Hi Valentin,
Le 17/12/2021 à 23:23, Valentin Petzel a écrit :
Hello Molly,
The code I gave you first back then was missing a something which made it
behave badly. Harm proposed a corrected and streamlined version, and even more
compact:
#(define (my-callback grob)
(let* ((orig (ly:grob-orig
)))
(if (and (> (length siblings) 1) (not (eq? grob (car siblings
(ly:grob-set-property! grob 'text #f
Cheers,
Valentin
Am Freitag, 17. Dezember 2021, 16:22:52 CET schrieb Molly Preston:
> Someone helped with fixing the 8va so it didn't repeat 8va after the line
Le 17/12/2021 à 16:22, Molly Preston a écrit :
Someone helped with fixing the 8va so it didn't repeat 8va after the
line break. However, it is producing a solid line where the 8va is,
but only in this one place:
\version "2.22.1"
upper = {
#(define (my-callba
Someone helped with fixing the 8va so it didn't repeat 8va after the line
break. However, it is producing a solid line where the 8va is, but only in
this one place:
\version "2.22.1"
upper = {
#(define (my-callback grob)
(let* (
; have we been split?
On Thu, 28 Nov 2019, Pierre Perol-Schneider wrote:
How about:
\version "2.19.83"
\layout {
\context {
\Staff
\override OttavaBracket.stencil = #ly:line-spanner::print
\override OttavaBracket.bound-details =
#`((left . ((text . ,#{ \markup\concat\italic { "8" \raise #.8 \ti
gt; > The new default will be numbers only (#ottavation-numbers) with a simple
> > option to use super-/subscript "8va" with a both for alta and bassa:
> >
> > \set ottavationMarkups = #ottavation-ordinals
> >
> > I don’t know when 2.21.0 will be relea
On Thu, 28 Nov 2019, Malte Meyn wrote:
The new default will be numbers only (#ottavation-numbers) with a simple
option to use super-/subscript "8va" with a both for alta and bassa:
\set ottavationMarkups = #ottavation-ordinals
I don’t know when 2.21.0 will be released.
Hi Martin,
AFAIK all of this can be done, yes. However, it’s a bit hacky and will
be much easier in the not yet published 2.21.0 which will have improved
ottava brackets.
Am 28.11.19 um 10:36 schrieb Martin Tarenskeen:
- 8va above the staff with the "va" superscripted like in th
Hi,
Attached is a picture from two 8va variants I found in the Bravura font.
Using LilyPond with the following tiny example:
\version "2.19.83"
\relative {
\ottava #1 f'' f f f |
\ottava #-1 f,, f f f |
}
will result in "8va" (above) and "8vb"
Yes, it does. Thank you!
On 16 December 2016 at 00:48, David Nalesnik
wrote:
> On Thu, Dec 15, 2016 at 5:24 PM, Gianmaria Lari
> wrote:
> > I'm editing a score where I would like to specify "8va".
> >
> > If I write
> >
> >
On Thu, Dec 15, 2016 at 5:24 PM, Gianmaria Lari wrote:
> I'm editing a score where I would like to specify "8va".
>
> If I write
>
> \version "2.19.52"
> {
> \ottava #1
> a b
> }
>
>
> lilypond creates a score with the text 8va
I'm editing a score where I would like to specify "8va".
If I write
\version "2.19.52"
{
\ottava #1
a b
}
lilypond creates a score with the text 8va but it also shifts the notes
one lower octave. So to avoid the shift I also had to specify a \transpose. I
have
On 13.01.2016 20:02, John Gourlay wrote:
There it is! I don’t know why I missed it the first time. I”m sorry to be a
bother.
Never mind, the docs _are_ difficult to penetrate sometimes…
Yours, Simon
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There it is! I don’t know why I missed it the first time. I”m sorry to be a
bother.
> On Jan 13, 2016, at 1:50 PM, Trevor Daniels wrote:
>
>
> John, you wrote Wednesday, January 13, 2016 6:18 PM
>
>> I’m still puzzled by the lack of documentation for \transposition, however.
>> How have you
John, you wrote Wednesday, January 13, 2016 6:18 PM
> I’m still puzzled by the lack of documentation for \transposition, however.
> How have you all learned to use it, by word of mouth?
