-
Saturday, July 23, 2022, 8:56:57 PM, Jean Abou Samra wrote:
> Thanks a lot Peter and others (privately) for your suggestions.
> Sorry for the very late reply, I've been distracted by other
> things. Your comments are most appreciated.
> Le 13/07/20
This looks great! Just what I'd needed a couple of years back when I was still
programming.
I've only just started with it, but there are a few niggling comments about the
English version. I've only got to page 2 (getting started) so far.
* On my browser (Firefox in Windows) the 'v. latest' is
Werner,
:-)>
The problem with ligatures is that they have 3 meanings - ties,
bowing/breathing marks and phrasing marks. And sometimes a note will have all
three. But this is getting a bit off-topic.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Tuesda
Contents of lilypond-user digest..."
> Today's Topics:
> 1. Re: Piano pedalling in (conductor) scores (Kieren MacMillan)
> 2. Re: Piano pedalling in (conductor) scores (Kieren MacMillan)
> 3. Re: Piano pedalling i
Lilypond-user-request,
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Monday, May 30, 2022, 2:40:08 PM, lilypond-user-requ...@gnu.org wrote:
> Message: 4
> Date: Mon, 30 May 2022 15:07:48 +0200
> From: David Kastrup
> To: Kieren MacMillan
> Cc: Simon Ba
Yes, it's very common. The way that I use is to create a separate dynamics
staff for the pedal indication and use silent notes to position the pedals
exactly where you want them.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Sunday, May 22, 2022, 2:14:2
Ken,
'With pedal' means that the composer wants you to use the pedal at your
discretion. Not much help to MIDI I'm afraid.
I suggest you play through the piece, noting what sounds good and put explicit
pedal markings in, but this won't help the next performer who may have
completely differe
Jean,
There are various types of colour-blindness - red-green is the most common. I
did a quick Google on "design for colour-blind" and got several useful hits,
mostly for web designers. The basic message is "don't rely on colour to get a
message across", which isn't much help to you.
One wa
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Thursday, October 7, 2021, 10:46:44 AM, Thomas Morley wrote:
> Am Do., 7. Okt. 2021 um 11:30 Uhr schrieb Peter Toye :
>> The potential need has gone away now - my Sibelius user has told me that he
>&g
rovide a REST API afterwards to
> build fancy Webapps.
> Best regards,
> Jan-Peter
> Am 07.10.21 um 11:30 schrieb Peter Toye:
>> The potential need has gone away now - my Sibelius user has told me that
>> he uses ScoreMuse to export the PDF into a suitable format for Sibeli
. And I don't have a contact for him to ask - is he on this mailing
list?
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Wednesday, October 6, 2021, 8:05:12 PM, Jean Abou Samra wrote:
> Le 05/10/2021 à 13:08, Peter Toye a écrit :
>> Sorry -
Agreed, but it's possible that someone here might know more about this project
and now it's getting on.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Tuesday, October 5, 2021, 12:53:43 PM, m.tarensk...@kpnmail.nl wrote:
> lilypond-to-musicxml export is
Sorry - edited subject to get the linking correct
Harm,
https://music.stackexchange.com/questions/42315/lilypond-to-musicxml-to-sibelius#73706
has a discussion about this as well. I've started looking at the OpenLilyLib
solution at the bottom of the thread but it doesn't work on later ver
Harm,
https://music.stackexchange.com/questions/42315/lilypond-to-musicxml-to-sibelius#73706
has a discussion about this as well. I've started looking at the OpenLilyLib
solution at the bottom of the thread but it doesn't work on later versions of
LilyPond.
It would seem to me that using
Paul,
Thanks - I hadn't realised this. Now I see it's in NR.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Tuesday, September 28, 2021, 10:18:20 AM, Paul Hodges wrote:
> On 28/09/2021 10:02:24, "Peter Toye" wrote:
>>
I want to change the "=" to "~" or "ca." in a metronome mark but I can't see
how to do it. There's a 'stencil' property but I assume that refers to the
entire MM and not the equals sign. Can someone please help?
