> On 30 Mar 2025, at 20:00, judson collins wrote:
>
> Hello Hans
>
> Thank you kindly for your prompt reply. Yes I have fixed this now, much
> appreciated. The pdfs are now opening properly.
>
> One more question please; do you know of a program that can convert them
> nicely into jpeg or
> Op 30 mrt 2025 om 19:38 heeft judson collins het
> volgende geschreven:
>
>
> Hello
>
> I'm unable to open the pdf documents produced; both Acrobat and Foxit say
> they are in a wrong format and Acrobat says they are .log files.
>
> I used to use this software many years ago with succe
Hello
I'm unable to open the pdf documents produced; both Acrobat and Foxit say they
are in a wrong format and Acrobat says they are .log files.
I used to use this software many years ago with success, and just started today
again. i have the latest installed, and have successfully installed and
On Sun 03 Jan 2021 at 18:17:37 (+0100), Lilypond-User wrote:
> Is it good enough to add this to your file?
>
> \version "2.XXX"
The source file is available from the fourth link next to the score on
CPDL. It *has* a version number, and convert-ly will convert the file
to a more current version. I
> I would like to get in touch with J. B. He did/engraved (?) "Du süße
> Lieb, schenk uns deine Gunst" by LilyPond on 27. 8. 12. On the
> score sheet it says "Music engraving by LilyPond 2.16.0. (Would this
> information help?)
No, this is doesn't help.
However, a quick search in the internet f
Is it good enough to add this to your file?
\version "2.XXX"
Matthieu
Le 03/01/2021 à 17:58, Hans Kraus a écrit :
Dear Ladies and Gentlemen,
I would like to get in touch with J. B. He did/engraved (?) "Du süße
Lieb, schenk uns deine Gunst" by LilyPond on 27. 8. 12. On the score
sheet it say
Dear Ladies and Gentlemen,
I would like to get in touch with J. B. He did/engraved (?) "Du süße
Lieb, schenk uns deine Gunst" by LilyPond on 27. 8. 12. On the score
sheet it says "Music engraving by LilyPond 2.16.0. (Would this
information help?)
Thanks a lot for
Sorry, I missed that.
So just for the record:
\version "2.19" %or ''2.18"
{
\tempo\markup\normal-text\sans\concat {
\bold "Blah blah" \hspace #.8
"(" \hspace #.1 \raise #.5
%% optional;
%\smaller
\with-color #red \note #"4" #0 \hspace #.3
"=" \hspace #.3 "50" \hspace #.1
PS. Just a small technical note: It’s preferable to start a new thread
with a new request, instead of replying to an older message from the list.
Best, Simon
On 23.09.2016 04:27, PMA wrote:
Hi All again!
I would like to alter the output of LY's \tempo command,
specifically within its "( = )"
Hi Pete,
How about
%\version "2.19" or ''2.18"
{
\tempo\markup\normal-text\sans\concat {
\bold "Blah blah" \hspace #.8
"(" \hspace #.1 \raise #.5
%% optional;
%\smaller
\note #"4" #0 \hspace #.3
"=" \hspace #.3 "50" \hspace #.1 ")"
}
%% for midi output ony, if neede
Hi All again!
I would like to alter the output of LY's \tempo command,
specifically within its "( = )"
assignment.
Here's my original --
\tempo \markup \sans "Blah blah" 1 = 50
which o'course outputs a black whole-note glyph with both
the "= 50" and the parentheses in TimesRoman font.
I want
2016-09-20 23:30 GMT+02:00 Malte Meyn :
>
>
> Am 20.09.2016 um 19:12 schrieb PMA:
>>
>> (define (colorNote n)
>> (cond ((eq? (- n) 1) 'red )
>> ((eq? (- n) 2) 'blue)))
>
>
> This returns the symbol 'red or the symbol 'blue, not the constant named red
> (value (1.0 0.0 0.0)) or the constan
Am 20.09.2016 um 19:12 schrieb PMA:
(define (colorNote n)
(cond ((eq? (- n) 1) 'red )
((eq? (- n) 2) 'blue)))
This returns the symbol 'red or the symbol 'blue, not the constant named
red (value (1.0 0.0 0.0)) or the constant named blue.
