Thanks, I hadn't seen that.
On Tue, 10 Sept 2024 at 20:02, Xavier Scheuer wrote:
> On Tue, 10 Sept 2024 at 20:09, Richard Cookson <
> richardcookson.3rdpla...@gmail.com> wrote:
> >
> > Hi,
> >
> > I am writing some percussion parts (orchestral, not kit) which require a
> number of changes of ins
On Tue, 10 Sept 2024 at 20:09, Richard Cookson <
richardcookson.3rdpla...@gmail.com> wrote:
>
> Hi,
>
> I am writing some percussion parts (orchestral, not kit) which require a
number of changes of instrument. I would like to change from one instrument
to another without starting a new staff. I hav
Hi,
I am writing some percussion parts (orchestral, not kit) which require a
number of changes of instrument. I would like to change from one instrument
to another without starting a new staff. I have an example which starts
with cymbal, (percussion staff with a single ledger line) goes to
Glocken
On Fri, 2019-10-04 at 14:23 +0200, list_lilyp...@infopower.nl wrote:
> If those 3 standards are all acceptable, wouldn't it be better if a
> Lilipond engraver were able to choose which standard to use in his
> piece?
I am not an expert, but what I noticed is that lilypon
/wiki/Percussion_notation ) and it
seems indeed that there are two 'standards' for percussion notation.
One apparently less used from Peckman, Jonathan (2007) (Picture
Yourself Drumming, p.46. ISBN 1-59863-330-9), and one based on the
recommendations of the Percussive Arts Society found in Nor
e two 'standards' for percussion notation.
One apparently less used from Peckman, Jonathan (2007) (Picture
Yourself Drumming, p.46. ISBN 1-59863-330-9), and one based on the
recommendations of the Percussive Arts Society found in Norman
Weinberg’s Guide To Standardized Drumset Notation
Hi Everyone,
I'm working on some Turkish usul percussion notation and the standard is,
rather oddly, to have the low pitched "dum" sound on the top line and
highest pitch "tek" sound on the low. See the snippet below.
Problem that I can't solve: stem direction need
2016-03-24 11:26 GMT-04:00 Simon Albrecht :
> An alist being a list of list you should be able to write
>
> midiDrumPitches = #(append midiDrumPitches
> `((key . ,(ly:make-pitch 0 6 FLAT))
>(cr . ,(ly:make-pitch 1 1 NATURAL))
>(b
On 24.03.2016 16:02, Pierre-Luc Gauthier wrote:
% How can I append those bellow to the default list?
% (Instead of replacing the old list)
midiDrumPitches = #`(
(key . ,(ly:make-pitch 0 6 FLAT))
(cr . ,(ly:make-pitch 1 1 NATURAL))
Pierre-Luc Gauthier writes:
>> When one remaps note names like that, is it also possible to map midi
>> notes to those names?
David Kastrup writes:
> It would appear that midiDrumPitches are used for initializing
> drumPitchTable in some context in ly/performer-init.ly so it should be
> possible
> David Kastrup writes:
>> You need to dig through the respective files to find all the information
Thanks, I'll look into those.
--
Pierre-Luc Gauthier
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David Kastrup writes:
> Pierre-Luc Gauthier writes:
>
>> When one remaps note names like that, is it also possible to map midi
>> notes to those names?
>>
>> Could there be sort of a assignment somewhere between the note (e.g.
>> dsm or dslapmute) and the midi note (e.g. note 62 on channel 10)?
Pierre-Luc Gauthier writes:
> When one remaps note names like that, is it also possible to map midi
> notes to those names?
>
> Could there be sort of a assignment somewhere between the note (e.g.
> dsm or dslapmute) and the midi note (e.g. note 62 on channel 10)?
>
> I did not find documentation
When one remaps note names like that, is it also possible to map midi
notes to those names?
Could there be sort of a assignment somewhere between the note (e.g.
dsm or dslapmute) and the midi note (e.g. note 62 on channel 10)?
I did not find documentation on the subject.
Last week I transcribed
2016-03-23 14:42 GMT+01:00 Bernard :
>
> But is there a way to make the voice more consistent, by adding the mute in
> the definition?
