Hi,
I need something like "8va opt."
How can I tweak the "\ottava #1" command to achive this?
thanks for a hint
ole
___
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lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Hi,
When I have a score, how can I define rehersal marks globally (instead of in
every voice) so that they appear in every other voice, when I print it out
(like below)?
%%
global= {
\time 4/4
\key c \major
}
violinOne = \new Voice \relative c'' {
\set St
Hi,
A friend showed me his first leadsheed to proofread and we both stumbled over
the strange alignment in bar three of the attached file.
Is this a bug or a feature?
thanks for help
ole
code%%%
\version "2.18.2"
\new Staff
\relative c''
{
\key des\major\tim
Am 12.02.2015 um 12:40 schrieb Noeck :
www.oleschmidt.de
> Hi Ole,
>
>> Is it possible to use a variable inside a markup
>
> Yes. With two modifications to your code:
> 1. The definition of def must be a markup (insert \markup before the
> \center-column)
> 2. You have to call a variable
Am 12.02.2015 um 11:50 schrieb Richard Shann :
> On Thu, 2015-02-12 at 12:20 +0100, Ole Schmidt wrote:
>> Am 12.02.2015 um 12:04 schrieb Noeck :
>>
>>> Hi,
>>>
>>> this works for me (taken from Frescobaldi Insert > Document fonts …):
>>
Hi,
Is it possible to use a variable inside a markup, like
def = { \center-column {
\combine
\draw-line #'(0 . 6)
\arrow-head #Y #DOWN ##f
}
}
{c1^\markup {def}}
thanks,
ole
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lilypond
Am 12.02.2015 um 12:04 schrieb Noeck :
> Hi,
>
> this works for me (taken from Frescobaldi Insert > Document fonts …):
>
> \paper {
> fonts = #
> (make-pango-font-tree
>"Times New Roman"
>"Nimbus Sans"
>"Luxi Mono"
> (/ (* staff-height pt) 2.5))
> }
> { a^\markup { "Test" \typewr
Hi,
What is the way to change the font of all markups into the \typewriter font?
I've tried what is suggested in the manual:
(#(define fonts
(make-pango-font-tree "Times New Roman"
"Nimbus Sans"
"Luxi Mono"
(/ staf
Hi,
I've tried some search in the docs but could not find an working solution for
increasing the distance between the title and the first staff.
Can someone please give me a hint.
thanks
ole
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Hi,
I just want to import something from a midifile and get the following
errorwarning:
Last login: Sun Aug 3 17:46:40 on console
ja?~$ midi2ly rhythms.mid
Traceback (most recent call last):
File "/Applications/LilyPond.app/Contents/Resources/bin/midi2ly", line 54, in
import midi
Impo
Anfang der weitergeleiteten Nachricht:
> Von: Mike Solomon
> Betreff: Aw: Lilypond as a library
> Datum: 8. Juni 2014 10:37:49 MESZ
> An: Mauren Berti
> Kopie: lilypond-user , Dominique Fober
>
>
> On Jun 7, 2014, at 10:43 PM, Mauren Berti wrote:
>
>> Hello!
>>
>> I am writing a software a
Hi,
I want to make transcriptions for bassclarinet from some "Liederkreis" op.39
Robert Schumann songs, are there any .ly files around?
Thanks!
ole
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Hi,
As far as I remember- when you typeset a dynamic sign like \mf this will be
mirrored in the midifile. So maybe it's the easiest way to specify the dynamics
in the .ly-file..
hth
ole
www.oleschmidt.de
Am 19.01.2014 um 13:38 schrieb Speldosa :
> I've noticed that Lilypond, for its midi
Maybe this could help too?
http://lsr.dsi.unimi.it/LSR/Item?id=266
best
ole
Am 12.05.2013 um 23:55 schrieb Nathan:
> On Sun, May 12, 2013 at 2:10 PM, Jim Long wrote:
> I'm creating some jazz charts that require a transposed lead
> sheet for a Bb or Eb instrument. I haven't messed with \bookp
oops, doubleposting- already solved thanks to David Kastrup
Anfang der weitergeleiteten E-Mail:
> Von: Ole Schmidt
> Datum: 30. Dezember 2012 19:01:24 MEZ
> An: Lilypond-User Mailing List
> Betreff: jazzchords.ly
>
> Hi,
>
> I want to use the jazzchord.ly but it give
Hi,
I want to use the jazzchord.ly but it gives me an error (see below)
I am on LP 2.16.0-1
How to remedy this?
attached the jazzchords-include.ily file which does not work properly
thanks
ole
[siehe angehängte Datei: jazzchords-include.ily]
»/Applications/Musikverarbeitung/Lily/Lily_DT/120
thanks for the quick answer!
