For example, you can define your own music function that has a single
numerical argument (for example to modify some spacing parameters).
The syntax for such a function would be exacty of the form \myvar 1.
/Mats
[EMAIL PROTECTED] wrote:
I would expect that
\myvar1 refers to the variable
That's strange. I just tried to copy the string quartet template and
change the
key signature in the definition of \global, and it certainly is printed
on every
stave. You must have done something else that causes the problem.
/Mats
Christopher A. LaFond wrote:
Hi,
I am arranging a piece f
Christopher A. LaFond wrote:
Graham Percival wrote:
The syntax has changed; please see the same page in the latest 2.11
docs.
- Graham
Thanks for the update. However, it's still giving me a syntax error
when I try to use a dotted note in the tempo.
So while:
tempoWholesPerMinute = #(ly
Every time you do \new Lyrics, you get a new Lyrics context, which is
placed on a separate line. Just include all your lyrics sections into
one and
the same Lyrics context if you want them vertically aligned, i.e.
replace your
current \score block with
\score {
<<
\new Staff = "whole"
XP+lily2.10
Hi, and happy new year.
Have you tried to insert a
\header {
breakbefore = ##t
}
it makes a pagebreak just before a score.
Regards.
Jmarc
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/l
I'm not sure that this answers the original question on how to add a
page break before a markup. According to
http://lists.gnu.org/archive/html/lilypond-devel/2006-06/msg00210.html
it should be possible to add a \pageBreak at the end of the previous score,
though.
/Mats
Jean-marc LEGRAND wrote
Hi !
I don't quite understand your question, but maybe the answer is :
\version "2.10.0"
\relative c' {
\clef treble
\key bes \major
\time 3/4
\partial 4*1 f4
bes \(( d8 c) d bes g'4 \) es2
}
I have put \( after the bes and not before.
Is that what you wanted to do ?
Regards
_
Hi !
I've not been through all your score, but I know that break pb are often tied
to paging pb. I mean
you have to be very carefull with multiple voices : they have to be "breakable"
at the same time and
the same place.
Regards
PS : try a simple example before breaking in a huge score.
I must have dreamt that I tried it. Anyway, it seems that the unit of the
argument is not the same as for global-set-staff-size. If you try
#(layout-set-staff-size (* 14.0 pt))
you will get the correct size. Still, the staff line spacing isn't adjusted
as long as the function is called within a \l
On 1/1/07, Robert Edge <[EMAIL PROTECTED]> wrote:
Can anyone recommend a more elegant way to force the second of a pair
of tied notes to display an accidental?
Try \override Accidental #'forced = ##t
(of course, you may also need a '!' depending on the accidental rules)
__
On Monday 01 January 2007 20:57, Mats Bengtsson wrote:
> Frédéric Chiasson wrote:
> > Might it be possible to use
> >
> > \tuplet 3:2 {x x x}
> >
> > for the usual operation, and if we want to have many tuplets of the
> > same kind, to use
> >
> > \tuplet 3:2 { {x x x} {y y y} {z z z} }
> >
> > Mig
Greetings -
I guess I have a couple of questions and maybe a problem.
I'm running Windows XP Pro V.2002 SP2.
I downloaded . I tried to run it and got a
message saying I needed to uninstall the old version. I uninstalled the
old version (2.10.0), rebooted, and ran
without any problem. I was tryi
The short answer is that there haven't been any syntax changes between
2.10.0 and 2.10.7, so there's no need to run convert-ly.
Anyway, the procedure is:
- Start a command prompt: Start Menu -> Programs -> Accessories ->
Command Prompt
- Change working directory to the folder where you have you
Other simple procedure , in the folder of myfile.ly,
open a new document text with your notepad,
write : convert-ly -e myfile.ly .
Save this document with the extension *.bat,
example : convert.bat .
Do launch with a double-clic on this file.
--
Martial
http://cathemline.org
__
Am 2006-12-28 um 02:44 schrieb Manuel:
Insert double bars and repeats like this:
\bar "|:"
b c d e
\bar ":|:"
f g a b
\bar ":|"
Don't you think \repeat{} makes more sense?
(I prefer logical over visual markup.)
And last but not least in our little first beginners' chapter,
we'll give y
Just a small typo:
If you need, say, an eight-note anacrusis
should be
If you need, say, an /eighth/-note anacrusis
Brett
--
Brett Duncan
[EMAIL PROTECTED]
"Always do right - this will gratify some and astonish the rest."
Mark Twain
___
lily
Am 2006-12-29 um 05:44 schrieb Manuel:
And in German, trousers are feminin, skirts are masculine and
little girls are neuter.
getting completely off topic:
No, it's "die Hosen" originally, plural, from English "hoses"; "a
pair of trousers" = "ein Paar Hosen".
"Das Mädchen" is neuter becaus
> ... in irregular, tuplet-intensive music it may be sensible to create a
> music function for sequences of tuplets. In addition, it's IMHO a more
> lilypondesque solution than tupletSpannerDuration, once we support fractions
> as music function arguments.
If I understand you correctly, this woul
Till Rettig wrote:
> Wow this worked fast -- this is actually my first bit of work for the
> "great community", so quite happy that results are coming so quick.
Committing contributions quickly is important to keep contributors
involved :-)
> Jan Nieuwenhuizen wrote:
> >
> > For the next batch o
On 1/2/07, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote:
> ... in irregular, tuplet-intensive music it may be sensible to create a
> music function for sequences of tuplets. In addition, it's IMHO a more
> lilypondesque solution than tupletSpannerDuration, once we support fractions
> as music fun
Mats Bengtsson <[EMAIL PROTECTED]> wrote: Every time you do \new Lyrics, you
get a new Lyrics context, which is
placed on a separate line. Just include all your lyrics sections into
one and
the same Lyrics context if you want them vertically aligned, i.e.
replace your
current \score block with
Hi,
How do I tweak just the right endpoint of a hairpin and move it just
slight to the left.
There was a discussion about exactly this point in 2004
http://lists.gnu.org/archive/html/lilypond-user/2004-08/msg00284.html
but it seems to me like there's some other solution and I just can't
think
In the shape note world, specifically the four-shape world of Sacred
Harp music, there are two scales. Lilypond supports the major scale.
The minor scale starts a couple notes down.
For the major keys, this definition works:
sacredHarpHeads = \set shapeNoteStyles = ##(fa #f la fa #f la mi)
But
23 matches
Mail list logo
