On Sun, May 12, 2013 at 7:58 AM, Nathan wrote:
I'm not sure if I follow your question. Do you have an image or something
> that demonstrates what you want?
>
Yep, see the attachment. I put the chords at the top for reference, and
then the solo follows. The final source code is:
https://githu
On Sat, 2013-05-11 at 18:45 +0100, Phil Holmes wrote:
>
> >> Look in the index for the command \RemoveEmptyStaves
> >
> > ??? that is precisely the page quoted above???
> >
> > Richard
>
>
> No it's not. Note the \ .
Ah, yes - thank you, I never noticed before that there was stuff indexed
unde
2013/5/12 Richard Shann :
> With the page pointed to by \RemoveEmptyStaves I arrived at
>
> \layout { \context { Staff \RemoveEmptyStaves } }
>
> then I discovered that my recollection was correct - I had already been
> here some years ago, when I arrived at this
>
> \layout { \context {\RemoveEmp
2013/5/12 Xavier Noria :
> Not sure what happen with the image.
Maybe the image was too large.
Posting images, I always try to make them as small as possible, using
the -dpreview option, or some graphical software (GIMP etc).
If possible, no screenshots.
Cheers,
Harm
_
On Sun, 2013-05-12 at 11:26 +0200, Thomas Morley wrote:
> 2013/5/12 Richard Shann :
>
> > With the page pointed to by \RemoveEmptyStaves I arrived at
> >
> > \layout { \context { Staff \RemoveEmptyStaves } }
> >
> > then I discovered that my recollection was correct - I had already been
> > here s
- Original Message -
From: "Richard Shann"
To: "Phil Holmes"
Cc: "lilypond-user"
Sent: Sunday, May 12, 2013 9:47 AM
Subject: Re: Hara Kiri staff behavior
On Sat, 2013-05-11 at 18:45 +0100, Phil Holmes wrote:
>> Look in the index for the command \RemoveEmptyStaves
>
> ??? that is p
Thomas,
Worked it out - your version doesn't quite work as you have to make sure the
override is in the correct context.
\version "2.16.2"
\language "english"
OboePart= {
\key a \minor
\compressFullBarRests
\clef treble
\override Staff.TimeSignature #'stencil = ##f
R1*81
\over
It appears that an acciaccatura in conjunction with
"\set chordChanges = ##t" can prevent a ChordNames staff from
engraving a repeated chord at the beginning of a line.
Either removing the acciaccatura or setting chordChanges = ##f
eliminates the problem.
Known issue?
Also, the acciaccatura see
Thomas,
That wasn't right either - the 2nd setting should have been
\revert Staff.TimeSignature #'stencil
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
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On Sat, May 11, 2013 at 11:42 PM, David Kastrup wrote:
> Janek Warchoł writes:
>
> > 2013/5/11 David Kastrup :
> >> Janek Warchoł writes:
> >>> my experience (particularly with Fried project) shows that
> >>> with regard to slurs and ties, LilyPond is very far from automated
> >>> typesetting.
Am 12.05.2013 13:35, schrieb David Nalesnik:
On Sat, May 11, 2013 at 11:42 PM, David Kastrup wrote:
Janek Warcho? writes:
2013/5/11 David Kastrup :
Janek Warcho? writes:
my experience (particularly with Fried project) shows that
with regard to slurs and ties, LilyPond is very far from au
Hi Xavier,
perhaps, this comes close to what you want ({a b c' } being the
replacement for your solo):
\version "2.16.0"
\language "english"
chordslist = \chordmode {
c1:7 cs1:7 d1:m7 d1:7 d1:aug7 d1:11 d1:13 ef1:13 e1:7 e1:aug7 f1:7
g1:7 g1:aug7 a1:m7 a1:7 a1:9 b1:m7 b1:7
}
\bookpart {
David,
I'm sorry, but this doesn't help much. I know nothing about GUILE
and have no contact with them.
