Hi, I think I've discovered a bug in 2.19.80.
When I change the key signature midway through a piece, the key of a
transposed part is placed ahead of the key in the other parts. See the
attached file if what I say makes no sense.
\version "2.19.80"
\score {
<<
\transpose bes c' \relati
- Original Message -
From: "Robert Murdoch"
To: "lilypond-user"
Sent: Tuesday, December 05, 2017 10:58 AM
Subject: Bug regarding transposed key change
Hi, I think I've discovered a bug in 2.19.80.
When I change the key signature midway through a piece, the key of a
transposed part
On 05/12/2017 11:13, Phil Holmes wrote:
- Original Message - From: "Robert Murdoch"
To: "lilypond-user"
Sent: Tuesday, December 05, 2017 10:58 AM
Subject: Bug regarding transposed key change
See
https://lists.gnu.org/archive/html/lilypond-user/2017-11/msg00497.html
--
Phil Holmes
- Original Message -
From: "Robert Murdoch"
To: "Phil Holmes" ; "lilypond-user"
Sent: Tuesday, December 05, 2017 12:33 PM
Subject: Re: Bug regarding transposed key change
On 05/12/2017 11:13, Phil Holmes wrote:
- Original Message - From: "Robert Murdoch"
To: "lilypond-u
On 05/12/2017 13:12, Phil Holmes wrote:
- Original Message - From: "Robert Murdoch"
To: "Phil Holmes" ; "lilypond-user"
Sent: Tuesday, December 05, 2017 12:33 PM
Subject: Re: Bug regarding transposed key change
Well - it happened as far back as 2.12 - which was released around 9
ye
I have a piece of choral music in 8 parts. It's too low for my choir to
sing, so I want to transpose the entire piece up from the key of F to the
key of A.
I asked an almost identical question in November and the first answer I
received worked. Unfortunately, it doesn't work this time, perhaps
On 12/5/2017 5:25 AM, peter.gam...@homecall.co.uk wrote:
I have a piece of choral music in 8 parts. It's too low for my choir
to sing, so I want to transpose the entire piece up from the key of F
to the key of A.
I asked an almost identical question in November and the first answer
I received
I have a piece of choral music in 8 parts. It's too low for my choir to
sing, so I want to transpose the entire piece up from the key of F to the
key of A.
I asked an almost identical question on the forum in November and the first
answer I received worked. Unfortunately, it doesn't work this
Hi Peter,
> I have a piece of choral music in 8 parts. It's too low for my choir to sing,
> so I want to transpose the entire piece up from the key of F to the key of A.
> I asked an almost identical question in November and the first answer I
> received worked. Unfortunately, it doesn't work th
peter.gam...@homecall.co.uk writes:
> I have a piece of choral music in 8 parts. It's too low for my choir
> to sing, so I want to transpose the entire piece up from the key of F
> to the key of A.
>
> I asked an almost identical question in November and the first answer
> I received worked. Unfo
Ben writes:
> On 12/5/2017 5:25 AM, peter.gam...@homecall.co.uk wrote:
>> I have a piece of choral music in 8 parts. It's too low for my choir
>> to sing, so I want to transpose the entire piece up from the key of
>> F to the key of A.
>> I asked an almost identical question in November and the f
Kieren MacMillan wrote
> Hi Peter,
>
>> I have a piece of choral music in 8 parts. It's too low for my choir to
>> sing, so I want to transpose the entire piece up from the key of F to the
>> key of A.
>> I asked an almost identical question in November and the first answer I
>> received worked. U
- Original Message -
From:
To:
Sent: Tuesday, December 05, 2017 12:15 PM
Subject: Transposing an entire score (fwd)
I have a piece of choral music in 8 parts. It's too low for my choir to
sing, so I want to transpose the entire piece up from the key of F to the
key of A.
I asked an
Thank you all for your quick replies.
Flaming Hakama by Elaine wrote
> Regardless, the two page break issues of yours quoted above can be
> addressed by what I suggested, which is to stop using automatic page
> breaks,
> and put them in explicitly:
The workaround with manual page breaks works f
Phil Holmes wrote:
Incidentally - do check the log file produced. Your music is throwing lots
of warnings.
Mostly re AccidentalSuggestion.avoid-slur.
If the corresponding overrides in \layout are commented back in,
there are no more such warnings (but still no slurs).
Cheers,
Robin
_
On 12/5/2017 9:34 AM, Kieren MacMillan wrote:
I asked an almost identical question in November and the first answer I
received worked. Unfortunately, it doesn't work this time, perhaps because the
score is formatted differently.
