such outdated OS that
>> I dual booted the device with Manjaro Linux. Didn't run like a new machine,
>> but still worked flawlessly and was able to use up-to-date programs, record
>> 8 audio tracks in reaper and run some shenanigans in OBS.
>>
>>
>>
done too. And that's all I'm interested right now. If it's the easier way
to that end, I don't care anymore what OS is beneath it. Hence my original
question ...
Thanks for your input though!
Best, Robert
On Mon, Jul 21, 2025, at 9:13 PM, Lucas Cavalcanti wrote:
> Why not
ldi, sometimes the available Windows versions were of higher
version number that the available Mac version.
BTW, I'm using MacOS 15.5 on an iMac.
Best,
Robert
Thanks. That worked.
Robert
> El 25 abr. 2025, a les 19:23, Diosnel Herrnsdorf va
> escriure:
>
> Maybe \once \set PianoStaff.connectArpeggios = ##f? Or set it to false and
> then to true again?
>
> Regards,
>
> On 4/25/25 12:20, Robert Garrigos wrote:
>>
Hi,
I’m working on a piano score with connected arpeggios. Connected arpeggios work
by adding some code to the layout contexts. That works fine, but how can I
override this functionality for a given bar?
Thanks.
Robert
aaahhh of course. Thanks
Robert
> El 25 abr. 2025, a les 17:19, Valentin Petzel va
> escriure:
>
> Hello Robert,
>
> > Why NoteColumn.horizontal-shift is not working here as usual?
>
> If you look here
>
> https://lilypond.org/doc/v2.24/Documentation/intern
\new Voice{
\voiceTwo s4 s4
\once \override NoteColumn.horizontal-shift = #-1
4
}
>>
}
}
this doesn’t move in any case
Thanks.
Robert
Thanks, Robin and Tina. Great explanations.
Robert
> El 24 abr. 2025, a les 14:00, Valentin Petzel va
> escriure:
>
> Hi Robert,
>
> > I want to move a \sustainOff horizontally but cannot find the way
>
> The problem here is that `\sustainOff` is a so called post
nce \override SustainPedal.X-offset = 1
\sustainOff
}
>>
>>
}
%%%
this prints:
but I want the sustainOff symbol right under de bf of the right hand. the
SustainPedal.X-offset is not working.
What's the right way to do so?
Thanks!
Robert
Yes, no problem. Either form would work.
> El 25 març 2025, a les 10:00, Werner LEMBERG va escriure:
>
>> Should we thus use
>>
>> 'D\'altres proves de regressió en PDF per a '
>>
>> to stay in sync?
>
> Oops, I mean
>
> 'Altres proves de regressió en PDF per a '
>
>
>Werner
Catalan translation:
'Other Regression tests for ' [LilyPond version x.xx.xx]: 'Altres proves de
regressió per a ' [Versió del LilyPond x.xx.xx]
'PDF of other regtests for ' [LilyPond version x.xx.xx]: 'PDF d'altres proves
de regressió per a ' [Versi
s2. | s4. \crossStaff d'4.}
>>
}
\score {
<<
\new PianoStaff
<<
\new Staff = "upper" << \global \upper >>
\new Staff = "lower" << \global \lower >>
>>
>>
\layout {
\context {
\Piano
>>
}
>>
>>
\layout {
\context {
\PianoStaff
\consists "Span_stem_engraver"
}
}
}
which prints this:

Note the displaced dots and the connected stem with the high d note. How can I
fix this?
Thanks.
Robert
Thanks Kieren, I needed this
Robert
> El 18 febr. 2024, a les 13:50, Kieren MacMillan
> va escriure:
>
> Hi Robert,
>
>> adding smalls notes or different rhythms for different lyrics. Just add a
>> second voice and change the note’s sizes? Or is it ther
written to an other cache dir, but this can be
copied to the expected location and everything will be fine.
If I'm ready with my changes for the fret-diagram I will post it here
for feedback.
thanks you a lot,
warm regards,
robert y
Am Tue, 11. Feb 2025 um 11:36:29 AM -0500 schrieb Saul Tobin
I want to extend lilypond functionality by altering an provided scheme
file
(in particular fret-diagrams.scm, adding bass fret as label).
I did the changes to the file but if I start lilypond it complains with:
;;; note: .../fret-diagrams.scm
;;; newer than compiled .../ccache/lily/fret-diagrams.