I agree that this may not be a Lilypond bug, and that you
have better things to do than debug someone else's code
(don't we all?) - but how does one flag this sort of thing
up.
Best regards,
I need to have a sequence of text spanners (like Rall --- en --- tan --- do)
The problem is that because of the varying height of objects on the stave, the
following code places the different bits of text at different vertical
positions.
I can't see anything in the documentation about forcing t
Thank you again, Thomas!
Well, you could do the following, although it might be not be the same
as \hfill in Tex.
Indeed, there are a few differences, notably in the fact that the amount
of space is not calculated automatically, and in the fact that it cannot
be inserted between two ele
Alas, I use 2.14.2...
Why?
Because I use Debian, and the version of LilyPond in testing is 2.14.2.
I tried to install the 2.16.0 from Debian experimental, but for some
reason the overall layout of my scores was changed, for worse. Perhaps I
should have tried to fix the problem instead
Is there a way to use the custodes feature of LilyPond, but with modern
glyphs (for example normal notes with the \teeny size), instead of the
funny medieval glyphs? I see in:
http://lilypond.org/doc/v2.16/Documentation/notation/ancient-notation_002d_002dcommon-features#custodes
that four s
Hi,
I'd like to use lilypond to build notation exercises. That requires, for
example, that I output chord names, but not the corresponding notes, or notes,
but not the corresponding tablature. Still, I'd want the empty staffs or string
tabs to show on the output.
I've tried removing engravers fo
Am 12.05.2013 10:51, schrieb simoneces...@libero.it:
> Hi,
>
>
> I'd like to use lilypond to build notation exercises. That requires, for
> example, that I output chord names, but not the corresponding notes, or
> notes, but not the corresponding tablature. Still, I'd want the empty
> staffs or
- Original Message -
From: "Peter Toye"
To:
Cc:
Sent: Sunday, May 12, 2013 2:38 PM
Subject: Re: Fatal bug in strftime?
David,
I'm sorry, but this doesn't help much. I know nothing about GUILE
and have no contact with them.
I agree that this may not be a Lilypond bug, and that you
> or remove the engravers as you did (you have to find all of them, here
> are the names, in case you are searching)
To prevent confusion: I meant all _necessary_ ones in order to hide what
you want to be hidden. For sure, you must not hide all engravers listed
on the given website.
Cheers,
Joram
g...@sdf.org writes:
>>
>>> Alas, I use 2.14.2...
>>
>> Why?
>>
>
> Because I use Debian, and the version of LilyPond in testing is
> 2.14.2. I tried to install the 2.16.0 from Debian experimental, but
> for some reason the overall layout of my scores was changed, for
> worse. Perhaps I should ha
David Nalesnik writes:
[\shape]
> As I said above, it is most useful when such layout details as line and
> page breaks are settled--as, of course, is directly overriding control
> points,
Well, it's good that we have it, and bad that we need it.
--
David Kastrup
I think I got it. I still have errors in the score lay out because I was trying
to add instruments that were not there in the firs place lol! but can someone
plz make sure at least the time sig is right?
Take care and be blessed.
final score.ly
Description: Binary data
In the mean time I'
Hi Peter,
On Sun, May 12, 2013 at 8:45 AM, Peter Toye wrote:
> I need to have a sequence of text spanners (like Rall --- en --- tan ---
> do)
>
> The problem is that because of the varying height of objects on the stave,
> the following code places the different bits of text at different verti
Ok. in braille music, I see the word "pizz "and i know until I see "arco" I
have to pluc the string. In lily pond I don't want to put \pizz over every
single note especially since with the \repeat volta 2 {music} I want to only
have the viola do \arco at the second time through this particular r
Hi Sarah,
in the lines 114 and 169 your braces are still not right, they should be
after the \relative c command and not before.
In line 315 and 366, there is a closing brace missing (I suppose).
With these changes, LilyPond is able to compile it and the time
signatures are right (12/8). But the
Hi,
2013/5/12 David Kastrup :
> David Nalesnik writes:
>
> [\shape]
>
>> As I said above, it is most useful when such layout details as line and
>> page breaks are settled--as, of course, is directly overriding control
>> points,
>
> Well, it's good that we have it, and bad that we need it.
