\new DrumVoice { \voiceOne \pulse_notes }
\\
\new DrumVoice { \voiceTwo \tamborim_notes }
>>
}
\new PulseStaff {
\repeat volta 3
\new DrumVoice { \voiceOne \pulse_notes }
\addlyrics \pulse_words
}
>>
}
%%% SNIPPET ENDS
On Nov 23,
Hi
I'm trying to create a teaching page for samba "grooves" for non-music
readers !!
Each groove is typically about 4 measures long and each instrument plays
up to 4 notes per measure (the tune is made up from multiple repetitions
of these grooves!)
I want to use the same note definitions
Thanks Valentin
When I use your example, it does only display one stave and a percussion
one too - but all the notes have been compressed onto one line
But I ran with your suggestion and have now crafted what I wanted !!
I'm not proficient enough to be able to write short snippets (I'm unsure
Hi
I'm new to lilypond but I like what I've seen so far
Using \drummode and \DrumStaff I have written a score for the agogo bells
I now want to add some "lyrics" (mnemonics) to help remember the notes
so for
agogo = \drummode {
r8 agh4 agh8 agh4 agl
agl agh
Malte Meyn-3 wrote
> Am 28.12.18 um 21:22 schrieb Philip Bergwerf:
>> When working with Lilypond I want Lilypond to print the empty measures
>> from
>> every instrument, like how Denemo is doing by default. For example:
>> instr. 1
>> has 10 measures of music. I
enter any music.) The instrument names are
helping when writing.
Cheers, Philip Bergwerf
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s...
instead, I simply experimented with Frescobaldi and "stole" its output.
;-)
I hope that this information is useful for some people. OooLilyPond is
a
great tool and has literally saved my life so many times.
How did OOoLP accomplish this? - by distracting an axe murderer who
lov
I am working on the following score. However, when I change "S" and "A" in
the score attributes to "Soprano" and "Alto" the words get cut-off. How can
I avoid this? I had tried:
instrumentName = \markup \center-column\left-align { "S" "A" }
but that did not work.
Thanks,
-M
Thanks, that helps!
Cheers,
Philip Bergwerf
2016-08-17 15:24 GMT+02:00 Kieren MacMillan [via Lilypond] <
ml-node+s1069038n193762...@n5.nabble.com>:
> Hi Philip,
>
> > How can i get the text above the fermata and then of course the fermata
> like the right 'c’?
>
&
\version "2.18.2"
\relative c''{
<<{
c^\p^\<
}\\{
c,
}>>
c' c c c
c c c^\f
\bar "|."
}
%I want to make a phttp://lilypond.1069038.n5.nabble.com/How-to-make-a-p-f-crescendo-from-two-voices-to-one-voice-tp193763.html
Sent from the User mailing list archive at Nabble.com.
_
\version "2.18.2"
\relative c''{
c2\fermata^"text" c\fermata
}
%How can i get the text above the fermata and then of course the fermata
like the right 'c'?
%Cheers
%Philip Bergwerf
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Message: 7
Date: Wed, 10 Aug 2016 16:43:10 -0400
From: "Philip (Michael) Dykes"
To:lilypond-user@gnu.org
Subject: Angled bar lines
Message-ID:<98176f98-5650-cb65-9a9e-0f2f6929d...@gmail.com>
Content-Type: text/plain; charset="utf-8"; Format="flowed"
Hi I need
Hi I need to get a section at the beginning of a piece of liturgical
music I have (Only Begotten Son) in which /*sometimes*/ a certain thing
is sung but /not /normally sung indicated. The typical manner I have
seen this done is via the use of angled bar lines the same as that of
the angled repe
Hello everyone,
I am puzzling with the following code:
%begin code
\version "2.18.2"
\header {
title = "Impromptu in As-dur"
subtitle = "D 835-2 (Opus 142 No. 2)"
composer = "Franz Shubert"
copyright = \markup {© "Philip Bergwerf" \i
long to see my
result and this slows me down in my working proces.