\override NoteHead.font-size = #offset
The # switches from LilyPond to Scheme. This means that once you are in Scheme
you don't need it again.
#(colorNote #offset)
should read
#(colorNote offset)
HTH
Urs
Am 20. September 2016 19:12:26 MESZ, schrieb PMA :
>Hi Lilypond Gurus!
>
>I need help, when you can spare the time, to get
Oh dear. *NEVER MIND*. I just now got it working.
Thanks anyway!
Pete
On 09/20/2016 01:12 PM, PMA wrote:
Hi Lilypond Gurus!
I need help, when you can spare the time, to get an already-
working Lilypond music function to call my just-added Scheme
routine.
This Scheme procedure works when ca
Hi Lilypond Gurus!
I need help, when you can spare the time, to get an already-
working Lilypond music function to call my just-added Scheme
routine.
This Scheme procedure works when called directly from Guile:
entering "(colorNote -1)" get output "red".
(define
Hi altogether,
some time ago I had the idea to write a kind of harmony analyzer. It works in the following manner: you enter some notes (myMusik) and you get a list of chords which contain these notes.
I had no idea of Scheme, so I studies several manuals, and Harm from the German Lilypond forum
You're absolutely right, there's no need to use '\with{}'. Don't remember
why I put it that way.
Cheers
2015-11-19 15:09 GMT+01:00 Tom Swan :
> Three great suggestions, all of which do the job. Thank you. Why use
> \with{ } in the first, however? Taking that out (leaving only the
> \override) wor
- Original Message -
From: "Tom Swan"
To: "lilypond-user"
Sent: Tuesday, November 17, 2015 1:03 PM
Subject: Please help with fretboard diagram spacing
I didn't get any response to my request for advice on adjusting spacing
between
a fretboard diagram and t
Hi Tom,
In your example the fret-diagram is placed as a 'TextScript' so you have to
choose your override here:
http://www.lilypond.org/doc/v2.18/Documentation/internals/textscript
E.g.:
\version "2.18.2"
<<
\new Staff {
\new Voice = “scale”
\with {
%% Option 1:
%\override TextSc
I didn't get any response to my request for advice on adjusting spacing between
a fretboard diagram and the associated staff. Does anybody have any suggestions?
I am stuck and need help with this. Thanks! Here is the snippet -- I would like
more space below the fretboard diagram and the staff, but
Thank you very very very much.
That's what I has just mean. I struggled with this for over a year and
enough to write in the forum. Once again, big thanks.
Magohq
2015-03-09 15:23 GMT+01:00 Simon Albrecht-2 [via Lilypond] <
ml-node+s1069038n172874...@n5.nabble.com>:
> Am 09.03.2015 um 14:40 sch
Nothing has changed Key signature alternatives are still not on these lines.
The fis in bass clef is on the 4th line,not on the fifth as the key treble.
All the characters have to move down one line.
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/double-key-signature-tp1
PS. Did you send the message three times or did it only arrive three times?
Am 09.03.2015 um 14:40 schrieb magohq:
Nothing has changed Key signature alternatives are still not on these lines.
The fis in bass clef is on the 4th line,not on the fifth as the key treble.
All the characters have to m
Am 09.03.2015 um 14:40 schrieb magohq:
Nothing has changed Key signature alternatives are still not on these lines.
The fis in bass clef is on the 4th line,not on the fifth as the key treble.
All the characters have to move down one line.
OK, now I see your problem. You should always post example
Hi Simon
Nothing has changed Key signature alternatives are still not on these
lines. The fis in bass clef is on the 4th line,not on the fifth as the key
treble. All the characters have to move down one line.
