Kieren MacMillan wrote:
>
>> 3) Lilypond can do this, but nobody, including the people reading
>> lilypnod-user, was willing to spend an hour writing a solution for
>> my own personal problems.
>
> a) Thanks... I didn't want to say it, but I figured you would! ;-)
>
1) Thanks for imagining t
Kieren MacMillan wrote:
>
> Although I don't have an older version of Lilypond to check against,
> I image my function would have worked for several versions now.
> In other words, this workaround has probably been available in
> Lilypond for several years, if not longer.
>
No time for no
Kieren MacMillan wrote:
>
> Hi,
>
>> At the time i needed this note, it was NOT available in lilypond.
>
> Although I don't have an older version of Lilypond to check against,
> I image my function would have worked for several versions now.
> In other words, this workaround has probably be
Kieren MacMillan wrote:
>
For example, lilypond was not able to print this note:
||O||
>>>
>>> You mean like this?
>>>
>> Yes.
>
> Well, I did that image in Lilypond, and it wasn't particularly
> difficult.
> Were there other things Lilypond supposedly couldn't do?
>
At the time i
Kieren MacMillan wrote:
>
> Hi,
>
>> For example, lilypond was not able to print this note:
>> ||O||
>
> You mean like this?
>
Yes.
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Kieren MacMillan wrote:
>
> Can you list those?
> Kieren.
>
For example, lilypond was not able to print this note:
||O||
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Thomas Scharkowski wrote:
>
> My impression/experience is that publishers use a certain software
> (mostly Finale and/or Sibelius) and want the matching files delivered
> no matter how much better a LilyPond generated file looks.
>
Many certainly do.
But for me, some refused the result befor
craigbakalian wrote:
>
> I don't get the topic. Do you mean compete with Finale? If you do, I
> think you are foolish. Leave Lilypond the way it is, with no gui-ed up
> shlock.
>
Lilypond has features that Finale has not. But the opposite is also true.
Some time ago i tried to publis
i want the first system to be on the page after the titles.
If you put a huge value to after-title-space: the first system is still at
the same page (=> bug?).
I tried other parameters, but didn't managed to do it.
Any solution?
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Cameron Horsburgh wrote:
>
> It gets better---as far as I recall (I can't find the link now) the
> lilypond language was ispired by (and based on) the POV-Ray
> langauge. The chickens are coming home to roost...!
>
They changed a lot, then.
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Martial-3 wrote:
>
>> A very nice piece of news for the (soon) resurrected LilyPond Report :-)
>
> it's free (Pov-Ray and LilyPond) you can use to LilyPond Report.
>
and for Easy Lilypond 3D.
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Valentin Villenave wrote:
>
>
> Le 5 janvier 2009 18:47, Martial a écrit :
>> comme dit le titre nvlle version -pov 3.7 beta 30
>> ici http://www.povray.org/beta/
>
> J'aime beaucoup povray, mais juste par curiosité, y aurait-il un
> rapport avec lilypond?
>
Yes, he is working on lilypond 3
James E. Bailey-3 wrote:
>
> Am 29.12.2008 um 11:58 schrieb sdfgsdhdshd:
>> Is there a way to get in the pdf only the simple 4?
>
> I don't understand how it works, but I got this from Mark Polesky (I
> think) and it worked for me.
> \version &quo
For displaying the G standard chord with a fourth, i wrote the following
code:
\new ChordNames { \chordmode { g:4 } }
the result is
G 4/sus4/add3
1) 4 is probably for adding the fourth => OK
2)
sus suspends the 3th
4 adds the 4th
add3 adds again the 3th (or un-suspends the 3th)
So the 3th is su
sdfgsdhdshd wrote:
>
>
> Kieren MacMillan wrote:
>>
>> Hi sdfgsdhdshd,
>>
>>> In a score, i add some ps code to draw a few specific lines.
>>> The question is: how to draw with a precise length in cm?
>>> Like:
>>> 0 0 moveto x
Kieren MacMillan wrote:
>
> Hi sdfgsdhdshd,
>
>> In a score, i add some ps code to draw a few specific lines.
>> The question is: how to draw with a precise length in cm?