So i was wondering if lilypond could work faster if the calculations are
calculated by the gpu in stead if the cpu? Because that is another sort of
processor?
Cheers Philip Bergwerf
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e = ""
subsubtitle = ""
composer = "Philip Bergwerf"
tagline = "Copyright Philip Bergwerf 2016 Piano_Tab"
poet = "Piano_TAB"
}
%
PtStaff =
\relative c' {<<{
%voiceOne
8_"(c)"-"have to use a lot ties. looks unclear.
I am searching for a simple way to manually replace the notehead symbol to a
digit like a guitar-tab note. Is there a simple command to do that?
Cheers, Philip Bergwerf
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.
Cheers, Philip Bergwerf
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{
title = "Fur Elise"
subtitle = "Clavierstuck in A minor - WoO 59"
subsubtitle = " "
composer = "Ludwig van Beethoven"
tagline = "Created with Lilypond. Copyright Philip Bergwerf"
}
#(set-global-staff-size 18)
PtStaff =\relative c''
{<<{
2 0 -2.8 -3 -3.2 -4.8
-5 -5.2 -8 -10 -12 -15 -17 -20 -22 -24 -27 -29)\time 4/4 << \PtStaff >>}
\layout {
\context {
\Staff
\remove "Accidental_engraver"
\remove "Key_engraver"
\remove "Clef_engraver"
}
}
}
engraver"" and "\remove "Clef_engraver"". Why does this not
work? Where do i have to place these commands?
Regards Philip Bergwerf
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Problem solved! thank you
Cheers, Philip
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"\remove "Accidental_engraver"" and
"\remove "Clef_engraver" in this .ly". Why does this not work? Where do i
have to place these commands to remove the clef and accidental engravers?
Regards Philip Bergwerf
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omplain to him about the background colour of that page while I am
it . .).
Regards,
Phil.
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PO Box 896
Cowra NSW 2794
Australia
E-mail: p...@pricom.com.au
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Web: http://philiprhoades.org
E-mail: p...@philipr
-user
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Sydney NSW 2001
Australia
Web: http://philiprhoades.org
E-mail: p...@philiprhoades.org\include "gnote2_2.ily"
\new StaffGNoteTwo {
% \new Voice {
$@(let
((notes
(ly:music-property
#{
#}
'elements)))
(map
(lambda
-user
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GPO Box 3411
Sydney NSW 2001
Australia
E-mail: p...@pricom.com.au\include "gnote2_2.ily"
\new StaffGNoteTwo {
% \new Voice {
$@(let
((notes
(ly:music-property
#{
#}
'elements)))
(map
(lambda (x)
(list-ref notes
(
so far is that the StringNumber
is written by the New fingering engraver and has
both a stencil and text property, but i have not
been able to figure out how to change them to roman
numerals.
Any help is appreciated.
Thanks,
Philip
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People,
David took this discussion off-list and then accused me of not having
the guts to respond on-list . . so here the reply I sent him:
On 2014-01-17 16:00, Philip Rhoades wrote:
David,
On 2014-01-17 15:20, David Kastrup wrote:
Philip Rhoades writes:
David,
Here is what you
David,
On 2014-01-17 03:12, David Kastrup wrote:
Philip Rhoades writes:
People,
After being bitten (unnecessarily) by old code in the LSR and having a
continuing argument with David about how it came about - I have to ask
-
is there any reason why all the snippets in the LSR can'
Phil,
On 2014-01-17 03:05, Phil Holmes wrote:
- Original Message - From: "Philip Rhoades"
To: "Lilypond User"
Sent: Thursday, January 16, 2014 3:47 PM
Subject: Updating Snippets in the LSR when versions are updated
People,
After being bitten (unnecessarily
Paul,
On 2014-01-17 03:44, Paul Morris wrote:
Philip Rhoades wrote
maybe we (and by "we" I mean "you" - at least initially) could enhance
this little bit of code to do what my Ruby script was doing?