I'll try that...
ole
Am 30.12.2012 um 19:34 schrieb David Kastrup:
> Ole Schmidt writes:
>
>> Hi,
>>
>> I want to use the jazzchord.ly but it gives me an error (see below)
>> I am on LP 2.16.0-1
>> How to remedy th
Hi,
I want to use the jazzchord.ly but it gives me an error (see below)
I am on LP 2.16.0-1
How to remedy this?
attached the jazzchords-include.ily file which does not work properly
thanks
ole
[siehe angehängte Datei: jazzchords-include.ily]
»/Applications/Musikverarbeitung/Lily/Lily_DT/120
Hi,
This is probably a silly question but I can't find the right answer in the
manual:
I want the text below the music on the right side of the sheet...
\score { \new Staff { \relative c' {c4 d e f g a b c d c b a g f e d }}}
\markup {"blablabla"}
I've tried several commands from chapter A.
Hi,
how can I move away the articulation signs from the ties?
\version "2.15.38"
\language "nederlands"
\score { \new Staff {
\time 4/4
\key bes \major
\clef treble
\relative c'' {
r4 f8-- g-^ ~ g f-- g4-^ |f4.-^ bes,8-^ ~ bes2 | r4 es8-- f-^ ~ f es-- f4-^ |
es4
Hi,
I've just installed Frescobaldi from source on my mac, running Mac OS 10.6.8
How can I install python-poppler-qt4 (for pdf-viewing)?
When I follow the instructions I get the following error:
ja?~/Public/python-poppler-qt4-0.16.2$ python setup.py build
running build
running build_ext
building
Hi,
I want a DrumStaff in "percussion-style" to show some rhythms...
The manual says:
"There are also other layout possibilities. To use these, set the property
drumStyleTable in context DrumVoice. The following variables have been
predefined:..."
How can I do that?
What I have so far (also
gt;>
>>> \bar "|."
>>> }
>>>
>>> }
>>> staffTromboneII = \new Staff {
>>>
>>> \key f \major
>>> \clef bass
>>> \relative c {
>>> \partial 2. s2. |
>>> r2 4. 8 |
>>>
Hi,
Can anyone point me in the right direction, I need a little circle above the
letter (norwegian...)
like this:
å (see also attached screenshot if it is not displayed correctly)
Whats do I have to enter, I can not found the utf-code that fits the
description in the manual...
thanks for a h
>
> I would like to make a lead sheet very schematic and simple. My idea is
> start from the context Chordnames in order to write every name of the chord
> placed over each measure over which I want to write as maximum tow chords.
> My goal is to place the bar lines symmetrically making measures
I would do it like this (not sure if the indention is correct...)
hth ole
%
\version "2.12.3"
\include "english.ly"
\header {
}
clari = \new Staff {
% \time 3/4
\set Staff.instrumentName = "Clarinet in Bb"
\set Staff.midiInstrument = "clarinet"
% \key d \major
% \clef
Am 11.02.2011 um 06:52 schrieb James Lowe:
>
>
> For those that had trouble actually finding what the .ly code was..
>
> % CODE %%
> \markup { { \score {\new Staff \with {
> \remove "Time_signature_engraver"
> \remove "Clef_engraver"
> \remove "Staff_symbol_eng
Dear List,
Why does the following snippet do not work anymore (with LP 2.13.35)?
It should look like this:<>,
but now look like this:<>
% CODE %%
\markup { { \score {\new Staff \with {
\remove "Time_signature_engraver"
\remove "Clef_engraver"
\remove "Staff
nually- very annoing.
