Thanks, I hadn't seen that.
On Tue, 10 Sept 2024 at 20:02, Xavier Scheuer wrote:
> On Tue, 10 Sept 2024 at 20:09, Richard Cookson <
> richardcookson.3rdpla...@gmail.com> wrote:
> >
> > Hi,
> >
> > I am writing some percussion parts (orchestral, not ki
On Tue, 10 Sept 2024 at 20:09, Richard Cookson <
richardcookson.3rdpla...@gmail.com> wrote:
>
> Hi,
>
> I am writing some percussion parts (orchestral, not kit) which require a
number of changes of instrument. I would like to change from one instrument
to another without start
Hi,
I am writing some percussion parts (orchestral, not kit) which require a
number of changes of instrument. I would like to change from one instrument
to another without starting a new staff. I have an example which starts
with cymbal, (percussion staff with a single ledger line) goes to
Hi Kieren, Leo, etc.
Kieren, I thought that "I tried creating Lilypond files with just the
lyrics, aligned to the beats of the melody, and the percussion staff in it"
was specific enough, but perhaps showing a (mock up) screen shot of what I
wanted would have made things even cleare
Hi,
> Well, I'd rather not see the (empty) staff there. It will only take up space!
> Both your snippets show an empty 'voice' staff (that I'm not particularly
> interested in :-) )
Then maybe you should be more specific with your requests…
%%% SNIPPET BEGINS
\version "2.22.1"
\header {
ti
Like this? The staff with the lyrics was being created because in the score
block, when you created the NullVoice it had nowhere to go, so the staff was
implicitly created for it. Here it is created inside the DrumStaff in the
drumsPart variable.
%%% SNIPPET BEGINS
\version "2.22.1"
\header {
HI Kieren,
On Fri, Sep 6, 2024 at 12:56 PM Kieren MacMillan <
kie...@kierenmacmillan.info> wrote:
> p.s.
>
> You could get away with your “one giant lyric blob on whole notes”
> approach with a few tweaks:
>
>
> %%% SNIPPET SNIPPED
>
> Hope that [also] helps!
> Kieren.
Well, I'd rather not see
p.s.
You could get away with your “one giant lyric blob on whole notes” approach
with a few tweaks:
%%% SNIPPET BEGINS
\version "2.22.1"
\header {
title = \markup \concat { "Oh, but it " \underline "does" " work!" }
instrument = "Frog / Cajonga's"
}
\paper {
left-margin = 20
}
\layout
Hi,
> I tried using a NullVoice, but I haven't been able to find the correct
> incantation yet :-(
> Attached is a M(N)WE, I hope someone can nudge me in the right direction...
How much of a nudge do you want? ;)
Really Subtle Nudge: Change NullVoice to Voice and look at what’s happening.
Bul
ug 30, 2024 at 1:01 PM Christ van Willegen
> wrote:
>
>> Hi,
>>
>> I've been promoted from singing the Tenor voice to playing Percussion in
>> our choir.
>>
>> To help me, and perhaps other people, playing the percussion rhythms, I
>> tried creati
Tenor voice to playing Percussion in
> our choir.
>
> To help me, and perhaps other people, playing the percussion rhythms, I
> tried creating Lilypond files with just the lyrics, aligned to the beats of
> the melody, and the percussion staff in it. I thought I had a working file
> for
Christ van Willegen writes:
> Before I dive into creating an MWE, is there anyone on the list who has a
> working template for:
>
> - Lyrics (either in full measure bits, or each set to their own note)
> - Melody (I have a lot of lyrics and melodies already set in Lilypond, so
> being able to re-
Hi,
I've been promoted from singing the Tenor voice to playing Percussion in
our choir.
To help me, and perhaps other people, playing the percussion rhythms, I
tried creating Lilypond files with just the lyrics, aligned to the beats of
the melody, and the percussion staff in it. I thought
Hi Michael,
On Sun, 2024-08-18 at 11:02 +0200, Zlobinsky Michael wrote:
> Since I only want the drums to sound in the background (so that the
> student has an orientation for syncopated rhythms), it is not so
> dramatic.