Thanks in advance
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
:33 PM, Lukas-Fabian Moser wrote:
> Hi Peter,
> Am 19.09.21 um 18:02 schrieb Peter Toye:
>> I need to extend the width of a glissando so that it's visible. There isn't
>> room between the dot and the accidental for any meaningful symbol. As you
>> can see, I&#
I need to extend the width of a glissando so that it's visible. There isn't
room between the dot and the accidental for any meaningful symbol. As you can
see, I've tried various tweaks but none of them has any effect.
\version "2.22.1"
\language "english"
{
\override Glissando.style = #'zigza
ange the documentation to? If you post
> the verbiage and the list agrees, I can create a pull request for you.
> --
> Knute Snortum
> On Sat, Sep 18, 2021 at 9:39 AM Peter Toye wrote:
>> Hi Carlos
>> I've had a similar problem, and I think the documentation for gl
Thanks David,
Lukas-Fabian got there first!
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Sunday, September 19, 2021, 3:21:27 PM, David Kastrup wrote:
> Peter Toye writes:
>> I'm trying to set a passage of vocal music with a short
> Hi Peter,
> Am 19.09.21 um 15:15 schrieb Peter Toye:
>> I'm trying to set a passage of vocal music with a short solo line. But the
>> example below shows that the lyric is not attached to the correct staff. Any
>> ideas how to get it right simply?
> That's a
I'm trying to set a passage of vocal music with a short solo line. But the
example below shows that the lyric is not attached to the correct staff. Any
ideas how to get it right simply?
\version "2.22.1"
\language "english"
{
\new Staff = "Tutti" {
<<
\new Voice = "TuttiVoice" {
Valentin,
Thanks - with a few more additions that works fine!
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Sunday, September 19, 2021, 8:11:45 AM, Valentin Petzel wrote:
> Hello Peter,
> If you want to get rid of all dynamics in the piano reduction al
Hi Carlos
I've had a similar problem, and I think the documentation for glissandoMap is
a bit misleading as it seems to imply hat you need a gliss line for each note.
I've suggested a documentation patch to clarify.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
---
Hello Kieren,
One solution (possibly the easiest to implement) would be to have a PartCombine
version which combines only notes, and nothing else.
I think I'm just going to write a separate piano part. Or leave it out
completely and rely on the pianist's ability to read four staves. Quite a
ember 17, 2021, 5:11:02 PM, David Kastrup wrote:
> Peter Toye writes:
>> I'm using PartCombine for the first time to produce a piano reduction,
>> and have found a slight problem. Because the dynamics are a bit
>> complex I want to remove them from the
I'm using PartCombine for the first time to produce a piano reduction, and have
found a slight problem. Because the dynamics are a bit complex I want to remove
them from the piano part, but adding \remove "Dynamic_engraver" to each piano
staff has no effect. What am I doing wrong please?
\vers
Jean,
Thanks. The references to "email thing" made me wonder if this was about
something else.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Friday, June 25, 2021, 5:58:35 PM, Jean Abou Samra wrote:
> Le 25/06/2021 à 18:56, Peter
I wanted to look at a thread in Nabble, but nearly all of the messages say that
they were deleted by the author. Is something wrong here?
It's happening on all the threads I've looked at, so it can hardly be a mass
desertion of contributors.
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
Kieren,
How do you manage enharmonics? Is the black key between C and D a C sharp or D
flat? Unless the music is completely tonal, I'd have thought you spent more
time adjusting the accidentals than simply inputting the music from the
computer keyboard. But I may be wrong. Certainly in the song
My experience is exactly the opposite. I use the computer keyboard for input,
and as most of the music is for piano, which spans several octaves outside the
staves, absolute entry is a serious PITA. For vocal music, there aren't usually
many wide skips, so again relative notation uses fewer keys
id Wright wrote:
> On Fri 12 Mar 2021 at 11:52:36 (+), Peter Toye wrote:
>> Thanks Christian. Not sure why that happens (bug?) but that works fine.