Is this a known mac os bug?
ole
Am 26.10.2010 um 14:16 schrieb Xavier Scheuer:
> On 26 October 2010 13:29, Ole Schmidt wrote:
>>
>> Hi,
>>
>> I've just tried to compile the example below and get the following
>> error warning:
>
Hi,
I've just tried to compile the example below and get the following error
warning:
»/Users/ole/Desktop/RM.ly« wird verarbeitet
Analysieren...
/Users/ole/Desktop/RM.ly:2:1: Fehler: syntax error, unexpected \once
\once \override Score.MetronomeMark #'break-align-symbols = #'(clef)
/Applica
is this the same problem?
it happens with 2.12.3 as well as with 2.13.35
Last login: Sun Oct 10 17:05:44 on ttys001
ja?~$ midi2ly /Applications/SCOM\ 6.2.3/Output/Bcl\&p_1.mid
Traceback (most recent call last):
File "/Applications/LilyPond.app/Contents/Resources/bin/midi2ly", line 50, in
did you try:
\paper {before-title-spacing = #'((space . 30)) }
hth
ole
Am 06.10.2010 um 14:31 schrieb Jiri Zurek (Prague):
>
> I cannot figure out how to increase the space (the separation) between the
> header of the page and anything else on the page, which can be either lines
> of mar
Learning Manual "2.2.3 Staff groups"
first example:
\new PianoStaff <<
\new Staff …
\new Staff …
>>
or in your case:
\new PianoStaff <<
\new Staff …
\new ChordNames...
\new Staff …
>>
hth ole
Am 09.09.2010 um 10:32 schrieb Éditions IN NOMINE:
> Hi.
>
> If you encapsulate right
thanks- this explaines a little more the logic behind it- is there a point in
the docs where I can find those things?
ole
Am 08.08.2010 um 23:12 schrieb Xavier Scheuer:
> On 8 August 2010 17:03, Ole Schmidt wrote:
>> Hi,
>>
>> Is it possible to set the ottava bracket
Hi,
Is it possible to set the ottava bracket -- above the markups?
thanks
ole
%%%
\version "2.13.7"
\new Staff \relative c'' { c^\markup {1}
d \ottava #1
e^\markup {2}
f^\markup {3}
g a b c }
are you aware of
http://pagespro-orange.fr/christian.texier/mididesi/
which you can embed in lilypond like this
blah = \markup {\override #'(font-name . "Concreta") %loads Concreta font
\fontsize #2
"%" %bow char
}
{
c4^\blah }
looks (for example):
<
What keyword did you type in the lsr search?
neither "transpose" nor "accidental" will lead to snipppet 266 here...
Am 18.07.2010 um 17:25 schrieb Jethro Van Thuyne:
> Hi,
>
> Have you taken a look at the smart-transpose snippet?
>
> http://lsr.dsi.unimi.it/LSR/Item?id=266
>
> Best regards,
Hi,
maybe this snippet helps?
http://lsr.dsi.unimi.it/LSR/Snippet?id=266
<>
for some strange reason it does not display when I type in "transpose"...
ole
Am 18.07.2010 um 17:03 schrieb Jatziri Valtierra:
> Hi everyone,
>
> Your suggestions help me very much, but now I have other proble
Hi Andrea,
maybe the attached example can serve as a model for your purposes?
ole
bcl&perc.ly
Description: Binary data
Am 09.07.2010 um 16:24 schrieb Andrea La Rose:
> Dear Collective Wisdom,
>
> I am a lilypond noob using version 2.12.3.
>
> I am working on making a score for a pi
ok, now I fully understand that, thanks
ole
Am 07.07.2010 um 00:22 schrieb Neil Puttock:
> As I suggested previously, to use \markup in this situation without
> separate scores would require a \score-lines command to be added to
> LilyPond.
___
lily
04.07.2010 um 19:24 schrieb James Bailey:
This looks similar to something I asked a while ago. Does this help:http://lists.gnu.org/archive/html/lilypond-user/2009-05/msg00040.htmlOn 04.07.2010, at 13:45, Ole Schmidt wrote:Dear List,is it possible to center-align each system in the following snippet
200], schreef Ole Schmidt:
>
>> is it possible to center-align each system in the following snippet
>> horizontally on
200], schreef Ole Schmidt:
>
>> is it possible to center-align each system in the following snippet
>> horizontally on
Dear List,
is it possible to center-align each system in the following snippet
horizontally on the page?