{
}
}
Which gives me this:

How can I set a wider vertical space within verses?
Thanks.
==
Robert Garrigós i Castro
Thanks Knute and Timothy,
I did try with change staff, but it seemed not to work, and I guess it was
because the bar wasn’t finished.
Robert
> El 11 set. 2024, a les 19:51, Timothy Lanfear va
> escriure:
>
> On 11/09/2024 17:39, Robert Garrigos wrote:
>> Hi,
>>
>
t;>
}
>>
>>
}
which gives me:

how can I have the bf and the a in the second measure shared across the staves??
Thanks
Robert Garrigós i Castro
Web personal: https://garrigos.cat
Web de feina: https://techora.cat
Oh that's a good one. I will definitely use it. Thanks.
Robert Garrigós i Castro
+34 620 918 701
https://garrigos.cat
Get BlueMail for Android
On 19 d’ag. de 2024, 11:27, at 11:27, Mark Probert wrote:
>And to add on, updating the fonts needs to be done for each new release
&
I also added the stylesheets lilyjazz.ily, jazzextras.ily and jazzchords.ily
into my lilypond install, although I had to translate the notes into English.
Robert
> El 19 ag. 2024, a les 4:56, Jeff Kopmanis va escriure:
>
> For me the installation was two-fold:
> 1) install the
Thanks Hans, but I already tried this with no luck. However, adding:
property-defaults.fonts.serif = "lilyjazz-text"
fixed it.
Robert.
> El 18 ag. 2024, a les 10:38, Hans Aikema va
> escriure:
>
>
>
>> On 18 Aug 2024, at 10:19, Robert Garrigos wrote:
>&
-chord.otf).

this is my \paper code:
\paper {
property-defaults.fonts.music = "lilyjazz"
property-defaults.fonts.brace = "lilyjazz"
property-defaults.fonts.roman = "lilyjazz"
property-defaults.fonts.sans = "lilyjazz"
}
What am I missing?
Thanks.
Robert Garrigós
thanks, Stephan, that fixes the problem
Robert
> El 28 maig 2024, a les 8:53, Stephan Schöll va escriure:
>
> Try adding a grace spacer in the melody at the moment of the
> acciaccaturas in the piano:
>
> \new Voice \relative c' {
> \global
> \gr
e voice and
lyric lines, the output is ok. What’s wrong with my first code?
thanks.
Robert
I can confirm the same problem. Just installed macports and frescobaldi port
and it launches only via terminal. Double clicking on the .app (inside the
apps/macports folder) returns a general launch error with py2app. Once launched
via terminal, frescobaldi works great, though.
> El 10 maig 202
s2 d8(c b2)
}
>>
}
\score {
\new Staff \example
}
How can I have the dynamics in the same place as the first example in the two
voices fragment?
Thanks.
Robert
Oh this is a bit embarrassing, such a basic error….. sorry, I never realized
that the parenthesis needs to be right after the first note.
Thanks all.
Robert
> El 2 maig 2024, a les 2:49, Mark Stephen Mrotek va
> escriure:
>
> Timothy,
>
> Perhaps this?
>
> Mar
first_example
}
\score {
\new Staff \second_example
}
first example prints no slur:
second example prints a slur where it is supposed to be, according the code,
although it is not what I want:
Why is not the first example working? I tried with explicit voicing with the
same results.
Thanks.
Robert
have enough knowledge to develope Frescobaldi.
Robert
On 30 d’abr. de 2024, 8:11, at 8:11, Jean Abou Samra wrote:
>
>> FYI, what I like the most about Frescobaldi are:
>>
>> * Templates and wizards
>> * Snippets
>> * Point and Click selection
>> * Synt
I cannot use Frescobaldi on Mac Sonoma (not working), so I went for Visual
Studio Code, with some lilypond plugins, and I have to say that it offers
everything I need
Robert
> El 28 abr. 2024, a les 13:57, Jean Abou Samra va
> escriure:
>
>> Is Frescobaldi the most common to
Thanks, Knuite, this helped me a lot.
Robert.
> El 27 abr. 2024, a les 1:07, Knute Snortum va escriure:
>
> On Fri, Apr 26, 2024 at 2:57 PM Robert Garrigos <mailto:rob...@garrigos.cat>> wrote:
>> This is the original music to copy:
&g
s4*4} 1_\fermata
}
>>
Which makes me this:
But I'm still missing the slur from cue low f to high c. Any ideas how to do it?
