On Fri, 8 Jul 2016 21:19:26 -0500
David Nalesnik wrote:
> Hi Tiresia,
>
> On Fri, Jul 8, 2016 at 3:59 PM, Tiresia Giuno
> wrote:
> > Dear all,
> >
> > In a score for voice I would like to indicate the smooth
> > transformation of a vowel into another one
Dear all,
In a score for voice I would like to indicate the smooth transformation
of a vowel into another one: For example the transformation from "a" to
"e". Is there a way to end hyphen and/or extender with an arrow?
I have been looking into the Documentation and on line, but I haven't
found an
On Tue, 30 Oct 2012 21:07:09 +0100
Reinhold Kainhofer wrote:
> On Di., 30. Okt. 2012 19:35:42 CET, Tiresia GIUNO
> wrote:
>
> > But shouldn't be: "The syllable
> > should be ranged _right_ under the first notehead"?
>
> No, ranged left means that the
On Tue, 30 Oct 2012 01:23:30 +0100
Reinhold Kainhofer wrote:
> On 2012-10-30 00:46, Tiresia GIUNO wrote:
> > is there any reason why Lyrics on the two staves in the attached
> > example is not correctly vertical aligned?
>
> Yes, there is a reason. See e.g. Elaine Goul
On Tue, 30 Oct 2012 01:02:09 +0100
Thomas Morley wrote:
> 2012/10/30 Tiresia GIUNO :
> > Hi,
> >
> > is there any reason why Lyrics on the two staves in the attached
> > example is not correctly vertical aligned?
>
> No idea.
> But you could use:
>
Hi,
is there any reason why Lyrics on the two staves in the attached
example is not correctly vertical aligned?
Thanks for your help!
TG<>%{ lyrics %}
\version "2.16.0"
\include "english.ly"
firstMusic = \relative c'' {
\time 3/2
g1. | f4. g8 a4 g2 fs4 | g1.
}
firstWords = \lyricmode {
Ho
On Wed, 5 Sep 2012 10:43:49 +0200
Federico Bruni wrote:
> Then it may depend on the context: you may need to use Staff instead
> of Timing. I've not looked at your example...
Nope.. If you find an answer, please let me know. This issue interests
me a lot.
___
On Wed, 5 Sep 2012 10:23:39 +0200
Federico Bruni wrote:
> 2012/9/5 Tiresia GIUNO :
> > So it must be the 8th rest that stop the 16th beam. I would expect
> > that setting the baseMoment to 1/16 would bring to the wished
> > result:
> >
> > \set Timing.b
On Wed, 05 Sep 2012 12:30:16 +1000
Nick Payne wrote:
> On 04/09/12 17:54, David Bobroff wrote:
> > In this example I have a beam going across a rest larger than the
> > beam value.
> >
> > \version "2.16.0"
> >
> > \relative {
> >{ d16-[ r r8 e16-] r r8 }
> > }
> >
> > The 16th beam breaks ov
On Mon, 03 Sep 2012 06:48:22 +0200 (CEST)
Werner LEMBERG wrote:
>
> > I found in the Regression Tests what I was looking for
> > (glissando-broken-multiple.ly). It solves some points in my scores,
> > that I was afraid not to code in LP. Really a wonderful job,
> > especially for contemporary m
On Mon, 03 Sep 2012 10:06:05 +0200
David Kastrup wrote:
> Tiresia GIUNO writes:
>
> > On Mon, 03 Sep 2012 06:48:22 +0200 (CEST)
> > Werner LEMBERG wrote:
> >>
> >> > I found in the Regression Tests what I was looking for
> >> > (glissand
On Mon, 03 Sep 2012 06:48:22 +0200 (CEST)
Werner LEMBERG wrote:
>
> > I found in the Regression Tests what I was looking for
> > (glissando-broken-multiple.ly). It solves some points in my scores,
> > that I was afraid not to code in LP. Really a wonderful job,
> > especially for contemporary m
Thomas Morley wrote:
> 2012/9/2 Tiresia GIUNO :
> > I appreciate so much that it is possible to connect with glissando
> > non consecutive pitches!
> >
> > In the Changes Documentation, the last line, I can't understand the
> > sentence:
> >
> > &
I appreciate so much that it is possible to connect with glissando non
consecutive pitches!
In the Changes Documentation, the last line, I can't understand the
sentence:
"Glissandi can now span multiple lines."
It refers to that? If not, can anyone point me to the documentation of
the change?
On Sat, 1 Sep 2012 02:23:55 -0700
Curt wrote:
>
> I'm working with a film score that needs giant time signatures. I
> saw this snippet (http://lsr.dsi.unimi.it/LSR/Item?id=272) but the
> convention I see more often is giant (tall, skinny) time signatures
> that span multiple staves (vertically).