No :), you'll find it here:
http://www.lilypond.org/doc/v2.19/Documentation/notation/displaying-pitches#inst
Using \unfoldRepeats in a separate \score for the midi output works. Thank you,
Malte.
I’m still puzzled by the lack of documentation for \transposition, however. How
have you all learned to use it, by word of mouth?
John Gourlay
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lilypond-user m
Am 11.01.2016 um 21:02 schrieb John Gourlay:
> The pdf output contained the music I hoped for but the midi output does not
> contain the second measure of this three-measure opus.
You should use \unfoldRepeats (or \articulate):
\version "2.18.2"
foo = \relative {
\repeat volta 2 {
c'4 d
David, et al.,
The \transposition command would seem do what I want, except that I’ve
discovered belatedly that LilyPond’s midi output doesn’t seem to respect
repeats at all. Is this true?
I compiled the following little file using \transposition as I think you
intended:
music = {c'4 d' e' f'
msk...@ansuz.sooke.bc.ca writes:
> On Sat, 9 Jan 2016, David Kastrup wrote:
>> For "this issue"? It allows you to use different tags for different
>> purposes without interference between the purposes.
>>
>> Not more, not less.
>
> Then why suggest it?
Because you stated "That can be worked arou
On Sat, 9 Jan 2016, David Kastrup wrote:
> For "this issue"? It allows you to use different tags for different
> purposes without interference between the purposes.
>
> Not more, not less.
Then why suggest it?
--
Matthew Skala
msk...@ansuz.sooke.bc.ca People before principles.
h
msk...@ansuz.sooke.bc.ca writes:
> On Sat, 9 Jan 2016, David Kastrup wrote:
>> > I've had trouble getting that to work in more complicated situations, such
>> > as when there's nesting involved. If I want a few notes different inside
>
>> You know the \tagGroup command, do you?
>
> I found it whe
On Sat, 9 Jan 2016, David Kastrup wrote:
> > I've had trouble getting that to work in more complicated situations, such
> > as when there's nesting involved. If I want a few notes different inside
> You know the \tagGroup command, do you?
I found it when I was looking for a clean solution to thi
msk...@ansuz.sooke.bc.ca writes:
> On Fri, 8 Jan 2016, H. S. Teoh wrote:
>> > It's a shame that LilyPond's requirement to completely evaluate music
>> > expressions immediately, and therefore once and for all, forces this
>> > kind of thing on us. The natural thing to want to do would be to have
msk...@ansuz.sooke.bc.ca writes:
> On Fri, 8 Jan 2016, Christopher R. Maden wrote:
>> Generally, once you get into any kind of moderately complicated score, you
>> have to concoct your score and MIDI separately, e.g.:
>>
>> theTune = c c c c
>> theScore = \repeat volta 2 { \theTune }
>> theMidi =
John Gourlay writes:
> As an exercise in learning to use LilyPond I’m engraving “The Entertainer” by
> Scott Joplin. In the old published version I’m working from (1902), the score
> looks like this at measure 22:
> *
>
> I’m concerned about the “Repeat 8va”, which I assume
On Fri, 8 Jan 2016, H. S. Teoh wrote:
> > It's a shame that LilyPond's requirement to completely evaluate music
> > expressions immediately, and therefore once and for all, forces this
> > kind of thing on us. The natural thing to want to do would be to have
> This is not really true. What I usua
On Sat, Jan 09, 2016 at 12:11:48AM -0600, msk...@ansuz.sooke.bc.ca wrote:
> On Fri, 8 Jan 2016, Christopher R. Maden wrote:
> > Generally, once you get into any kind of moderately complicated
> > score, you have to concoct your score and MIDI separately, e.g.:
> >
> > theTune = c c c c
> > theScore
On Fri, 8 Jan 2016, Christopher R. Maden wrote:
> Generally, once you get into any kind of moderately complicated score, you
> have to concoct your score and MIDI separately, e.g.:
>
> theTune = c c c c
> theScore = \repeat volta 2 { \theTune }
> theMidi = \theTune \transpose c c' \theTune
> \score
the updated version from
<https://github.com/sincere-music/MutopiaProject/blob/95d8bf3a08f75df6bbd9010f01dc623ba72668be/ftp/JoplinS/entertainer/entertainer.ly>
(click ‘Raw’ to download the code).
