> Am 30.10.2020 um 12:24 schrieb Damien Garwood :
>
> So far, we have been using MIDI to hear our scores back, but since MIDI is an
> events-only system, does that accurately reflect how the score looks? For
> instance, articulations wouldn't be able to be replicated in MIDI, nor would
> the
> [...] I take it the "angle brackets" are the < and > symbols? The
> reason I ask is because screen readers often read these out as
> "less" and "greater".
Yes. The terminology is a bit unfortunate – indeed, “less than” and
“greater than” are the correct names for the ASCII characters < and >,
Hi Aaron,
Having no prior knowledge of print, please excuse me for asking, but I
take it the "angle brackets" are the < and > symbols? The reason I ask
is because screen readers often read these out as "less" and "greater".
That's one of the things that confused us - the fact that sometimes you
MIDI output from LilyPond is usually the way one would be able to listen to
their score.
While MusicXML can be converted *to* LilyPond, the reverse is not possible to
my knowledge. There is an open issue [2] filed requesting a MusicXML backend
to LilyPond, which would enable it to output
> After looking into several different score-writing software, I am
> now studying LilyPond to see how I could use it to produce music
> scores. [...]
>
> We have been making our way through the Learning Manual and are
> struggling with the concepts underlying the construction of chords,
> mult
On 2020-10-29 6:25 pm, Jenny Suchan wrote:
My name is Jenny Suchan, and I just joined this list yesterday. I am a
totally blind musician seriously pursuing a career in music
composition. After looking into several different score-writing
software, I am now studying LilyPond to see how I could use
Hello everyone,
My name is Jenny Suchan, and I just joined this list yesterday. I am a
totally blind musician seriously pursuing a career in music composition.
After looking into several different score-writing software, I am now
studying LilyPond to see how I could use it to produce music sc
Right, I did that quickly without checking the whole score.
Also, as I use \fixed, I found it faster to type.
But again, you're right, it's a single voice.
Cheers,
Pierre
Le jeu. 21 mai 2020 à 18:29, Lukas-Fabian Moser a écrit :
> Hi Pierre,
>
> Am 21.05.20 um 15:53 schrieb Pierre Perol-Schneide
Okay, for number one:
If you name the Staves, i.e. You got something like
\new PianoStaff
<<
\new Staff = "right" { ... }
\new Staff = "left"{ ... }
>>
You can switch a voice between these staves by
\change Staff = "right"
Also see
http://lilypond.org/doc/v2.19/Documentation/notation/common-nota
So here you go.
Cheers,
Pierre
(typos possible)
Le jeu. 21 mai 2020 à 19:09, Pierre Perol-Schneider <
pierre.schneider.pa...@gmail.com> a écrit :
> Right, I did that quickly without checking the whole score.
> Also, as I use \fixed, I found it faster to type.
> But again, you're right, it's a sin
Hi Pierre,
Am 21.05.20 um 15:53 schrieb Pierre Perol-Schneider:
Here's a template, made as clear as possible, in a fixed mode (no
relative).
(First measures taken from:
https://imslp.simssa.ca/files/imglnks/usimg/9/9b/IMSLP411479-PMLP05948-bach-wtk-ur-1.pdf)
But what's the point in using
Dear
Mark Stephen Mrotek
Pierre Perol-Schneider
Hans Åberg
Lukas-Fabian Moser
Jacques Menu
Wow, the extremely quick response here is more than anyone could expect.
Thank you all for your very nice comments and suggestions. I have to do
some homework to get it right. I am confident with your hints
t = #0
}
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of R.H.
Sent: Thursday, May 21, 2020 5:53 AM
To: lilypond-user
Subject: New User: How can one separate voice share different clefs in a piano
fugue?
INTRO
A big "Hello"
Hi Roland,
Here's a template, made as clear as possible, in a fixed mode (no
relative).