>> Like:
>> 0 0 moveto x y lineto
>> how must be x to be exactly 3 cm, an
In a score, i add some ps code to draw a few specific lines.
The question is: how to draw with a precise length in cm?
Like:
0 0 moveto x y lineto
how must be x to be exactly 3 cm, and y exactly 2 cm?
Tx.
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Look at the following markup:
\markup { \line { "left" \override #'(font-encoding . fetaBraces) \lookup
#"brace50" "right" } }
The real one is much bigger, much complex, with many texts.
All text must be in Times New Roman:
\markup { \override #'(font-name . "Times new roman") \line { "left"
\o
Nicolas Sceaux wrote:
>
> when page breaking occurs, systems are not drawn yet, so their
> real height is not known.
>
is it a bug?
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Thanks.
Nice to have put a little more pressure on them.
Can you ask him if it is possible to download the corrected font somewhere
on their website?
Werner LEMBERG wrote:
>
> FYI
>
>
> Werner
>
> Hi Werner,
>
> I looked into this and found that the problem had already been reported
>
Nick Payne-3 wrote:
>
>> A simple solution: record the screen portion of where the message
>> appear
>> with your camcorder.
>
> Afraid I don't have one of those...
>
Not even a camera at several frames per sec?
Can't send mine in e-mail...
Nick Payne-3 wrote:
>
>> Do you confirm the vista
Nick Payne-3 wrote:
>
> 1. Acrobat Distiller complains of a Postscript error in the PS file. Gets
> to
> about 4% on the progress bar, flashes up a very quick error msg in the
> status window saying "[%%] Postscript error [%%]", and no PDF file is
> created. I wasn't able to find any error log o
sdfgsdhdshd wrote:
>
>
> Michael Lauer wrote:
>>
>> Michael Lauer yahoo.com> writes:
>>> A somewhat better fix is to copy the old times.ttf (and the bold/italic
>>> versions, and any other system fonts you may want to use)) into
>>> c:\
Michael Lauer wrote:
>
> Michael Lauer yahoo.com> writes:
>
>
>> A somewhat better fix is to copy the old times.ttf (and the bold/italic
>> versions, and any other system fonts you may want to use)) into
>> c:\users\\.fonts\ , and then tell fontconfig to ignore
>> the system fonts. The only
Michael Lauer wrote:
>
> No, I think it's a bug in the font itself(!). The glyph names seem
> to be a bit mangled; the name "N" is assigned to several codepoints,
> including that I-with-dot-below. (If you look in the ps file you can
> see that in the font definition.)
>
"Times New Roman" is a
A first look to the ps file shows the N is present.
So a gs bug?
sdfgsdhdshd wrote:
>
> Thanks. I wrote the two alphabets to show the problem is only with N.
> Moreover, i tried many other characters, including letters with accents:
> no other problem.
> The N problem is als
gt; >>
> }
>
> Trevor
>
> - Original Message -
> From: "sdfgsdhdshd"
> To:
> Sent: Friday, October 24, 2008 10:16 AM
> Subject: Character change on Vista
>
>>
>> With 2.11.62 on a PC with XP and another PC with Vista, i tested the code
With 2.11.62 on a PC with XP and another PC with Vista, i tested the code
below.
The result is fine on both.
Then i uncomment the line. The result is still fine on XP, but on Vista the
uppercase N (and only this one) is changed to another character.
Any ideas?
\include "italiano.ly"
#(ly:set-
sdfgsdhdshd wrote:
>
>
>
> Valentin Villenave wrote:
>>
>> 2008/10/6 sdfgsdhdshd <[EMAIL PROTECTED]>:
>>
>>> In the pdf file, lines #3 and #4 collide; i would like between them the
>>> same
>>> space as between #1 and #2
Valentin Villenave wrote:
>
> 2008/10/6 sdfgsdhdshd <[EMAIL PROTECTED]>:
>
>> In the pdf file, lines #3 and #4 collide; i would like between them the
>> same
>> space as between #1 and #2, or #4 and #5.
>
> Just add a \null before the second \line.
&
i have a complex standalone markup (XP + 2.11.61). A reduced version is
below.