Magohq
2015-03-09 11:52 GMT+01:00 Simon Albrecht-2 [via Lilypond] <
ml-node+s1069038n17
Nothing has changed Key signature alternatives are still not on these lines.
The fis in bass clef is on the 4th line,not on the fifth as the key treble.
All the characters have to move down one line.
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/double-key-signature-tp1
Hello anonymus,
everything is alright with your code, except for one thing: the lines
beginning with (at least one) ";" must not be broken, since they are
comments; they serve as explanations to any human reading the code, but
the program ignores them. However, commenting out with ";" only wor
*code does not work in the bass clef for example: *
*Key signature are not these lines*
\version "2.17.95"
alternativeKey =
#(define-music-function (parser location p-1 p-2 scale-def)
(ly:pitch? ly:pitch? list?)
#{
\override Staff.KeySignature #'stencil =
#(lambda (grob)
(let* ((
Is a problem when changing from c major to cis major, and for the a minor to
ais minor. Signature do not appear.
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_
Thomas Morley writes:
>> That remark makes it likely that for versions before 2.17.14 you'll not
>> be able to get consistent vertical positions with this approach.
>> I think there were some pointers to the LSR in this thread as well:
>> maybe there is some different approach working for older v
Big thanks to behold what I meant. If only work in version 2.16.2 that would
be great.
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___
2013/11/30 David Kastrup :
> Thomas Morley writes:
>
>> 2013/11/29 Mateusz Goździewski
>>
>>> How I need to enter the code to get this effect:
>>> [image: Obraz w treści 1]or this
>>> [image: Obraz w treści 2]
>>
>> how about:
>>
>> \version "2.17.95"
>>
>> alternativeKey =
>> #(define-music-func
Thomas Morley writes:
> 2013/11/29 Mateusz Goździewski
>
>> How I need to enter the code to get this effect:
>> [image: Obraz w treści 1]or this
>> [image: Obraz w treści 2]
>
> how about:
>
> \version "2.17.95"
>
> alternativeKey =
> #(define-music-function (parser location p-1 p-2)(ly:pitch? l
But how to do that all of these flats was in one parenthesis.
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___
lilypond-user ma
But how to do that all of these flats was in one parenthesis.
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lilypond-user ma
You can start here:
http://www.lilypond.org/doc/v2.17/Documentation/notation/displaying-pitches.html#key-signature
2013/11/29 Ryan McClure
> If you try this, you can get a key signature close to what you need...I'm
> unsure how to add brackets around the flats, though.
>
> \set Staff.keySigna
If you try this, you can get a key signature close to what you need...I'm
unsure how to add brackets around the flats, though.
\set Staff.keySignature = #`(((0 . 10) . ,SHARP)
((0 . 7) . ,SHARP)
((0 . 11) . ,SHARP)
Yes, I want to enter a double key signature.
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lilypond-user
astrup
>
>
> ___
> lilypond-user mailing list
> lilypond-user@
> https://lists.gnu.org/mailman/listinfo/lilypond-user
Thanks, event-chord-wrap! was exactly what I needed.
I already thought I had to rewrite everything.
--
View t
TaoCG writes:
> Ok, it seems my main problem for now is that I don't know how to determine if
> a NoteEvent is part of an EventChord.
> Previously this was easy because every note was an EventChord and you could
> simply check for the length of its elements.
Well, now a NoteEvent is part of an E
69038.n5.nabble.com/please-help-with-updating-old-scheme-code-tp134976p135013.html
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akeDuped.
>
> --
> David Kastrup
>
>
> ___
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> lilypond-user@
> https://lists.gnu.org/mailman/listinfo/lilypond-user
I see, thanks for the clarification.
Another thing I noticed is that the funct
TaoCG writes:
> David Kastrup wrote
>> TaoCG <
>
>> tao_lilyponduser@
>
>> > writes:
>>
>>> This snippet would be really helpful for me:
>>> http://lsr.dsi.unimi.it/LSR/Item?id=445
>>>
>>> But in 2.16.0 it only works on single notes if they are in a chord
>>> construct
>>> like
>
> Thanks!