Like:
| - |
|---|
| -- |
|---|
| -
Am 22.06.2010 um 00:02 schrieb Nick Payne:
> On 22/06/10 07:51, Ole Schmidt wrote:
>> Hi,
>>
>> While engraving I came across the problem to display a simple triplet which
>> consists of a quarter and an eighth note
>> and it seems to be difficult. The
Hi,
While engraving I came across the problem to display a simple triplet which
consists of a quarter and an eighth note
and it seems to be difficult. The default beaming is odd and using brackets
leads to an error warning.
Do I completely miss something or is it a known problem?
thanks for a h
forgot to c to mailing list...
>
>
>
> search for "different tempos" in the mailing list archive.
> a thread from a guy namend Kostia from 2008.
>
>
> http://lists.gnu.org/archive/cgi-bin/namazu.cgi?query=different+tempos&submit=Search&idxname=lilypond-user
>
> concerning the midi import the
which version did you exactly download?
Did you download the right architecture (x86)?
Can you describe exactly what how do you compile what file?
I'am on Mac OS 10.6.3. here and Lilypond Version 2.13.7 works like a charm.
ole
Am 21.05.2010 um 09:37 schrieb moritz:
> Hi, i tried to download the
thank you for the information!
so, until the bug is fixed I have to override manually and than reset again for
every triplet, right?
ole
Am 03.03.2010 um 20:08 schrieb Carl Sorensen:
> On 3/3/10 9:15 AM, "Mats Bengtsson" wrote:
>> Ole Schmidt wrote:
>>> Hi,
>&
Hi,
When I write \times 2/3 { c8 c16 c8. } the second beam of the sixteenth note
goes to the left which in my opinion is wrong.
Am I missing something or do I have to overwrite the default settings? (if yes,
how can I do that permanently for the whole score?)
Thanks for an answer,
ole
Hi,
I want the markups in the following snippet all at the same height. How can I
do that?
Thanks for a hint
ole
\version "2.13.7"
\score {
\new Staff {
\time 4/4
\relative c { c4^\markup {-h} f^\markup {-g} b^\m
> \paper {
>before-title-spacing = #'((space . 20))
> }
that worked, thanks!
I could not find that one in the docs btw
>
> If you don't have a title between two \score blocks, then you would use
> "between-scores-system-spacing" (and not between-system-spacing, be
> careful of the name, wh
Am 05.02.2010 um 02:08 schrieb Neil Puttock:
>
> http://lilypond.org/doc/v2.13/Documentation/notation/page-formatting#Page-formatting
>
> Try setting padding in between-system-spacing:
>
> \paper {
> between-system-spacing = #'((padding . 1))
> }
>
> Regards,
> Neil
this increases the dista
oops, it does have an effect, but between the wrong systems (see attached jpg),how can I achive distance between the first two and the second two systems?thanksole <>Am 05.02.2010 um 02:08 schrieb Neil Puttock:Try setting padding in between-system-spacing:\paper { between-system-spacin
oops, it does have an effect, but between the wrong systems (see attached jpg),how can I achive distance between the first two and the second two systems?thanksole <>Am 05.02.2010 um 02:08 schrieb Neil Puttock:Try setting padding in between-system-spacing:\paper { between-system-spacin
Am 05.02.2010 um 02:08 schrieb Neil Puttock:
> Try setting padding in between-system-spacing:
>
> \paper {
> between-system-spacing = #'((padding . 1))
> }
>
> Regards,
> Neil
Thanks, but
when I put this line in my paper block it does have no effect, what am I doing
wrong?
ole
%%%
Dear all,
I want multiple litte examples- everyone with an extra title- on one page.
How can I control the vertical spacing between those (two) systems.
All I've tried had no effect...
Thanks for a hint
ole
%%
\version "2.13.7"
\header { tagline = ##f }
\layo
Thanks for your help!