On Fri, 24 Aug 2012 16:37:24 +0200
martinwguy wrote:
> On 24 August 2012 16:29, martinwguy wrote:
> > Rereading the thread, I'll go for "spannatore". At least that way,
> > Italian readers know they are in front of a technical term with a
> > meaning of its own
>
> Oh dear. A "spannatore" is alr
On Fri, 24 Aug 2012 16:29:27 +0200
martinwguy wrote:
> I *still* haven't got over a scanner being "uno scanner" in Italian as
> "scannare" is "to slay someone/thing by cutting their throat" (!)
You made me laughing... I never thought that a scanner could do
something like that :-)
Anyway in Ita
On Fri, 24 Aug 2012 13:03:24 +0100
"Trevor Daniels" wrote:
>
> Phil Holmes wrote Friday, August 24, 2012 12:42 PM
>
> > From: "Felipe Castro"
> >
> >>> From: Han-Wen Nienhuys
> >>>
> >>> "extensor" sounds good to me in Portuguese.
> >>
> >> I agree. And this makes me think about my transla
On Thu, 23 Aug 2012 21:07:34 +0200
"m...@mikesolomon.org" wrote:
> Chipping in as this issue came up in a talk I gave in France a few
> years ago.
>
> It seems that it'd be good to standardize this in Romance languages
> as much as possible. I believe that during the talk I francofied «
> spann
On Thu, 23 Aug 2012 19:05:39 +0200
Federico Bruni wrote:
> Dear italian users,
>
> do you have any good idea about how to translate "spanner"?
> I had this doubt in the past, see end of this page:
> http://lists.linux.it/pipermail/tp/2011-February/021547.html
>
> and I decided not to translate i
On Thu, 23 Aug 2012 07:35:51 +1200
wjm wrote:
> On 23/08/12 00:36, Phil Holmes wrote:
> > - Original Message - From: "wjm"
> > To: ; "Lilypond-User List"
> >
> > Sent: Wednesday, August 22, 2012 12:32 PM
> > Subject: Re: subito dynamic after hairpin
> >
> >
> >> From your reply...
> >> +
On Thu, 16 Aug 2012 14:47:59 -0700 (PDT)
eluze wrote:
>
> Tiresia Giuno wrote
> >
> >
> > I avoid using the Dynamics Context, because it places dynamics far
> > away from the staff (even if with LP 2.15 it looks much better)-
> > and hairpins are sti
On Thu, 16 Aug 2012 21:05:12 -0700
mkuus...@siba.fi wrote:
> Hi,
>
> Can any of you Lilypond people tell me why the "\override Hairpin
> #'minimum-length …" does not actually seem to control the length of
> the hairpin? Am I missing something here?
>
>
>
> \version "2.14.2"
> \relative c'' {
>
On Thu, 16 Aug 2012 07:03:06 -0700 (PDT)
eluze wrote:
>
> Tiresia Giuno wrote
> >
> >
> >
> > The attached examples are quite simple, in my score with more
> > complex music, such behavior leads to quite strange situations.
> >
> > Am I righ
Hi all,
I noticed that in LP 2.14.2, dynamics and hairpins attached to rests
(r or s) are slightly out of alignment when compared to dynamics and
hairpins attached to notes.
See attached ex. A
%% EXAMPLE A %%
musicOne = { a'4\< ~ a'\ ~ a'\> r4\! }
dynamics = { r4\< r\ r\> r\! }
On Fri, 10 Aug 2012 09:57:24 +0200
Tiresia GIUNO wrote:
> In the Notation Reference, the first Snippet "Subdividing beams" of
> the Section "1.2.4 Beams, Setting automatic beam behavior"
>
> http://lilypond.org/doc/v2.14/Documentation/notation/beams#setting-autom
In the Notation Reference, the first Snippet "Subdividing beams" of the
Section "1.2.4 Beams, Setting automatic beam behavior"
http://lilypond.org/doc/v2.14/Documentation/notation/beams#setting-automatic-beam-behavior
seems to me containing an error. This is the Snippet:
http://lilypond.org/doc/
Dear all,
I'm trying to code a score of mine in which the end point of a glissando
is notated with a grace note - see the attached EXAMPLE no. 1. This is
become a quite common notation in contemporary music, and it would be
great to find a solution for it.
The \afterGrace (Lilypond )command seems
On Tue, 12 Jun 2012 15:24:49 -0700 (PDT)
-Eluze wrote:
>
>
> Tiresia Giuno wrote:
> >
> > in the attached files (.ly & .png) the alteration of the first b'
> > in the second bar produces an incorrect length of the stems and an
> > incorrect position
Dear all,
in the attached files (.ly & .png) the alteration of the first b' in the
second bar produces an incorrect length of the stems and an incorrect
position of the beam.
This behavior does not appear in the third bar, where the third chord
is modified. Is there any reason for that?