>
> I will try to create more examples for non-drummers over time.
There w
s more specific
than "Re: Contents of lilypond-user digest..."
Today's Topics:
1. Re: lilyjazz fonts not working (Hans Aikema)
2. Re: lilyjazz fonts not working (Robert Garrigos)
3. Standard rhythms for drums or
Answer to:From: Zlobinsky MichaelSubject: Standard rhythms for drums or percussion.Date: Mon, 22 Jul 2024 14:19:26 +0200With the kind help of Sébastien Richard, I was able to create some examples.I still have display problems, which are probably due to a bug in the Wiki Score plugin.Since I only
Hi,It's my first question via mailing list. I'm a guitarist, and I've made some educational tabs. I could use some simple standard rhythms (not to advanced, more suitable for an amateur band.)The results of my experiments are rather modest and very error-prone, as I still have to get used to everyt
From: lilypond-user-bounces+carl.d.sorensen=gmail@gnu.org
on behalf of Richard
Cookson
Date: Monday, July 8, 2024 at 12:05 PM
To: lilypond-user@gnu.org
Subject: Changing from percussion clef to treble clef
Hi,
I am trying to write a percussion part with a mix of untuned and tuned
Dear Richard,
If I do something like the following, using a regular Staff instead of
RhythmicStaff and using "percussion" staff (it acts like alto clef), I
can write different notes. Is this something like what you were hoping
to do? Sorry, I don't know the entire context of
Hi,
I am trying to write a percussion part with a mix of untuned and tuned
percussion, however, when I switch from percussion clef back to G clef, all
the notes subsequently are shown as the same pitch (b), see screenshot
below, the final bar is supposed to be as follows:
\clef G \relative c { a16
Thanks Valentin
When I use your example, it does only display one stave and a percussion
one too - but all the notes have been compressed onto one line
But I ran with your suggestion and have now crafted what I wanted !!
I'm not proficient enough to be able to write short snippets
Hello Phil,
when posting here please post a full and minimal working example. Else it is
much harder for us to help you. With your definitions doing
\new DrumStaff \agogo
\addlyrics \words
works quite fine on my end. So we’d need to know what you’re actually doing to
be able to understand your
Hi
I'm new to lilypond but I like what I've seen so far
Using \drummode and \DrumStaff I have written a score for the agogo bells
I now want to add some "lyrics" (mnemonics) to help remember the notes
so for
agogo = \drummode {
r8 agh4 agh8 agh4 agl
agl agh
Jean Abou Samra writes:
>> Le 28 janv. 2023 à 08:01, Darren Ng a écrit :
>>
>> [subject] How to define a macro that expands to a percussion "pitch"?
>
>
> It may be worth noting that LilyPond does not have macros, only
> variables and regular functi
> Le 28 janv. 2023 à 08:01, Darren Ng a écrit :
>
> [subject] How to define a macro that expands to a percussion "pitch"?
It may be worth noting that LilyPond does not have macros, only variables and
regular functions. Call me pedantic, but I think it is helpful not t
Hi Pierre-Luc,
Am 28.01.23 um 14:02 schrieb Pierre-Luc Gauthier:
m = \drummode { hh }
Unfortunately not: This turns m into "music" including a duration.
Hence, \m 8 will be interpreted as "first \m" (with its own pitch), then
another one of duration 8.
Compare:
\version "2.24.0"
m = \dru
m = \drummode { hh }
Le sam. 28 janv. 2023, à 02 h 01, Darren Ng a écrit :
>
> [subject] How to define a macro that expands to a percussion "pitch"?
>
> input is
>
> m = hh
> \drummode { \m 8 \m r4 \m }
>
> expected output should be equivalent t
[subject] How to define a macro that expands to a percussion "pitch"?
input is
m = hh
\drummode { \m 8 \m r4 \m }
expected output should be equivalent to
\drummode { hh8 hh8 r4 hh4 }
actual output (console)
percussion.ly:*:*: warning: Ignoring non-music
Je m'explique mal ...