Normally I use barline checks- I didn't use Lilypond for a while and was a bit
hasty.
ole
Am 24.11.2009 um 23:32 schrieb Reinhold Kainhofer:
> Am Dienstag, 24. November 2009 22:59:26 schrieb Ole Schmidt:
>> Can someone please take a look at my code- it com
thanks, this also solves the problem which was mentioned by James that
Apple mail converts >> at the beginning of a line to two levels of
quoted text...
ole
Am 25.01.2009 um 20:50 schrieb Hans Aberg:
One way around it is to select View -> Message -> Original Content
(--U), and then copy.
the mails look like this when they are seen in the mail previev
(colored double lines instead of >>)
ole
<>
Am 25.01.2009 um 14:45 schrieb Hans Aberg:
On 25 Jan 2009, at 13:19, James E. Bailey wrote:
Out of curiosity, do you know a way to stop apple mail from
converting >> at the begi
lt;< \context Voice = "musici" \dynamics >>
\new Staff = musicii << \global \musicii >>
piano.ly:39:0: Fehler: syntax error, unexpected STRING
>>
piano.ly:36:2: Fehler: Fehler gefunden, musikalischer Ausdruck wird
ignoriert
<<
Fehler: gesch
when I try the "cat" method and then compile directly from the
terminal I get the same error warning as before.
I'am on Mac OS 10.5.6. using the latest Lilypond...
Am 25.01.2009 um 13:00 schrieb Hans Aberg:
On 25 Jan 2009, at 11:58, Ole Schmidt wrote:
the screenshot was fro
when I choose in the preferences "show invisible characters", my file
look like this:
<>
it seems like a copy & paste promblem from my mail-client (Apple
"Mail"). Does anyone know how to fix this?
ole
Am 24.01.2009 um 12:23 schrieb James E. Bailey:
{
\mark \markup \rounded-box {
u try just
copying and pasting in the ′ and ″ characters? Or what about using
\char ##x2032? Does that help?
Am 24.01.2009 um 11:04 schrieb Ole Schmidt:
when I compile your example, it comes out like this (see pdf), why??
I'am on Mac OS 10.5.6 using the latest Lilypond...
ole
Am
when I compile your example, it comes out like this (see pdf), why??
I'am on Mac OS 10.5.6 using the latest Lilypond...
<>
ole
Am 23.01.2009 um 23:59 schrieb Mark Polesky:
James E. Bailey wrote:
Wow, that took me a minute to figure out. The quotes around 33" are
the problem. That makes
did you read my mail? I also attach the file.
Lilypond-LaTeX.engine
Description: Binary data
ole
Some time ago I had the same problem.
You can modify the Lilypond-LaTeX.engine like below (thanks to Kieren
MacMillan):
Am 02.09.2008 um 01:21 schrieb Kieren MacMillan:
In your copy of L
Some time ago I had the same problem.
You can modify the Lilypond-LaTeX.engine like below (thanks to Kieren
MacMillan):
Am 02.09.2008 um 01:21 schrieb Kieren MacMillan:
In your copy of Lilypond-LaTeX.engine, try replacing
___
# Create directory to put all
doesn't it have to do with the encoding which should be UTF-8 ?
ole
Am 04.01.2009 um 20:15 schrieb Antanas Budriūnas:
2009/1/4 Hasi :
Do any of you know how I can use Umlaute?
I'd like to do the following:
_\markup { \italic hartnäckig }
it just comes out as "hartnckig"
On Linux with ja
maybe like this?
ole
%%
\version "2.12.0"
\new Staff {
\time 4/4
\key c \major
\clef treble
\relative c' {
c4 d e f \mark\markup { End } \bar "||" s16
}
}
%
Am 02.01.2009 um 22:09 schrieb A
if you want to use the \rest-feature you have to switch to \notemode
first:
bd4 \notemode {c4 \rest}
hth
ole
Am 01.01.2009 um 00:38 schrieb corallina:
I have been using the c4\rest method when I need to position a
rest on
at a particular location
when I tried it on the percussion s
if you want to use the \rest-feature you have to switch to \notemode
first:
bd4 \notemode {c4 \rest}
hth
ole
Am 01.01.2009 um 00:38 schrieb corallina:
I have been using the c4\rest method when I need to position a
rest on
at a particular location
when I tried it on the percussion s
you have to install a ppc version, see:
http://ivo.bouwmans.name/lilypondleopard/
hth ole
Am 21.10.2008 um 15:25 schrieb Cristian:
Hi
I tried but I can't install Lilypond in my mac.