This one doesn’t have a semantically appropriate solution for the
‘Repeat 8va’. Perhaps you w
score looks like this at measure 22:
> >
> >I’m concerned about the “Repeat 8va”, which I assume means that on
> >the second repetition of this section it should be played an octave
> >higher than the first time. Do you know how to make this happen in
> >LilyPond? I can
On 01/08/2016 04:08 PM, John Gourlay wrote:
As an exercise in learning to use LilyPond I’m engraving “The
Entertainer” by Scott Joplin. In the old published version I’m
working from (1902), the score looks like this at measure 22:
I’m concerned about the “Repeat 8va”, which I assume means that
As an exercise in learning to use LilyPond I’m engraving “The Entertainer” by
Scott Joplin. In the old published version I’m working from (1902), the score
looks like this at measure 22:
I’m concerned about the “Repeat 8va”, which I assume means that on the second
repetition of this section
Pierre:
Thank you very much. It is exactly the same as the score sheet I am trying to
transcribe.
Emmanuel,
Ming.
On Saturday, June 28, 2014 5:43:38 PM, Pierre Perol-Schneider
wrote:
2014-06-28 23:35 GMT+02:00 MING TSANG :
Pierre: Where do I put your code? I put if before line 26 and
2014-06-28 23:35 GMT+02:00 MING TSANG :
> Pierre: Where do I put your code? I put if before line 26 and it is not
> what I expected.
>
With these settings :
...
\once\override Staff.OttavaBracket.minimum-length = #10
\once\override Staff.OttavaBracket.extra-offset = #'(10 . 0)
See enc
1
\set Staff.ottavation = \markup \bold \concat{ "8" \tiny "vb" }
}
global = {
\key f \major
\time 4/4
}
right = {
\global
4 \tuplet 3/2{8 } 4 |%m66
2
\ottavaa
bf'''16 a''' f''' c''' bf'
Hi Ming,
2014-06-28 18:37 GMT+02:00 MING TSANG :
> Any help is appreciated.
>
Please provide compilable example.
This should do what you're looking for :
{
\once\override Staff.OttavaBracket.minimum-length = #30
\once\override Staff.OttavaBracket.extra-offset = #'(30 . 0)
\ot
To do this would be poor notation. Elaine Gould says that the line should be
terminated after the notehead.
--
Phil Holmes
- Original Message -
From: MING TSANG
To: lilypond-user mailinglist
Sent: Saturday, June 28, 2014 5:37 PM
Subject: (8va) to extend to barline
Hi
0.7
"va" }
}
ottavab = {
\ottava -1
\set Staff.ottavation = \markup \bold \concat{ "8" \tiny "vb" }
}
global = {
\key f \major
\time 4/4
}
right = {
\global
4 \tuplet 3/2{8 } 4 |%m66
2
\ottavaa
bf'''16 a''' f''' c''
Hello!
In the following snipplet I created a connected arpeggio in a piano staff
and transposed both staffs one octave up (8va). The 8va and the arpeggios
collides.
In the following bar the accidentel of the ees colliedes with the bar.
Has anyone any ideas?
Thanks
(windows XP)
\version
Patrick Hubers writes:
> I'm probably just being dense, but I can't seem to find how to
> vertically move an ottava-bracket. I have a few places in my score
> where the bracket runs through the slurs of the notes it is attached
> to. I've tried the #'padding attribute of both OctavateEight and
>
Hi,
I'm probably just being dense, but I can't seem to find how to
vertically move an ottava-bracket. I have a few places in my score where
the bracket runs through the slurs of the notes it is attached to. I've
tried the #'padding attribute of both OctavateEight and OttavaBracket,
but to no av
Jule Slootbeek wrote:
>>
>> in the meantime i found TextSpanners, but it gives me this error:
>>
>> Parsing...
>> /Users/jslootbe/musc220/ass4/ass4.ly:16:27: error: parse error:
>> [bes'! bes,!]\spanrequest
>> \start "text" [b'! b,!]
>> [
ble
> [b'!8 b,!] [bes'! bes,!] [b'! b,!]
> \property Staff.TextSpanner \set #'type = #'dotted-line
> \property Staff.TextSpanner \set #'edge-height = #'(0 . 1.5)
> \property Staff.TextSpanner
How do i insert an 8va above certain notes?? i'm not sure where to look
in the manual/index
TIA,
Jule
Jule Slootbeek
[EMAIL PROTECTED]
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