>
> so I could call :
> one = \drummode { dslap dslapmute }
>
> instead of :
> one = \drummode { dslap dslapmute^\mute }
>
> And if I could add abbreviation i
On 23-03-16 12:58, David Kastrup wrote:
Uh, one just takes your example and adds the indicated line(s).
Ok, thanks I got it, and it works for me now.
Uh, is there _anything_ actually unclear or do you just want me to do
all the work?
No, of course not, the syntax was only not clear to me.
I h
2016-03-23 13:49 GMT+01:00 David Kastrup :
> Programmatically, I'd not set drumPitchNames repeatedly. Just use
>
> drumPitchNames =
> #(fold (lambda (n l) (acons n n l)) drumPitchNames '(aa ab ac ad ae af))
Much better.
Thanks,
Harm
___
lilypond-u
Thomas Morley writes:
> 2016-03-23 12:45 GMT+01:00 David Kastrup :
>
>> I think that the old
>>
>> drumPitchNames #'slap = #'slap
>>
>> has worked for a long long time (quite earlier than 2.12). But it's
>> quite underdocumented. I think it caught me by surprise when I first
>> discovered it in
2016-03-23 12:45 GMT+01:00 David Kastrup :
> I think that the old
>
> drumPitchNames #'slap = #'slap
>
> has worked for a long long time (quite earlier than 2.12). But it's
> quite underdocumented. I think it caught me by surprise when I first
> discovered it in the parser.
/lilypond-git (maste
Bernard writes:
>> Amending the parser is done with
>>
>> drumPitchNames.slap = #'slap
>>
>> Note that you can define multiple names for the same definition in the
>> drum style table, so you can also add
>>
>> drumPitchNames.sl = #'slap
>>
>> and this will work without further changes to mydrums
Simon Albrecht writes:
> On 23.03.2016 11:23, David Kastrup wrote:
>
>> It can once it has been input. The drumStyleTable tells LilyPond how to
>> typeset drum notes once they are in the music. It doesn't tell LilyPond
>> what drum notes are permitted in music. So you need to use the existing
On 23-03-16 11:23, David Kastrup wrote:
Bernard writes:
Lilypond is highly flexible and many drumnotes are predefined. But I
could not find info how to define my own drumnote. I tried :
\version "2.18.2"
#(define mydrums '( (bassdrum default #f -1
On 23.03.2016 11:23, David Kastrup wrote:
Bernard writes:
Lilypond is highly flexible and many drumnotes are predefined. But I
could not find info how to define my own drumnote.
I tried :
\version "2.18.2"
#(define mydrums '(
(bassdrum
Bernard writes:
> Hi Colin,
>> It seems that the Percussion Notes table A.15 in the NR has some
>> problems, in that the conga notes aren't visibly different. This
>> snippet works for me:
>> *
>> \version "2.19.37"
>>
>> \new DrumStaff \with {
>> drumStyleTable = #congas-styl
Hi Colin,
It seems that the Percussion Notes table A.15 in the NR has some
problems, in that the conga notes aren't visibly different. This
snippet works for me:
*
\version "2.19.37"
\new DrumStaff \with {
drumStyleTable = #congas-style
}
<<
\drummode {
cghm4 cghm1
On 16-03-21 12:50 PM, David Kastrup wrote:
Bernard writes:
For me cgh in deep link
http://www.lilypond.org/doc/v2.19/Documentation/ff/lily-6bb651bc.ly
[image of music]
And cghm in in deep link
http://www.lilypond.org/doc/v2.19/Documentation/80/lily-6aae8ef4.ly
[image of music]
Both found in
On 21-03-16 19:50, David Kastrup wrote:
Bernard writes:
Harm was _explicitly_ talking about congas-style, namely
http://www.lilypond.org/doc/v2.19/Documentation/9f/lily-90919e1b.png>,
in section
http://www.lilypond.org/doc/v2.19/Documentation/notation/common-notation-for-percussion#percussion-s
Bernard writes:
> On 21-03-16 18:56, Thomas Morley wrote:
>> 2016-03-21 18:05 GMT+01:00 Bernard :
>>> On 21-03-16 17:43, Thomas Morley wrote:
>>>
Look for congas-style and click on the example.
p.e. cghm is the shortcut for mutehiconga
Cheers,
Harm
>>> Yes, I hav
with Lilypond. With Djembé there are a huge number self
invented music notations, for each Djembé teacher possible a new one.
