ceFour \\
\SpacingVoice >> }
\layout { }
}
\paper {
system-system-spacing.basic-distance = 20
markup-markup-spacing.basic-distance = 8
markup-system-spacing.basic-distance = 36
last-bottom-spacing.basic-distance = 24
top-system-spacing.basic-distance = 1
top-system-spacing.ba
frescibaldi
recognizes it?
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istro that has these packages or something similar.
Thanks,
Brian
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get a
laptop with a Linux OS and wondered if someone could advise a LInux
distro that has these packages or something similar.
Thanks,
Brian
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web: silvain-dupertuis.org &
harp =
#(define-scheme-function (arg) (markup?)
#{ \markup \concat { $arg \tiny \text-sharp } #})
\score {
\new Staff { b'4 bf'4 as'4 }
\addlyrics { B\Flat B \Sharp A }
}
```
Werner
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tél. +
other kind
of non-ascii character. In any case, in past lilypond
versions they would work, and now they do not.
\version "2.25.2"
\language "english"
\score {
\new Staff { b'4 bf'4 as'4 }
\addlyrics { "B" "B♭" "A♯" }
haps this is a job for python-ly?
(https://github.com/frescobaldi/python-ly?tab=readme-ov-file)
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Knute Snortum
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I checked it and it worked.
Maybe a misunderstanding because the file was corrected but the comment line # this does
not work was still present...
Silvain Dupertuis
Le 16.11.24 à 21:55, Knute Snortum a écrit :
On Sat, Nov 16, 2024 at 11:40 AM Kieren MacMillan
wrote:
Did you actually
le.
/Mats
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nd Hraban.
Cheers,
Klaus
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om button only works on the Music panel).
Richard
__
Richard Hubbard
richardhubbard.com <http://www.ennerdalemusic.co.uk/>
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a paradigm where e.g. results
should not depend on order of execution.
This requires that a value bound by define is immutable. So LISP languages tend
to be very restrictive of where you can put a define, and usually do not allow
defining a mapping already bound.
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Silvain Dupertuis
Route de
have time
today to futz around, so I can see about putting together something for
you, hopefully more in the style of "teaching a man to fish" rather than
just "giving a man a fish".
-- Aaron Hill
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e know how?
Thanks,
Stefan
|\version "2.22.2" violine = { \clef "treble" | % 1 R1*8 | % 9 \mark \markup { \box { A
} } R1*8 -\markup{ \tiny {Lija+Tambor} } \mark \markup { \box { B } } R1*8 \mark \markup
{ \box { C } } r4 2. \fermata :32 } |
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ession corresponding to the textual
definition — which is equal to “(3:2)^4 / (2:1)^2 / (5:4)”, if we write it without the
additional pair of parenthesis.
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\VerseOne }
\new Lyrics \lyricsto "VoiceOne" { \set stanza = #(nextcountstanza) \VerseTwo }
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ure in the score part, lyrics being defined in variables
\new Lyrics \lyricsto "VoiceOne" { \set stanza = "1." \VerseOne }
\new Lyrics \lyricsto "VoiceOne" { \set stanza = "2." \VerseTwo }
...
For a 5-verse song, it's best to repeat these verse numbe
bles
\new Lyrics \lyricsto "VoiceOne" { \set stanza = "1." \VerseOne }
\new Lyrics \lyricsto "VoiceOne" { \set stanza = "2." \VerseTwo }
...
Pour un chant à 5 versets, il est préférable de les répéter...
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12
et spanner, or rather the number in it:
\version "2.24"
\language "deutsch"
\relative c' {
\tupletUp
\times 2/3 { g'=''8 b4 } des8 h~ h4 r4
}
Perhaps this is worthy of an issue?
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or respond to this email outside of your normal working hours.
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.11.23 à 14:18, Виноградов Юрий a écrit :
Good morning everyone! Can you tell me if it is possible to make such a division of the
sheet music in lilypond? If anyone knows, please tell me.
Юрий Виноградов
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"c♯" instead of "cis".
I do not understand...