> I
u beenden
s1*0^\markup { "F." \italic "non legato" } \oct {
\times 2/3 { f,,16\ppp
g es } f16. f32 r as16 g32 f g es16 } |
This seems to be caused by the tuplet. The output looks good though.
TaoCG writes:
> This snippet would be really helpful for me:
> http://lsr.dsi.unimi.it/LSR/Item?id=445
>
> But in 2.16.0 it only works on single notes if they are in a chord construct
> like 4 or something.
> My understanding of scheme is very limited but I thought it might have
> something to do
for equality with 'EventChord so
I tried changing that to 'NoteEvent but it doesn't have the desired effect.
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Well, if you can't transpose at sight yourself and you haven't got time to
write it out in full then you have several options.
First, learn to play it in the original key, then write the chord symbols
in the NEW key above the piano part and learn to play your own arrangement
in the new key. This
Rosel Labone writes:
> Hello oh helpful, lovely people of LilyPond Land!
>
> I just purchased two Kurt Weill pieces but they are in the wrong key.
> I need them transposed before next Saturday, or I need someone who
> already has them in the correct key??
>
> The pieces are:
>
> Pirate Jenny - ne
Hello oh helpful, lovely people of LilyPond Land!
I just purchased two Kurt Weill pieces but they are in the wrong key. I need
them transposed before next Saturday, or I need someone who already has them in
the correct key??
The pieces are:
Pirate Jenny - needs to be transposed from A minor a
2012/3/19 Siska Ádám
> Dear Janek,
>
>
> I tried to log in as a new user, but I'm getting the attached error (the
> address generating this error is
> http://www.philholmes.net/lilypond/regtests/makepassword.aspx)
>
>
> Best,
> Ádám
>
>
> On 2012.03.19., at 14:55, Janek Warchoł wrote:
>
> > Dear
On Mon, Mar 19, 2012 at 4:11 PM, Phil Holmes wrote:
> Fixed now. I'd tested it as an existing user, but not adding a new one :-(
I confirm that it's fixed - successfully added new users with Firefox
on Ubuntu and Chrome on Windows.
Thanks, Phil!
And thank you, Nick and Adam, for reporting the pr
Fixed now. I'd tested it as an existing user, but not adding a new one :-(
Phil Holmes
- Original Message -
From: "Siska Ádám"
To: "Janek Warchoł"
Cc: "LilyPond Users"
Sent: Monday, March 19, 2012 2:02 PM
Subject: Re: please help developer
On Mon, Mar 19, 2012 at 3:07 PM, Nick Baskin wrote:
> 2012/3/19 Siska Ádám
>> I tried to log in as a new user, but I'm getting the attached error (the
>> address generating this error is
>> http://www.philholmes.net/lilypond/regtests/makepassword.aspx)
>
> I received the same error message.
Oops
Dear LilyPond Friends,
Our development team asks for your help - can you spare 5 minutes a
week for Lily? No programming skills are required, all you need is a
web browser; reading instructions takes less than 2 minutes. See
here:
http://www.lilypond.org/doc/v2.15/Documentation/contributor/grand
2010/11/24 Francisco Vila :
> 2010/11/24 Janek Warchoł :
>> Unfortunately the code \markup { {\bold \underline ma} licious }
>> produces two words: ma licious.
>> How should it be done?
>
> For example
>
> \markup {\concat{ {\bold\underline ma} licious }}
It works, thank you!
(now i know which par
2010/11/24 Janek Warchoł :
> Hi,
>
> probably this is quite basic, but i'm in a hurry and can't find it in
> manuals...
> I want only one syllabe in a word be formatted, for example i'd like
> to have syllabe "ma" in word "malicious" bold and underlined.
> Unfortunately the code \markup { {\bold \
Am 24.11.2010 09:27, schrieb Janek Warchoł:
Hi,
probably this is quite basic, but i'm in a hurry and can't find it in manuals...