(First measures taken from:
https://imslp.simssa.ca/files/imglnks/usimg/9/9b/IMSLP411479-PMLP05948-bach-wtk-ur-1.pdf
)
HTH,
Cheers,
Pierre
Le jeu. 21 mai 2020 à 15:34, Hans Åberg a écrit :
>
> > On 21 May
> On 21 May 2020, at 14:53, R.H. wrote:
>
> I started to encode the Bach's Fugue Nr. IX in Lilypond. I stumbled over a
> problem which I could not yet (as a beginner) solve.
One way to learn is looking at examples, here is one for BWV 861 instead of BWV
854:
http://lilypond.org/doc/v2.19/Doc
Hi Roland,
welcome!
I started to encode the Bach's Fugue Nr. IX in Lilypond. I stumbled
over a problem which I could not yet (as a beginner) solve. The music
is polyphonic with three distinct voices. There is a bass voice, a
soprano voice and an alt voice. The alt voice uses both clefs in the
Hello Roland,
It will be easier for the people on this list to help you if you can post an
image of the score look you’re aiming at.
JM
> Le 21 mai 2020 à 14:53, R.H. a écrit :
>
> INTRO
>
> A big "Hello" to this list!
>
> I am new to Lilypond and worked through the intro documentation. My
INTRO
A big "Hello" to this list!
I am new to Lilypond and worked through the intro documentation. My name is
Roland Hüttmann from Switzerland. I am an amateur piano player for almost
all genres, but mainly classical music, currently learning the Prelude and
Fugue IX of the Well Tempered Clavier
Hi Kieren, was that !
Here is my firt note with markup
[image: imagen.png]
Thank you very much! :D
On Tue, Jan 8, 2019 at 6:20 PM Kieren MacMillan <
kieren_macmil...@sympatico.ca> wrote:
> Hi Monchito,
>
> > i getting frustrating because i can't do a tablature of a simple note:
>
> I think yo
Hi Monchito,
> i getting frustrating because i can't do a tablature of a simple note:
I think you need to have the lh and rh entries as well, even if they’re null:
\version "2.19.80"
global = {
\key d \major
\time 4/4
}
\relative d'' {
\global
\textLengthOn
d4^\markup { \woodwind-dia
Hi all, i'am new on LilyPond.
Following this link:
http://lilypond.org/doc/v2.19/Documentation/snippets/winds
Seems really nice, but i getting frustrating because i can't do a tablature
of a simple note:
*Here is the code:*
global = {
\key d \major
\time 4/4
% \relative mode d'
}
\relativ
(OT) Back in the '60s I had a blind piano teacher. She was a regular
attender at the Methodist Church. The Methodist Hymn Book of that
period had just under 1,000 hymns, some with alternate tunes. Neatly
stacked in one of the pews were a pile of large format books (from
memory about A3 size). T
On 11/10/2017 4:05 PM, Daniel Chavez wrote:
I am a totally blind musician and have been playing piano since I was
3-years-old. I came across LilyPond in my efforts to find a free-ware software
that I can write out my music for sheep music purposes
We have an extended-family member who is blin
Ralph
On Fri, Nov 10, 2017 at 5:05 PM, Daniel Chavez wrote:
> Hello,
> I am a new user to this list and would like to introduce myself.
> I am a totally blind musician and have been playing piano since I was
> 3-years-old. I came across LilyPond in my efforts to find a free-ware
>
Hello,
I am a new user to this list and would like to introduce myself.
I am a totally blind musician and have been playing piano since I was
3-years-old. I came across LilyPond in my efforts to find a free-ware software
that I can write out my music for sheep music purposes, and thus, Lilypond
2013/12/30 Trevor Daniels
> Hi Molly
>
> There were a couple of errors that prevented compilation:
>
> Line 23: barcheck before slur opening bracket
> Line 141: missing closing angle bracket
>
> Having fixed those lots of barchecks remain, but you're best able to
> correct them.
>
Molly, did you
sure rests).
As usual for code, everyone has their own small layout preferences.
I'd say that for a new user her file is pretty impressive, is it
that lilypond is easy to learn or is she smart; and by time she will
find out what works best for her.
Is there any notes about "best practicies
;Urs Liska"
To: "lilypond-user"
Sent: Monday, December 30, 2013 10:46 AM
Subject: Fwd: Re: new user problem
>I didn't notice she sent this privately ...