That
I was looking for the counterpart to bendAfter and found
that Lilypond does not define a 'bendBefore' function.
I located Valentin's workaround function 'bendStart' at
http://lilypond.1069038.n5.nabble.com/bends-before-notes-how-to-tp22214p22218.html
but it doesn't compile for me under 2.16.2:
2013/5/12 :
> Is there a way to use the custodes feature of LilyPond, but with modern
> glyphs (for example normal notes with the \teeny size), instead of the funny
> medieval glyphs? I see in:
>
> http://lilypond.org/doc/v2.16/Documentation/notation/ancient-notation_002d_002dcommon-features#cust
On May 12, 2013, at 11:52 AM, Sarah k Alawami wrote:
> Ok. in braille music, I see the word "pizz "and i know until I see "arco" I
> have to pluc the string. In lily pond I don't want to put \pizz over every
> single note especially since with the \repeat volta 2 {music} I want to only
> hav
What does the ^ symbol mean again? I use the words as the table of symbols is
an image only. I wrote about that some ware on this list a while ago. lol!
I'll try the mbark up.
I have slur marks. and I have not played the cello or viola in a while. Will
the pizz part even though it is slered
Hi all,
Frescobaldi 2.0.10 is out, with a new tool Tools->Outline, showing the
structure of LilyPond documents (configurable in the
Preferences->Tools->Outline). Translations have been added and bugs
fixed. Full changelog:
Changes in 2.0.10 -- May 12th, 2013
* Translations:
- updated: nl, de,
Hey thank you thank you thank you for the mark up idea. It appears to have
worked and didn't error out so I guess that's good. I can't wait to get this
done. I'm sick of hearing this song over and over and… at least in my head
anyways.
Be blessed.
On May 12, 2013, at 12:05 PM, Tim McNamara w
I'm creating some jazz charts that require a transposed lead
sheet for a Bb or Eb instrument. I haven't messed with \bookpart
much before.
The most obvious problem, and one that I knew was coming,
pertains to stroke marks in improvisation sections:
\version "2.16.2"
stemOff = { \override Staff.
Jim Long writes:
> I was looking for the counterpart to bendAfter and found
> that Lilypond does not define a 'bendBefore' function.
>
> I located Valentin's workaround function 'bendStart' at
>
> http://lilypond.1069038.n5.nabble.com/bends-before-notes-how-to-tp22214p22218.html
>
> but it doesn'
On Sun, May 12, 2013 at 2:10 PM, Jim Long wrote:
> I'm creating some jazz charts that require a transposed lead
> sheet for a Bb or Eb instrument. I haven't messed with \bookpart
> much before. [...]
>
Try adding this to the score block:
\score {
% ...
\layout {
\context {
\Voice
On 12/05/13 23:45, Peter Toye wrote:
I need to have a sequence of text spanners (like Rall --- en --- tan --- do)
The problem is that because of the varying height of objects on the stave, the
following code places the different bits of text at different vertical
positions.
Someone asked muc
Jim Long wrote:
I was looking for the counterpart to bendAfter
This might do what you want:
http://lists.gnu.org/archive/html/lilypond-user/2009-06/msg00137.html
Cheers,
Robin
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Ok. can someone please go over the score and correct what I missed? I think I
missed some braces and misplaced some accent marks but please let me know if
the notes are in the proper ranges of the instruments as I'm still 1, learning
them and 2, learning lily pond. I still could not get the bass
Excellent! Thank you so much for all your work. Using Frescobaldi is always a
pleasure.
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/ANN-Frescobaldi-2-0-10-tp145815p145829.html
Sent from the User mailing list archive at Nabble.com.
I use the following link from the caption subject
http://code.google.com/p/lilykde/downloads/list
I got the following error message.
Frescobaldi Setup 2.0.10.exeUnknown network error.