Thanks.
Robert
abr. 2024, a les 20:05, Knute Snortum va escriure:
>
> On Fri, Apr 26, 2024 at 7:07 AM Robert Garrigos <mailto:rob...@garrigos.cat>> wrote:
>> How about moving the grace notes of the lower staff to the left? I’m trying
>> with GraceSpacing but cannot make it work just f
Thanks, Leo, this is indeed the easiest solution.
> El 26 abr. 2024, a les 20:08, Knute Snortum va escriure:
>
> On Fri, Apr 26, 2024 at 10:02 AM Leo Correia de Verdier
> mailto:leo.correia.de.verd...@gmail.com>>
> wrote:
>> s4*3 after the grace notes (within the grace group) in the lower staf
.
Thanks.
Robert
How about moving the grace notes of the lower staff to the left? I’m trying
with GraceSpacing but cannot make it work just for the lower staff. It is
applied to the Score, not the Staff.
> El 26 abr. 2024, a les 13:33, Robin Bannister va escriure:
>
> Robert Garrigos wrote:
>
>
Oh thanks. I knew it was somewhere, but couldn't find it.
Robert
On 26 d’abr. de 2024, 13:33, at 13:33, Robin Bannister wrote:
> Robert Garrigos wrote:
>
>>
>> I don’t find a way to do this kind of explicit arpeggio (piano):
>>
>>
>
>This is c
Dear list,
I don’t find a way to do this kind of explicit arpeggio (piano):
Any clues would be much appreciated.
Robert
True, they took the X out from the system name, but the numbers stay as one
should expect. 10.14 is not system 14 but 10.
(https://en.wikipedia.org/wiki/MacOS_version_history)
Robert
> El 11 abr. 2024, a les 17:59, Leo Correia de Verdier
> va escriure:
>
> MacOS 14 (Sonoma) is
I’m using it with macosx 14.4.1 since 14.1
Robert
> El 11 abr. 2024, a les 16:28, Lydia Westerberg va
> escriure:
>
>
> Is Lilypond compatible with iMac sonoma 14.2?
> Thanks.
> Lydia Westerberg
>
>
>
I did convert this Carver Mass to 2.25.13 and created the pdf with no error but
the following warning:
the property 'extra-X-extent' does not exist (perhaps a typing error)
and
warning: The MIDI channel is tuned around
warning: module 16 will be remapped
(actually, I got these last messages in
s in both books.
Hope I might help someone.
Robert Garrigos
> El 24 febr. 2024, a les 1:51, Laurie Savage va
> escriure:
>
> Hi,
>
> I use a tablet for storing my lead sheets, most of which I prepare in
> Lilypond. I have just stumbled on a trick I thought I'd shar
How do you do this?:
This is, adding smalls notes or different rhythms for different lyrics. Just
add a second voice and change the note’s sizes? Or is it there a proper way to
do so?
Thanks!
Robert
Hi all,
My first post in this list.
Is there a way to accomplish this?
the bar line across the staff is broken to enable the text to be more visible
Thanks
Robert
This is great, thank you so much!
On Fri, 5 Jan 2024 at 15:53, Kieren MacMillan
wrote:
>
> Hi Robert,
>
> > Don't worry, found out how to do it:
> >
> > \version "2.18.2"
> > \header {tagline = ""}
> > {
> >\numeric
weak staff-padding #4 ^"Upper Mordent"
a'4\downmordent -\tweak staff-padding #4 ^"Lower Mordent"
}
On Fri, 5 Jan 2024 at 15:35, Robert Hickman wrote:
>
> Hi Phill, that mostly works, thank you for your help. However the text
> isn't vertically aligned, and the
4/4
a'4\mordent^"Mordent"
a'4\upmordent^"Upper Mordent"
a'4\downmordent^"Lower Mordent"
}
On Fri, 5 Jan 2024 at 15:02, Phil Holmes wrote:
>
> Checkout \textLengthOn and see if it does what you want.
>
> On 05/01/2024 14:50, Robert Hickm
Hi,
I'm trying to make an example showing mordent symbols with text
labels. I want the note positions spaced so that the text is all on
one line, with notes placed as needed to fit around it.