In the pdf file, lines #3 and #4 collide; i would like between them the same
space as between #1 and #2, or #4 and #5.
PS: merging the 2 columns into one with the six lines is not an option,
because in the real situati
Han-Wen Nienhuys-5 wrote:
>
> this option is mainly for lilypond-book use: it halves the time to
> build the lilypond documentation on my dual core notebook.
>
This option is not used for musical scores?
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Han-Wen Nienhuys-5 wrote:
>
> this option is mainly for lilypond-book use: it halves the time to
> build the lilypond documentation on my dual core notebook.
>
This option is not used for musical scores?
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Han-Wen Nienhuys-5 wrote:
>
> On Fri, Oct 3, 2008 at 4:33 PM, John Mandereau <[EMAIL PROTECTED]>
> wrote:
>> It may be possible to parallelize some portions of LilyPond code to take
>> advantage of multi-core machines, which gradually become quite common,
>> I'm tempted to have a look at it in
john.mandereau wrote:
>
> It may be possible to parallelize some portions of LilyPond code to take
> advantage of multi-core machines, which gradually become quite common,
> I'm tempted to have a look at it in the next months, but don't hold your
> breath :-)
>
Thanks for the info.
As i have t
Anthony Boyd-2 wrote:
>
>> -djob-count=[number of cores]
>
> I don't think that job count changes things when you process a single
> input file though. If you specify multiple input files to process
> then lilypond will fork off into different jobs to get the work done.
>
Are the new proces
I'm about to buy a new PC with Windows Vista (shame on me), which will mainly
be used to compile lilypond files, all day long.
Will a duo-core or better quad-core accelerate the compilations, all
others characteristics being the same, including processor speed?
Thank you.
--
View this mess
sdfgsdhdshd wrote:
>
> The french page is nicely written, with no example.
> http://fr.wikipedia.org/wiki/LilyPond
> http://fr.wikipedia.org/wiki/LilyPond
>
Sorry, with one little...
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Tom Cloyd-2 wrote:
>
> Well, the alternative is more verbiage about how things work - or excise
> the example and leave it all rather terse. To me this is a clear case of
> "a picture is worth a thousand words". Only it's an illustration, not a
> picture, as it were. Too short to teach, but long
No wonder: the example is 3/4 of the page!
Tom Cloyd-2 wrote:
>
> In the Wikipedia article on "GNU Lilypond", some ignorant editor had
> entered a non-removable advisory which reads -
>
> "This article or section contains instructions, advice, or how-to content.
> The purpose of Wikipedia is
Anthony W. Youngman wrote:
>
> The problem is that most of the people who actually do the work with
> lilypond, while they want it to be "the best tool for producing printed
> music", they're European orchestral musicians steeped in the European
> orchestral tradition, and their traditions ar
James E. Bailey-2 wrote:
>
>
> Am 30.07.2008 um 21:51 schrieb sdfgsdhdshd:
>> Question
>> Can this be handled by lilypond, to put the possible times only at the
>> beginning of the score, when there are too many?
>
> I would just create a fake time sign
sdfgsdhdshd wrote:
>
> The score beginning is (SATB)
>
> |
> |
> |G clef---3/4---2/4---rest---note---
> |
> |
> |
> |
> |
> |
> |F clef---3/4---2/4---rest---chord---
> |
> |
>
> The score is 3/4; so p
Reinhold Kainhofer wrote:
>
> I have a "Psalmenproprium" by Hans Haselböck (writte 1968), where in one
> place
> there are four (!!!) time signatures at the same time (the following
> measures
> alternate freely between those four time signatures):
> 2/4 3/4 3/8 5/8
>
Is it available online?
Werner LEMBERG wrote:
>
>
>> I have a "Psalmenproprium" by Hans Haselböck (writte 1968), where in
>> one place there are four (!!!) time signatures at the same time (the
>> following measures alternate freely between those four time
>> signatures): 2/4 3/4 3/8 5/8
>
> Bartók uses similar thing
On a paper score likely made with Finale (not by me), i see 3/4 then
immediately 2/4 without anything between, whatever the staff.
1) Error or feature? Never seen that before.
2) If feature: how to do it with lilypond?
Thanks.