I can not find in the menu: Compile > Typeset file
(I have a french computer)
Can you help me?
than
btw: the outdated scripts are mentioned in the latest manual version:
2.2.4 TexShop
The TexShop editor for MacOS X can be extended to run LilyPond,
lilypond-book and
convert-ly from within the editor, using the extensions available at
http://www.dimi.uniud
.it/vitacolo/freesoftware.html.
if
great! thank you
ole
Am 02.09.2008 um 00:19 schrieb Kieren MacMillan:
But I must admit that the Lilypond-LaTeX scripts make the process
*much* easier — I'll see what I can do about updating them.
Thanks,
Kieren.
___
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l
thank you! Unfortunatly I get another error warning:
%
cp: No match.
Usage: lilypond-book [OPTIONS] FILE
Process LilyPond snippets in hybrid HTML, LaTeX, texinfo or DocBook
document.
Example usage:
lilypond-book --filter="tr '[a-z]' '[A-Z]'" BOOK
lilypo
t
yourself, perhaps using the previous one as inspiration or
somebody else on the list can assist you.
/Mats
Ole Schmidt wrote:
Some month ago I was using a small lilypond snippet inside a latex
file.
I did that successful with the help of the "lilypond-latex.engine"
script from Nico
Some month ago I was using a small lilypond snippet inside a latex file.
I did that successful with the help of the "lilypond-latex.engine"
script from Nicola Vitacolonna which was mentioned here in the list. (http://users.dimi.uniud.it/~nicola.vitacolonna/download/software/latex/Lilypond-LaTeX.
Am 17.08.2008 um 14:47 schrieb Peter Johnson:
You'll also risk mis-aligning with instruments on other staves.
I have a score for Piano with 3 staves (a \PianoStaff with 3 \context
Staff). To keep the staves aligned, I have to shift them all (after
the line-break).
Is there a way to apply
Peter, thanks for your help, but where do I have to put the \override
NoteColumn #'X-offset command in an Piano(Staff) score to be active in
the hole score (for all line breaks...)?
ole
Am 13.08.2008 um 17:11 schrieb Peter Johnson:
These are two different questions.
Ole Schmidt
I'am trying to type a score with many tied (huge) chords. The result
is not really satisfying in combination with line breaks (see measure
3 to 4 from the attatched jpg). In combination with using
tupletFullLength ##t, a little "3" is appearing after the linebreak
and the tuplet bracked is
I attach the snippet below, it is not working under 2.11.43
if someone can confirm it or take a look in the code,
thanks ole
#(define (naturalise-pitch p)
(let* ((o (ly:pitch-octave p))
(a (ly:pitch-alteration p))
Hi Matthias,
see the snippet below, there is also a snippet in the lsr, but I
can't find it...
\version "2.10.15"
\new Staff {
\time 4/4 \override Staff.TimeSignature #'style = #'()
\relative c'{
c4^\markup { { \score {\new Staff \with {
\remove "Time_signature_engraver"
\remove "Clef_e
this may be serve as a model (fractional arithmetic...)
\version "2.11.42"
violin = \new Staff
\with { \remove "Time_signature_engraver" }
{
%\override Staff.BarLine #'transparent = ##t
\time 48/16
\compressMusic #'(3 . 4) {
\relative c' { g'''1\fermata s4\breathe cis,,,1\ferm
\override TupletBracket #'bracket-visibility = ##f
HTH ole
Am 11.02.2008 um 23:42 schrieb stefanozanobini:
Hi,
when I write non-typical tuplets (i.e. 2 notes with 8th-duration
and 2 notes with 16th-duration) brackets compare automatically. In
that case I don't need any bracket
your examples have no backlashes \
I assume the height of the rest has to do with the polyphony, if you
want to center the rest:
\once \override Rest #'staff-position = #1
hth
ole
Am 26.01.2008 um 18:27 schrieb [EMAIL PROTECTED]:
Dear lilypond-users,
a question concerning modern glissando.