The easiest way I can think of doing that would be to put manually
sized 'gap fillers' between the notes
Updating to the latest version fixed the issue, and also the unwanted
extra space. Problem was just Debian shipping a very old version for
some reason.
Thank you for your help.
On Mon, 20 Nov 2023 at 00:12, William Rehwinkel
wrote:
>
> Dear Robert,
>
> in the future, please take c
On Mon, 20 Nov 2023 at 00:12, William Rehwinkel
wrote:
>
> Dear Robert,
>
> in the future, please take care that the minimal working example does
> not contain any undefined symbols that cause errors. Here, simply adding
> "strike = \fermata" at the beginning of t
Hi people. I'm trying to reproduce the formatting from a tune that
started out in ABC notation, which is formatted with line breaks
around phrases instead of bars. It is working as intended, except for
an empty bar that's showing up after the first repeat sign, and I have
no idea what's causing it.
Alright, thanks for your time. I really appreciate it.
Robert
El vie, 13 oct 2023 18:41, Jean Abou Samra escribió:
> From what you say, I believe you are worried about chords, am I right?
>
>
>
> It's more fundamental than that: there is only *one* StaffSymbol per
> sta
falls into the narrower blank
space (G) I want a ledger line value of 1. From what you say, I believe you
are worried about chords, am I right? In that case it would depend on
whether the highest note is a G if it is above the staff or if the lowest
is a G if it is below the staff.
Robert
El vie, 13
fSymbol.ledger-extra = #my-desperate-test
}
}
El mar, 3 oct 2023 a las 14:11, Valentin Petzel ()
escribió:
> Am Dienstag, 3. Oktober 2023, 12:55:21 CEST schrieb Robert Mengual:
>
> > Thanks a lot Valentin, that's simply perfect!
>
> >
>
> > However, after readin
Oh David's right, if the music ends with no alterations it is printing the
key cancellation, even when it has been explicitely set to false.[image:
image.png]
What can I do in this case? I would like to keep the number+alteration but
remove the 7 natural signs before that.
Thank you,
Rober
ow did you know alterations-alist is a property of that grob?
- What is #:vcenter and how did you know of its existence?
Thank you again,
Robert
El lun, 2 oct 2023 a las 15:00, Valentin Petzel ()
escribió:
> Hi Robert,
>
> you could do it like this:
>
> \version "2.23
Hi, I am trying to overwrite the key signature for my custom music notation
so that instead of displaying the sharp and flat icons, it shows a given
number and the alteration. So, for example, E Major would show 4# instead
of .
I have been able to get the desired output by hardcodeing it using
Hi Martin,
Use a rest in the ChordNames context, I think.
Best,
Robert
> On 8. Apr 2022, at 10:37, Martin Tarenskeen wrote:
>
>
> Hi,
>
> I am creating a little leadsheet.
> How do I enter a "N.C." (No Chord) in chordmode for the ChordNames context?
>
> thanks,
>
> MT
>
understand float numbers are tedious, but I don't think there is need for
much precision here. I mean, in my case even though I want 2/3 distance between
notes I could specify 0.7 and everything should work.
Robert
De: Jean Abou Samra
Enviado: domingo, 13 de mar
ed setting a different StaffSpacing but I was unsuccessful
as well.
Thanks in advance,
Robert
ually NoteHead.Y-offset to decimals, but
then I have the problem that the note position should be different depending on
the clef...
Robert
De: Valentin Petzel
Enviado: Miércoles, 02 de Marzo de 2022 19:16
Para: lilypond-user@gnu.org; Robert Mengual
Asunt
treble. In the traditional notation, only three noteheads fit between this
height (f g a). In this new notation, 4 noteheads should fit because the
vertical distance between notes is 1/3 instead of 1/2.
I hope I made things clearer,
Robert
De: Valentin Petz
this behaviour? Find attached a
Tiny.ly as well.
Robert
#(define staff-line-layout-callback
(lambda (p) 0.33
))
\new Staff \with {
staffLineLayoutFunction = #staff-line-layout-callback
} \relative c' {
c4 cis d dis e eis f fis g gis a ais b bis c
}
Thank you very much Valentin! 🙂 It works perfectly although as you said it
looks extrange. I will add it to lilypond snippets in case someone has the same
problem in the future.
