knute Snortum wrote: My situation is I need to transcribe a crescendo starting without a dynamic marking. If I put in a \mf then I don't get warning. If I can hide the dynamic mark, all will be fine. Is there a \hide syntax that will work? Knute Snortum (via Gmail)

Re: unterminated tie?

On 14-06-19 04:01 PM, Marc Weber wrote: .ly file: \version "2.18.2" << \context Voice = train_left_medium { \relative c' { g4~ b } } || Processing `sheet.ly' || Parsing... || Interpreting music... sheet.ly|4 col 28| warning: unterminated tie || \relative c' { g4 ||

Re: solfege display for tie & slur

On 14-06-30 06:53 PM, MING TSANG wrote: Lily ponders: With the help from the list I have the .ly file that I use quite often. Many thanks lily ponders. Is it possible to modify the code do not display the tied note? example in the attached .ly file: i.e. (1) do not display second ⓢ & third ⓢ be

Re: solfege display for tie & slur

On 14-06-30 07:39 PM, MING TSANG wrote: Hi, Colin: <><><><> Thank you for the suggestion. But I want to preserve what is code in the staff. I do not want to display second ⓢ and third ⓢ above the staff (the same way midi track just extend the beats without playing it). The same for second ⓕ

Re: perfect major thirds

On 14-07-01 02:31 PM, David Olson wrote: what should I write to actually do this? > The arrows represent the alteration > that changes a Pythagorean major > third to a perfect major third. And MIDI will output this, right? Just click o

Re: Shorten ledger lines

On 14-07-13 01:46 AM, Pierre Perol-Schneider wrote: 2014-07-13 5:38 GMT+02:00 Paul Morris >: Here we go: Nice Paul ! And here's a complement to get rid of the gap between startStaff and stopStaff : \version "2.18.2" { g d c d c d \once\hide Staff.BarL

Re: Multirest in temporary polyphonial passage

On 14-07-16 10:40 AM, Hartmut Leister wrote: Dear Lilypond users, I have a small problem, when dealing with multirests in temporary polyphonial passages. See my minimum non-working example [1] - in bar 2 the synchronous rests of voice I have a source snippet perfectly merging multirest, when us

Re: Updating a score from version 1.4

On 14-07-17 10:52 AM, Larry Kent wrote: Thanks, James, David, and Hwaen. Convert-ly doesn't handle version 1.4 very well, not surprising. The current project I'm working on is a very short piece, so I may just start over with this one. Long-term, however, it would be nice to find somewhere t

Re: Updating a score from version 1.4

On 14-07-17 02:00 PM, Malte Meyn wrote: On 17.07.2014 21:56, Larry Kent wrote: David, You sent me this link: http://download.lin uxaudio.org/lilypond/binaries/linux-x86/lilypond-ancient-1.4.1

Re: predefined mandolin tuning wrong?

On 14-07-28 03:42 AM, BB wrote: Sorry, I reduced the code too much! I started with the following code trying to redefine a fretboard: \version "2.18.0" #default-fret-table \chordmode {a:m7} %#guitar-tuning %#"5;x;5;5;5;x;" #mandolin-tuning #"o;o;o;o;" theChords = \chordmode { a:m7 }

Re: Shortest duration by --verbose option?

On 14-07-29 05:27 PM, James Harkins wrote: http://lilypond.org/doc/v2.18/Documentation/notation/horizontal-spacing-overview says: ~~ The most common shortest duration is determined as follows: in every measure, the shortest duration is determined. The most common shortest duration is taken as

Re: Add lyrics after n measures

On 14-08-29 02:21 PM, Simon Albrecht wrote: Am 29.08.2014 um 16:58 schrieb Jacques Menu: Hello Marco, Always copy the list in your messages, to let the them know. Put as many \skip as you have notes in the melody in the first 8 bars if you use \addlyrics or \lyricsto, Much more convenient: u

Re: Add lyrics after n measures

On 14-09-08 01:36 AM, Phil Holmes wrote: (in reference to lyric \skips not terminating an extender) Try a single space in quotes: " " -- Phil Holmes Thanks, Phil. I found that in my testing later yesterday. It will at least get the project done, although in a way which feels a bit kludgy.