>
>
> Ursprüngliche Nachricht
> Von: Molly Preston
> Gesendet: Mon Dec 30 00:57:00 M
liche Nachricht
Von: Molly Preston
Gesendet: Mon Dec 30 00:57:00 MEZ 2013
An: Urs Liska
Betreff: Re: new user problem
Hi Urs,
Not sure if you want this as an attachment so I'm sending it both ways.
\version "2.16.2"
melody = \relative c' {
\clef treble
\key c \majo
I didn't notice she sent this privately ...
Ursprüngliche Nachricht
Von: Molly Preston
Gesendet: Mon Dec 30 00:57:00 MEZ 2013
An: Urs Liska
Betreff: Re: new user problem
Hi Urs,
Not sure if you want this as an attachment so I'm sending it both ways.
\versi
ond Tutorials (for beginners) --> http://bit.ly/bcl-lilypond
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Molly Preston schrieb:
>I have been learning Lilypond over the past few weeks. I am entering a
>song
>with piano that I wrote. Even though I am using the template for this I
>keep getting fatal errors. It'll work for a while and then when I add
>more
>notes I get a fatal error. I get syntax err
I have been learning Lilypond over the past few weeks. I am entering a song
with piano that I wrote. Even though I am using the template for this I
keep getting fatal errors. It'll work for a while and then when I add more
notes I get a fatal error. I get syntax errors, barcheck errors,
unexpected
- Original Message -
From: "Ed Faulk"
To: "Phil Holmes"
Sent: Thursday, December 26, 2013 11:21 AM
Subject: Re: Question from a new user
Phil,
Please always "reply all" so that others can also answer your questions and
benefit from the answers.
- Original Message -
From: "Ed Faulk"
To:
Sent: Thursday, December 26, 2013 3:03 AM
Subject: Re: Question from a new user
Thanks to everyone who replied. I've once again been bitten bitten by the
"assume" bug -- after 50 years of working with computers you&
Thanks to everyone who replied. I've once again been bitten bitten by
the "assume" bug -- after 50 years of working with computers you'd think
I would learn my lesson. Problem solved with the follwing simplified code:
\relative c' {
\override Score.TimeSignature #'stencil = ##f
\key f \major
ecember 25, 2013 5:48 PM
To: lilypond-user@gnu.org
Subject: Question from a new user
I'm new to LilyPond although a long time composer starting with pen and ink
and moving to newer scoring program.s I'm currently using LilyPond inside
Scribus to produce manuscripts containing musical snipp
I'm new to LilyPond although a long time composer starting with pen and
ink and moving to newer scoring program.s I'm currently using LilyPond
inside Scribus to produce manuscripts containing musical snippets. I
can't seem to find the resolution to a problem I'm experiencing. Using
the followin
Are you saying that \alternative is known to work with \parallelMusic?
I can create a minimal example when I get home from work.
But what I was doing was:
\parallelMusic #'(upper lower) {
\repeat volta 2 {
% Bar 1
% right hand notes here |
% left hand notes here |
}
\alternative
On Mon, Dec 23, 2013 at 2:15 PM, Tim Ringenbach
wrote:
> [...]
> But, I still wasn't able to get the pedal in the second ending to start out
> open. It always gave me a warning that the \sustainOff didn't have a
> matching \sustainOn for the last measure. It worked in the first ending
> though, wh
There is a way to make roman numerals here.
http://lsr.dsi.unimi.it/LSR/Item?id=710
Click on the image, save the wall of text you see as roman.ly, and add the
line \include roman.ly after the version line.
As for the rest, I would have to see your code to see why it was acting
strange.
On Mon, D
I decided I wanted to mess with some music in svg format. I decided to use
lilypond, and to typeset something from my beginner's piano book to play
around with. I was mainly using lilypond
2.17.91, although I also had a copy of 2.16.2.