> The problem (not a bug) is that you can't re-apply \relative
> processing to absolute pitches.
> \relative { … } applie
s es fs gs as bs cs}
}
}
All the best,
Christian
Am Fr., 12. März 2021 um 11:35 Uhr schrieb Peter Toye :
I am trying to engrave a transposed song. It's written without key signature
but is very tonal. It starts in C and ends in C#. I want to transpose it down a
minor third. The part in C
I am trying to engrave a transposed song. It's written without key signature
but is very tonal. It starts in C and ends in C#. I want to transpose it down a
minor third. The part in C is fine, but the part in C# ends up as A## and there
are far too many double-sharps for it to be performable.
I
The 2.22 documentation is obviously better here:
The name of a variable should not contain (ASCII) numbers, multiple
underscores, multiple dashes or space characters. All other characters Unicode
provides are allowed, for example Latin, Greek, Chinese or Cyrillic.
Non-adjacent single underscore
Thanks for putting me right yet again. I'm not quite sure what you mean by
'resized'. q4 is surely legal?
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Sunday, March 7, 2021, 12:09:30 PM, David Kastrup wrote:
> Peter Toye writes
My personal view is that variables are important concepts and deserve a
separate section somewhere - possibly 3.1.6 as a separate part of 'File
Structure'. I note that the preceding section on markup text does not contain
any detailed syntax definition - not even a link to the relevant section.
Yes, it's documented in the Notation Reference Manual section 3.1.5 File
Structure. It doesn't seem the obvious place to put the syntax of variable
names.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
> Message: 4
> Date: Sat, 6 Mar 2021 21:30:56 +0900
I asked this question some time ago, and David Kastrup was kind enough to put
me right.
The problem , as you mentioned, is in the way that numbers are used for
durations. Consider the following code:
chord =
chord2=
c1 \chord2
Should the second element be interpreted as 2 or 1? I imagine
t
4:37:24 PM, Maestraccio wrote:
> If it's just one or two chords, I'd add a text markup "LH 8va bassa" (or in
> classical music "MS 8va bassa"), that's clear enough for me
> Met vriendelijke groet,
> Bart
>> Sent: Friday, February 19, 2021 at
Hello Kieren,
No I don't - it's expensive and as I don't do this for money I really can't
afford it.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Friday, February 19, 2021, 4:17:29 PM, Kieren MacMillan wrote:
> Hi Peter,
>> Is there an accepted way of
Is there an accepted way of notating an ottava sign for only part of a staff? I
have a two-handed chord of which the LH part needs to be an octave lower than
notated, but the RH part is at pitch.
I realise that this isn't really a LilyPond question but a general music
engraving one (it may tur
.length = #6
> e,2.\) _~ e,2.
> }
> \new Voice
> {
> s2. s2. |
> f4.\rest
> }
>>>
> }
> %
> On Tue, 16 Feb 2021 at 02:28, Peter Toye wrote:
>>
>> I'm trying to set this piece of slightly strange voice
\upperPart \lowerPart
>>
}
}
All the best
Christian
Am Mo., 15. Feb. 2021 um 18:18 Uhr schrieb Peter Toye :
Kieran, Christian,
There's something we all missed: the tie on the final bass note. Here's the
full bar/measure attached. This give as a bit of t problem as the two-voic
\new Staff {
\time 12/8
\clef "bass"
\partCombine \up \down
}
}
All the best
Christian
Am Mo., 15. Feb. 2021 um 18:18 Uhr schrieb Peter Toye :
Kieran, Christian,
There's something we all missed: the tie on the final bass note. Here's the
full bar/measure attached. This give as a
olve the other problem.