I want only one syllabe in a word be formatted, for example i'd like
to have syllabe "ma" in word "malicious" bold and underlined.
Unfortunately the code \markup { {\b
Hi,
probably this is quite basic, but i'm in a hurry and can't find it in manuals...
I want only one syllabe in a word be formatted, for example i'd like
to have syllabe "ma" in word "malicious" bold and underlined.
Unfortunately the code \markup { {\bold \underline ma} licious }
produces two word
Peter Chubb wrote Tuesday, August 17, 2010 12:48 AM
"Phil" == Phil Holmes writes:
Phil> Rose, Here's a very simple version of some music laid out as
Phil> hymns frequently seem to be. I think you should be able to
use
Phil> this to modify what you've already done.
You don't need the pa
> "Phil" == Phil Holmes writes:
Phil> Rose, Here's a very simple version of some music laid out as
Phil> hymns frequently seem to be. I think you should be able to use
Phil> this to modify what you've already done.
You don't need the partials except at the start.
See some of the hymns I'v
Hi all,
I've been stewing over what should be simple all afternoon. I documentation
seems to be getting me no where. I'm working on entering an old hymn. The
piece has an upbeat, which I'm having a bit of trouble with. The partial
measures also repeat throughout the hymn. My trouble is that I can't
;
\break
\partial 4 c |
c c c c |
\partial 4*3 c c c \bar "||"
}
\addlyrics {
LineOne la la la la la la la
LineTwo la la la la la la la
}
--
Phil Holmes
- Original Message -
From: Rose Mawhorter
To: lilypond-user@gnu.org
Sent: Saturday, August 14, 2010
James Lowe wrote Saturday, August 14, 2010 7:16 PM
I looked at the URL you referred to, it does seem odd from my
point of view that while there is a partial on the first bar, that
partial instead of being made up on the last bar of the piece is
actually made up after the first few bars and th
Hi Rose,
Am 14.08.2010 um 16:39 schrieb Rose Mawhorter:
Hi all,
I've been stewing over what should be simple all afternoon. I
documentation seems to be getting me no where. I'm working on
entering an old hymn. The piece has an upbeat, which I'm having a
bit of trouble with. The partial me
On 14 August 2010 18:09, Rose Mawhorter wrote:
>
> Xavier,
> Here's what I wrote to Phil. Is it really so simple as to add \bar "|" to
> the end of every line? I'm sorry if I bothered you all for that!
Yes.
Actually the pipe symbol '|' just *check* there is effectively a bar
line at this precise
Hello,
On 14/08/2010 17:20, Rose Mawhorter wrote:
> Maybe I spoke too soon. I've got the bar lines in the correct places now
> BUT the compiler rejects my slurs. Surely there must be a better way of
> doing this!
I looked at the URL you referred to, it does seem odd from my point of
view that w
Maybe I spoke too soon. I've got the bar lines in the correct places now BUT
the compiler rejects my slurs. Surely there must be a better way of doing
this!
Thanks again.
On Sat, Aug 14, 2010 at 9:09 AM, Rose Mawhorter wrote:
> Xavier,
> Here's what I wrote to Phil. Is it really so simple as to
al would help working this out.
>
> Also - it helps us if you provide an illustration that compiles on its own
> - yours didn't, because it was (presumably) missing:
>
> \include "english.ly"
> and where you set your tune equal to "melody" meant that noth
On 14 August 2010 17:06, Phil Holmes wrote:
>
> Rose,
>
> I'm not sure what exactly you're trying to do - is it that you're
> wanting to put extra bar lines before each partial, to mark the start
> of a section of lyrics? A scan of the original would help working
> this out.
Agree.