You can see the page I was trying to duplicate on amazon's pr
2013/10/18 Eduardo Silva :
> Thank you, Carl and Janek. Awesome stuff. I liked your simple introduction
> to Lilypond, Janek, even though I don't speak any polish ;-)
I'm glad you liked it :-)
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2013/10/18 Janek Warchoł :
> 2013/10/18 Carl Peterson :
>> Someone on the list (I can't remember who, precisely) wrote a macro that
>> allows one to left-align all the lyric syllables at an arbitrary musical
>> point. It looks at all the syllables at that point, figures out the longest
>> one (as t
> From: janek.lilyp...@gmail.com
> Date: Fri, 18 Oct 2013 16:36:20 +0200
> Subject: Re: Lyrics to hymn - new user
> To: carlopeter...@gmail.com
> CC: eduardo.su...@hotmail.com; lilypond-user@gnu.org
>
> 2013/10/18 Carl Peterson :
> > Someone on the list (I can't
2013/10/18 Carl Peterson :
> Someone on the list (I can't remember who, precisely) wrote a macro that
> allows one to left-align all the lyric syllables at an arbitrary musical
> point. It looks at all the syllables at that point, figures out the longest
> one (as typeset), centers it, and left ali
On Fri, Oct 18, 2013 at 9:12 AM, Eduardo Silva wrote:
> Hi, Carl. I like your sample. What do you do to make the verses left
> aligned (and possibly shifted) at the start of a new system? Do you do it
> manually? I know one could do it fairly easy if at the start of every new
> verse in the lyrics
Hi, Carl. I like your sample. What do you do to make the verses left aligned
(and possibly shifted) at the start of a new system? Do you do it manually? I
know one could do it fairly easy if at the start of every new verse in the
lyrics one could put the directive to align the syllable to the le
nimi.it/LSR/Item?id=503
this still needs some tweak-ing/override-ing to get the alignment correctly.
Eluze
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2013/10/17 David Kastrup :
> Carl Peterson writes:
>
>> With my template system, most hymns take me 1/2 an hour at most, and
>> probably 85% of that is music input, 10% of it is linking the template
>> files together, and 5% of that is fixing input errors.
>
> So here is the challenging question:
2013/10/17 Colin Campbell :
> PS:
> @Janek: would a library of templates, not snippets, be a useful test for a
> workflow management system?
Blimey, i've almost missed this email! Please cc me when you have a
question for me, as i'm not able to read the whole list.
To answer your question: of cou
Hi Folks. I thank you all for your continued help.
Thomas Morley-2 wrote
> don't put \new Lyrics _into_ the Staff.
This one line showed me the essence of my error, so I am able to work from
there. Now that I look at it, it does look like a newbie error, but I just
wasn't seeing it before.
Elu
On Thu, Oct 17, 2013 at 5:55 PM, Garrett McGilvray <
garrett.mcgilv...@gmail.com> wrote:
>
> On Oct 12, 2013, at 10:25 PM, Carl Peterson
> wrote:
>
> So this would be your basic setup:
>
> \score {
>\new Staff = "top" {
> << \new Voice = "sopVerse" { } % voice for verse melody and combine
se \sopVerse
\new Voice = altoVerse \altoVerse
>>
<<
\new Voice = sopChorus \sopChorus
\new Voice = altoChorus \altoChorus
>>
}
\new Lyrics =lyrics \lyricsto sopVerse { one two three }
\context Lyrics =lyrics \lyricsto sopCh
2013/10/17 Garrett McGilvray :
>
> On Oct 12, 2013, at 10:25 PM, Carl Peterson wrote:
>
> So this would be your basic setup:
>
> \score {
>\new Staff = "top" {
> << \new Voice = "sopVerse" { } % voice for verse melody and combined
> alto
> \new Voice = "altoVerse" { } % voice for
On Oct 12, 2013, at 10:25 PM, Carl Peterson wrote:
> So this would be your basic setup:
>
> \score {
>\new Staff = "top" {
> << \new Voice = "sopVerse" { } % voice for verse melody and combined alto
> \new Voice = "altoVerse" { } % voice for verse alto lines that
> require sepa
> a hymn and get it right and fix all the quirks of Finale.