C'est dans la sortie midi que je souhaite avoir un handclap et non un
woodblock
or le handclap ne sort qu'en DrumStaff ou bien je ne trouve pas le biais.
Merci d'avance
--
Martial Rameaux
Yes, sorry.
Le ven. 23 sept. 2022 à 11:40, Jean Abou Samra a
écrit :
> Hi Martial,
>
> I suppose you meant to send this to lilypond-user-fr, not lilypond-user,
> right?
>
> Best,
> Jean
>
>
>
Hi Martial,
I suppose you meant to send this to lilypond-user-fr, not lilypond-user,
right?
Best,
Jean
Bonjour
je souhaiterai avoir un handclap au lieu d'un woodblock
je n'arrive pas à mettre à la suite d' un Staff un DrumStaff
%
\version "2.22.2" %ou "2.23.12"
\score {
\new Staff {
\set Staff.midiInstrument = "acoustic guitar (nylon)"
\new Voice \relative {
Gordon Bower writes:
> Success! Thank you for the fast response.
>
>
>> Your \layout with
>> \context { \Staff \RemoveEmptyStaves }
>> works as expected, but you want to remove _DrumStaff_, add.
>> \context { \DrumStaff \RemoveEmptyStaves }
>>
>
> I was thinking of a DrumStaff as a sub-type of st
Success! Thank you for the fast response.
> Your \layout with
> \context { \Staff \RemoveEmptyStaves }
> works as expected, but you want to remove _DrumStaff_, add.
> \context { \DrumStaff \RemoveEmptyStaves }
>
I was thinking of a DrumStaff as a sub-type of staff.
As long as I think of Staff, D
Am Fr., 3. Sept. 2021 um 20:24 Uhr schrieb Gordon Bower :
>
> I am having two issues with a custom unpitched-percussion staff in a score.
>
> Item 1: \RemoveEmptyStaves does not remove the percussion staff even though
> it suppresses other staves correctly. (I had the same proble
I am having two issues with a custom unpitched-percussion staff in a score.
Item 1: \RemoveEmptyStaves does not remove the percussion staff even though
it suppresses other staves correctly. (I had the same problem with a
non-customized DrumStaff or RhythmStaff when I tried that earlier.)
This
Aaron Hill writes:
> On 2021-02-27 3:10 am, David Kastrup wrote:
>> [...] Which begs the
>> question whether it would not make sense to let Rest_engraver look at
>> drum-type in the same manner it looks at pitch for the sake of
>> potentially resolving the drum-type to staff-position mapping.
>
>
On 2021-02-27 3:10 am, David Kastrup wrote:
[...] Which begs the
question whether it would not make sense to let Rest_engraver look at
drum-type in the same manner it looks at pitch for the sake of
potentially resolving the drum-type to staff-position mapping.
I'm not a percussionist; but it wo
Lukas-Fabian Moser writes:
> Hi Aaron,
>
>> \tweak form is a little shorter, although you could bake this into a
>> function if you needed to use this a lot:
>>
>>
>> \version "2.22.0"
>>
>> "\\@" =
>> #(define-music-function
>> (staff-position music)
>> (integer? ly:music?)
>> #{ \twe
Hi Aaron,
\tweak form is a little shorter, although you could bake this into a
function if you needed to use this a lot:
\version "2.22.0"
"\\@" =
#(define-music-function
(staff-position music)
(integer? ly:music?)
#{ \tweak staff-position #staff-position #music #})
\new DrumStaff
On 2021-02-27 1:22 am, Thomas Morley wrote:
I'd use an override for 'staff-position:
\once \override Rest.staff-position = -4
looks ok here.
\tweak form is a little shorter, although you could bake this into a
function if you needed to use this a lot:
\version "2.22.0"
"\\@" =
#(define
PM Calvin Ransom wrote:
>>
>> Good afternoon everyone,
>> I am trying to move the vertical position of a rest in some percussion music
>> I am typesetting for my teacher.