All the best
Christian
Am Mo., 15. Feb. 2021 um 16:28 Uhr schrieb Peter Toye :
I'm trying to set this piece of slightly strange voice writing (see attachment).
It obviously needs three voices: one for the lower line (voice 2), one for the
upper line (voice 1) and a th
I'm trying to set this piece of slightly strange voice writing (see attachment).
It obviously needs three voices: one for the lower line (voice 2), one for the
upper line (voice 1) and a third for the rest at the end.
The closest I've got is below, but this has two problems with the final beat:
David,
Of course! My eyesight's not too good and I misread the suggested directory
name. Thanks.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Tuesday, February 9, 2021, 10:01:23 PM, David Wright wrote:
> On Tue 09 Feb 2021 at 16:42:58 (+
I'm trying to get up to date with Lilypond, not having used it for several
months, so downloaded version 22.0.
My OS is Windows 10 Home 64-bit.
When I clicked on the .exe file, I was told that there was an existing
installation (fair enough, I've got 3 versions already on my machine) and I'd
h
David,
Wow! Thank you! It works in 2.20.0 as well.
It seems I'm only 5 years out of date.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Friday, January 1, 2021, 5:19:10 PM, David Nalesnik wrote:
Hi Peter,
On Fri, Jan 1, 2021 at 10:46 AM Peter
snippet defs.
Cheers,
Pierre
Le ven. 1 janv. 2021 à 17:46, Peter Toye a écrit :
Carl,
Thanks. The problem is that map-some-music is obviously a very useful function
if you're trying to write code that performs an action at many places in a
music expression, but there's no pointer
to:lilyp...@ptoye.com
www.ptoye.com
-
Friday, January 1, 2021, 4:06:59 PM, Carl Sorensen wrote:
On Fri, Jan 1, 2021 at 8:59 AM Peter Toye wrote:
Christian,
Thanks Christian. How one is meant to know this I have no idea. Maybe it was
meant to be in the missing 3rd chapter of the Extending manu
wrote:
Hi Peter!
It seems to be defined here:
https://github.com/lilypond/lilypond/blob/master/scm/music-functions.scm#L2036
All the best and a happy new year,
Christian
Am Fr., 1. Jan. 2021 um 13:29 Uhr schrieb Peter Toye :
It seems that I'm probably going to be doing more engraving
It seems that I'm probably going to be doing more engraving after all.
I have a comment about the documentation. I wanted to add the same articulation
to all notes in a music expression, and found
http://lsr.di.unimi.it/LSR/Item?id=82 which does exactly what I want.
I noticed that it uses a fu
the vocals was aligned with the beginning of the Voice,
not the beginning of the Staff.
Your metronome mark in the PianoStaff aligned with the beginning of the Staff.
HTH,
Carl
From: Peter Toye
Reply-To: Peter Toye
Date: Thursday, June 18, 2020 at 9:29 AM
To:
Subject: Misaligned tempo
I'm trying to set a song and have the tempo indications on both vocal and piano
staves. I used Hwaen Ch'uqi's suggestion from way back to get the correct
engravers, but they aren't aligned correctly. Here's an MWE. Any ideas how to
get them to align?
\version "2.20.0"
\language "english"
\sco
!
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Tuesday, June 16, 2020, 7:55:50 PM, Robin Bannister wrote:
> Peter Toye wrote:
>> I'm trying to work out what the properties of a LyricHyphen are, but the
>> Internals manual for that obj
point precision of
the processor and of the data type.
2.20 should work for you.