To corre
On Fri, 27 Apr 2012 10:07:42 +0200
Jonas Olson wrote:
> Even though I do understand the nature of the valveless horn, I do not
> see why one omits the key signature today. Just tradition doesn't
> really explain it. Could someone clarify this? Here's how I
> understand it so far:
>
> On the valve
On Tue, 24 Apr 2012 15:56:10 -0400
"Peter Wannemacher" wrote:
>
> >-Original Message-
> >From: lilypond-user-bounces+peter=mainegeek2go@gnu.org
> [mailto:lilypond-user-
> >bounces+peter=mainegeek2go@gnu.org] On Behalf Of Helge Kruse
> >Sent: Tuesday, April 24, 2012 15:13
> >To
On Sat, 10 Mar 2012 09:30:23 +0100
Siska Ádám wrote:
> while \glissando is a simple solution, it gives a very narrow line --
> which I didn't find how I could make thicker -- and there's
> absolutely no control over the shape of the line (so one can't make a
> non-linear glissando with it).
>
On Mon, 20 Feb 2012 16:48:57 -0600
David Nalesnik wrote:
> Hi Tiresia,
>
> On Mon, Feb 20, 2012 at 7:29 AM, David Nalesnik
> wrote:
>
> I expanded the function to deal with line breaks. Notice that the
> override has changed: instead of overriding 'stencil, you now do an
> override of 'after-l
On Sun, 19 Feb 2012 07:09:48 -0600
David Nalesnik wrote:
> Hi Tiresia,
> I just tried the file in 2.14.2, and it works just fine.
>
> I can't say for sure what is causing your error without seeing your
> file, but it could be that you've left out part of the function
> (happens to me sometim
On Sat, 18 Feb 2012 18:54:15 -0600
David Nalesnik wrote:
> Hi Tiresia,
>
> On Sat, Feb 18, 2012 at 3:53 PM, Tiresia GIUNO
> wrote:
>
> >
> > \override Hairpin #'circled-tip = ##t
> >
> > I find the circles a bit too small. Is there a way to custom
Dear List,
as in Notation Reference I generate 'dal niente al niente' hairpins
with:
\override Hairpin #'circled-tip = ##t
I find the circles a bit too small. Is there a way to customize the size
of the circles?
Thanks for your help
TG
___
lilypond
On Thu, 16 Feb 2012 19:40:16 +0100
Thomas Morley wrote:
> 2012/2/16 David Nalesnik :
>
> I can't say what the difference is between the glyphs, but they do
> have the same orientation in the Feta notation charts.
>
Thank you both! I believe that there is no difference between the
glyphs
Hi all,
I'm typesetting in Lilypond a piece of mine for clarinet, that uses
some percussive sounds like tongue rams and key clicks.
The symbol for tongue ram in modern music is often a simple triangle
with an angle towards the bottom - just like the letter 'v'. See the
attached image.
Following
On Sat, 15 Oct 2011 12:55:01 +0200
Federico Bruni wrote:
> Hi all,
>
> lilypond 2.14.2 is now available in Debian testing.
> Not yet on Ubuntu, as far as I can see on packages.ubuntu.com
>
> Unfortunately, I get segfault error even if I use a very simple file.
> Any Debian user here can confirm?
On Thu, 28 Apr 2011 15:04:20 +
stefano cucuzzella wrote:
>
> Hello,
> how could you put a Trillspan under a Music line? For example if the
> bottom voice from a polyphony have a trill.
>
>
> \version "2.12.2"
> \relative {
> \time 3/8
> << { 8^\markup {arco} s8 s4 s4 s4 s4 s4 s4 s4}
> \\{f,
Hi all,
is there a way to get a double pitched Trill in LilyPond?
I tried the following code, but it displays only one note (the first
one) of the notes in parentheses
\version "2.12.3"
\include "english.ly"
\relative c' { \pitchedTrill 2 \startTrillSpan
ef\stopTr
On Sat, 26 Mar 2011 15:58:55 +0100
Federico Bruni wrote:
> Hi,
>
> I put Don (debian maintainer) in CC
>
> Il giorno ven, 25/03/2011 alle 08.01 +0100, Tiresia Giuno ha scritto:
> > I think I found out where the problem is. I don't get any noteheads,
> > cle
On Thu, 24 Mar 2011 16:49:24 +
James Lowe wrote:
> Hello,
>
> )-Original Message-
> )From: lilypond-user-bounces+james.lowe=datacore@gnu.org
> )[mailto:lilypond-user-bounces+james.lowe=datacore@gnu.org] On
> )Behalf Of Tiresia Giuno
> )Sent: 24 M
On Thu, 24 Mar 2011 18:45:44 +0100
Federico Bruni wrote:
> 2011/3/24 Tiresia Giuno
>
> >
> > I'm running LilyPond 2.12.3 on Debian Squeeze. I can compile my
> > files with no problems but if I change the font size I get an
> > almost empty PDF file. It d
On Thu, 24 Mar 2011 18:45:44 +0100
Federico Bruni wrote:
> 2011/3/24 Tiresia Giuno
>
> >
> > I'm running LilyPond 2.12.3 on Debian Squeeze. I can compile my
> > files with no problems but if I change the font size I get an
> > almost empty PDF file. It d
Hello,
not sure this is the right place to ask the following question, but I
hope that someone knows more about this issue.
I'm running LilyPond 2.12.3 on Debian Squeeze. I can compile my files
with no problems but if I change the font size I get an almost empty PDF
file. It does not happen with
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