>> I am using v. 2.22.0
>> In the manual it says 'To explicitly specify a rest’s vertic
\once \override Rest.Y-offset = #2
r
Or, saving a few keystrokes:
\tweak Y-offset 2 r4
Lukas
You could say something like:
\once \override Rest.extra-offset = #'(0 . 3) r4
People don't like using extra-offset for various reasons, but
sometimes it does the job just fine.
Andrew
\version "2.22.0"
\score{
\new DrumStaff
\drummode {
<<
{
sn16 16 16 16
}
\\
{
\once \override Rest.Y-offset = #1.5 r4
}
>>%m54-65
}
}
On Fri, Feb 26, 2021 at 4:31 PM Calvin Ransom
wrote:
> Hi Andrew,
> It half-works on what I am trying to do,
Post an MWE with the polyphony.
Andrew
Calvin Ransom wrote on 27/02/2021 11:31 AM:
Hi Andrew,
It half-works on what I am trying to do, I am attempting to get the
rest closer to the one above it (I have polyphony)
Your code works but I can't get the rest closer, I believe I have to
do another
Hi Andrew,
It half-works on what I am trying to do, I am attempting to get the rest
closer to the one above it (I have polyphony)
Your code works but I can't get the rest closer, I believe I have to do
another override but I am unsure as to what.
Thank you!
Calvin Ransom
On Fri, Feb 26, 2021 at
Would something like this work for you?
\version "2.23.0"
\score{
\new DrumStaff {
\drummode {
cymc hh ss tomh bd
\once \override Rest.Y-offset = #2
r
}
}
}
Andrew
n some percussion
> music I am typesetting for my teacher.
> I am using v. 2.22.0
> In the manual it says 'To explicitly specify a rest’s vertical position,
> write a note followed by \rest."
> When I use the following snippet it does not work and gives me an error
> mess
Good afternoon everyone,
I am trying to move the vertical position of a rest in some percussion
music I am typesetting for my teacher.
I am using v. 2.22.0
In the manual it says 'To explicitly specify a rest’s vertical position,
write a note followed by \rest."
When I use the following
Thank you Aaron,
Ah, makes sense. I prefer the way you suggested and have it working.
Cheers.
On 2021-01-28 15:19, Aaron Hill wrote:
On 2021-01-28 4:35 am, ebenezer wrote:
Hello everyone,
I have noticed that use of a custom percussion staff is different from
the manner in which one of the
On 2021-01-28 4:35 am, ebenezer wrote:
Hello everyone,
I have noticed that use of a custom percussion staff is different from
the manner in which one of the pre-defined percussion staves is used:
partBongo = \new DrumStaff \with {
drumStyleTable = #bongos-style
} \staffBongo
... compared to
Hello everyone,
I have noticed that use of a custom percussion staff is different from
the manner in which one of the pre-defined percussion staves is used:
partBongo = \new DrumStaff \with {
drumStyleTable = #bongos-style
} \staffBongo
... compared to ...
partPercCustom = \new DrumStaff
Hi all,
I'm engraving a percussion part that has the player switch from vibraphone
to suspended cymbal. I can use the \stopStaff and \startStaff commands to
change the number of staff lines and make the layout look like what I want,
but I'm having trouble with getting the MIDI output
r notes but
neither rests nor dynamics:
bassMusic = \drummode {
bd4 \f r bd r |
}
snareMusic = \drummode {
r4 sn \f r r |
}
\score {
\new DrumStaff = "percussion" <<
\bassMusic
\new minorDrumVoice \snareMusic
>>
}
\layout {
\context {
\DrumV
I’m engraving a marching band score. The pitched instruments were fun.
Percussion is giving me a headache, though.
Each drum has its own part, e.g.:
% bass.ily
\version "2.18.2"
bassMusic = \drummode {
bd4 \f r bd r |
}
% bass.ly
\version "2.18.2"
\include "
n 4/16/20, neuro黃學仁 wrote:
> > How can one remove the empty percussion staff in Grandscore?
> > The \RemoveEmptyStaves seems not working on percussion staff.
>
> Greetings,
> here is a solution:
>
>
>
> \layout {
> indent = 2.6\cm
> short-indent = 1.6\
On 4/16/20, neuro黃學仁 wrote:
> How can one remove the empty percussion staff in Grandscore?