Carl
From: Peter Toye
Reply-To: Peter Toye
Date: Tuesday, June 16, 2020 at 10:18 AM
To: Xavier Scheuer
Cc: Carl Sorensen , lilypond-user Mailinglist
Subject: Re: Acciaccatura giving errors
Xavier,
Ah, the pro
I'm trying to work out what the properties of a LyricHyphen are, but the
Internals manual for that object keeps referring to rests, notes. beams. stems,
See, for example, the minimum-distance property. None of these, to my mind,
have much to do with lyrics or hyphens. Has some text from another
Xavier,
Ah, the problems of using a Linux-developed program on Windows.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Tuesday, June 16, 2020, 5:06:18 PM, Xavier Scheuer wrote:
On Tue, 16 Jun 2020 at 17:31, Peter Toye wrote:
>
> Thanks both. I&#x
Thanks both. I've found the same now. I'd assumed that 2.21.0 would be later
than 2.20, but it seems not to be the case.
Now sorted.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Tuesday, June 16, 2020, 2:41:45 PM, Robin Bannister wrote:
&g
Thanks Robin.
Interesting. I tried it with 2.21.0 and the problem is still there. I'll get
hold of 2.20.0 but am a bit busy at the moment.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Tuesday, June 16, 2020, 2:41:45 PM, Robin Bannister wrote:
&g
An acciaccatura is giving 14 "programming error: mis-predicted force" errors
and corrupt layout. The former I can live with the latter I can't.
The layout errors in the complete score are extremely wide spaces between the
systems and a line with an extremely wide right margin on the page with th
Xavier,
Via Frescobaldi version 3.1.2. Thanks for the links. It seems to be a
Frescobaldi issue. What a pain.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Tuesday, June 16, 2020, 11:20:42 AM, Xavier Scheuer wrote:
On Tue, 16 Jun 2020 at 11:19, Peter
everything you want, you just have everything at the same time.
From: Peter Toye [mailto:lilyp...@ptoye.com]
Sent: Sunday, June 14, 2020 3:22 AM
To: Mark Stephen Mrotek ; 'David Kastrup'
Cc: lilypond-user@gnu.org
Subject: Re: Free rhythm in part of a bar
Mark,
Thanks. That looks fin
I've just used convert-ly to convert 2.19.2 to 2.21.0. And an extra newline
(x0D0A) has been added to every line. Odd, though, two consecutive newlines are
replaced by three. This is obviously a bit of a pain - any way of stopping it?
I'm on Windows 10, which may well be significant.
Regards,
ime 4/4
{
c'4 4 4 4 |
\cadenzaOn 4 4 8 8 8 8 8 8 8 8 8 8 \cadenzaOff c'4 c' \bar "|"
}
}
\new Staff {
\time 4/4
\clef "bass"
{
c1
4 4 s4*2 r2\fermata s4 c'4 c' |
}
}
>>
}
From: lilypond-user [mailto:lilypond-user-bounce
Staff {
\time 4/4
{
%%{
c'4 4 4 4 |
4 4 << {\cadenzaOn d'8 8 8 8 8 8 8 8 8 8 \cadenzaOff} s4 >> g'4 \bar "|"
e'1
%}
}
}
\new Staff {
\time 4/4
\clef "bass"
{
c1
c4 4 r4\fermata g,4 |
c1
}
}
>>
}
Best regards
Xavier,
D'oh!!! Silly me. My brain isn't working today. Thanks.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Saturday, June 13, 2020, 12:39:31 PM, Xavier Scheuer wrote:
On Sat, 13 Jun 2020 at 12:37, Peter Toye wrote:
>
> I'm try
I'm trying to add text which needs to be aligned with certain notes in the
accompaniment above a vocal staff which has a whole-bar rest, and can't work
out a suitable easy way to do it. The attachment shows what's needed. I want to
align the text with the second half of the bar.
The only way I'
David,
The half note rest is because it's basically a 4/4 bar, so it needs to align
with the start of the free rhythm. Here's a screenshot.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Saturday, June 13, 2020, 11:18:13 AM, David Kastrup wrote
8 \cadenzaOff \bar "|"
R1 }
}
\new Staff {
\time 4/4
\clef "bass"
{
c1
4 4 s4*2 r2\fermata s4*4 |
}
}
>>
}
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Peter Toye
Sent: Friday, June 12, 2020 7:26 AM
45:08 AM, David Kastrup wrote:
> Peter Toye writes:
>> David,
>> What I mean is that in some music the end of the 'free rhythm' section
>> may need to be synchronised with the other staves. For instance, at
>> the end of a florid passage for a soloist in fre
on the length of the material inside.