Robert
De: Valentin Petzel
Enviado: Martes, 01 de Marzo de 2022 20:34
Para
,
Robert
#(define (size-notehead grob) 2)
\relative c' {
\override NoteHead.font-size = #size-notehead
c d e
}
Quick Update: The exception did indeed disappear after entering some more
music. Header is also no problem anymore …
I just hope, it stays like this when I get to the end of the music …
> On 17. Nov 2021, at 13:37, Robert Schmaus wrote:
>
> Dear Ponderers,
>
> I was just a
gain
in the end? Or does anyone see what’s the problem here?
I’m using Lily 2.20 on a Mac OS 11.6 and I use Frescobaldi 3.1.3 as editor.
Thanks very much!
Robert
at's the reason.
> The other way is to use ly:music-deep-copy and it's not like this isn't
mentioned in the "LilyPond — Extending" guide of LilyPond
You know, David, I just got lost. I wish I had more time to work with my
project.
Many many thanks!
Robert
sob., 16 paź
attached to this email.
Thanks in advance!
Robert
\version "2.22.1"
% The question that bothers me and this example is about sounds: How do I copy a variable by value?
%%% file1.ly
% I keep my music organized in variables and files, like below.
trumpet-first = {c' d' e
I am working on a couple of pieces where I am using a non-ragged right edge
for the systems. However I would like to end each of the three or four themes
in a piece with a ragged right edge on the last system of a theme.
I understand to set ragged-right = ##f to get an even (all aligned) right
but it's not what was meant in the present context.
-David
Robert Gaebler writes:
> Jacques,
>
> Thanks… happy to advise. I would call \ff a dynamic.
> “Dynamics” is an interesting word, described as “plural in form,
> singular or plural in construction” in Merriam-Webster. The
<mailto:imj-muz...@bluewin.ch>
Sent: Friday, June 18, 2021 1:00 AM
To: Robert Gaebler<mailto:bob.gaeb...@outlook.com>
Cc: Jacques Menu<mailto:imj-muz...@bluewin.ch>;
lilypond-user@gnu.org<mailto:lilypond-user@gnu.org>
Subject: Re: Terminology question
Hello Robert,
'fi
Jacques Menu writes:
> Hello folks,
>
> What would be the plural of ‘figured bass’, if that applies, to denote several
> occurrences of the figures in a score, the same way has there can be several
> harmonies? Maybe ‘figured bass figures’?
>
> In the example below, there 5 such occurrences:
>
>
}
}
5%
Can any of you see what is wrong here and what must be changed to make it work?
BTW, I always work with TeXshop -3 61’LilyPond app \version "2.19.58.1"
Thanks in advance for any help.
Thanks in advance
Best regards
Robert Blackstone
Aha, I see now what I did wrong .. I used \set instead of \override ...
> On 25. Mar 2021, at 21:20, Valentin Petzel wrote:
>
> Okay, can you check if this works on your installation?
>
> Am Donnerstag, 25. März 2021, 21:00:13 CET schrieb Robert Schmaus:
>> That’s what I
That’s what I thought too at first. Doesn’t work in my Lilypond (2.20)
installation though ...
> On 25. Mar 2021, at 20:48, Valentin Petzel wrote:
>
> If you’re talking about regular markup in the Staff, you can simply put an
> \override TextScript.font-size = ...
> into the \with block of your
indeed any other style) in the instruction,
all of your markups will follow …
Best,
Robert
> On 25. Mar 2021, at 10:02, Pablo Cordal wrote:
>
> Hi Robert. I just tried that option and there's a problem: the size of the
> notes is reduced too. I need to reduce only th
Hi Pablo,
I think, you can just place a
\set fontSize = #-1
in the layout block to get this for all markups.
Best,
Robert
> On 25. Mar 2021, at 08:12, Pablo Cordal wrote:
>
> Hi everyone,
>
> Is there any way to set the default size for all markups in a staff? I h
Just a test if I can send this to the list now.
score.
Does any of you know another way to force a line break?
I’m using TeXShop on my Mac. Usually "\break" works perfectly.
Thanks in advance for any advice.
Best regards,
Robert Blackstone
Aaron, thank you!
This is something I was looking for.