Often inconsistent with itself and incomplete.
To learn Djembé this is a disaster. So I would like to stay as close to
the official percussion notation as possible. And
2016-03-21 18:05 GMT+01:00 Bernard :
> On 21-03-16 17:43, Thomas Morley wrote:
>>
>> 2016-03-21 17:33 GMT+01:00 Bernard :
>>>
>>>
>> Look for congas-style and click on the example.
>> p.e. cghm is the shortcut for mutehiconga
>>
>> Cheers,
>>Harm
>>
> Yes, I have seen that. But I do not see a
On 21-03-16 17:43, Thomas Morley wrote:
2016-03-21 17:33 GMT+01:00 Bernard :
Look for congas-style and click on the example.
p.e. cghm is the shortcut for mutehiconga
Cheers,
Harm
Yes, I have seen that. But I do not see a visual difference between
cghm and cgh .
__
2016-03-21 17:33 GMT+01:00 Bernard :
> Hi Thomas,
>
> Thanks, but on the pages you mentioned I search for the word "mute" and did
> not find it.
>
> Cheers,
>
> Bernard
>
>
> On 21-03-16 17:15, Thomas Morley wrote:
>>
>>
>>
>>
>> The link you posted points to default-percussion.
>>
>> Maybe congas-
Hi Thomas,
Thanks, but on the pages you mentioned I search for the word "mute" and
did not find it.
Cheers,
Bernard
On 21-03-16 17:15, Thomas Morley wrote:
The link you posted points to default-percussion.
Maybe congas-style is more what you want. It's in here:
http://www.lilypond.org/d
2016-03-21 16:59 GMT+01:00 Bernard :
> I would like to use mute percussion notation for Djembé.
> As reference I look to conga in
> http://www.lilypond.org/doc/v2.19/Documentation/notation/percussion-notes
>
> I see hiconga (chg) and mutehiconga (cghm) but visualy I do not see a
I would like to use mute percussion notation for Djembé.
As reference I look to conga in
http://www.lilypond.org/doc/v2.19/Documentation/notation/percussion-notes
I see hiconga (chg) and mutehiconga (cghm) but visualy I do not see any
difference between these notations.
I would expect to
rt towards a modern drum key used today online. I don't
think however that you will find an official standard.
Namaste,
Kevin Tough
On Wed, 2015-10-07 at 00:57 +0000, Spencer Raybourne wrote:
> Could someone please explain Lilypond percussion notation vs.
> Standard percussion notation (
Dear Spencer,
> Could someone please explain Lilypond percussion notation vs. Standard
> percussion notation (if there is such a thing). I have seen several
> examples in books that are different from Lilypond.
could you be a bit more specific?
E.g. by providing examples of such di
Am 07.10.2015 um 02:57 schrieb Spencer Raybourne:
Could someone please explain Lilypond percussion notation vs. Standard
percussion notation (if there is such a thing). I have seen several examples in
books that are different from Lilypond.
There seems to be no such thing like a standard
Could someone please explain Lilypond percussion notation vs. Standard
percussion notation (if there is such a thing). I have seen several examples in
books that are different from Lilypond.
Thank you,
Spencer
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2013/7/13 jboogie :
> On Fri, 12 Jul 2013 21:23:09 +0200
> Thomas Morley wrote:
>> Btw, from your code (\override Staff.BarLine #'bar-size = #3) I think
>> you're using 2.12.3.
>> Why?
>
> I'm using 2.16.2, that example was simply copy pasted from the docs
Well, you should use the documentation
On Fri, 12 Jul 2013 21:23:09 +0200
Thomas Morley wrote:
> 2013/7/12 jboogie :
> > Hi, I'm very new to lilypond and trying to hack my way to a
> > score for a small brazilian percussion ensemble. Actually the visive
> > output is fine for now, there's just one piece of code I don't
> > understand.