Hi Phil, Unfortunately I can't afford to take this on. Sounds
David,
On 2014-01-17 01:28, David Kastrup wrote:
Philip Rhoades writes:
David,
On 2014-01-17 00:22, David Kastrup wrote:
Philip Rhoades writes:
David,
So your first statement:
I get a GUILE error on line 5
$(let
was wrong, and my guess
I don't. Copy and paste
is an argument for keeping a snippet in it's original form
because of historical significance or something - an archive could be
kept of it.
Just my 2c . .
Regards,
Phil.
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GPO Box 3411
Sydney NSW 2001
Australia
E-mail: p...@pri
David,
On 2014-01-17 00:22, David Kastrup wrote:
Philip Rhoades writes:
David,
So your first statement:
I get a GUILE error on line 5
$(let
was wrong, and my guess
I don't. Copy and paste error?
concerning your use of Paul's converted code was correct. Like
David,
On 2014-01-16 23:24, David Kastrup wrote:
Philip Rhoades writes:
David,
On 2014-01-16 22:42, David Kastrup wrote:
Philip Rhoades writes:
David,
I get a GUILE error on line 5
$(let
I don't. Copy and paste error?
$@(let
but that didn't work either (obvious
David,
On 2014-01-16 22:42, David Kastrup wrote:
Philip Rhoades writes:
David,
I get a GUILE error on line 5
$(let
I don't. Copy and paste error?
$@(let
but that didn't work either (obviously I don't know what I'm doing
. .)
Obviously. $ splices a single
David,
On 2014-01-16 18:08, David Kastrup wrote:
Philip Rhoades writes:
\version "2.18.0"
\score {
{
$(let ((random-state (seed->random-state (current-time
(make-sequential-music
(map (lambda (x)
(let ((idx (random 12
c and efficient than the iota I
employed.
I get a GUILE error on line 5
$(let
anyway . . I tried changing it to:
$@(let
but that didn't work either (obviously I don't know what I'm doing . .)
Regards,
Phil.
--
Philip Rhoades
People,
On 2014-01-16 17:39, Philip Rhoades wrote:
People,
On 2014-01-15 23:32, Philip Rhoades wrote:
People,
David Kastrup kindly wrote a little Scheme script for me to generate
random notes within a range and I have started using that to practise
learning Classical Guitar and I think it
People,
On 2014-01-15 23:32, Philip Rhoades wrote:
People,
David Kastrup kindly wrote a little Scheme script for me to generate
random notes within a range and I have started using that to practise
learning Classical Guitar and I think it is quite useful for learning
to jump around the
note (in the same key) within [+/-]1 of the value of the
current note
- on some occasions (20% of the time?), selected a note within [+/-]2 of
the value of the current note
- more rarely (5% of the time?) jump to another completely random note
What do you think?
Regards,
Phil.
--
Philip Rh
Paul,
On 2014-01-16 01:58, Paul Morris wrote:
Philip Rhoades wrote
It occurred to me that the next step would be to generate something
that
is a little more melodic or musical
One simple thing you can do is to only work with the notes from one key
at a
time. And I think this makes sense
Urs,
On 2014-01-16 00:01, Urs Liska wrote:
Am 15.01.2014 13:58, schrieb Philip Rhoades:
Urs,
On 2014-01-15 23:38, Urs Liska wrote:
Am 15.01.2014 13:32, schrieb Philip Rhoades:
Is there any simple or otherwise stuff I could look at?
http://lilypondblog.org/category/using-lilypond
Urs,
On 2014-01-15 23:38, Urs Liska wrote:
Am 15.01.2014 13:32, schrieb Philip Rhoades:
Is there any simple or otherwise stuff I could look at?
http://lilypondblog.org/category/using-lilypond/advanced/
The only thing there that I could see was:
"Programmatically Generating Lil
anything in this
area? Is there any simple or otherwise stuff I could look at?
Thanks,
Phil.