"c♯"
- is not recognized in the music description only "cis" works
- it is not recognized either in the table as (markup->string (ly:grob-property
grob 'text))
in the associative table either,
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Silvai
(ly:grob-set-property! grob 'text new-name)
(ly:text-interface::print grob)))
music = \relative c { c, cis d es }
\score
{
<<
\new TabStaff
\with {
stringTunings = #bass-tuning
}
{ \music }
\new NoteNames \with {\override NoteName #'stencil = #ChimeNoteNames }
ay a écrit :
\version "2.24.0"
\language "en"
myScore = \score { \relative { c'4 d e f g }}
\pageBreak
\myScore
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of mine I would like to convert MEI files from the
Digital Mozart Edition
https://dme.mozarteum.at/movi/en
to MusicXML, which he can convert to something readable on his Braille
terminal.
Any idea how to do that?
Werner
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c and replace it with the note n semitones below middle c, and vice versa.
Before I start trying to write a function to do this, I thought I'd ask if anyone has or
is aware of a snippet which can already do this?
Thanks,
Paul
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in, and I was hoping Frescobaldi could
do it for me.
Any advice would be very helpful!
Many thanks,
Alasdair
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p
musical structural terminology in a weird way making that also fairly useless as a
nomenclature.
Shane
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but I
still think it would be better to use the terme «non dyadic», also mentioned in the
article, so as to harmonize teminology between music and maths
Silvain
Le 17.01.23 à 15:52, Hans Åberg a écrit :
On 17 Jan 2023, at 15:20, Silvain Dupertuis
wrote:
I wonder about the term “irrat
irrational meters everyday,
so there might be something I’m missing. I would probably write the tuplets
explicitly rather than use \scaleDurations).
\set Staff.timeSignatureFraction is superfluous, the time signature already
does that.
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*
* Han-Wen Nienhuys ,*
* Jan Nieuwenhuizen and*
* Reinhold Kainhofer *
* Patrick L. Schmidt *
produces the attached O_Holy_Night.ly, converted to the attached O_Holy_Night.pdf file
by LilyPond.
HTH!
JM
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Silvain Dupertuis
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f file
by LilyPond.
HTH!
JM
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st page?
Perhaps all of this is in the manual which will be arriving in the next few days. But
any help or direction would be greatly appreciated.
Thanks for your help. I hope to start writing code snippets and answering questions as
I gain more experience.
---greg
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Rout
worthwhile
exploring...
Silvain Dupertuis
.
J Martin Rushton MBCS
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for example and fonts here
<https://nextcloud.silvain-dupertuis.net/index.php/s/DCqk3R7E6wAfCac>
Le 15.08.22 à 17:55, Hans Åberg a écrit :
composer = "Mulatu Astatke (ሙላቱ አስታጥቄ)"
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po
Bezier
operator. Is that right?
Andrew
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curve techniques and to study that. I could not seem to find it in the
scm area.
Andrew
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The attached are shamelessly plundered from
https://lists.gnu.org/archive/html/lilypond-user/2021-01/msg00075.html
(There will be files generated, with names not including ".cropped.",
that need to be thrown away.)
Cheers,
David.
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Envoyé depuis mon saxo-phone :)
https://myrealbook.vintherine.org/ -http://photos.vintherine.org/
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ore to set up.
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Knute Snortum
It used to work on my Ubuntu installation.
Presently, I do not manage to get it working from within Frescobaldi (the player appears
but does not produce any sound), although I have both VLC and Timidity able to play midi
files...
Silvain Dupertuis
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Gimp and Inkscape are free and available in Windows, MacOs and Linux.
Le 01.06.22 à 14:30, WaiMing Tsang a écrit :
Hi Simon Bailey, Silvain Dupertuis, David M. Boothe &/Henning Hraban Ramm/
//
/Thank you all for giving me suggestion. I am a window 10 user. I don’t know GIMP,
/Inks
osoft.com/fwlink/?LinkId=550986> for Windows
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in 2020. His
Twitter account athttps://twitter.com/cjsawer however appears still
active.
Maybe try contacting him via GitHub?
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make the "slur" on top of the
numbers. (I've seen this notated with the slur under the numbers
too.)
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Knute Snortum
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ltaneous voices.
\oneVoice sets the layout for the current voice as if it is an only voice.
It would probably be clearer if we had
\firstVoice and \soleVoice instead of \voiceOne and \oneVoice, respectively.