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sdfgsdhdshd wrote:
>
>
>
> Kieren MacMillan wrote:
>>
>> Hi 'sdfgsdhdshd'... ;-)
>>
>>> In a score with 3 notes, is it possible that the first note has a
>>> dashed slur
>>> with the third, while the second note has
Kieren MacMillan wrote:
>
> Hi 'sdfgsdhdshd'... ;-)
>
>> In a score with 3 notes, is it possible that the first note has a
>> dashed slur
>> with the third, while the second note has a solid slur with the third?
>
>
In a score with 3 notes, is it possible that the first note has a dashed slur
with the third, while the second note has a solid slur with the third?
Thank.
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6 warnings.
Any conclusion?
Luc wrote:
>
>
> George_ wrote:
>>
>> The log file is generated, but nothing else. And the log file has only
>> one line:
>>
> I invoked lilypond with the verbose option which produced the attached
> output: http://www.nabble.com/file/p18256002/test.txt test.tx
On my XP, 2.11.50-1 crashes on every ly file, even simple ones.
George_ wrote:
>
> I recently (i.e. about twenty minutes ago) downloaded the 2.11.50-1
> version of Lilypond, uninstalled 2.11.49, and installed the 2.11.50
> version. However, after I had done this, none of my .ly files worked in
Werner LEMBERG wrote:
>
>
>> Is this a notehead for ancient music?
>
> Not really.
>
>> You'll find it in NR 2.8.1.1 or NR appendix B.5.
>
> He won't find it since we don't have a glyph for it. It's probably
> best to submit a bug report, together with a high-resolution scan of
> such a not
In the new documentation, after looking carefully, i was not able to find the
section related to the symbol
||O||
a whole note, with two short vertical lines on both sides.
In section 1.2.1.1 there is the whole note with one short vertical lines on
both sides, but not 2.
Thanks.
--
View this m
Mats Bengtsson-4 wrote:
>
>
>
> sdfgsdhdshd wrote:
>>
>> There is now a problem with the lyric line:
>> My music is SATB+lyric (Win XP+2.11.41). The first word of the second
>> system
>> and the next systems collides with the system vertical bar, if
Mats Bengtsson-4 wrote:
>
> sdfgsdhdshd wrote:
>
>>Is it possible to write the Clef, key and tempo only at the beginning of
the
>>first system of each score?
>>
>>
> Certainly! Just turn off printing of these objects somewhere
> after the first note (b
Is it possible to write the Clef, key and tempo only at the beginning of the
first system of each score?
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Matthieu Jacquot wrote:
>
> Ok, sorry, have you tried
>
> \paper {
>system-count = #1
> }
>
> ?
>
Results:
-- a .ly with several scores: no visible effect.
-- a .ly with one score only of 6 systems: the first system is as usual (=
OK), everything else is put in a second system o
Matthieu Jacquot wrote:
>
> Maybe you should try the \pageBreak command
>
I know this one. But i'm looking for an automatic way.
Since my first post, i increased the bottom margin, the result is OK when
the systems have all the same height... which is not always the case for me.
--
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How to put one system only per page? for having most of the pages being
white.
I tried to increase this value, without success:
page-limit-inter-system-space = ##t
page-limit-inter-system-space-factor = 5
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Is it possible to change the font name (or default font name) one time for
the entire header (title, subtitle, composer, poet, ...) instead of changing
it field by field?
Is it possible also to change the font name (or default font name) one time
for all markups, whereever they are: inside a scor
The attached file is the beginning of a vocal.
lilypond 2.11.34, win XP
Compare the spaces between systems on page 1 and page 2 of the pdf!!
I expect all systems to be on page 1, because there is enough space for
them.
What is wrong in this code?
http://www.nabble.com/file/p13524326/test-200711
In the 80's dot-matrix printers were already able to print graphics of good
quality. At that time, the problem was more the screen resolutions...
Currently, the cost of a dot-matrix may not be lesser than an ink-jet
printer. It depends on the contry you live in. Check also the cost of the
inks in
Valentin Villenave wrote:
>
> 2007/7/12, sdfgsdhdshd <[EMAIL PROTECTED]>:
>
>> In this link, i read "how many systems you want before each fragment".