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Paul,
On 2014-01-14 07:18, Paul Morris wrote:
Philip Rhoades wrote
OK, got that working - the actual music .ly "data" file is slimming
down
now - but I still need to investigate why some notes needed manual
editing so they were in the right place when I converted a Mutopia
file.
David,
On 2014-01-13 22:06, David Kastrup wrote:
Philip Rhoades writes:
People,
I am doing my own Alternative Notation for Classical Guitar and with a
lot of help from Paul Morris am making good progress. I was about to
write a little Ruby script to generate random notes (400 == 100 bars
occurred to me that I might be able to do this in Scheme - which would
help further the cause of learning for Lilypond. Is this a sensible
thing to do or should I just do it with ruby and plug the results into a
.ly file?
Thanks,
Phil.
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David,
On 2014-01-13 20:07, David Kastrup wrote:
Philip Rhoades writes:
Yes, in the great tradition of include files - now to get to grips
more with Scheme itself . .
It's a more rewarding enterprise these days than it has been a few
years
ago: while the limits of what you can ac
one
place,
instead of having to make the same change in all of your sheet music
files.
Yes, in the great tradition of include files - now to get to grips more
with Scheme itself . .
Thanks yet again!
Regards,
Phil.
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looking for a solution would be greatly
appreciated.
Philip Thomas
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People,
On 2014-01-12 13:10, Urs Liska wrote:
Am Sonntag, den 12.01.2014, 12:59 +1100 schrieb Philip Rhoades:
Alex,
They are still showing:
LilyPond 2.18.0-1
Regards,
Phil.
That's because when you go to the "Download" page you're getting the
latest stable releas
Alex,
They are still showing:
LilyPond 2.18.0-1
Regards,
Phil.
On 2014-01-12 12:55, Alex Loomis wrote:
The repository packages are updated rarely, the lilypond website's
packages are updated pretty much day of.
On Sat, Jan 11, 2014 at 8:41 PM, Philip Rhoades
wrote:
People,
On
relatively new here but installed the version from the website
because the standard Fedora package was too old - how long does it
usually take to update the packages here:
http://www.lilypond.org/unix.html
Thanks for some really great software! I love it!
Regards,
Phil.
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t Lilypond changes the line spacing when I use the
second line spacing above ie in this example the distance between the
short dashed lines that Lilypond puts on the low E and F are are
narrower than the long line spacing. I am new to Lilypond so I guess
there is something obvious I need to do?
Tha
orse story at face value, and I did feel sorry for the horse and
it's rider, even while I was momentarily
convulsed with laughter.
Cheers, Philip
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nas, that many ways of pulling a
bikini off -- assuming the wearer has
agreed to that course of action -- might be convincing from at least some
perspective.
Cheers, Philip
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Greek alphabet, not
to mention the very skyhook-evoking inverted question mark (Unicode 00BF).
In the particular context I was dealing
with, I ended up wrestling with "define-markup-command" and losing the match
badly. But I still find "<>" to have more
intuitive emotio
Philip Thomas wrote:
>> Dear fellow-users,
>>
>> I'm working on a vocal piece in which some lyrics are in parentheses, but
>> the opening parentheses don't appear in the output PDF file. The closing
>> parentheses are fine. By way of example, here
f view.
Cheers, Philip
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On 13.06.2012 at 14:46, Colin Campbell wrote:
>I'd be willing to give you what help I can, Philip. My doc skills are
>rusty but I can usually get changes done, and if we get stumped, I can
>probably point you in a useful direction.
Most of my help will likely
>be encouragi
Blast! Resubmitted with apologies -- sent this a short while ago with an inept
subject heading. Sorry, Philip
_
Graham Percival wrote:
> I cannot in good conscience encourage anybody to become
involved
> with lilypond development at the present time unles
a task is
concerned, so I intend to just do it, keeping my aims fairly modest, and see
what the reaction is, if any, to the
result. I don't think I need any technical mentoring at this stage, although
I'll definitely be pleased to get feedback
-- from anyone -- on drafts.