Plus inserti
ser@gnu.org
Sent: Saturday, August 14, 2010 3:39 PM
Subject: please help a newbie with partial measures
Hi all,
I've been stewing over what should be simple all afternoon. I documentation
seems to be getting me no where. I'm working on entering an old hymn. The piece
has an u
Hi all,
I've been stewing over what should be simple all afternoon. I documentation
seems to be getting me no where. I'm working on entering an old hymn. The
piece has an upbeat, which I'm having a bit of trouble with. The partial
measures also repeat throughout the hymn. My trouble is that I can't
On Thu 17 Jun 2010, 19:39 Neil Puttock wrote:
> The lack of accidentals in the first bar is explaing by the known
> issue at the bottom of this page:
> http://lilypond.org/doc/v2.13/Documentation/notation/displaying-pitches#automatic-accidentals
Is it? Well, ok, let it be.
> Looking at the definit
On 17 June 2010 13:20, Dmytro O. Redchuk wrote:
> Hi!
>
> Please help --- "can't understand" (tm) "what's wrong" (tm) :-)
>
> Looking at that snippet below i would say that too few notes have natural sign
> cancelling preceeding sharp (only one).
On Thu 17 Jun 2010, 17:47 James Bailey wrote:
> On 17.06.2010, at 14:20, Dmytro O. Redchuk wrote:
>
> >Hi!
> >
> >Please help --- "can't understand" (tm) "what's wrong" (tm) :-)
> >
> >Looking at that snippet below i would say that
On 17.06.2010, at 14:20, Dmytro O. Redchuk wrote:
Hi!
Please help --- "can't understand" (tm) "what's wrong" (tm) :-)
Looking at that snippet below i would say that too few notes have
natural sign
cancelling preceeding sharp (only one). I would expect other vo
Hi!
Please help --- "can't understand" (tm) "what's wrong" (tm) :-)
Looking at that snippet below i would say that too few notes have natural sign
cancelling preceeding sharp (only one). I would expect other voices have
cancellations too.
Docu
Um... I wouldn't reply to this if I were
you! How much more spammy can you get?
Real people post questions, not e-mail
address requests...
- Mark
- Original Message
> From: Sky B.
> To: lilypond-user@gnu.org
> Sent: Friday, April 10, 2009 7:20:07 PM
> Sub
could u plz send me ur email address (send to: dooksucks4e...@gmail.com) i gotta
question.
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On 31 Mar 2009, at 11:43, 胡海鹏 - Hu Haipeng wrote:
Thanks. I know the notation and meaning (I have Grove in both html
and braille (concise version in braille)), but it seems that
Lilypond can't generate it.
I still can't figure out what's the difference between mordents and
various pralls
Thanks. I know the notation and meaning (I have Grove in both html and braille
(concise version in braille)), but it seems that Lilypond can't generate it.
I still can't figure out what's the difference between mordents and various
pralls :-)
Haipeng
在2009-03-31，"Simon Bailey" 写道：
>hi,
>
hi,
On 30 Mar 2009, at 22:55, Werner LEMBERG wrote:
BTW, how to write "bebbung" (trembling) using Lilypond?
The word is called `Bebung' (note the single `b'). I've never seen a
notated Bebung, so I can't comment how to represent it with Lilypond.
not sure if this helps, but here's a descri
> signumcongruentiae my god, what's this!?
`Signum congruentiae', the `sign for similarity', is used e.g. by
Palestrina to indicate the entrance points of the voices in a canon if
it is written as a single line only.
> BTW, how to write "bebbung" (trembling) using Lilypond?
The word is called
Hello:
I'm about help both Freedots and the Japanese project BrailleMuse to
implement their musicxml to braille program (Valentin knows, one is an online
server under an unknown license :-), and the other a GUI under GNU, but too
young). My plan is, to write a score with many kind of notations
this should help for some aspects - the vertical dotted lines are
tricky, i usually do them in a graphics program once the notes are
done, but you can search the lsr for 'postscript' if you want to try
to embed them.
as for the trill-style 'repeat previous figure', i can't think how to
do
ror cropped up. I am very grateful.