On 19.02.2021 21:42, Aaron Hill wrote:
On 2021-02-19 12:21 pm, Robert Kubosz wrote:
Hello
The default way to override an existing variable in scheme is:
#(define foo 2)
#(set! foo 3)
#(display foo) %--> output is 3
I want to overr
foo's varname
#(set! `,bar 3) %I want here to override the foo variable with use of bar
#(display foo) %---> the expected by me output is 3
How can I do this?
Robert
Thank you, it works perfectly! :-)
es and I want to keep the code maintainable.
Best regards
Robert Kubosz
\time 3/2
\override Staff.TimeSignature.style = #'single-digit”
still started without a TimeSignature.
I have no idea what the cause may be.
But I will not yet give up.
Best regards,
Robert Blackstone
> On 4 Oct 2020, at 13:15, Robert Blackstone wrote:
>
console I sometimes have the impression that I am punished for
that.
Fortunately, things usually go well.
Thanks again.
Best regards,
Robert Blackstone
ingle-digit", adding \time 3/2.
That did not work because of "\set Staff.timeSignatureFraction = 4/4" at the
beginning.
Hence my question.
Thanks in advance for any advice.
Best regards.
Robert Blackstone
ainly not a MWE but it works for me and it shows the problem. It also shows that its origin does not ly in the previous bars.Thanks again for your interest.
Horizontal-spacing-problem_ly.tex
Description: Binary data
Best regards,RobertOn 3 Jun 2020, at 14:14, Valentin Villenave <valen...@vil
piece. No problems until bar 46 - and after bar 49 unti the
end (bar 55 )
I’ve no idea what could have caused this.
And I’ll be very grateful for any suggestion.
Best regards,
Robert Blackstone
\expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{05/lily-bdd1bc6c-systems.tex}
\ifx\postLilyPondExample \undefined
\else
\expandafter\postLilyPondExample
\fi
}
On Thu, 21 May 2020 at 19:56, David Wright wrote:
>
> On Thu 21 May 2020 at 18:40:53 (+0100), Robert Hickman
Hi,
I'm helping my partner create a book of interval exercises, and I'm
getting very inconsistent vertical spacing coming from lilypond-book,
here is an example:
https://files.robehickman.com/problem.pdf
Weird thing is that this is very inconsistent between pages, and I
have verified there is no
and paste it into TeXShop.
It needs a few tricks to get correct barnumbers.
I can send you an example of one of my —_ly.tex scores if you like.
Best regards,
Robert Blackstone
PS.I don’t understand your question: "What's your DX?” I have no idea what a DX
is?
> On 7 Apr 2
would appreciated, and feel free to throw in a few slanderous comments.
Robert Bell
shift = #x” or “_\markup {\line {\concat {
\dynamic f }\italic { rit. } }}”
In TeXShop it is also very easy to find the beginning and end of slurs.
If you’re interested I can send you privately my score of
Telemann-SSGb-13-Die_vergessene_Phyllis.
Best regards,
Robert Blackstone
> On 8
regards,
Robert Blackstone
> On 23 Feb 2020, at 11:31, Pierre Perol-Schneider
> wrote:
>
> Hi Robert,
>
> Le dim. 23 févr. 2020 à 10:45, Robert Blackstone <mailto:blackstone.rob...@gmail.com>> a écrit :
> [...]
> Many thanks for your help. Three differ
David.
Best regards,
Robert Blackstone
> On 23 Feb 2020, at 11:31, Pierre Perol-Schneider
> wrote:
>
> Hi Robert,
>
> Le dim. 23 févr. 2020 à 10:45, Robert Blackstone <mailto:blackstone.rob...@gmail.com>> a écrit :
> [...]
> Many thanks for your help. Three d
myself a set of templates for various types of music. Usually they
work for me.
Another habit is to never use “relative” and always add the duration of a note.
Anyway, I will try to make an MWE with my tools for you to find my errors
and\or clumsiness.
Thanks in advance.
Best regards,
Robert
Timing.measureLength = #(ly:make-moment 1/2) and that works but it
spoils the result by inserting three empty bars which I do not know how to get
rid of. (The law of preservation of misery in full action.)
Thanks in advance for any advice.
Best regards,
Robert Blackstone
Hello!
I have a question that bothers me. Can I put a label in a markup
function/add-toc-item! ? I'll explain:
I have scores, that obviously use a \header {} block. I use a custom
scoreTitleMarkup, that obviously manages each piece's title markup and
also calls add-toc-item! that puts an item
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