Cheers, Philip
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ple on this list on a number of topics
connected with music input. They are people who not only love and know a lot
about LilyPond but who are kind and
helpful when confronted with (even dumb beginners') questions. You are one of
them. Thanks tons!
Cheers, Philip
__
>On Wed, Jun 13, 2012 at 12:49:16AM +0200, Philip Thomas wrote:
>> I'm inclined to try to knock together a draft expanded cheatsheet on
>> my own account and float it (e.g. in PDF format) on the user list.
>On Wednesday 13 June 2012 at 01:10, Graham Percival wrote:
>ok
wns and/or jeers, they can be
consigned to the arid and boring realm of failed endeavors, and I'll smile
serenely.
Does my thinking seem to be in a sensible direction having regard to what you
said?
Cheers, Philip
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>On Tue, Jun 12, 2012 at 9:46 PM, Philip Thomas
>wrote:
>> I remember finding some gaps in the Cheat Sheet as a new user. Might
>> it be worth reviewing to see whether it could be expanded and improved
>> without over-burdening it with detail? If it would help for me as a
>>On 12 Jun 2012, at 20:46, "Philip Thomas"
wrote:
>> I remember finding some gaps in the Cheat Sheet as a new user. Might
>> it be worth reviewing to see whether it could be expanded and improved
>> without over-burdening it with detail?
>On 12 June
ake a while to download, and
cross-links to other parts of the documentation might need adjustment for
that format, but such a file would in general suit my needs very well. (In
fact, I have already asked a friend to produce such a grand version for me,
but I decided to wait till Lily 2.16 appears.)
Cheers, Philip
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> Phil Holmes wrote (11 Jun 2012 14:46:31):
> It was mentioned in earlier emails (as in lots of years ago) as a possible
> bug, since you can't have slurs in lyrics.
--
Aha. Not a solution, but I now have a better feel for the problem.
--
> I think I'll send a report to
> the
perfectly sound (I hope) code
which had the effect of ending a line with a new time signature _following_
a _double_ barline, followed immediately on the next line with the time
signature _preceding_ a _begin repeat_ barline (as it should under what I
understa
>-Original Message-
>From: Phil Holmes [mailto:m...@philholmes.net]
>Sent: Monday 11 June 2012 15:13
>To: Philip Thomas; lilypond-user@gnu.org
>Subject: Re: Opening parentheses in lyrics don't appear
>
>- Original Message -
>From: "Philip Tho
e.g. enclosing
the syllable concerned in quotes as "(oo" produces the correct result, but
it's not a very elegant solution, especially for repeated instances.
Cheers,
Philip
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n I ran the Command Prompt and typing "guile", was
the following:
"ERROR: In procedure primitive-load-path:
"ERROR: Unable to find file "ice-9/boot-9.scm" in load path"
Can anyone help, please? I am running LilyPond 2.14.2 under Windows 7 64-bit
(in case th
y failed experiments.) Or maybe there's something else wrong
that I haven't discovered.
If someone could point me in the right direction -- a relevant example would
be great -- I would be very grateful.
Cheers, Philip
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>From: Marek Klein [mailto:ma...@gregoriana.sk]
>
>> Hello,
>
>>> 2012/5/31 Philip Thomas Can anyone tell me
>>> which glyph is used for (automatically inserted) lyrics hyphens? They
>>> seem, to my eye, to be wider and lower-placed than ordinary
From: Marek Klein [mailto:ma...@gregoriana.sk]
Sent: Thursday 31 May 2012 13:08
To: Philip Thomas
Cc: lilypond-user@gnu.org
Subject: Re: Lyrics hyphens - which glyph?
> Hello,
>> 2012/5/31 Philip Thomas
>> Can anyone tell me which glyph is used for (automatically inserted)
ly
>-Original Message-
>From: Philip Thomas [mailto:philip.tho...@bluewin.ch]
>Sent: Thursday 31 May 2012 12:53
>To: 'lilypond-user@gnu.org'
>Subject: Lyrics hyphens - which glyph?