For the me the shape notes aren't too hard. It isn't obvious how to set it.
Honestly, even though it is a GUI, I have to spend as much time in the
documentation sometimes as I do for LilyPond as a new user. But once you learn
On 13-10-16 08:05 PM, David Kastrup wrote:
Carl Peterson writes:
With my template system, most hymns take me 1/2 an hour at most, and
probably 85% of that is music input, 10% of it is linking the template
files together, and 5% of that is fixing input errors.
So here is the challenging questi
Carl Peterson writes:
> With my template system, most hymns take me 1/2 an hour at most, and
> probably 85% of that is music input, 10% of it is linking the template
> files together, and 5% of that is fixing input errors.
So here is the challenging question: what would be required to have a
hym
On Wed, Oct 16, 2013 at 6:54 PM, Garrett McGilvray <
garrett.mcgilv...@gmail.com> wrote:
>
> And thanks also to the several who gave their thoughts to whether I should
> reply to all. This is indeed a very helpful community of people. I'm coming
> from a background in occasional usage of Finale, a
Garrett McGilvray writes:
> truth is that I'm finding that the results are just better and require
> a lot less fighting to get right, and all that thanks to a community
> of people who are doing it out of the goodness of their hearts.
For myself, I feel entitled to quoting Mae West: "Goodness h
On Oct 13, 2013, at 8:44 PM, Carl Peterson wrote:
>
>
> To your specific issue, what you would do is use skips to get the notes where
> they need to be. For instance, if you were to define variables outside the
> score block for the parts,
>
> sopVerse = { 4 \stemUp d' c'2 \stemNeutral }
On Sun, Oct 13, 2013 at 3:03 PM, Garrett McGilvray <
garrett.mcgilv...@gmail.com> wrote:
> Hi Carl,
>
> I am so very grateful for your help. I have taken some time to study your
> answer and do some practicing. I'm sorry to say that I'm still stuck. Where
> I am getting confused is how to make a p
2013/10/13 Garrett McGilvray
> PS. For anyone: is it proper etiquette to reply to all or just the person
> who responded?
>
reply to all is the right thing (unless you want to really send a private
message)
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Hi Carl,
On Oct 12, 2013, at 10:25 PM, Carl Peterson wrote:
> The basic answer is that you ideally need two sequential sets of voice
> contexts, one for the verse, one for the chorus. So this would be your basic
> setup:
>
> \score {
>\new Staff = "top" {
> << \new Voice = "sopVerse"
On Sat, Oct 12, 2013 at 9:26 PM, Garrett McGilvray <
garrett.mcgilv...@gmail.com> wrote:
> Hi folks,
>
> The short version of the question (I think) is this: how do you set a
> multi-measure rest when manually specifying lyric duration?
>
> --
> If the short version isn't sufficient, here is w
2013/10/10 Paul Morris :
> This is a familiar problem that tripped me up at first as well. It's an
> easy fix. Instead of pointing it to the LilyPond app:
> /Applications/LilyPond.app
>
> You need to point it here:
> /Applications/LilyPond.app/Contents/Resources/bin/lilypond
This problem has alr
Paul Morris wrote
> (Hmmm... this might be something to add to the guide.)
And done.
-Paul
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lyPond.app
You need to point it here:
/Applications/LilyPond.app/Contents/Resources/bin/lilypond
This is not intuitive, but should do the trick. (Hmmm... this might be
something to add to the guide.)
-Paul
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I have tried thus far unsuccessfully to get Frescobaldi to work on my Mac, and
I am wondering if any of you Mac Frescobaldi users could help me.
I have followed the instructions from this link:
https://github.com/wbsoft/frescobaldi/wiki/Frescobaldi-Mac-OS-X-install-guide
After all of those instr
Hi Jon,
\version "2.10.10"
>
You may also want to upgrade to a newer version--this one is ancient!
--David
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Just to add this:
Assuming, you program did all that settings and they are not mandatory
for you, here is an easier code, which does almost the same as yours
using LilyPonds defaults. It is much shorter and much more readable:
\version "2.10.10"
\header {
title = "New Arrangement"
}
Chords =
Hi Jon,
which program produces such an output?