>> What does "system" mean? This word is present several times in the main
>> lilypond do
Laura Conrad wrote:
>
> if there's ever a system for aligning text on the
> page that's anything like as sophisticated as a good publishing
> program has, it will take the amount of person-years of work that the
> good publishing programs spent on it. Which I'm sure is 10's of years
> if not hu
Valentin Villenave wrote:
>
> Actually, this is precisely what lilypond-book is all about: it allows
> the tex processor to invoke lilypond, and this way can integrate music
> fragments in a text document.
> http://lilypond.org/doc/v2.10/Documentation/user/lilypond/Integrating-LaTeX-and-music
>
Valentin Villenave wrote:
>
> 2007/7/11, sdfgsdhdshd <[EMAIL PROTECTED]>:
> I agree with you that note-associated \markups aren't what you're
> looking for. Let's find a another way...
>
:,(
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OK for user-fr. i registered, but which the address of the topics list? i
have only the address for signing up.
Valentin Villenave wrote:
>
> Dear "sdfgsdhdshd", :-)
>
> I assume, seeing your mail address, that you're French -or at least
> French-speaking-
ange (many) of every score (hundreth
of them, maybe more than two thousand)
5) a solution would be to associate the markup to the last bar of the score.
Is it possible? i didn't find a solution.
Valentin Villenave wrote:
>
> 2007/7/11, sdfgsdhdshd <[EMAIL PROTECTED]>:
>
>
in the snippet.
Valentin Villenave wrote:
>
> 2007/7/11, sdfgsdhdshd <[EMAIL PROTECTED]>:
>>
>>
>> Valentin Villenave wrote:
>> >
>> > http://mail.google.com/mail/
>> > Gmail - Merging scores in one pdf
>
> Oooops ; I meant
> ht
Valentin Villenave wrote:
>
> http://mail.google.com/mail/
> Gmail - Merging scores in one pdf
>
:-/
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_
i compiled the LSR: same result.
My initial question was: is it possible that the text after a score can be
nearer the score? i mean nearly touching the note heads.
BTW: which is you lilypond version? mine is 2.11.27.
Valentin Villenave wrote:
>
> 2007/7/11, sdfgsdhdshd <[EMAIL
-bottom = ##f
}
\markup
[...]
Valentin Villenave wrote:
>
> 2007/7/11, sdfgsdhdshd <[EMAIL PROTECTED]>:
>>
>> The text after the scores is not near the score. Is it possible to put it
>> nearer?
>
> sure:
>
> \paper {
> ragged-bott
The text after the scores is not near the score. Is it possible to put it
nearer?
Valentin Villenave wrote:
>
> 2007/7/11, Paul Harouff <[EMAIL PROTECTED]>:
>> The biggest pain which made me give up was \markup is assumed to be
>> associated with the score after it. The vertical spacing and pag
Some piano reads only .mid files, not .midi. But if you rename them to .mid
no problem.
The midi file format is based on tags. The norm allows softwares to put in a
midi file lot of tags, in almost any order. That's why midi file are usually
very different, depending on which program generated the
Interesting to know these informations.
I'm searching for a markup (or any other way to put text) attached to the
previous score, the score before the markup. Or if you prefer for a score
footer, but a footer that can be in the middle of a page, between 2 scores,
not necessarily at the bottom of
Regarding my knowledge of this software, it is better for you that i do NOT
participate to the documentation!!
but thanks for asking.
Graham Percival-2 wrote:
>
> sdfgsdhdshd wrote:
>> The doc is far from clear on these subjects!
>
> http://lilypond.org/web/devel/participa
The doc is far from clear on these subjects!
Finally, i managed to put several scores in one pdf, each with its own
title/subtitle. Thank you.
is it possible to add some text AFTER each score? this text being
score-dependant.
i was using tagline; but it is not good for now.
Mats Bengtsson-4 wr
i tried it with 4 scores: each one has a title, this is a very good start
but
1) the first has two titles
solved it by adding in the paper section
bookTitleMarkup = ""
2) the first 3 scores have the title of the third. The 4th has the right
title.
i read the custom titles section. Interes
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