2013/7/12 jboogie :
> Hi, I'm very new to lilypond and trying to hack my way to a
> score for a small brazilian percussion ensemble. Actually the visive
> output is fine for now, there's just one piece of code I don't
> understand.
>
> To achieve a staff with two lines for an agogo bell, I used the
Hi, I'm very new to lilypond and trying to hack my way to a
score for a small brazilian percussion ensemble. Actually the visive
output is fine for now, there's just one piece of code I don't
understand.
To achieve a staff with two lines for an agogo bell, I used the example
for woodblocks in the
2011/6/28 cdg :
> As far as the roll notation, I did have a mild degree of success [...].
>
> However, now I'm just trying to lower the position of the 1 and 2 tremolo on
> the stem—they're far too close to the beams in some cases.
You can move tremolo slashes using extra-offset property:
\overrid
> have the same slope as the beam
>
Yes. I totally agree. However, this is what I was getting:
http://old.nabble.com/file/p31942537/Picture%2B4.png
And this is after the above adjustments:
http://old.nabble.com/file/p31942537/Picture%2B5.png
Here's what I'm doing to inp
Am Montag, 27. Juni 2011, 09:17:44 schrieb Janek Warchoł:
> 2011/6/27 cdg
> > or two slashes on a stemmed 8th note, not a fan.
> > These appear to be the same thickness as a beam,
> > and worse of all, are completely horizontal.
> > So, is it possible to adjust the angle of these symbols?
>
> Yes
On Mon 27 Jun 2011, 04:09 cdg wrote:
> So, is it possible to adjust the angle of these symbols?
Well, since i know nothing about percussion notation -- i hope someone more
knowledgeable will answer this .(
> On an unrelated issue and possibly quite the newbie question,
> in the temp
Hi!
2011/6/27 cdg
>
> version 2.14.1
>
> First off, I'm VERY new to using Lilypond. I'd consider myself quite an
> advanced
> Finale user, but I'm having
> a blast with Lilypond!
>
> I am a percussionists, so maybe I'm a little more picky in the
version 2.14.1
First off, I'm VERY new to using Lilypond. I'd consider myself quite an advanced
Finale user, but I'm having
a blast with Lilypond!
I am a percussionists, so maybe I'm a little more picky in the percussion
notation for a few things. But my
main co
2008/1/6, Risto Vääräniemi <[EMAIL PROTECTED]>:
> Is there a way to change the R1 glyph from "rests.0o" to e.g. "rests.0" for
> that staff?
Why don't you try:
\override MultiMeasureRest #'stencil =
#ly:text-interface::print
\override MultiMeasureRest #'text =
\marku
so elegant solution, though.
-Risto
--
View this message in context:
http://www.nabble.com/Rests-in-Percussion-Notation-tp14539033p14648714.html
Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.
___
lilypond-user mai
for RhythmicStaff stuff and I found this message.
I don't know much about percussion notation but the half / whole rest
position you presented somehow made me curious. Should they really be
written the other way round as in "normal" 5 line notation? Any reason why?
Well, I'm hap
to handle whole and half
rests. The percussion notation in the attached code is "acceptable."
I've raised the larger issue of percussion notation in an ancillary
thread (Percussion Discussion) and welcome comments there.
% Begin Snippet
notesC =\new Voice {
I don't know anything about percussion notation, but this might be of
interest
to lilypond-devel as well.
- Graham
On 22-Dec-04, at 6:50 AM, Bruce McIntyre wrote:
Hello all.
I've just finished reading through Norman Weinberg's _Guide to
Standardized Drumset Notation_ published by
Bruce,
Thanks for the post. I have started working on a define file (see below)
that could be included to bring Lilypond's drumset notation more inline
with PAS standards. The file does everything I need at the moment (I am
a lousy drummer), but I may extend it in the future.
Rick
On Thu, 2004-
Hello all.
I've just finished reading through Norman Weinberg's _Guide to
Standardized Drumset Notation_ published by the Percussive Arts Society
(1998). I've put up a synopsis of some of the more important points at
http://home.iprimus.com.au/brucemcintyre/percussion-notation.png
Note the numbe
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