> The \RemoveEmptyStaves seems not working on percussion staff.
Greetings,
here is a solution:
\layout {
indent = 2.6\cm
short-indent = 1.6\cm
\context {
\Staff
\RemoveEmpty
How can one remove the empty percussion staff in Grandscore?
The \RemoveEmptyStaves seems not working on percussion staff.
Sample files can be reached at http://orchestra.tw/lilypond_Q
including:
00.ly
bdrum.ly
timp.ly
v1.ly
v2.ly
To run lilypond 00.ly (http://orchestra.tw/lilypond_Q/00.ly),
and
Amazing, ty all
Il giorno lun 3 feb 2020 alle 10:19 Pierre Perol-Schneider <
pierre.schneider.pa...@gmail.com> ha scritto:
> Hi Marco, hi Kevin,
>
> If you want to stick to the image, I'd modified Kevin's coding as:
>
> {
> \override TextSpanner.bound-details.left.padding = #3.5
> \override T
Hi Marco, hi Kevin,
If you want to stick to the image, I'd modified Kevin's coding as:
{
\override TextSpanner.bound-details.left.padding = #3.5
\override TextSpanner.bound-details.right.padding = #-3.5
\override TextSpanner.bound-details.left.text = \markup \lower #1 "fill "
\override Te
On Mon, Feb 03, 2020 at 08:41:21AM +0100, Marco Bagolin wrote:
> I tried to use:
>
> \ottava #1
> \set Staff.ottavation = #”fill”
> ... music in drum mode...
> \ottava #0
>
> but obviously it can not work in drum mode...
Hi Marco,
Perhaps a TextSpanner would be a better choice for this. Does so
Hi Caio, did you manage to find a Double Bass Clef?
Lilypond now has a \clef GG, but still missing a \clef FF
--
Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/m
Hello list,
I'm presently trying to transcribe a piece of music that has both
accented and ghost notes on the snare drum. And I've run into a few
issues:
1. Ghost notes are not particularly user friendly requiring the use
of \parenthesize. Does anyone know of a more concise way?
2. Is there an
On Fri, 2019-10-04 at 14:23 +0200, list_lilyp...@infopower.nl wrote:
> If those 3 standards are all acceptable, wouldn't it be better if a
> Lilipond engraver were able to choose which standard to use in his
> piece?
I am not an expert, but what I noticed is that lilypon
/wiki/Percussion_notation ) and it
seems indeed that there are two 'standards' for percussion notation.
One apparently less used from Peckman, Jonathan (2007) (Picture
Yourself Drumming, p.46. ISBN 1-59863-330-9), and one based on the
recommendations of the Percussive Arts Society found in Nor
e two 'standards' for percussion notation.
One apparently less used from Peckman, Jonathan (2007) (Picture
Yourself Drumming, p.46. ISBN 1-59863-330-9), and one based on the
recommendations of the Percussive Arts Society found in Norman
Weinberg’s Guide To Standardized Drumset Notation
Am Do., 3. Okt. 2019 um 11:43 Uhr schrieb Thomas Morley
:
>
> To the author of LSR-snippet 1071 "Percussion example",
>
> this snippet
> lsr.di.unimi.it/LSR/Item?u=1&id=1071
> is obviously not complete (probably a copy/paste-error), please add
> the missing parts
To the author of LSR-snippet 1071 "Percussion example",
this snippet
lsr.di.unimi.it/LSR/Item?u=1&id=1071
is obviously not complete (probably a copy/paste-error), please add
the missing parts.
Otherwise I'll delete it so
Hi Gauco
I never engraved advanced percussion scores. But searching brought me to
the LSR http://lilypond.org/doc/v2.19/Documentation/snippets/percussion.html
I adapted the first part of your drum staff definition using
"drumStyleTable" instead of your \bongos-style:
%%%
Drums = \new
Hi there:
This is the same issue as in previous message:
The examples on common notation for percussion,
doesn't worked for me; manual isn't clear on this session.