Such lists are a wonderful thing! I hope I will be able to help someone
else out when I have got to grips with this program
--
View this message in context:
http://www.nabble.com/Problem-with-tuplets-...-please-help-tp15717020p15723150.html
Sent from the Gnu
On 27.02.2008, at 18:44, Graham Percival wrote:
On Wed, 27 Feb 2008 18:29:32 +0100
"James E. Bailey" <[EMAIL PROTECTED]> wrote:
Another way of answering that is, lilypond uses "english.ly" by
default, so unless you specify \include "deutsch.ly", you'll get
errors like that (I forget to put th
Reinhold Kainhofer wrote:
> Without the actual file to look at, it's hard to give a proper problem
> analysis/solution (my crystal ball broke last week ;-) Are you maybe using
> \include "english.ly"
> in your file? If so, the syntax for sharps is gsharp, not gis (and gflat
> instead of ges)
James E. Bailey wrote:
> Another way of answering that is, lilypond uses "english.ly" by default,
> so unless you specify \include "deutsch.ly", you'll get errors like that
> (I forget to put that in my files all the time).
Is that true? In mine (2.10.25, installed with Ubuntu) it's certainly
not
On Wed, 27 Feb 2008 18:29:32 +0100
"James E. Bailey" <[EMAIL PROTECTED]> wrote:
> Another way of answering that is, lilypond uses "english.ly" by
> default, so unless you specify \include "deutsch.ly", you'll get
> errors like that (I forget to put that in my files all the time).
False. Look
On 27.02.2008, at 18:21, Reinhold Kainhofer wrote:
Am Mittwoch, 27. Februar 2008 schrieb eagle136:
Processing `wart.ly'
Parsing...
wart.ly:61:23: error: syntax error, unexpected STRING
g4 \times 2/3 {
gis g g} r4 |
Without the actual file to look at, it's hard to
Am Mittwoch, 27. Februar 2008 schrieb eagle136:
> Processing `wart.ly'
> Parsing...
> wart.ly:61:23: error: syntax error, unexpected STRING
> g4 \times 2/3 {
>gis g g} r4 |
Without the actual file to look at, it's hard to give a proper problem
analysis/solution (my
>
>
>
>
>
>
>
>
Hi,
I am a noob to Lilypond and am very impressed until I tried using tuplets and
am getting an error each time.
The following line within the definition of a melody line context works, i.e.
Lilypond parses it and generates .PDF and .PS files as expected:
\times 2/3 g4 { g g
Hi Mats--
Thanks for replying--:)
When I fist opened Lily Pond, it told me I needed that MacPython, 2.3 and had a
button to click to take me there-
thats the only way I knew I needed it..
>From what I can gather OS 10.3 has Python in the System (I'm using 10.2.7,
>which
doesnt):
http://homepa
is
needed to run this application"
but I installed 2.3.3-1?
Please help-
Thanks so much-
Peace, Bob Morabito
PS-how do I see replies to this post?
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mail
Im using Mac OS 10.2.7--
Upon staring Lily Pond I keep getting an error box saying "MacPython 2.3 is
needed to run this application"
but I installed 2.3.3-1?
Please help-
Thanks so much-
Peace, Bob Morabito
PS-how do I see replies to
tried \removeWithTag but got the
same results.
The syntax looks correct to me, in the end, I want to generate all the
\transpose statements unconditionally, but only generate those chord
inversions that would be appropriate for my desired tag filter.
Can somebody please help me verify if this is
ff: Re: rest positioning failure - please help
>
> Hi Martin,
>
> Mats gave me this help awhile ago which still works.
>
> normalRests = {
> \revert Rest #'direction
> \revert MultiMeasureRest #'staff-position
> }
>
> place this at the start of a
From: "Martin Bergande" <[EMAIL PROTECTED]>
To:
Sent: Friday, June 02, 2006 5:21 AM
Subject: rest positioning failure - please help
| I would like to repeat my question how to position a "normal" rest in
single staff polyphony since I didn't get any answer. I would
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