Re: Add lyrics after n measures

On 14-09-08 11:49 AM, Simon Albrecht wrote: The full function would then be: %<- lSkip = #(define-music-function (parser location skips) (number?) #{ \lyricmode { " " \repeat unfold $(- skips 1) { \skip 1 } } #}) %<- For me,

Re: beginner stanza help

On 14-09-09 06:35 PM, Steven Arntson wrote: I'm trying to get stanzas to work for a song that has two verses. What am I doing wrong? text = \lyricmode { \set stanza = #"1. " here are | %m1 the words | %m2 } \lyricmode { \set stanza = #"2. "

Re: Another humble question, this is about \skip

On 14-09-13 01:21 PM, Son_V wrote: Hi, first I want to thank all that have answered to my latest message (I've ordered on Amazon "Behind Bars: The Definitive Guide to Music Notation", to have an authoritative source). I have encountered a problem with a test score that I'm unable to solve. I att

Re: 2.19.14: lost ability to add note name in fret board ?

On 14-09-20 07:00 AM, Thomas Morley wrote: I wouldn't call it a regression, because adding and printing strings in dots was not documented, not really supported (as far as scaling is concerned) and not covered by a regtest, as far as I can tell. Therefore I did not pay attention to keep this fun

Re: Two voices ending score

On 14-10-25 09:32 AM, Son_V wrote: And WHY i get this ghost beat 71? How can I get it away? (always thanks ...) It would be easier to comment on a minimal example, but the "ghost bar" is a clear indicator that you have more bars in one voice than the rest. You might have a look at the sect

Re: Custom Key Signatures

On 14-11-13 10:13 AM, st...@linuxsuite.org wrote: Howdy! I want to make a custom key signature. It should have f# c# a# How can I do this? -steve THis will get you started, Steve: http://www.lilypond.org/doc/v2.19/Documentation/snippets/pitches

Re: Problems with Completion_heads_engraver

On 2014-11-29 02:59 PM, Jay Vara wrote: For some reason the Completion heads engraver does not seem to be working in some situations. In some cases it swallows up a note (although timing wise it seems ok) and sometimes it produces some weird looking notes. Here is one example I was able to recr

Re: Unexpected \markup behavior

5 > > I'm attaching a .pdf of the output. Can anyone tell me what I'm doing > wrong, or steer me in the right direction? > > Pondly, > > Ralph > In your second case, the \dynamic is attached to the d, then over-written by the "meno" in

Re: Unexpected \markup behavior

On Mon, 2010-12-13 at 07:49 -0500, Ralph Palmer wrote: > > Greetings and thanks, Colin - > > The second case is unexpected (to me) because I thought that \dynamic > was a font command, as is \italic. Even if the \dynamic in the second > case is attached to the d and then overwritten by the "meno

Re: Unexpected \markup behavior

On Mon, 2010-12-13 at 07:49 -0500, Ralph Palmer wrote: > > > Greetings and thanks, Colin - > > The second case is unexpected (to me) because I thought that \dynamic > was a font command, as is \italic. Even if the \dynamic in the second > case is attached to the d and then overwritten

Re: testing lilydev

On Mon, 2011-01-03 at 23:30 +0100, Helge Kruse wrote: > Am 03.01.2011 23:15, schrieb Helge Kruse: > > Am 03.01.2011 19:56, schrieb Phil Holmes: > >> If you go to the page above, and look for "Advanced tasks" you'll find a > >> link in the section indented with "Note:" > >> > > > > I got it. Thanks,

Re: Accidental and clef change issue

On Thu, 2011-01-06 at 03:12 +0100, Reinhold Kainhofer wrote: > I have now also looked at several cello parts of my girlfriend. What a remarkable girl she must be! My grandfather had a cedar chest and a reedy voice, but he didn't trumpet it around. In fact, he'd always piccolo key for singing.