As a mere musician, I'm afraid many of the answers I received last
Hi everyone,
Hope you're all having a great day. I had a friend ask me a question the
other day which got me thinking. I figured the best way was to pass it
along here and ask the community what they think. (My friend is strongly
considering switching to LilyPond from Finale currently)
We we
Hi Ben,
> how would you tell a new potential-LilyPond user the easiest way to go about
> changing some markings or music specifically in the part itself only while
> not touching it in the main score file?
"Easiest" in the short-term, or the long-term? ;)
Easiest in the short-term is almost
Thank you for your replies.
Unfortunately, I still can't make head-or-tail of most of them, so some more
context might help.
The music I'm trying to transpose isn't mine. I downloaded it (quite
legally!) from CPDL. I therefore have no control over which Lilypad version
it is.
As I said, I want
Am 5. Dezember 2017 19:07:40 MEZ schrieb Kieren MacMillan
:
>Hi Ben,
>
>> how would you tell a new potential-LilyPond user the easiest way to
>go about changing some markings or music specifically in the part
>itself only while not touching it in the main score file?
>
>"Easiest" in the short-t
Urs,
> I think this very-well-formulated question would be a terrific setting for a
> general introduction to the edition-engraver.
> It would be cool if you and Jan-Peter could write a post on the blog ;-)
Challenge accepted!
See you on the field at dawn. :^)
Cheers,
Kieren.
_
Hi Robert,
Am 05.12.2017 um 16:02 schrieb Robert Murdoch:
> It just seemed strange to me that the program would do this.
Lilypond aligns the key signature (only the flats or sharps) and puts
the key cancellation (which is a different object from the key
signature) before the key signature.
Perha
Hi Peter,
> The music I'm trying to transpose isn't mine. I downloaded it (quite
> legally!) from CPDL. I therefore have no control over which Lilypad version
> it is.
Of course you do: use convert-ly (as I did) to update it automatically.
That's one of the great benefits of open source music.
Hi all,
I can probably work a lot out on my own, but if someone could direct me to
any Lilypond-specific Scheme tutorials that might help with the idea I'm
thinking about, that would be super!
My idea is to remove a lot of boilerplate for score creation. Thus I can
have music defined as:
vio
Am 05.12.2017 um 20:16 schrieb Chris Yate:
Hi all,
I can probably work a lot out on my own, but if someone could direct
me to any Lilypond-specific Scheme tutorials that might help with the
idea I'm thinking about, that would be super!
https://scheme-book.ursliska.de
is very much work-in-(
On 12/5/2017 12:22 PM, Kieren MacMillan wrote:
It would be cool if you and Jan-Peter could write a post on the blog;-)
Challenge accepted!
See you on the field at dawn. :^)
I will be watching for this! OpenLilyLib and its Edition Engraver are
things I've been wondering about, but never saw a
Dear Rohan,
> is there a reference sheet for these properties somewhere that i
> should consult in future before writing the list?
I would recommend to read the learning manual. For questions like yours,
these pages could have helped you:
http://lilypond.org/doc/v2.18/Documentation/learning/movin
Thank you very much for the help and for sharing!
I didn’t know the repository on github.
I’ll take a deep look on the whole library.
Again thank you!
Massimiliano
> On 5 Dec 2017, at 00:21, Andrew Bernard wrote:
>
> HI Massimiliano,
>
> I have written a very nice slash function that covers
https://scheme-book.ursliska.de
"Iterating over the elements of a list is an extremely common programming
task. However, this is an area where Scheme is quite different from other
languages, and its idioms are very elegant - once they are not confusing
anymore. It is therefore important to reall
On Tue, Dec 5, 2017 at 6:39 PM, Chris Yate wrote:
>
> https://scheme-book.ursliska.de
>
> However, this is an area where Scheme is quite different from other
> languages
The times I've looked at Scheme, I got the impression that it works
more like spreadsheet formulas that just "calculate" rather
> From: Kieren MacMillan
> To: Ben
> Subject: Re: Question for a new LilyPond user (parts-only editing)
> Hi Ben,
>
> > how would you tell a new potential-LilyPond user the easiest way to go
> about changing some markings or music specifically in the part itself only
> while not touching it in th
Hi Karlin,
No, not correct, and not a useful analogy.
The lambda calculus is a universal model of computation. Scheme is a
reasonably thin layer over the top of lambda calculus to make it more
practical for programming. Scheme therefore has deep theoretical beauty,
almost no syntax, and is much l
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