>
>Can anyone tell me which glyph is used for (automatically inserted) lyrics
Can anyone tell me which glyph is used for (automatically inserted) lyrics
hyphens? They seem, to my eye, to be wider and lower-placed than ordinary
text hyphens. I would like to add them manually in certain circumstances and
I want them to match.
Cheers, Philip
>>2012/5/30 Philip Thomas :
>>(...)
>> The problem: How do I get the Background Notes to sit happily where I
>> want them on page 3?
>>(...)
>
>From: Thomas Morley [mailto:thomasmorle...@googlemail.com]
>Sent: Wednesday 30 May 2012 23:40
>
>Hi
ddressing the problem would be greatly and gratefully
received. Otherwise, I'll have to choose between chopping up the \score and
having a lousy page turn.
Cheers, Philip
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>On 21/5/2012 Philip Thomas wrote:
>> At any rate, my problem with the colliding volta bracket remains.
>On 21 May 2012 Thomas Morley replied:
>Perhaps you may want to try the code below, in which I used the break-
>visibility-property to deal with a TimeSignature.
>It
> Subject: Re: Volta + rehearsal mark?
>
> On Fri, May 25, 2012 at 4:07 PM, Philip Thomas
wrote:
>
>> I realize, of course, that the above is an old post, and it seems that
>> Markus has not been active on the forum for a few years. I came across
>> his post whil
n the post is a load of apparently
meaningless characters. If this means that his attachment has gone with the
wind, well that's just the way it is. On the other hand, if there is
something elementary that I can do in order to see the attachment, then I
would be most grateful to hear
a quick check suggests to me that an invisible
barline \bar "" when placed at the beginning of _any_ bar appears to make
the previous barline invisible even if it has been spelt out as \bar "|".
At any rate, my problem with the colliding volta bracket remains.
Cheers, Philip
_
a manual
single barline at the end of bar 4. (See Example B below.)
If anyone can help me (a) to solve my problem, but also, hopefully, (b) to
understand what is going wrong with the solution I tried, I would be very
grateful.
Cheers, Philip
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function code much easier to handle, although I readily
admit to being rather a beginner.
Cheers, Philip
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r the lyrics line
within the music itself. I intend in any
event to include the entire text in a \markup block, immediately following the
\score. Is there any way of adding this
kind of markup to the text in the markup block? Any help appreciated. Sorry if
I've missed something blindingly ob
The following symbols are available in the Emmentaler font ..."
Not exactly a top
priority matter, but at some stage the terminology might be worth clarifying.
Philip
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rmat from a .ly file
by the conventional LilyPond route, and
then use Adobe Reader's snapshot feature to copy and paste it. Not entirely
satisfactory since resizing of the pasted
image results in some loss of definition of the image, but I'l
would it be permissible to use
the font on the site (which uses the converted fonts), while the site
itself is not open-source?
- Philip Peterson
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in ABC collection on the net.
I'll let you know how I get on.
Philip
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. I would welcome receiving a some lily pond
files of say sets of jigs or reels with the resulting .pdf files. Can
anyone help?
Philip W
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Hi,
I have just been getting into using Lilypond and Open Office with the plugin. I
really like the Lotus Symphoney setup. I know that the it is based in Open
Office I was wondering if there will be a Widget(IBM's format of plugins)for
Lotus Symphony?
It would be really a helpful tool when I am
2010/1/8 Bertalan Fodor (LilyPondTool) :
>
>> Why not spend a minute to find an authoritative answer before sending
>> speculations to the list?
>
> Because my memory works like a hash map, so I can find data in it constant
> time, while looking in the manual or the archive is in O(nlogn) where n i
Robert,
are you clicking "Reply" instead of "Reply all"? I haven't seen any of
your messages since the first one, and they aren't appearing in the
archives. This can happen if you send replies just to one person and
not to the whole list.
Please keep all discussion on list - the easiest way to do
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