Re: error in predefined chord diagram?

On Sun, 2011-01-30 at 11:43 +0100, bart deruyter wrote: > Perhaps a solution would be like what is being done with midi, setting > a midi instrument. That way automatically the correct diagram for this > specific instrument can be shown. > > e.g : > > Chords = \chordmode { > \setDiagramInstrument

Re: Feature? Bug? (part 1)

On Sun, 2011-02-06 at 10:14 -0500, Mike Solomon wrote: > Hey all, > > In the attached png, you'll see that the feathered beam resets to 0 feather @ > the line break. Actually, it even regresses a bit: you'll see that it's > actually fatter at the linebreak than it is a couple beats after, after

Re: Feature? Bug? (third and final part)

On Sun, 2011-02-06 at 10:32 -0500, Mike Solomon wrote: > To round out my feature/bug tryptych (yes, this is the day that I make my > score not look crappy...sorry for all the traffic @ once...) > > > \relative c'' { b1 \stopStaff \override Staff . StaffSymbol #'line-count = #1 > \startStaff \te

Re: Feature? Bug? (part 2)

On Sun, 2011-02-06 at 10:21 -0500, Mike Solomon wrote: > Well, no, I lied, just plain bug. I can't imagine this being a feature. > But, before I start working on it, does anyone have a clean work-around to > get the bendAfter spanning the line break correctly? > > Cheers, > MS > > \score { >

Re: Error in running Lilypond

On 11-02-13 07:56 PM, Father Gordon Gilbert wrote: On 13/02/2011, Michael Ellis wrote: On Sun, Feb 13, 2011 at 6:05 PM, Father Gordon Gilbert wrote: /usr/local/bin/python: can't open file '/usr/local/bin/convert-ly.py' Is convert.ly present in /usr/local/bin? The error is claiming otherwise.

Re: engraving question - temporary voices in vocal music

On 11-02-18 01:00 PM, Janek Warchoł wrote: Hi, i have a SATB choral piece and occasionally some voices are split in two. If the rhythyms differ, a polyphonic notation must be used - that's obvious. But, what to do in the situation pictured in the problem.png attachment? Is the notation used self-

Re: engraving question - slur across notes sung to different syllabes?

On 11-02-19 02:45 AM, David Kastrup wrote: Janek Warchoł writes: Thanks for all replies. I'd use phrasing slur, however there's not much phrase to indicate with it... Look at the slurs marked in red in the attachment - a phrasing slur for 2 notes? In the first case Werner's guess may be correct

Re: beaming eighth notes in threes in 3/4 time

I've added your example and Carl's reply as issue 1525, Phil, with the note that it may be related to Nick's issue 1524. Colin ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Beaming eighth notes in threes in 3/4 time

I've added this as issue #1524, NIck. Thanks for the report and example. Colin Campbell LilyPond bug squad ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Compile for Mac

On 11-03-12 08:09 AM, Graham Percival wrote: On Sat, Mar 12, 2011 at 02:47:59PM +, James Lowe wrote: If this works for me then I think it would be really helpful to have in the CG simply because if I can do it, then anyone who had a modicum of building code experience can do it and won't hav

Re: Compile for Mac

On 11-03-12 03:19 PM, Graham Percival wrote: On Sat, Mar 12, 2011 at 11:35:25AM -0700, Colin Campbell wrote: For the sake of clarity: are we saying that new contributors who run linux natively, as I do at home, or in a VM, as I do in the office, should also be encouraged to run lilydev? No

Re: New version of articulate available

rando into account. s/rallentendo/rallentando Thanks; the published patch for revision already includes this. http://codereview.appspot.com/4277067 I've added issue 1568 to track the status of this enhancement, Francisco. Colin Campbell Bug Squad -- The test of our progress is not whether w