Here is the code that i typed :
%%
Drums = \new DrumStaff <<
\bongos-style
\drummode {
% Enter Line 1
<
Hi Everyone,
I'm working on some Turkish usul percussion notation and the standard is,
rather oddly, to have the low pitched "dum" sound on the top line and
highest pitch "tek" sound on the low. See the snippet below.
Problem that I can't solve: stem direction need
Hi Aaron,
Thank you for replying. This could really help. I'm going to look at it
when I get home, but what I can tell you right now is that I've
experimented with making a custom pitch name language file — not remotely
resembling your solution — and I came across one big problem: it was a
work-wi
On 2018-11-13 1:16 pm, Wolfling Vini wrote:
This is only a problem because most of our pieces have one or two
staves
for flutes. So I have to keep the custom pitch names local; otherwise,
every time I need to play a b, if I'm not mistaken, I'd need to type
"trh"
instead of "b" or "si". However
On 2018-11-12 7:22 pm, Vinicius Mascarenhas wrote:
TLDR: I need to map different pitches displayed in the layout block /
PDF file to a single sound in the midi block / file (like say map both
c and a to b,) but I can’t to that to the whole staff — I need to be
able to map other sets of pitches to
is the line
a b pitch falls on if you’re going treble clef. Oh and I also change the clef
glyph so it looks like a percussion clef but it’s really still the old treble
clef.
All in all, pitches are written like c and a because c is the first pitch above
the line and a is the first pitch below it
ust a few additions to Joram's remarks...
>
>
> Noeck wrote
>> I guess the pitches are undefined in both the tab clef and the
>> percussion clef.
>
> As for the percussion clef, MusicXML uses treble clef positioning and -
> obviously - so does Finale.
> In Lil
Hello Jacques,
Just a few additions to Joram's remarks...
Noeck wrote
> I guess the pitches are undefined in both the tab clef and the
> percussion clef.
As for the percussion clef, MusicXML uses treble clef positioning and -
obviously - so does Finale.
In LilyPond, they are not in
Dear Jacques,
I guess the pitches are undefined in both the tab clef and the
percussion clef.
The tab clef only makes sense on a tab-staff where the notes are denoted
with numbers (frets) per string.
The percussion clef might have some pitched instruments, but there is no
universal definition
Hi,
you could also override or tweak the staff-position of the rest. It
seems more inline with what the intention is, but it warns you about the
stems (don't know how to fix that):
\score{
\new DrumStaff
\drummode{
\clef percussion << { cymr4 4 4 4 } \\ {
\once \override
would also be appreciated.
> > I'm successful with most of my percussion code.
> >
> > \version "2.19.80"
> >
> > \score{
> > \new DrumStaff
> > \drummode{
> > \clef percussion << { cymr4 4 4 4 } \\ { r8 sn8 4 4 4 } { hhp
On Fri 10 Nov 2017 at 12:27:19 (-0700), Paul Scott wrote:
> How can I move the eighth rest to the level of the snare drum part?
> sn8\rest doesn't seem to be allowed.
> Any other feedback on my code would also be appreciated.
> I'm successful with most of my percussion code.
How can I move the eighth rest to the level of the snare drum part?
sn8\rest doesn't seem to be allowed.
Any other feedback on my code would also be appreciated.
I'm successful with most of my percussion code.
\version "2.19.80"
\score{
\new DrumStaff
\drummode{
Hi Taylor,
2017-07-05 13:52 GMT-04:00 Taylor Sexton :
> I was wondering if anyone knows if someone has developed a Lilypond template
> for a marching percussion section.
I do not know much about templates.
> with all the appropriate
> notation possibilities (e.g., bass drum line
Hi, all.
I am a percussionist, and I am involved this time of year in teaching the
marching arts.
I was wondering if anyone knows if someone has developed a Lilypond template
for a marching percussion section. This would be a score that would, at
minimum, include a snare drum (5-line staff
This snippet comes from applying musicxml2ly on 12a-Clefs.xml, which is part of
the unofficial LP MusicXML test suite:
http://lilypond.org/doc/v2.19/input/regression/musicxml/collated-files.html.