I can only guess what could be inteded with that code, because it is
strange in several ways. To learn LilyPond it is better not to start
with automatically generated code like this!
A good start ist the learning manual from the beginning.
http://www.
Hi Jon? (or ist it p?),
> I'm a beginner so ANY help is greatly appreciated - thx - p
the best advice anyone could give you in this case is to work through
that:
http://lilypond.org/doc/v2.16/Documentation/learning/index.html
You won't have a lot of fun if you're trying to use lilypond without
k
- Original Message -
From: "jon sea"
To: lilypond-user@gnu.org
Sent: Friday, January 25, 2013 1:42:37 PM
Subject: New user - I have an lone treble clef/extra staff
Hi I'm a new user trying to clean up an lilypond export from a sequencer and I
cant figure out how to re
Hi I'm a new user trying to clean up an lilypond export from a sequencer and I
cant figure out how to remove this extra staff -
\version "2.10.10"
\header {
dedication = ""
title = "New Arrangement"
subtitle = ""
poet = ""
composer = &q
issando f,4\glissando bes' \glissando | \voiceTwo
>> f,\glissando_"L" \once \hideNotes c''
>> f,\glissando \once \hideNotes c'' |
>> s1
>> }
>>>>
>> }
>>
>> \version "2.16.1"
>>
>> %%% e
\once \hideNotes c'' |
> s1
>}
>>>
> }
>
> \version "2.16.1"
>
> %%% end
>
> In the future, debugging is a lot easier when you use tiny examples
> (http://www.lilypond.org/tiny-examples.html). :)
>
> DR
>
&g
o
\autoBeamOff
\override Glissando.color = #magenta
\override Glissando.style = #'zigzag
s1 \hideNotes
c'8 \glissando c'' c'' \glissando c''' e' \glissando e'' c'' \glissando
c
"2.16.1"
%%% end
In the future, debugging is a lot easier when you use tiny examples
(http://www.lilypond.org/tiny-examples.html). :)
DR
-Original Message-
From: Bill Restemeyer [mailto:reste...@bellatlantic.net]
Sent: Tuesday, November 27, 2012 7:46 AM
To: lilypond-user@gnu.org
S
Hello! I'm trying to use LilyPond to score music for Harp and have a question
about continuous glissandos. There are measures in this piece (4/4) where each
quarter note is the beginning and the end of a glissando (well, except the
first). After doing this for a while, this pattern stops and
From the original, I think there are in fact 2 different scores: one
with the refrain, one with the stanza. It would also be a solution to
split your lilypond source into two different \score{ }s. This also
solves the apparent timing issues -- however, not how refrain and stanza
attach.
Like
Hello Brandon,
On 23 November 2011 03:15, Matthew Collett wrote:
> On 23/11/2011, at 12:18 pm, Brandon Pisani wrote:
>
> > Second, and here's the rub, I'm trying to put this piece of music (
> http://www.wtv-zone.com/phyrst/audio/nfld/06/ble.htm) into the program
> using the code after the signa
On 23/11/2011, at 12:18 pm, Brandon Pisani wrote:
> Second, and here's the rub, I'm trying to put this piece of music
> (http://www.wtv-zone.com/phyrst/audio/nfld/06/ble.htm) into the program using
> the code after the signature on this message. What I'm running into: without
> the \bar "|" th
On 11/22/2011 11:18 PM, Brandon Pisani wrote:
Howdy, y'all,
I just started trying to use this recently. My eventual use is to
compile a personal (non-distributed, non-sold, etc.) tunebook for tin
whistle. I am trying, or thought I was trying, to start of small, and
I don't understand some of
Howdy, y'all,
I just started trying to use this recently. My eventual use is to
compile a personal (non-distributed, non-sold, etc.) tunebook for tin
whistle. I am trying, or thought I was trying, to start of small, and I
don't understand some of the structure quite yet. Please, help me out
w
>
> Jan,
>
Fair enough the scans show your point, though there is other music I know
that has the asymmetric glyph for upbow and I do think the glyph I'm
proposing better matches the stroking on the downbow.