Re: 2.13.54 breaks NoteNames vertical spacing

t;< \new Voice = "voice" { \notes } \new Lyrics \lyricsto "voice" { \mylyrics } \context NoteNames \notes >> } %- Thanks, Mike. Added as http://code.google.com/p/lilypond/issues/deta

Re: New version of articulate available

On 11-03-21 04:46 AM, David Kastrup wrote: < snippage of licensing issues occureth> By one of those delightful synchronicities, the following came up in today's AWAD: usufruct *PRONUNCIATION:* (YOO-zuh-fruhkt, -suh-) *MEANING:* /noun/: The r

Re: [OT] Vivi, the Virtual Violinist, plays LilyPond music

On 11-03-22 07:57 PM, Graham Percival wrote: Pop music (and thus a lot of Vocaloid stuff) gets a bad rap for using the I IV V I chord progression a lot, but I don't see that amount of predictability to be any worse than classical music's predictability of beat strength in 4/4 time (strong-weak-m

Re: [PATCH] Re: strange instrument name bug

On 11-03-23 06:17 AM, Reinhold Kainhofer wrote: Dear Haipeng, Am Mittwoch, 23. März 2011, 01:01:44 schrieb 胡海鹏 - Hu Haipeng: I meant to show a bug that the instrument name in the GrandStaff collide with the instr names in its child staves, but the following file gives no instr name in the gr

Re: position of the little '8' in bass clef

On 11-04-03 09:14 AM, Werner LEMBERG wrote: Looks like a bug to me. See attachment. Definitely a bug... Werner In fact, it's logged as issue http://code.google.com/p/lilypond/issues/detail?id=877 cheers, Colin -- The test of our progress is not whether we add more to the abundance

Re: Odd Stem Lengths

On 11-04-17 09:17 AM, Ed Ardzinski wrote: Found my problem...it was a code error. I forgot to close a beam at the section prior to where I had my odd stem lengths. I did download v2.12.3 on my spare computer however, so I can start to experiment with what I have to do to convert to a newer

Re: Override Stem #'length-fraction does not shorten stem of ledger notes

//code.google.com/p/lilypond/issues/detail?id=1623 Colin Campbell Bug Squad -- The test of our progress is not whether we add more to the abundance of those who have much, it is whether we provide enough for those who have too little. -Franklin D. Roos

Re: tuplet brackets force print

Frescobaldi as your editor, and use the feature in the setup, which allows you to set paths to multiple versions of lilypond, choosing one as a default. Frescobaldi then honours the \version statement at the head of your .ly file, making switching versions trivial. HTH Colin Campbell http

Re: Is this some sort of glissando?

On 11-05-09 06:08 PM, Father Gordon Gilbert wrote: Phil, What you have there is not a glissando, but rather a bar where alternating notes are to be played as sixteenths (the two beams) for the entire bar (the dotted half). I'm not sure how to render this particular thing in Lilypond, but you co

Re: ppp on harmonics is too close to the bar line than normal notes

\midi { } } Thanks for the report, Marc. I've submitted this as issue 1653. Colin Campbell Bug Squad -- The test of our progress is not whether we add more to the abundance of those who have much, it is whether we provide enough for those who have too little. -Franklin D. Roosevelt, 32nd U

Re: Artificial-looking clef in a CueVoice?

me text, it'll stop me from having to remember : ) James ___ Thanks, James and Xavier! I've set up http://code.google.com/p/lilypond/issues/detail?id=1658 to track this. Cheers, Colin Campbell Bug Squad -- The test of our progress is no

Re: convert from .mus to .ly (Bach BWV 1073: Canon )

On 11-05-26 11:18 AM, Marc Mouries wrote: On 5/24/2011 10:01 PM, Shane Brandes wrote: Yes. First you must convert the Finale 2002 file to a Finale version that supports exporting to a .xml version (Finale 2007 or thereabouts) and then from there it is usually easy to convert the .xml file to .ly

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