What puzzles me is that Finale 2014 displays:
percussion
Hello folks,
I’ve never created scores for percussion, so may question is a newbie one: can
the percussion clef be used in any context, without changing the number of
lines in the staff?
And if so, it the output for the example below the right one?
Thanks for your help!
JM
\version "2.
2016-03-24 11:26 GMT-04:00 Simon Albrecht :
> An alist being a list of list you should be able to write
>
> midiDrumPitches = #(append midiDrumPitches
> `((key . ,(ly:make-pitch 0 6 FLAT))
>(cr . ,(ly:make-pitch 1 1 NATURAL))
>(b
On 24.03.2016 16:02, Pierre-Luc Gauthier wrote:
% How can I append those bellow to the default list?
% (Instead of replacing the old list)
midiDrumPitches = #`(
(key . ,(ly:make-pitch 0 6 FLAT))
(cr . ,(ly:make-pitch 1 1 NATURAL))
Pierre-Luc Gauthier writes:
>> When one remaps note names like that, is it also possible to map midi
>> notes to those names?
David Kastrup writes:
> It would appear that midiDrumPitches are used for initializing
> drumPitchTable in some context in ly/performer-init.ly so it should be
> possible
> David Kastrup writes:
>> You need to dig through the respective files to find all the information
Thanks, I'll look into those.
--
Pierre-Luc Gauthier
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David Kastrup writes:
> Pierre-Luc Gauthier writes:
>
>> When one remaps note names like that, is it also possible to map midi
>> notes to those names?
>>
>> Could there be sort of a assignment somewhere between the note (e.g.
>> dsm or dslapmute) and the midi note (e.g. note 62 on channel 10)?
Pierre-Luc Gauthier writes:
> When one remaps note names like that, is it also possible to map midi
> notes to those names?
>
> Could there be sort of a assignment somewhere between the note (e.g.
> dsm or dslapmute) and the midi note (e.g. note 62 on channel 10)?
>
> I did not find documentation
When one remaps note names like that, is it also possible to map midi
notes to those names?
Could there be sort of a assignment somewhere between the note (e.g.
dsm or dslapmute) and the midi note (e.g. note 62 on channel 10)?
I did not find documentation on the subject.
Last week I transcribed
2016-03-23 14:42 GMT+01:00 Bernard :
>
> But is there a way to make the voice more consistent, by adding the mute in
> the definition?
>
> so I could call :
> one = \drummode { dslap dslapmute }
>
> instead of :
> one = \drummode { dslap dslapmute^\mute }
>
> And if I could add abbreviation i
On 23-03-16 12:58, David Kastrup wrote:
Uh, one just takes your example and adds the indicated line(s).
Ok, thanks I got it, and it works for me now.
Uh, is there _anything_ actually unclear or do you just want me to do
all the work?
No, of course not, the syntax was only not clear to me.
I h
2016-03-23 13:49 GMT+01:00 David Kastrup :
> Programmatically, I'd not set drumPitchNames repeatedly. Just use
>
> drumPitchNames =
> #(fold (lambda (n l) (acons n n l)) drumPitchNames '(aa ab ac ad ae af))
Much better.
Thanks,
Harm
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Thomas Morley writes:
> 2016-03-23 12:45 GMT+01:00 David Kastrup :
>
>> I think that the old
>>
>> drumPitchNames #'slap = #'slap
>>
>> has worked for a long long time (quite earlier than 2.12). But it's
>> quite underdocumented. I think it caught me by surprise when I first
>> discovered it in
2016-03-23 12:45 GMT+01:00 David Kastrup :
> I think that the old
>
> drumPitchNames #'slap = #'slap
>
> has worked for a long long time (quite earlier than 2.12). But it's
> quite underdocumented. I think it caught me by surprise when I first
> discovered it in the parser.
/lilypond-git (maste
t; so please compile it to see visual what I need) are :
> \version "2.18.2"
>
> %\relative c' {
>
> {
> e' b' f''
> }
> \addlyrics {
> bas tone slap
> }
>
> But then with 3 staff lines, percussion key, the mute token, and the
&g
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