Hi Trevor,
Thank you very much for your detailed explanations about what
tupletFullLenghtNote does.
Fortunatly, when using tupletFullLength only everything looks fine
and consistent.
I don't think I really need tupletFullLenghtNote mandatory for my
purposes (now).
best
ole
Hi Ole
I don't know if it is the correct solution but it works...
best
ole
%%
\version "2.10.33"
\header { title = "Brackets don't work with spaces" }
A = {
\time 4/4
\clef treble
s2\startGroup^\markup { \column { "{ 1 }" } }
s2\stopGroup^
Dear All,
I recently discovered happily "tupletFullLength = ##t" and
"tupletFullLengthNote = ##t"
Is it normal that the right edge of the tuplet brackets ends always
at a different point (as you can see in the attached jpg)?
best
ole
<>___
lilypo
Dear All,
I were asking a few days ago if there is something wrong with my code
in the snippet below?
The triplets are not displayed correctly.
(See attached pdf)
best
ole
<>
%
\new Staff {
\set Staff.printPartCombineTexts = ##f
\time 6/4
\clef "G_8"
\partcombine
dear all,
this is maybe a bit stupid question...:
when I have a construction like below, the two \override commands
only take effect on the first { }. Where do I have to put them to
also override the two following { } (I only want them in this
particular staff, not in the whole score).
%
you mean like below? That works fine...
ole
\new Staff {
\time 6/4
\clef "G_8"
\relative c'<< { \override TupletBracket #'direction = #up
r4 \times 2/3 { r8 4 } 2 \times 2/3 { r8 4 } e'~>4 |
} \\
{
r1 r4 r8 es,~ |
} >>
}
\version "2.11.36"
%
dear all,
in the following snippet I use \partcombine and no Triplets are
displayed. When I % the \partcombine and the second part then
everything is fine.
Do I miss something?
ole
%
\new Staff {
\set Staff.printPartCombineTexts = ##f
\time 6/4
\clef "G_8"
\partco
oh, I missunderstood that, I confused C with G (treble with alto) clef..
that "Schlitztrommel" is not really tuned...
Am 13.01.2008 um 01:35 schrieb Rune Zedeler:
Ole Schmidt skrev:
when I compile the following snippet I get what you can see in the
pdf...
It does not tra
What instruments are you writing for that need pitches and also
need percussion staff.
I write for "Schlitztrommel" which is a tuned percussion instrument
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I looks like it treats percussion like alto clef with middle C on
the center line.
alto clef is so hard to read :)
This is possibly related to
Showing melody rhythms
in Section 2.4.1 in the documentation.
why? in which way?
ole
}
\score {
<<
\testfile
\testfileZwei
>>
}
%%
bug?.pdf
Description: Adobe PDF document
Am 13.01.2008 um 00:40 schrieb Rune Zedeler:
Ole Schmidt skrev:
is it a normal behaviour that the \clef percussion transposes like
in the following
dear all,
is it a normal behaviour that the \clef percussion transposes like in
the following snippet?
\new Staff {
\clef percussion
{ c' d' e' f' g' }
%%%
thanks for a hint
ole
__
thank you very much, now I understand how it works- unfortunatly I
need the note to be tied ~ like below
and that does not work - but maybe that's a tall order...
best
ole
%%
staffClassicalGuitar = {c'4 c' c' c'}
staffClassicalGuitarII = {g'4 g' g'~ \change
dear all,
I have a score like the excerpt below and want to switch the last
note of the second
staff (staffClassicalGuitarII) to the first staff.
Is it possible to use \change Staff = command in such a
construction?
And if yes what would be the right syntax?
Unfortunatly I do not under
btw, can I change the size of the seperators- they look pretty cute
but I doubt if they help...(see jpg)
thanks
ole
<>
Am 10.01.2008 um 20:22 schrieb Valentin Villenave:
2008/1/10, Ole Schmidt <[EMAIL PROTECTED]>:
where do I have to put "systemSeperatorMarkup = ##t&quo
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