Ming.___
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Hello List,
I know about the \grace, \appoggiatura, \acciaccatura and \afterGrace commands
which can be used in order to create grace notes. However, none of these would
put a grace note exactly on the beat: they would either put it just after the
`main' note (in the case of \afterGrace) or ju
on 2013-05-12 at 16:45 Sarah k Alawami wrote:
> Ok. can someone please go over the score and correct what I missed?
I found many errors when compiling of different kinds, mainly: lilypond
syntactic errors, bar check errors, and octave errors.
I don't know how to proceed. I could try to identif
On 13/05/13 11:12, MING TSANG wrote:
I use the following link from the caption subject
http://code.google.com/p/lilykde/downloads/list
I got the following error message.
Frescobaldi Setup 2.0.10.exeUnknown network error.
I had no problems downloading from the same link.
Hello all,
I'm working on putting together some "house style" stylesheets, and wanted to
see if I had the best structure…
As one example, I'm tweaking up a Henle piano score stylesheet (e.g. Beethoven
Piano Sonatas Urtext, ca. 1980):
1. Lilypond.ily
-- basic settings [that really should be Lil
Ok. I correct what I could, but I'm having issues with the grace notes. I tried
putting the \grace command both before and after the note where the grace note
is and no change. What now?
I think there is a similar issue with the \trill command which I got to work
before but can't get to work n
Struggling through with installing this on a Mac, how the heck does one get
Poppler to work? Jeez, after installing nearly a GB of dependencies,
everything seems to work but Poppler.
Qt libraries (qt-mac-opensource-4.8.4.dmg)
Python 2.7.4 for OS X 10.6
sip-4.14.6 (which seems to be part of the
Excellent! Thank you so much for releasing this!
On a side note, have you seen this message of mine?
http://lilypond.1069038.n5.nabble.com/Quick-Frescobaldi-question-td145534.html
Any thoughts on how (if at all possible) I could get icons in place of the
menu text on Ubuntu/Linux? (i.e. Save, Ope
On May 12, 2013, at 10:24 PM, Tim McNamara wrote:
> Struggling through with installing this on a Mac, how the heck does one get
> Poppler to work? Jeez, after installing nearly a GB of dependencies,
> everything seems to work but Poppler.
Hi Tim, Glad you've got Frescobaldi working except fo
On 13 May 2013 12:24, Tim McNamara wrote:
> Struggling through with installing this on a Mac, how the heck does one get
> Poppler to work? Jeez, after installing nearly a GB of dependencies,
> everything seems to work but Poppler.
>
> Qt libraries (qt-mac-opensource-4.8.4.dmg)
> Python 2.7.4 fo
> Hey thanks for pointing those out. I'm still having failed bar checks where
> there is a pick up note in to the measure, but the check fail happens at the
> end of the repeat where that measure is incomplete anyway. Here is the
> attached almost corrupted ly file.
final score.ly
Description:
Siska Ádám sadam.hu> writes:
> I was
> wondering how I would be able to put the grace note just on the beat.
>
It is easiest to use normal notes and tell LilyPond that the durations
shorter than normal, say 1/4 the written length, with c'16*1/4 and
that the following note gets only a fraction
Keith OHara oco.net> writes:
> I could not quickly figure out how to apply all the 'graceSettings
> to the normal voice, but there is probably a way to do so and maybe
> we should make a short command \graceSettings for that.
>
Some less-ugly version of
graceSettings = \applyContext #
(lambda (
Hello to the list.
I notice that some of my grace notes are also causing the bar check errors but
most of them I think are happening at the end dog repeats where there's an
incomplete measure as it was filling time so you can go back and repeat the
anicrusis.
Over all thats all I'm noting, t
Can I second that, re mac ports? The only way Frescobaldi seems to work
on Mac OS X is to use the mac ports versions of the dependencies.
Downloading them all individually and building them - I just can't make
that approach work.
Try from mac ports:
http://www.macports.org/
Andrew
On 13/05
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