All the best
Christian
Am Fr., 12. Juni 2020 um 16:34 Uhr schrieb Peter Toye :
I need to have part only of a bar notated with free rhythm. Also other staves
need to be synchronised. I've tried using \cadenzaOn but then I get a barcheck
problem and
't.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Friday, June 12, 2020, 5:11:58 PM, David Kastrup wrote:
> Peter Toye writes:
>> David,
>> Thanks. That solves the vocal line, but it doesn't seem to solve the
>> synch
David Kastrup wrote:
> Peter Toye writes:
>> I need to have part only of a bar notated with free rhythm. Also other
>> staves need to be synchronised. I've tried using \cadenzaOn but then I get a
>> barcheck problem and the next bar goes odd. I can't see anything about
I need to have part only of a bar notated with free rhythm. Also other staves
need to be synchronised. I've tried using \cadenzaOn but then I get a barcheck
problem and the next bar goes odd. I can't see anything about this in the
snippets or manuals. A minimal example follows.
There seem to be
Circumstances dictate that I will no longer be doing any music engraving. So I
would like to take this opportunity to thank everyone here for their help,
enthusiasm, expertise and, above all, patience in answering my questions.
Happy Ponding,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
Thursday, February 6, 2020, 5:29:00 PM, David Kastrup wrote:
> Peter Toye writes:
>>> Message: 3
>>> Date: Thu, 06 Feb 2020 17:57:20 +0100
>>> From: David Kastrup
>>> To: Gianmaria Lari
>>> Cc: Phil Holmes , LilyPond User Group
>>
> Message: 3
> Date: Thu, 06 Feb 2020 17:57:20 +0100
> From: David Kastrup
> To: Gianmaria Lari
> Cc: Phil Holmes , LilyPond User Group
>
> Subject: Re: New release
> Message-ID: <87mu9vejrj@fencepost.gnu.org>
> Content-Type: text/plain
> Gianmaria Lari writes:
>> Hello Phil,
>>
> Message: 3
> Date: Sat, 4 Jan 2020 08:38:22 -0800
> From: "Mark Stephen Mrotek"
> To:
> Subject: align aftergraces
> Message-ID:
> <001e01d5c31d$613aa980$23affc80$@ca.rr.com>
> Content-Type: text/plain; charset="utf-8"
> Hello all,
>
> In the following, the two aftergraces do not align.
>
t \paper block?
> Hwaen Ch'uqi
> On 12/24/19, Peter Toye wrote:
>> I want an absolutely clean end to a score, but whatever I try I still get a
>> tagline advertising LilyPond. I've tried setting tagline to ##f and "" and
>> neither works.
>> Don'
I want an absolutely clean end to a score, but whatever I try I still get a
tagline advertising LilyPond. I've tried setting tagline to ##f and "" and
neither works.
Don't worry, it's for piano 4-hands so LilyPond gets its advertising on the
Primo page.
Regards,
Peter
mailto:lilyp...@ptoye.
Sunday, December 22, 2019, 4:12:42 PM, Malte Meyn wrote:
> Am 22.12.19 um 13:23 schrieb Peter Toye:
>> I
>> agree about \sp and \spp - what on earth are they meant to mean - a
>> sudden quiet note in the middle of louder ones? Not a common musical
>> gesture.
>
s on everybody. Just make an include file for your score and
> add 'rf'. One could argue that the original
> composers are in error, or
> it's an obsolete convention, and perhaps this would mislead modern
> players anyway (the infinite discussion of the urtext!).