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some
sort of formatting, and then we get this error.
So we need to look into Frescobaldi, how frescobaldi handles filenames.
Cheers,
Valentin
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df bf af af f f df df
bf af af f f
df df bf af af f f df f f af af bf df df f f af af bf df df f f af af bf df df f f
af af)] |
\break \bar ""
\break
}
\score {
\new GrandStaff
<<
\new Staff = "treble" { \Treble }
>>
}
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? Could it be that the G-clef of Feta is just
slightly too straight?
Cheers,
Valentin
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what I'm asking about.) Is
there any way to do this via a hack (of spacing or the like)? Ideally, the second staff
is manually set to align the exact same way as the first, so they really do always
coincide.
All the best,
Daniel
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27;ve often been unable to find a tool to open/access tarballs?
But I used a linux laptop and got in.
I did find the quantity of material to be overwhelming and it took me a couple of days
to find a way to just find the pdfs in that file but find them I did.
Thank you for the help.
jay
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S
le unusually placed in the archive, under
share/doc/lilypond/html/Documentation/
Multiple languages in multiple formats for "every" version.
Cheers,
David.
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d.
You can see the complete LilyPond and PDF files in this NextCloud folder
<https://nextcloud.silvain-dupertuis.net/index.php/s/XQqdXWLzScpbFJB>
Thank you in advance if you can sort this problem out.
Sincerely
Silvain
//
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oro, VT
USA
(he, him, his)
palmer.r.vio...@gmail.com <mailto:palmer.r.vio...@gmail.com>
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ctly. Your main problem
is that usually there should not be a C# in C tonality. Usually it is easier
to go from C to Db, which is a minor 2nd instead of an augmented prime.
Cheers,
Valentin
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sible
which works well when flats are added, but not when sharps are added
I don't find the answer in the documentation
here is the ly an pdf result
you can see the problem measure 7, where the sharps begin...
Anthony
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tél.
\language "english"
{
\transpose c a,
\relative {
c'4 d e f g a b c
\transpose as bf
{cs, ds es fs gs as bs cs}
}
}
Regards,
Peter
mailto:lilyp...@ptoye.com <mailto:lilyp...@ptoye.com>
www.ptoye.com <http://www.ptoye.com>
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Silvain Duper
tion to output c4.
{
\clef treble
c2 d e f
g4 a b c
}
Many thanks,
mattfong
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oring function of slurs.
Cheers,
Valentin
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well,
Ralph
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USA
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and
>>> flexible way to organize the material and keep future maintenance
>>> under control would be to create top level variables names for the
>>> main musical categories and sub-categories and then assign each score
>>> snippet to progressively numbere
><8><8><8><8><8><
(cautionary note: I haven't examined the code or docs on this, but it
seems a dot before and after will do the trick mid-word and a single
dot at end of word)
A decade or so ago I resorted to converting all the numbers to Roman
numerals using
__
Stefano Franchi
stefano.fran...@gmail.com
https://www.researchgate.net/profile/Stefano_Franchi
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ate.net/profile/Stefano_Franchi/
<https://www.researchgate.net/profile/Stefano_Franchi>
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Files (Lilypond, PDF and midi) are in this online folder
(midi files need to be downloaded to listen to them)
<https://nextcloud.silvain-dupertuis.net/index.php/s/oQJfcgZP9PKY9ca>
Silvain Dupertuis
Merci
This is a perfect solution, and, a clear explanation about why my solution
failed.
Than
f/tmp/lilypond-KEki2k)' failed (256)
fatal error: failed files: "/home//Downloads/modèle-piano-chant0.ly"
Exited with return code 1.
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/ Scripps Institution of Oceanography / 760 840 8660 mobile
/http://www.sdsc.edu/~hellyj
ORCID ID: orcid.org/0000-0002-3779-0603
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oblem, which is even worse when talking about specific notes. Especially
problematic when double flats or sharps are introduced... because of the aforementioned
'reference'.
I never got grasp of this as to me all music (at least 90% of the music I listen) is
just those 12 notes.
--
Silva
Through
Port-0"
in Denemo the MIDI output works just fine, couldn't find anything on Firefox and
Lilypond.org search bar.
How can I get MIDI output to work?
thanks,
Andy
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portable +
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