That matter of taste aside, the problem I'm having - while trying to typeset
chamber musi
Neil Puttock wrote Tuesday, September 08, 2009 12:01 AM
2009/9/7 Trevor Daniels :
The relative positioning of script objects
is controlled by the 'script-priority property.
By default this left unspecified for most
articulations (including bowing commands) and set
to 100 for Fingering. So we
Trevor,
Thanks that solved it. I just added
(script-priority . 2000)
to upbow and downbow in script.scm (which is
in \usr\share\lilypond\current\scm in my Windows installation). This now
gives the typical behavior, but my .ly files won't be as portable as they
could be.
Now if someone just knew
2009/9/7 Trevor Daniels :
> The relative positioning of script objects
> is controlled by the 'script-priority property.
> By default this left unspecified for most
> articulations (including bowing commands) and set
> to 100 for Fingering. So we need to set it to
> something greater than 100 for
John Ervin wrote Monday, September 07, 2009 10:32 PM
When writing bowing marks on notes that have fingering with
Lilypond, I'm
always getting the bowing mark close to the note and the fingering
above
that bow mark.
Using:
d''4-2\upbow
or say
d''4^\markup { \finger 2}\upbow
This is rather
Hello,
When writing bowing marks on notes that have fingering with Lilypond, I'm
always getting the bowing mark close to the note and the fingering above
that bow mark.
Using:
d''4-2\upbow
or say
d''4^\markup { \finger 2}\upbow
This is rather atypical in my experience. Is there a way to have t
As far as I can understand, most things you ask for are already available,
in the form of the LilyPond user manual (where you can click on every
single example in the on-line copy to see the corresponding LilyPond code
and the LSR (goto www.lilypond.org -> Documentation -> LSR).
/Mats
Frederic
Dear All,
I am a new Lilypond user. I have processed some single staff scores, and
found the transpose function
quite easy and useful. I had a problem with collisions between grobs and
notes but discovered how to use
the padding to move things, thanks to some advice. This was on OpenSuse
10.2 usi
Hey everyone, I'm just trying Lilypond for the first time today and
I'm hoping this list is a resource that can help me out a bit.
I use an Intel based Mac running OS X 10.4.8. I'm hoping to get
Lilypond running via the command line (not via the OS X GUI). The
hope is to use Lilypond for
http://lilypond.org/doc/v2.9/Documentation/user/lilypond/Notes-for-the-MacOS-X-app.html#Notes-for-the-MacOS-X-app
On 10/31/06, Cliff Pruitt <[EMAIL PROTECTED]> wrote:
Hey everyone, I'm just trying Lilypond for the first time today andI'm hoping this list is a resource that can help me out a bit.I
Quoting Markus Schneider <[EMAIL PROTECTED]>:
global = {
\hideNotes
\repeat unfold 5 {
s1 |
s1 |
s1 |
s1 |
\break
}
}
which of course can be shortened to
global = \repeat unfold 5 {
s1*4 |
\break
}
/Mats
___
lilypond-user
Hi confrey,
> - how can I choose the width of a measure?
Look here:
http://lilypond.org/doc/v2.8/Documentation/user/lilypond.html#Proportional-notation
> - how can I choose the number of measure for staff?
see below.
Markus
%%% Begin Snippet
\version "2.8.4"
global = {
\hideNotes
\repeat un
hi everybody,
I'm a musician, I play and tech piano; I?m using linux since 1999,and
now I'm diving in lilypond sea
I think notes' entry is not difficult, but I have some difficulties
about page layout; for example :
- how can I choose the width of a measure?
- how can I choose the number of
Joseph Wakeling schreef:
OK. A Finale-generated version of the two bars is at
http://music.webdrake.net/KobenhavnO-sample.pdf.
What I did in Finale was just (1) request beams and stems over rests and
(2) hide the rests themselves.
Look for stemlets. I belivee the property is stemlet-length i
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