> I do
Saturday, December 21, 2019, 1:04:09 PM, Kieren MacMillan wrote:
> Hi Peter,
>> May I suggest adding 'rf' to the built-in dynamics? Beethoven and Brahms
>> used it quite a lot, even if it is synonymous with 'rfz' (pedants might
>> disagree).
> Is f the same as fz?
f=forte, fz=forzando or sfor
May I suggest adding 'rf' to the built-in dynamics? Beethoven and Brahms used
it quite a lot, even if it is synonymous with 'rfz' (pedants might disagree).
As did some other, lesser, composers (one of whose music I am currently
engraving).
A far as I can see, it just needs adding
rfz = #(make
Hello Kieren,
Yes it does. So does Phil's solution. I now have to work out which I prefer in
this particular situation.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Friday, December 20, 2019, 4:14:06 PM, Kieren MacMillan wrote:
> Hi Peter,
>> I'm tryi
Thanks Phil. I was looking in the 'spacing issues' section. Just what I need
for this particular score.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Friday, December 20, 2019, 4:26:46 PM, Phil Holmes wrote:
If you read about dynamics in the NR, it says
I'm trying to set a score where dynamic words are too close together for
beautiful typesetting. I've tried using offsets to move one of them vertically,
but they don't seem to work. What's the best way of setting this to produce a
good-looking result?
\version "2.19.83"
\score {
<<
\new
David,
Thanks for this. I'm obviously going to have to dust off my LISP lectures from
1967!
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Friday, December 20, 2019, 12:41:31 PM, David Kastrup wrote:
> Peter Toye writes:
>> Thee are ma
Thee are many examples of the use of the make-music function in NR and
Snippets, but I cannot find any reference to its definition in LR, NR or IR. I
can use the examples to do what I want, but I'd like to know a bit more about
how it works. Is there a definition of it and its parameters anywher
4/4 + 3/4 time with a dotted barline. I ended up just manually
renumbering the bars numbers with:
\set Score.currentBarNumber
Probably not the solution you're looking for.
From: lilypond-user on
behalf of Peter Toye
Sent: Thursday, December 12, 2019 10:04 AM
To: lilypond-user@gnu.org
t bar number is explained in the first of the
"Selected Snippets" of this section.
http://lilypond.org/doc/v2.19/Documentation/notation/bars#bar-numbers
On 12/12/2019 17:32, Peter Toye wrote:
Re: Bar lines within bars inhibit bar numbering
lar in a
piece with 4/4 + 3/4 time with a dotted barline. I ended up just manually
renumbering the bars numbers with:
\set Score.currentBarNumber
Probably not the solution you're looking for.
Unfortunately not. I don't want to change the bar number, just print it.
From: lilypond-user
.currentBarNumber
Probably not the solution you're looking for.
From: lilypond-user on
behalf of Peter Toye
Sent: Thursday, December 12, 2019 10:04 AM
To: lilypond-user@gnu.org
Subject: Bar lines within bars inhibit bar numbering
The example below shows the issue. The mid-bar line with a
The example below shows the issue. The mid-bar line with a \break does not show
the bar number at the beginning of the next line - I would expect '2'. A \break
at the end of a bar gives the expected result.
Also, the commented out line doesn't compile, and I can't see why, so can't see
if it wo
Kieren,
...but for this score I think I'll stick with what I know, or it'll never see
the light of day.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
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Tuesday, December 3, 2019, 6:00:32 PM, Kieren MacMillan wrote:
> Hi Peter,
>> I think this is the firs
Hello Kieren,
Thanks. I think this is the first time I've had to set a score of this
complexity (which is pretty low compared with many I've seen). Thanks very much
for the help. I shall now rewrite large amounts of music :(
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
Hi Harm,
-
Monday, December 2, 2019, 1:31:09 PM, Thomas Morley wrote:
> Am Mo., 2. Dez. 2019 um 13:00 Uhr schrieb Peter
> Toye :
>> I'm trying to lay out text using a \table and have found (to date) two
>> problems.
>> Firstly, the wordwrap
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